316 Résultats
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Since its formation in 1995 by Patrick Beaucé and Bernard Cache, Ojectile is working on technologies for a 'Non-Standard Architecture'. That means, that the architectural project consists of a 'model' with its primary elements varying on the basis of invariant relations between them. With Fast-wood: a Brouillon Project Objectile presents for the first time a(...)
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Since its formation in 1995 by Patrick Beaucé and Bernard Cache, Ojectile is working on technologies for a 'Non-Standard Architecture'. That means, that the architectural project consists of a 'model' with its primary elements varying on the basis of invariant relations between them. With Fast-wood: a Brouillon Project Objectile presents for the first time a(...)
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Objectile 6 (consequence series on fresh architecture) Fast-Wood: a brouillon project
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Since its formation in 1995 by Patrick Beaucé and Bernard Cache, Ojectile is working on technologies for a 'Non-Standard Architecture'. That means, that the architectural project consists of a 'model' with its primary elements varying on the basis of invariant relations between them. With Fast-wood: a Brouillon Project Objectile presents for the first time a comprehensive survey of their current work within the scope of the Consequence Book Series on Fresh Architecture.
Objectile 6 (consequence series on fresh architecture) Fast-Wood: a brouillon project
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Since its formation in 1995 by Patrick Beaucé and Bernard Cache, Ojectile is working on technologies for a 'Non-Standard Architecture'. That means, that the architectural project consists of a 'model' with its primary elements varying on the basis of invariant relations between them. With Fast-wood: a Brouillon Project Objectile presents for the first time a comprehensive survey of their current work within the scope of the Consequence Book Series on Fresh Architecture.
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livres
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décembre 2005, New York
décembre 2005, New York
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The consequence book series on fresh architecture aims to document the ongoing changes to the professional prole of architecture, especially changes that have resulted from the paradigm shift of the Modern movement. These changes are dened by direct experience in real space, a movement characterized by production and interaction in virtual space. The EDAS-Kommunalka(...)
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The consequence book series on fresh architecture aims to document the ongoing changes to the professional prole of architecture, especially changes that have resulted from the paradigm shift of the Modern movement. These changes are dened by direct experience in real space, a movement characterized by production and interaction in virtual space. The EDAS-Kommunalka(...)
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mars 2006, Wien, New York
mars 2006, Wien, New York
Titre:
Consequence book series on fresh architecture vol. 5 : Edas - design kommunalka
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The consequence book series on fresh architecture aims to document the ongoing changes to the professional prole of architecture, especially changes that have resulted from the paradigm shift of the Modern movement. These changes are dened by direct experience in real space, a movement characterized by production and interaction in virtual space. The EDAS-Kommunalka is a group of young architects and designers led by Vladislav and Liudmila Kirpichev.
Consequence book series on fresh architecture vol. 5 : Edas - design kommunalka
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The consequence book series on fresh architecture aims to document the ongoing changes to the professional prole of architecture, especially changes that have resulted from the paradigm shift of the Modern movement. These changes are dened by direct experience in real space, a movement characterized by production and interaction in virtual space. The EDAS-Kommunalka is a group of young architects and designers led by Vladislav and Liudmila Kirpichev.
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mars 2006, Wien, New York
mars 2006, Wien, New York
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This booklet traces through projects of different scales and situations the progression of an architectural programme from the first skin through into the second skin grouped into four clusters: cave, ground, horizon and wind, and accompanied by a tractatus text linking projects with programmatic and poetic concepts.
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This booklet traces through projects of different scales and situations the progression of an architectural programme from the first skin through into the second skin grouped into four clusters: cave, ground, horizon and wind, and accompanied by a tractatus text linking projects with programmatic and poetic concepts.
Titre:
Chora / Raoul Bunschoten - from matter to metaspace : cave, ground, horizon, wind
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This booklet traces through projects of different scales and situations the progression of an architectural programme from the first skin through into the second skin grouped into four clusters: cave, ground, horizon and wind, and accompanied by a tractatus text linking projects with programmatic and poetic concepts.
Chora / Raoul Bunschoten - from matter to metaspace : cave, ground, horizon, wind
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This booklet traces through projects of different scales and situations the progression of an architectural programme from the first skin through into the second skin grouped into four clusters: cave, ground, horizon and wind, and accompanied by a tractatus text linking projects with programmatic and poetic concepts.
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décembre 2005, Vienna
décembre 2005, Vienna
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003,(...)
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003,(...)
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Marcosandmarjan : interfaces / intrafaces
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003, and the participation in the `Metaflux´ exhibition at the Venice Biennale in 2004. They just finished two pavilions and the general layout for the 75th Lisbon Book Fair in Portugal and are currently developing a large entertainment complex in Beijing. With "Interfaces / Intrafaces" marcosandmarjan present for the first time a comprehensive monographic documentation of their work within the scope of the Consequence Book Series on Fresh Architecture. The book contains an introduction by Peter Cook and numerous colored illustrations.
Marcosandmarjan : interfaces / intrafaces
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003, and the participation in the `Metaflux´ exhibition at the Venice Biennale in 2004. They just finished two pavilions and the general layout for the 75th Lisbon Book Fair in Portugal and are currently developing a large entertainment complex in Beijing. With "Interfaces / Intrafaces" marcosandmarjan present for the first time a comprehensive monographic documentation of their work within the scope of the Consequence Book Series on Fresh Architecture. The book contains an introduction by Peter Cook and numerous colored illustrations.
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livres
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décembre 2005, Vienna
décembre 2005, Vienna
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Titre:
Alphabet city 10 : suspects
Alphabet city 10 : suspects
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What is the condition of the suspect in a post-9/11 world? Do perpetual detention, ubiquitous surveillance cameras, and the legal apparatus of the USA Patriot Act target suspects accurately or generate suspicion indiscriminately? "Suspect", the latest in a series from Alphabet City and the first in its new format of topical book-length magazines, gathers hard evidence(...)
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What is the condition of the suspect in a post-9/11 world? Do perpetual detention, ubiquitous surveillance cameras, and the legal apparatus of the USA Patriot Act target suspects accurately or generate suspicion indiscriminately? "Suspect", the latest in a series from Alphabet City and the first in its new format of topical book-length magazines, gathers hard evidence(...)
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Alphabet city 10 : suspects
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What is the condition of the suspect in a post-9/11 world? Do perpetual detention, ubiquitous surveillance cameras, and the legal apparatus of the USA Patriot Act target suspects accurately or generate suspicion indiscriminately? "Suspect", the latest in a series from Alphabet City and the first in its new format of topical book-length magazines, gathers hard evidence about the fate of the suspect in a culture of suspicion with contributions from writers, artists, and filmmakers. Their testimony takes a multiplicity of forms and formats. Among them:a 24-page color comic by graphic novelist Joey Dubuc asks the reader to make narrative choices in a web of surveillance, suspicion, and fear. Harper's contributor Mark Kingwell observes that while suspicion tries to isolate the suspect, in fact we are all the suspect. Slavoj Zizek reflects on the new cultural status of the suspect after Abu Ghraib. Philosopher George Bragues argues that even as the United Nations looks for ways to discipline "suspect nations," it simply cannot succeed under current international conditions. Alphabet City editor John Knechtel interviews Naomi Klein, author of No Logo, about the legal and political strategies of the Bush administration. Sylwia Chrostowska describes what happens, in the the 1970 Italian film Investigation of a Citizen Above Suspicion, when a corrupt official investigates himself. Screenwriter Timothy Stock and illustrator Warren Heise create a documentary in comic form about Critical Ensemble artist Steve Kurtz, charged under the bioterrorism provisions of the Patriot Act. Novelist Camilla Gibb portrays, in "Things Collapse," the terrifying effects of a "separating sickness" of unknown origin, which perhaps exists only in the fears of the population it strikes. And novelist Diana Fitzgerald Bryden follows her character Rafa Ahmed, a PFLP hijacker from the 1970s, as, many years later, she is to appear at a peace conference. Filmmaker Patricia Rozema, director of Mansfield Park and other films, contributes a 16-page film-in-a-book, "Suspect." Suspect is a non-partisan handbook on the mechanisms and machinations of suspicion for the twenty-first century national security state.
Alphabet city 10 : suspects
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What is the condition of the suspect in a post-9/11 world? Do perpetual detention, ubiquitous surveillance cameras, and the legal apparatus of the USA Patriot Act target suspects accurately or generate suspicion indiscriminately? "Suspect", the latest in a series from Alphabet City and the first in its new format of topical book-length magazines, gathers hard evidence about the fate of the suspect in a culture of suspicion with contributions from writers, artists, and filmmakers. Their testimony takes a multiplicity of forms and formats. Among them:a 24-page color comic by graphic novelist Joey Dubuc asks the reader to make narrative choices in a web of surveillance, suspicion, and fear. Harper's contributor Mark Kingwell observes that while suspicion tries to isolate the suspect, in fact we are all the suspect. Slavoj Zizek reflects on the new cultural status of the suspect after Abu Ghraib. Philosopher George Bragues argues that even as the United Nations looks for ways to discipline "suspect nations," it simply cannot succeed under current international conditions. Alphabet City editor John Knechtel interviews Naomi Klein, author of No Logo, about the legal and political strategies of the Bush administration. Sylwia Chrostowska describes what happens, in the the 1970 Italian film Investigation of a Citizen Above Suspicion, when a corrupt official investigates himself. Screenwriter Timothy Stock and illustrator Warren Heise create a documentary in comic form about Critical Ensemble artist Steve Kurtz, charged under the bioterrorism provisions of the Patriot Act. Novelist Camilla Gibb portrays, in "Things Collapse," the terrifying effects of a "separating sickness" of unknown origin, which perhaps exists only in the fears of the population it strikes. And novelist Diana Fitzgerald Bryden follows her character Rafa Ahmed, a PFLP hijacker from the 1970s, as, many years later, she is to appear at a peace conference. Filmmaker Patricia Rozema, director of Mansfield Park and other films, contributes a 16-page film-in-a-book, "Suspect." Suspect is a non-partisan handbook on the mechanisms and machinations of suspicion for the twenty-first century national security state.
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Publication:
octobre 2005, Cambridge, London
octobre 2005, Cambridge, London
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Folding is a relatively new trend in architecture. It is a very playful way of designing which offers free reign to spontaneity and surprise in the design process. The book "Folding Architecture – spatial, structural and organizational diagrams" offers insights into the possibilities of folding as well as results of the research conducted by the architectural faculty of(...)
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Folding is a relatively new trend in architecture. It is a very playful way of designing which offers free reign to spontaneity and surprise in the design process. The book "Folding Architecture – spatial, structural and organizational diagrams" offers insights into the possibilities of folding as well as results of the research conducted by the architectural faculty of(...)
Titre:
Folding architecture : spatial, structural and organizational diagrams
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Folding is a relatively new trend in architecture. It is a very playful way of designing which offers free reign to spontaneity and surprise in the design process. The book "Folding Architecture – spatial, structural and organizational diagrams" offers insights into the possibilities of folding as well as results of the research conducted by the architectural faculty of the TU in Delft. The technique of folding in contemporary architecture is vividly illustrated with a survey of much-discussed concepts, projects and buildings in which this technique was applied. Now back in print.
Folding architecture : spatial, structural and organizational diagrams
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Folding is a relatively new trend in architecture. It is a very playful way of designing which offers free reign to spontaneity and surprise in the design process. The book "Folding Architecture – spatial, structural and organizational diagrams" offers insights into the possibilities of folding as well as results of the research conducted by the architectural faculty of the TU in Delft. The technique of folding in contemporary architecture is vividly illustrated with a survey of much-discussed concepts, projects and buildings in which this technique was applied. Now back in print.
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livres
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juillet 2006, Amsterdam
juillet 2006, Amsterdam
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$49.95
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon(...)
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon(...)
Titre:
Spacepieces : Valentin Bearth & Andrea Deplazes / de aedibus 1
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon which each specific architectural task is based.
Spacepieces : Valentin Bearth & Andrea Deplazes / de aedibus 1
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The architects Valentin Bearth & Andreas Deplazes, from Chur, have an impressive oeuvre to their credit, an oeuvre that has grown continuously over the past ten years. Their architecture is free of all repetition and stereotyped convention, and it cannot be classified in any category of trendy architecture. Each work responds to the place and the numerous parameters upon which each specific architectural task is based.
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janvier 1900, Luzern
janvier 1900, Luzern
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal(...)
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal(...)
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janvier 1900, Luzern
janvier 1900, Luzern
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Old-new : Miroslav Šik / de aedibus 2
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal and over-ambitious architecture. His interest and attention is focused on the people who live in the buildings and populate the cites, and he is concerned with the necessary rather than the superfluous. The book introduces three recent works by the Zurich architect and professor at the ETH Zurich in subtle photographs by Christian Kerez and Walter Mayr, accompanied by plans. The high-quality texts draw attention to architectural cross-references and plumb the depths of the attributes of a powerful new whole that has emerged from a building complex. Selected texts by Miroslav Šik document the foundations of his rich theoretical basis.
Old-new : Miroslav Šik / de aedibus 2
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Since the beginning of the 1990s, Miroslav Šik has been recognised as one of the actively innovative and analytical spirits of the Swiss and German-speaking architectural discussion. His architecture is not spectacular, nor does he flirt with short-lived architectural trends. In a manner of speaking, Miroslav Šik seeks the subversive and powerful middle path between banal and over-ambitious architecture. His interest and attention is focused on the people who live in the buildings and populate the cites, and he is concerned with the necessary rather than the superfluous. The book introduces three recent works by the Zurich architect and professor at the ETH Zurich in subtle photographs by Christian Kerez and Walter Mayr, accompanied by plans. The high-quality texts draw attention to architectural cross-references and plumb the depths of the attributes of a powerful new whole that has emerged from a building complex. Selected texts by Miroslav Šik document the foundations of his rich theoretical basis.
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livres
livres
Publication:
janvier 1900, Luzern
janvier 1900, Luzern
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$22.95
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
Titre:
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
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livres
livres
Publication:
juillet 2004, Berlin
juillet 2004, Berlin
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable(...)
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable(...)
Titre:
Figures : Andrea Bassi / de aedibus 6
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable characteristics, whereby he derives his powerful reduced forms from the site of the building. Martin Steinmann, a well-known architectural critic and teacher at the EPF Lausanne, analyses some of the aspect in Andrea Bassi's architecture. Five buildings and projects are presented in short texts, plans and photographs.
Figures : Andrea Bassi / de aedibus 6
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The development of Swiss architecture over the past thirty years can be interpreted as a sequence of "moments" against the background of different geographical, cultural and linguistic zones. One such "moment" is the work of the 40-year-old Genevan architect Andrea Bassi. Raised in the Ticino and educated in Lugano and Geneva, his work already evidences some unmistakable characteristics, whereby he derives his powerful reduced forms from the site of the building. Martin Steinmann, a well-known architectural critic and teacher at the EPF Lausanne, analyses some of the aspect in Andrea Bassi's architecture. Five buildings and projects are presented in short texts, plans and photographs.
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livres
livres
Publication:
janvier 2004, Luzern
janvier 2004, Luzern
Sujet:
petits formats
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