266 Résultats
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Beyond the Plan is a book about the ways in which we transform our own personal space as an expression of ourselves, whilst still dwelling within structures imposed on us by architects and planners. It centres around a series of interviews carried out by Willats with people living on estates in London, Bath and Berlin between the late 1970s and late 1990s, which led to(...)
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Beyond the Plan is a book about the ways in which we transform our own personal space as an expression of ourselves, whilst still dwelling within structures imposed on us by architects and planners. It centres around a series of interviews carried out by Willats with people living on estates in London, Bath and Berlin between the late 1970s and late 1990s, which led to(...)
Titre:
Beyond the plan : the transformation of personal space in housing
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Beyond the Plan is a book about the ways in which we transform our own personal space as an expression of ourselves, whilst still dwelling within structures imposed on us by architects and planners. It centres around a series of interviews carried out by Willats with people living on estates in London, Bath and Berlin between the late 1970s and late 1990s, which led to the creation of interactive and participatory artworks that were often presented in the same buildings in which those people lived. They examine the personalisation of the dwelling space itself, the individualisation of the immediate environment, and the ways in which adjacent spaces such as wastelands and allotments are turned into places of escape. In the accompanying essays, Willats explains why, as an artist, he centred his work on the polemics of modern building, and sets out the conclusions he has drawn from the exchanges he has had with residents - the common attitudes he has discovered across boundaries of age, taste and social background.
Beyond the plan : the transformation of personal space in housing
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Beyond the Plan is a book about the ways in which we transform our own personal space as an expression of ourselves, whilst still dwelling within structures imposed on us by architects and planners. It centres around a series of interviews carried out by Willats with people living on estates in London, Bath and Berlin between the late 1970s and late 1990s, which led to the creation of interactive and participatory artworks that were often presented in the same buildings in which those people lived. They examine the personalisation of the dwelling space itself, the individualisation of the immediate environment, and the ways in which adjacent spaces such as wastelands and allotments are turned into places of escape. In the accompanying essays, Willats explains why, as an artist, he centred his work on the polemics of modern building, and sets out the conclusions he has drawn from the exchanges he has had with residents - the common attitudes he has discovered across boundaries of age, taste and social background.
Classification:
livres
livres
Publication:
avril 2002, London
avril 2002, London
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livres
livres
Titre:
Arcade 20.3 spring 2002
Arcade 20.3 spring 2002
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture(...)
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture(...)
Titre:
Arcade 20.3 spring 2002
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture puts it in their Fourth Walk: “[We] painted the place in the polis of the sour heat and the pulse beneath our coats, the specific entry of our exhalations and words into the atmosphere…Our method was patience. We would slowly absorb each image until we were what we had deliberately chosen to become. Of course then we ourselves were the documents; we acquired a fragility. Hello my Delicate we would repeat when we met by chance in the streets under the rows of posters Hello my Delicate.” Matthew Stadler is a novelist and essayist whose writing about design has appeared in Nest magazine, Wiederhal, Frieze, The Guardian, and The Seattle Times. He is the editor of Clear Cut Press, a new publishing and distribution company based in Astoria, OR. editor@clearcutpress.com. Tae Won Yu is an artist working in Olympia, Washington. His previous projects include designs for Built To Spill, photographs for Nest magazine, and illlustrations for The Stranger.
Arcade 20.3 spring 2002
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture puts it in their Fourth Walk: “[We] painted the place in the polis of the sour heat and the pulse beneath our coats, the specific entry of our exhalations and words into the atmosphere…Our method was patience. We would slowly absorb each image until we were what we had deliberately chosen to become. Of course then we ourselves were the documents; we acquired a fragility. Hello my Delicate we would repeat when we met by chance in the streets under the rows of posters Hello my Delicate.” Matthew Stadler is a novelist and essayist whose writing about design has appeared in Nest magazine, Wiederhal, Frieze, The Guardian, and The Seattle Times. He is the editor of Clear Cut Press, a new publishing and distribution company based in Astoria, OR. editor@clearcutpress.com. Tae Won Yu is an artist working in Olympia, Washington. His previous projects include designs for Built To Spill, photographs for Nest magazine, and illlustrations for The Stranger.
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livres
livres
Publication:
mars 2002, Seattle
mars 2002, Seattle
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livres soldés
livres soldés
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livres
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
Titre:
Kesling modern structures : popularizing modern design in southern California 1934-1962
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
Kesling modern structures : popularizing modern design in southern California 1934-1962
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
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livres
livres
Publication:
avril 2002, Los Angeles
avril 2002, Los Angeles
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livres soldés
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have(...)
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have(...)
Titre:
Place - Geoffrey James, Rudy Wiebe
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have been married with the words of Rudy Wiebe to present a vision of the very soul of Canada, and of that Prairie experience which has so informed recent Canadian fiction. Rudy Wiebe offers an accompanying set of brief stories that draw on many layers of history as well as his personal memories to evoke the sense of place that is Lethbridge.
Place - Geoffrey James, Rudy Wiebe
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Résumé:
Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have been married with the words of Rudy Wiebe to present a vision of the very soul of Canada, and of that Prairie experience which has so informed recent Canadian fiction. Rudy Wiebe offers an accompanying set of brief stories that draw on many layers of history as well as his personal memories to evoke the sense of place that is Lethbridge.
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livres
livres
Publication:
septembre 2002, Vancouver
septembre 2002, Vancouver
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livres soldés
livres soldés
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livres
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Public 22/23 : cities/scenes
Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures(...)
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures(...)
Titre:
Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures into communities, subcultures, networks and innumerable other unities. "Scenes" are both the haziest of such unities and some of the most productive. Amidst an explosion of writing on all aspects of urban culture, our focus on scenes has served to constrain and inspire the studies contained in this issue. Contributors: Adrian Blackwell, Alan Blum, Jenny Burman, Jean-François Côté, Jonathan Gainer, Elke Grenzer, Janet Jones, Ryan Kamstra, Janine Marchessault, Paul Moore, Brian Poole, James N. Porter, John Porter, Peter Shevlin, Johanne Sloane, Geoff Stahl, Will Straw, Tom Taylor, Kathryn Walter, Margaux Williamson, Kelly Wood. Originally priced at $20.00.
Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures into communities, subcultures, networks and innumerable other unities. "Scenes" are both the haziest of such unities and some of the most productive. Amidst an explosion of writing on all aspects of urban culture, our focus on scenes has served to constrain and inspire the studies contained in this issue. Contributors: Adrian Blackwell, Alan Blum, Jenny Burman, Jean-François Côté, Jonathan Gainer, Elke Grenzer, Janet Jones, Ryan Kamstra, Janine Marchessault, Paul Moore, Brian Poole, James N. Porter, John Porter, Peter Shevlin, Johanne Sloane, Geoff Stahl, Will Straw, Tom Taylor, Kathryn Walter, Margaux Williamson, Kelly Wood. Originally priced at $20.00.
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livres
livres
Publication:
janvier 2002, Toronto
janvier 2002, Toronto
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livres soldés
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livres
Titre:
The world unfurled
The world unfurled
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Over 12 million people each year are wowed by Matteo Pericoli's spectacular skyline mural in New York's JFK International Airport. Now Pericoli has rendered that same mural in this unique accordion format. The original 397-foot drawing (the largest ever featured in an airline terminal) captures the breathtaking beauty of 415 famous buildings from 70 countries melded into(...)
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Résumé:
Over 12 million people each year are wowed by Matteo Pericoli's spectacular skyline mural in New York's JFK International Airport. Now Pericoli has rendered that same mural in this unique accordion format. The original 397-foot drawing (the largest ever featured in an airline terminal) captures the breathtaking beauty of 415 famous buildings from 70 countries melded into(...)
Publication:
octobre 2008, San Francisco
octobre 2008, San Francisco
Titre:
The world unfurled
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Résumé:
Over 12 million people each year are wowed by Matteo Pericoli's spectacular skyline mural in New York's JFK International Airport. Now Pericoli has rendered that same mural in this unique accordion format. The original 397-foot drawing (the largest ever featured in an airline terminal) captures the breathtaking beauty of 415 famous buildings from 70 countries melded into a seamless skyline where the Eiffel Tower rubs shoulders with the Brooklyn Bridge.
The world unfurled
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Résumé:
Over 12 million people each year are wowed by Matteo Pericoli's spectacular skyline mural in New York's JFK International Airport. Now Pericoli has rendered that same mural in this unique accordion format. The original 397-foot drawing (the largest ever featured in an airline terminal) captures the breathtaking beauty of 415 famous buildings from 70 countries melded into a seamless skyline where the Eiffel Tower rubs shoulders with the Brooklyn Bridge.
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livres
livres
Publication:
octobre 2008, San Francisco
octobre 2008, San Francisco
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livres
livres
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$22.50
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Résumé:
This catalogue is published by the San Francisco Museum of Modern Art in the occasion of the exhibition Brought to Light: Photography and the Invisible, 1840-1900, organized by Corey Keller.
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Résumé:
This catalogue is published by the San Francisco Museum of Modern Art in the occasion of the exhibition Brought to Light: Photography and the Invisible, 1840-1900, organized by Corey Keller.
Publication:
novembre 2008, San Francisco
novembre 2008, San Francisco
Titre:
Brought to light: photography and the invisible 1840-1900
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This catalogue is published by the San Francisco Museum of Modern Art in the occasion of the exhibition Brought to Light: Photography and the Invisible, 1840-1900, organized by Corey Keller.
Brought to light: photography and the invisible 1840-1900
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This catalogue is published by the San Francisco Museum of Modern Art in the occasion of the exhibition Brought to Light: Photography and the Invisible, 1840-1900, organized by Corey Keller.
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livres
livres
Publication:
novembre 2008, San Francisco
novembre 2008, San Francisco
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$9.00
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years(...)
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years(...)
Titre:
Susan Cianciolo: the lilac spaceship fanzine
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years involved the collaboration of some of New York�s leading artists and musicians. The Lilac Spaceship Fanzine, created over the last year, embodies the idea of what has been Cianciolo�s most fond images to be inspired by and the complete joy and magical beauty of having her baby - Lilac Sky - who inspired the completion and the title of this publication, �..since she is another dimension, just like a space ship!�. Susan Cianciolo has been included in i-D�s Fashion Now book, among 150 of the most important designers of our times, and she has been one of the pioneers in using eco friendly materials in her collections. Her illustrations and paintings have also been exhibited worldwide in several galleries and museums.
Susan Cianciolo: the lilac spaceship fanzine
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Susan Cianciolo (Rhode Island, 1969) is a New York based fashion designer and artist. Cianciolo began her career in 1995 after graduating from Parson�s School of Design, by collaborating with Kim Gordon on the X-Girl clothing line, while around the same time starting her own Run collection � mixing clothing with film and performance art � which for 10 years involved the collaboration of some of New York�s leading artists and musicians. The Lilac Spaceship Fanzine, created over the last year, embodies the idea of what has been Cianciolo�s most fond images to be inspired by and the complete joy and magical beauty of having her baby - Lilac Sky - who inspired the completion and the title of this publication, �..since she is another dimension, just like a space ship!�. Susan Cianciolo has been included in i-D�s Fashion Now book, among 150 of the most important designers of our times, and she has been one of the pioneers in using eco friendly materials in her collections. Her illustrations and paintings have also been exhibited worldwide in several galleries and museums.
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livres
livres
Publication:
juillet 2008, Z�rich
juillet 2008, Z�rich
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livres soldés
Classification:
livres
livres
Titre:
Concepts of love
Concepts of love
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This exhibition catalogue posits falling in love as a radical action. It includes supporting material from a wide range of writers--from Plato to Kathy Acker--and features artworks by Gerry Bibby, Bless, Keren Cytter, Ekkehard Ehlers, Stephan Geene, Judith Hopf, Francesca Lacatena, De Rijke/De Rooij, Jörg Rode, Deborah Schamoni and Florian Zeyfang.
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Résumé:
This exhibition catalogue posits falling in love as a radical action. It includes supporting material from a wide range of writers--from Plato to Kathy Acker--and features artworks by Gerry Bibby, Bless, Keren Cytter, Ekkehard Ehlers, Stephan Geene, Judith Hopf, Francesca Lacatena, De Rijke/De Rooij, Jörg Rode, Deborah Schamoni and Florian Zeyfang.
Publication:
juillet 2008
juillet 2008
Titre:
Concepts of love
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Résumé:
This exhibition catalogue posits falling in love as a radical action. It includes supporting material from a wide range of writers--from Plato to Kathy Acker--and features artworks by Gerry Bibby, Bless, Keren Cytter, Ekkehard Ehlers, Stephan Geene, Judith Hopf, Francesca Lacatena, De Rijke/De Rooij, Jörg Rode, Deborah Schamoni and Florian Zeyfang.
Concepts of love
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This exhibition catalogue posits falling in love as a radical action. It includes supporting material from a wide range of writers--from Plato to Kathy Acker--and features artworks by Gerry Bibby, Bless, Keren Cytter, Ekkehard Ehlers, Stephan Geene, Judith Hopf, Francesca Lacatena, De Rijke/De Rooij, Jörg Rode, Deborah Schamoni and Florian Zeyfang.
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livres
livres
Publication:
juillet 2008
juillet 2008
Classification:
livres
livres
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This book has been published to accompany the exhibition Andy Warhol - Shadows and Other Signs of Life at Galerie Chantal Crousel, Paris December 15, 2007 - January 19, 2008.
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This book has been published to accompany the exhibition Andy Warhol - Shadows and Other Signs of Life at Galerie Chantal Crousel, Paris December 15, 2007 - January 19, 2008.
Publication:
juin 2008, Paris, Köln
juin 2008, Paris, Köln
Titre:
Andy Warhol: shadows and other signs of life
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This book has been published to accompany the exhibition Andy Warhol - Shadows and Other Signs of Life at Galerie Chantal Crousel, Paris December 15, 2007 - January 19, 2008.
Andy Warhol: shadows and other signs of life
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This book has been published to accompany the exhibition Andy Warhol - Shadows and Other Signs of Life at Galerie Chantal Crousel, Paris December 15, 2007 - January 19, 2008.
Classification:
livres
livres
Publication:
juin 2008, Paris, Köln
juin 2008, Paris, Köln
