266 Résultats
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On European ground
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
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On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
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livres
Publication:
avril 2001, Chicago
avril 2001, Chicago
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livres
livres
Titre:
America
America
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$16.95
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Constantin Boym : une figure d'exeption dans l'univers du design. Né en Russie, émigré aux USA, Boym a fait de la culture populaire américaine sa principale source d'inspiration. D'objets du quotidien, il tire des formes subtiles et fines. Travaillant pour des compagnies comme Authentics, Swatch, Swarovski ou Vitra, il a réalisé des projets qui vont du fauteuil à(...)
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Constantin Boym : une figure d'exeption dans l'univers du design. Né en Russie, émigré aux USA, Boym a fait de la culture populaire américaine sa principale source d'inspiration. D'objets du quotidien, il tire des formes subtiles et fines. Travaillant pour des compagnies comme Authentics, Swatch, Swarovski ou Vitra, il a réalisé des projets qui vont du fauteuil à(...)
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Publication:
novembre 2005, Lausanne
novembre 2005, Lausanne
Titre:
America
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Constantin Boym : une figure d'exeption dans l'univers du design. Né en Russie, émigré aux USA, Boym a fait de la culture populaire américaine sa principale source d'inspiration. D'objets du quotidien, il tire des formes subtiles et fines. Travaillant pour des compagnies comme Authentics, Swatch, Swarovski ou Vitra, il a réalisé des projets qui vont du fauteuil à l'assiette-souvenir en passant par des boîtes de conservation et de rangement, des tapis de bain ou encore une montre. Constantin Boym : an execptional figure in the design world. Born in Russia, an émigré to the USA, Boym has made American culture his prime source of inspiration. From everyday objects he extracts fine, subtle forms. Working for such fcompanies as Authentics, Swatch, Swarovski and Vitra, he has carried out projects ranging from an armchair to a souvenir plate, by way of storage boxes, bath mats and a watch. In his "Buildings of Disaster" series he reproduces in miniature buildings that have become associated with tragedy : Twin Towers. Tunnel de l'Alma, Chernobyl. Était à $53.95 / Was $53.95
America
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Constantin Boym : une figure d'exeption dans l'univers du design. Né en Russie, émigré aux USA, Boym a fait de la culture populaire américaine sa principale source d'inspiration. D'objets du quotidien, il tire des formes subtiles et fines. Travaillant pour des compagnies comme Authentics, Swatch, Swarovski ou Vitra, il a réalisé des projets qui vont du fauteuil à l'assiette-souvenir en passant par des boîtes de conservation et de rangement, des tapis de bain ou encore une montre. Constantin Boym : an execptional figure in the design world. Born in Russia, an émigré to the USA, Boym has made American culture his prime source of inspiration. From everyday objects he extracts fine, subtle forms. Working for such fcompanies as Authentics, Swatch, Swarovski and Vitra, he has carried out projects ranging from an armchair to a souvenir plate, by way of storage boxes, bath mats and a watch. In his "Buildings of Disaster" series he reproduces in miniature buildings that have become associated with tragedy : Twin Towers. Tunnel de l'Alma, Chernobyl. Était à $53.95 / Was $53.95
Classification:
livres
livres
Publication:
novembre 2005, Lausanne
novembre 2005, Lausanne
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livres soldés
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livres
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$20.00
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Résumé:
After decades of being banished from residential areas, water is now becoming an increasingly significant feature in urban design. Whether it is the integration of natural water courses into the built environment rainwater management, the incorporation of water elements in urban areas for climatic purposes or the creation of oases of tranquility or drama such as pools or(...)
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After decades of being banished from residential areas, water is now becoming an increasingly significant feature in urban design. Whether it is the integration of natural water courses into the built environment rainwater management, the incorporation of water elements in urban areas for climatic purposes or the creation of oases of tranquility or drama such as pools or(...)
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livres soldés
livres soldés
Publication:
décembre 2005, Basel, Boston, Berlin
décembre 2005, Basel, Boston, Berlin
Titre:
New waterscapes : planning, building and designing with water
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After decades of being banished from residential areas, water is now becoming an increasingly significant feature in urban design. Whether it is the integration of natural water courses into the built environment rainwater management, the incorporation of water elements in urban areas for climatic purposes or the creation of oases of tranquility or drama such as pools or fountains – all these aspects are not only encountering renewed interest among architects and urban planners, but they are also greeted with appreciation by the general public. This book reveals the wide variety of possibilities for using water as a creative element in the city, in art, in the landscape and architecture. Amongst the works documented are a large new city park in Portland (Oregon), the botanical gardens in New York Queens, the conversion of a former airport in Oslo, the park for a new residential area in Oulu, near the Polar Circle in Finland, or a project for Hangzhon, China.
New waterscapes : planning, building and designing with water
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After decades of being banished from residential areas, water is now becoming an increasingly significant feature in urban design. Whether it is the integration of natural water courses into the built environment rainwater management, the incorporation of water elements in urban areas for climatic purposes or the creation of oases of tranquility or drama such as pools or fountains – all these aspects are not only encountering renewed interest among architects and urban planners, but they are also greeted with appreciation by the general public. This book reveals the wide variety of possibilities for using water as a creative element in the city, in art, in the landscape and architecture. Amongst the works documented are a large new city park in Portland (Oregon), the botanical gardens in New York Queens, the conversion of a former airport in Oslo, the park for a new residential area in Oulu, near the Polar Circle in Finland, or a project for Hangzhon, China.
Classification:
livres
livres
Publication:
décembre 2005, Basel, Boston, Berlin
décembre 2005, Basel, Boston, Berlin
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livres soldés
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$19.95
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Résumé:
Half sketchbook, half academic publication, "Bathroom unplugged" represents an attempt to track down the question of what architectural research actually is. This book is also an architectural research report on the work of seven students who address today's understanding of the human bod in their designs. The work on the designs was closely related to refelction upon(...)
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Half sketchbook, half academic publication, "Bathroom unplugged" represents an attempt to track down the question of what architectural research actually is. This book is also an architectural research report on the work of seven students who address today's understanding of the human bod in their designs. The work on the designs was closely related to refelction upon(...)
Publication:
avril 2005, Basel
avril 2005, Basel
Titre:
Bathroom unplugged : architecture and intimacy
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Half sketchbook, half academic publication, "Bathroom unplugged" represents an attempt to track down the question of what architectural research actually is. This book is also an architectural research report on the work of seven students who address today's understanding of the human bod in their designs. The work on the designs was closely related to refelction upon the history of housing and the contemporary discourse on the body. Previously priced at $57.95.
Bathroom unplugged : architecture and intimacy
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Half sketchbook, half academic publication, "Bathroom unplugged" represents an attempt to track down the question of what architectural research actually is. This book is also an architectural research report on the work of seven students who address today's understanding of the human bod in their designs. The work on the designs was closely related to refelction upon the history of housing and the contemporary discourse on the body. Previously priced at $57.95.
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livres
Publication:
avril 2005, Basel
avril 2005, Basel
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Barragan's 1,250-acre Gardens of El Pedregal subdivision, begun in 1945 on the lava fields south of Mexico City, were dotted with houses and plazas, fountains and ponds, cacti and pepper trees. He considered El Pedregal his most important project, and critics have described the houses and gardens there as a turning point in Mexican modern architecture. This book(...)
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Luis Barragan's Gardens of El Pedregal
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Barragan's 1,250-acre Gardens of El Pedregal subdivision, begun in 1945 on the lava fields south of Mexico City, were dotted with houses and plazas, fountains and ponds, cacti and pepper trees. He considered El Pedregal his most important project, and critics have described the houses and gardens there as a turning point in Mexican modern architecture. This book examines El Pedregal's programme and form, its representation in architect-commissioned photographs and advertising, and its place within contemporary discourses on cultural identity, design and place, and suburbanisation. It offers an in-depth analysis of this project through original documents, drawings, photographs, and critical examinations of the design and marketing processes.
Luis Barragan's Gardens of El Pedregal
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Barragan's 1,250-acre Gardens of El Pedregal subdivision, begun in 1945 on the lava fields south of Mexico City, were dotted with houses and plazas, fountains and ponds, cacti and pepper trees. He considered El Pedregal his most important project, and critics have described the houses and gardens there as a turning point in Mexican modern architecture. This book examines El Pedregal's programme and form, its representation in architect-commissioned photographs and advertising, and its place within contemporary discourses on cultural identity, design and place, and suburbanisation. It offers an in-depth analysis of this project through original documents, drawings, photographs, and critical examinations of the design and marketing processes.
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livres
livres
Publication:
août 2001, New York
août 2001, New York
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$139.95
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Résumé:
La Biennale di Venezia's catalogue. In two volumes.
$139.95
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La Biennale di Venezia's catalogue. In two volumes.
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Publication:
octobre 2000, Venezia
octobre 2000, Venezia
Titre:
Città : less aesthetics more ethics - 7th international architecture exhibition
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La Biennale di Venezia's catalogue. In two volumes.
Città : less aesthetics more ethics - 7th international architecture exhibition
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La Biennale di Venezia's catalogue. In two volumes.
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livres
Publication:
octobre 2000, Venezia
octobre 2000, Venezia
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$15.00
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Résumé:
Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, established the architectural character of two of the nation's great resorts, Atlantic City and Miami, thus shaping the architecture of the Roaring Twenties. Although his (...)
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Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, established the architectural character of two of the nation's great resorts, Atlantic City and Miami, thus shaping the architecture of the Roaring Twenties. Although his (...)
Titre:
William L. Price : Arts and Crafts to modern design
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Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, established the architectural character of two of the nation's great resorts, Atlantic City and Miami, thus shaping the architecture of the Roaring Twenties. Although his largest and best-known projects, the Art Deco Traymore Hotel in Atlantic City and the Chicago Freight Terminal, have been, his arts and crafts utopian community in Rose Valley, Pennsylvania and his Garden City community in Arden, Delaware survive to attest to the vigor of his ideas and the leadership he exerted. Price left a legacy of exquisite houses, railway stations, and commercial structures stretching from Atlantic City to Chicago and from Canada to Florida that was widely emulated and recalls the best works of Frank Lloyd Wright and Greene & Greene. In addition, Price was an accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's "The Craftsman". Price's role in shaping American architecture is uncovered in this lavishly illustrated volume, which documents the architect's complete works including over 350 hotels, houses, and pieces of furni-ture, bringing to light this little-known American master.
William L. Price : Arts and Crafts to modern design
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$15.00
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Résumé:
Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, established the architectural character of two of the nation's great resorts, Atlantic City and Miami, thus shaping the architecture of the Roaring Twenties. Although his largest and best-known projects, the Art Deco Traymore Hotel in Atlantic City and the Chicago Freight Terminal, have been, his arts and crafts utopian community in Rose Valley, Pennsylvania and his Garden City community in Arden, Delaware survive to attest to the vigor of his ideas and the leadership he exerted. Price left a legacy of exquisite houses, railway stations, and commercial structures stretching from Atlantic City to Chicago and from Canada to Florida that was widely emulated and recalls the best works of Frank Lloyd Wright and Greene & Greene. In addition, Price was an accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's "The Craftsman". Price's role in shaping American architecture is uncovered in this lavishly illustrated volume, which documents the architect's complete works including over 350 hotels, houses, and pieces of furni-ture, bringing to light this little-known American master.
Classification:
livres
livres
Publication:
avril 2000, New York
avril 2000, New York
Sujet:
livres soldés
livres soldés
Classification:
livres
livres
Titre:
Architecture must burn
Architecture must burn
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$25.95
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Confronted by a world afflicted by sprawl, Aaron Betsky challenges us to see architecture as a way of understanding, experimenting with and changing our physical reality. He argues passionately for a new space of freedom and imagination, proposing an entirely new way (...)
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Confronted by a world afflicted by sprawl, Aaron Betsky challenges us to see architecture as a way of understanding, experimenting with and changing our physical reality. He argues passionately for a new space of freedom and imagination, proposing an entirely new way (...)
Titre:
Architecture must burn
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Confronted by a world afflicted by sprawl, Aaron Betsky challenges us to see architecture as a way of understanding, experimenting with and changing our physical reality. He argues passionately for a new space of freedom and imagination, proposing an entirely new way of undoing the indiscriminate, sometimes disorderly world we have so carelessly constructed. "Architecture Must Burn" shows us an architecture of unfolding, clothing and collage. Mixing current theories about spatiality, technology, and literature, the 28 manifestos are introduced by Erik Adigard's haunting and contorted imagery.
Architecture must burn
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Confronted by a world afflicted by sprawl, Aaron Betsky challenges us to see architecture as a way of understanding, experimenting with and changing our physical reality. He argues passionately for a new space of freedom and imagination, proposing an entirely new way of undoing the indiscriminate, sometimes disorderly world we have so carelessly constructed. "Architecture Must Burn" shows us an architecture of unfolding, clothing and collage. Mixing current theories about spatiality, technology, and literature, the 28 manifestos are introduced by Erik Adigard's haunting and contorted imagery.
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livres
livres
Publication:
avril 2000, Corte Madera
avril 2000, Corte Madera
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livres soldés
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livres
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$29.99
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Résumé:
In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The(...)
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In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The(...)
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livres soldés
livres soldés
Publication:
octobre 2000, New York
octobre 2000, New York
Titre:
Art and the empire city : New York, 1825-1861
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In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United States, ushering in a time of enormous growth and change for the city of New York. Still very much a work in progress, New York became both an international economic and cultural center: it was transformed into what contemporary observers variously termed the Empire City, the Great Emporium, and the Empress City of the West. The cultural component of this transformation was as significant as its economic aspect. Highly skilled artists and craftsmen working in New York, both native born and immigrant, grew in number, and institutions devoted to the arts emerged and flourished. With Broadway at its heart, the Great Emporium developed into the nation’s major manufacturing and retailing center, the depot for luxury goods made in and around the city and imported from Europe. The complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period is the focus of this book, which accompanies a major exhibition at The Metropolitan Museum of Art. In essays that will interest scholars as well as a more general audience, specialists from the Metropolitan Museum, the Museum of the City of New York, and the University of California at Berkeley bring new research and insights to bear on a broad range of subjects. Their texts offer both historical and cultural contexts and explore the city’s development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. This volume is lavishly illustrated in color and black and white, providing reproductions of the more than three hundred works in the exhibition as well as comparative material. A checklist of works in the exhibition, a bibliography, and an index are included.
Art and the empire city : New York, 1825-1861
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$29.99
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Résumé:
In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United States, ushering in a time of enormous growth and change for the city of New York. Still very much a work in progress, New York became both an international economic and cultural center: it was transformed into what contemporary observers variously termed the Empire City, the Great Emporium, and the Empress City of the West. The cultural component of this transformation was as significant as its economic aspect. Highly skilled artists and craftsmen working in New York, both native born and immigrant, grew in number, and institutions devoted to the arts emerged and flourished. With Broadway at its heart, the Great Emporium developed into the nation’s major manufacturing and retailing center, the depot for luxury goods made in and around the city and imported from Europe. The complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period is the focus of this book, which accompanies a major exhibition at The Metropolitan Museum of Art. In essays that will interest scholars as well as a more general audience, specialists from the Metropolitan Museum, the Museum of the City of New York, and the University of California at Berkeley bring new research and insights to bear on a broad range of subjects. Their texts offer both historical and cultural contexts and explore the city’s development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. This volume is lavishly illustrated in color and black and white, providing reproductions of the more than three hundred works in the exhibition as well as comparative material. A checklist of works in the exhibition, a bibliography, and an index are included.
Classification:
livres
livres
Publication:
octobre 2000, New York
octobre 2000, New York
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livres soldés
livres soldés
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livres
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$45.95
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This book brings together visions of utopia from around the world, from the lowly caravan to grand city plans, and looks at the ideas and aims of the people who created them. For some, the possibilities offered by a technologically advanced future have led to the design of vast megastructures such as Arata Isozaki’s ‘Clusters in the Air’. Others have attempted to combine(...)
$45.95
(disponible sur commande)
Résumé:
This book brings together visions of utopia from around the world, from the lowly caravan to grand city plans, and looks at the ideas and aims of the people who created them. For some, the possibilities offered by a technologically advanced future have led to the design of vast megastructures such as Arata Isozaki’s ‘Clusters in the Air’. Others have attempted to combine(...)
Titre:
Impossible worlds : the architecture of perfection
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$45.95
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This book brings together visions of utopia from around the world, from the lowly caravan to grand city plans, and looks at the ideas and aims of the people who created them. For some, the possibilities offered by a technologically advanced future have led to the design of vast megastructures such as Arata Isozaki’s ‘Clusters in the Air’. Others have attempted to combine innovation and tradition in "planned communities" like the picture-perfect Seaside, in Florida. Some are motivated by money or politics, others by faith or philanthropy, like the factory owners who built houses and schools for their workers in suburban Britain. All share a conviction that a better world is not impossible. "Impossible Worlds" features historical essays, case studies and new photography, as well as contributions by artists, philosophers and architects.
Impossible worlds : the architecture of perfection
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$45.95
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Résumé:
This book brings together visions of utopia from around the world, from the lowly caravan to grand city plans, and looks at the ideas and aims of the people who created them. For some, the possibilities offered by a technologically advanced future have led to the design of vast megastructures such as Arata Isozaki’s ‘Clusters in the Air’. Others have attempted to combine innovation and tradition in "planned communities" like the picture-perfect Seaside, in Florida. Some are motivated by money or politics, others by faith or philanthropy, like the factory owners who built houses and schools for their workers in suburban Britain. All share a conviction that a better world is not impossible. "Impossible Worlds" features historical essays, case studies and new photography, as well as contributions by artists, philosophers and architects.
Classification:
livres
livres
Publication:
octobre 2000, Basel/London
octobre 2000, Basel/London
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livres soldés
livres soldés
