1281 Résultats
Classification:
expositions
expositions
Titre:
Apprendre l'architecture
Apprendre l'architecture
Actions:
Description:
Tandis que l’architecture acquiert une identité moderne en tant qu’art libéral et profession réglementée, et que les théories et les formes architecturales subissent de profondes transformations, la formation des architectes n’est jamais modifiée fondamentalement. Les principales activités des étudiants en architecture demeurent l’étude des textes de référence, des(...)
Tandis que l’architecture acquiert une identité moderne en tant qu’art libéral et profession réglementée, et que les théories et les formes architecturales subissent de profondes transformations, la formation des architectes n’est jamais modifiée fondamentalement. Les principales activités des étudiants en architecture demeurent l’étude des textes de référence, des(...)
Localisation:
Vitrines
Vitrines
Date:
5 juillet 1994 au 2 octobre 1994
5 juillet 1994 au 2 octobre 1994
Titre:
Apprendre l'architecture
Actions:
Description:
Tandis que l’architecture acquiert une identité moderne en tant qu’art libéral et profession réglementée, et que les théories et les formes architecturales subissent de profondes transformations, la formation des architectes n’est jamais modifiée fondamentalement. Les principales activités des étudiants en architecture demeurent l’étude des textes de référence, des(...)
Apprendre l'architecture
Actions:
Description:
Tandis que l’architecture acquiert une identité moderne en tant qu’art libéral et profession réglementée, et que les théories et les formes architecturales subissent de profondes transformations, la formation des architectes n’est jamais modifiée fondamentalement. Les principales activités des étudiants en architecture demeurent l’étude des textes de référence, des(...)
Classification:
expositions
expositions
Date:
5 juillet 1994 au
2 octobre 1994
5 juillet 1994 au
2 octobre 1994
Localisation:
Vitrines
Vitrines
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Personnes et institutions:
- Charles Rohault de Fleury (draughtsman)
- Girard (draughtsman)
- Francesco Piranesi (draughtsman)
- Ecole des beaux-arts (France) (educational institution)
- Francesco Piranesi (etcher)
- Ecole polytechnique (France) (educational institution)
- Charles Rohault de Fleury (student)
- L. Stévigny (engraver (printmaker))
- L. Stévigny (etcher)
- Gaitte (etcher)
- Philibert de L'Orme (architect)
- Giacomo Barozzi da Vignola (architect)
- Jean-Nicolas-Louis Durand (teacher)
- Andrea Palladio (architect)
- Sebastiano Serlio (architect)
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Titre:
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Personnes et institutions:
- Charles Rohault de Fleury (draughtsman)
- Girard (draughtsman)
- Francesco Piranesi (draughtsman)
- Ecole des beaux-arts (France) (educational institution)
- Francesco Piranesi (etcher)
- Ecole polytechnique (France) (educational institution)
- Charles Rohault de Fleury (student)
- L. Stévigny (engraver (printmaker))
- L. Stévigny (etcher)
- Gaitte (etcher)
- Philibert de L'Orme (architect)
- Giacomo Barozzi da Vignola (architect)
- Jean-Nicolas-Louis Durand (teacher)
- Andrea Palladio (architect)
- Sebastiano Serlio (architect)
Classification:
événements
événements
Titre:
Lecture rapide
Lecture rapide
Actions:
Description:
De 20 à 25 lecteurs marathoniens se relaieront en marchant ou courant sur un tapis roulant tout en récitant un texte sur la notion de vitesse, lors de l’événement Lecture rapide. Les lecteurs-coureurs présenteront au public leur manifeste de la vitesse, éloge de la lenteur, traité philosophique, emploi du temps, extrait littéraire, recette, texte sur le continuum(...)
De 20 à 25 lecteurs marathoniens se relaieront en marchant ou courant sur un tapis roulant tout en récitant un texte sur la notion de vitesse, lors de l’événement Lecture rapide. Les lecteurs-coureurs présenteront au public leur manifeste de la vitesse, éloge de la lenteur, traité philosophique, emploi du temps, extrait littéraire, recette, texte sur le continuum(...)
Localisation:
Libraire du CCA et salles
Libraire du CCA et salles
Date:
20 septembre 2009
20 septembre 2009
Titre:
Lecture rapide
Actions:
Description:
De 20 à 25 lecteurs marathoniens se relaieront en marchant ou courant sur un tapis roulant tout en récitant un texte sur la notion de vitesse, lors de l’événement Lecture rapide. Les lecteurs-coureurs présenteront au public leur manifeste de la vitesse, éloge de la lenteur, traité philosophique, emploi du temps, extrait littéraire, recette, texte sur le continuum(...)
Lecture rapide
Actions:
Description:
De 20 à 25 lecteurs marathoniens se relaieront en marchant ou courant sur un tapis roulant tout en récitant un texte sur la notion de vitesse, lors de l’événement Lecture rapide. Les lecteurs-coureurs présenteront au public leur manifeste de la vitesse, éloge de la lenteur, traité philosophique, emploi du temps, extrait littéraire, recette, texte sur le continuum(...)
Classification:
événements
événements
Date:
20 septembre 2009
20 septembre 2009
Localisation:
Libraire du CCA et salles
Libraire du CCA et salles
Classification:
dessins
dessins
Titre:
Elevation of a palace façade
Elevation of a palace façade
Actions:
Numéro de référence:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Personnes et institutions:
Date:
first quarter of the 16th century
first quarter of the 16th century
Titre:
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Elevation of a palace façade
Actions:
DR1970:0003
Description:
This drawing shows an exterior of a residential building. The artist uses color to suggest the materials used in construction; blue-grey for the pitched slate roof, brown for masonry details and architectural sculpture, and red striations for brickwork. This combination of materials was common in early modern France, where a play on color and materiality enlivened the façades of well-known royal edifices including the chateaux of Fontainebleau and Saint-Germain-en-Laye. As with the construction technique that interwove stone with brick, the architectural style depicted in the drawing combines traditional French ideas about building with classicizing elements imported to France via Italian artists and architects as well as through printed translations of Vitruvius’s 'De architectura' and Sebastiano Serlio’s architectural treatise. The inclusion of masonry rustication and the decorative urns that punctuate the roofline suggest a knowledge of classicizing trends in architectural ornament and a familiarity with the œuvre of artists working in the circle of the first and second Écoles de Fontainebleau. The structure’s elongated form suggests a gallery and the organization of the façade borrows the combination of slightly protruding vertical bays and long horizontal registers that characterizes Pierre Lescot’s wing of the Louvre, a project that would have been well-known in court circles in the latter half of the sixteenth century. Similarly, the two winged allegorical figures flanking the central pediment are reminiscent of Jean Goujon’s sculptural additions to the Lescot wing. In the Canadian Centre for Architecture’s drawing both figures hold palms, but the artist omitted any further identifying attributes, perhaps – along with the empty niches – as an invitation for the patron to imagine his or her own thematic program for the project.
Classification:
dessins
dessins
Date:
first quarter of the 16th century
first quarter of the 16th century
Personnes et institutions:
Classification:
livres
livres
Actions:
Exemplaires:
Description:
ix, [5], 380 pages : charts ; 23 cm.
Description:
ix, [5], 380 pages : charts ; 23 cm.
Auteur:
- Dennis, George T.,,
- Anonymous Byzantine treatise on strategy. English & Greek.,
- Skirmishing. English & Greek.,
- Campaign organization and tactics. English & Greek.
Sujet:
- Military art and science Byzantine Empire.,
- Art et science militaires Empire byzantin.,
- Military art and science,
- Militär,
- Strategie,
- Taktik,
- Kriegführung,
- Quelle,
- Military art and science Byzantine Empire Sources.,
- War.,
- Strategy.,
- Middle Ages.,
- Military history.,
- Stratégie.,
- Littérature byzantine.,
- Byzantine Empire History, Military.,
- Impero bizantino Storia militare.,
- Empire byzantin Histoire militaire.,
- Byzantine Empire,
- Byzantinisches Reich,
- Byzantine Empire History, Military Sources.
Publication:
Washington, D.C. : Dumbarton Oaks, Research Library and Collection, 1985.
Washington, D.C. : Dumbarton Oaks, Research Library and Collection, 1985.
Titre:
Three Byzantine military treatises / text, translation, and notes by George T. Dennis.
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Description:
ix, [5], 380 pages : charts ; 23 cm.
Three Byzantine military treatises / text, translation, and notes by George T. Dennis.
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Exemplaires:
Description:
ix, [5], 380 pages : charts ; 23 cm.
Classification:
livres
livres
Publication:
Washington, D.C. : Dumbarton Oaks, Research Library and Collection, 1985.
Washington, D.C. : Dumbarton Oaks, Research Library and Collection, 1985.
Auteur:
- Dennis, George T.,,
- Anonymous Byzantine treatise on strategy. English & Greek.,
- Skirmishing. English & Greek.,
- Campaign organization and tactics. English & Greek.
Sujet:
- Military art and science Byzantine Empire.,
- Art et science militaires Empire byzantin.,
- Military art and science,
- Militär,
- Strategie,
- Taktik,
- Kriegführung,
- Quelle,
- Military art and science Byzantine Empire Sources.,
- War.,
- Strategy.,
- Middle Ages.,
- Military history.,
- Stratégie.,
- Littérature byzantine.,
- Byzantine Empire History, Military.,
- Impero bizantino Storia militare.,
- Empire byzantin Histoire militaire.,
- Byzantine Empire,
- Byzantinisches Reich,
- Byzantine Empire History, Military Sources.
Classification:
livres
livres
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Description:
xiv, 164 pages, plates : illustrations ; 31 cm
Description:
xiv, 164 pages, plates : illustrations ; 31 cm
Auteur:
Sujet:
Publication:
[London] : [E. Arnold], [1898]
[London] : [E. Arnold], [1898]
Titre:
The treatises of Benevenuto Cellini on goldsmithing and sculpture.
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Description:
xiv, 164 pages, plates : illustrations ; 31 cm
The treatises of Benevenuto Cellini on goldsmithing and sculpture.
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Description:
xiv, 164 pages, plates : illustrations ; 31 cm
Classification:
livres
livres
Publication:
[London] : [E. Arnold], [1898]
[London] : [E. Arnold], [1898]
Auteur:
Sujet:
Classification:
livres
livres
Titre:
Word and image in architectural treatises of the Italian Renaissance / Margaret Muther D'Evelyn.
Word and image in architectural treatises of the Italian Renaissance / Margaret Muther D'Evelyn.
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Description:
4 v. (xxv, 840 leaves)
Description:
4 v. (xxv, 840 leaves)
Auteur:
Sujet:
- Palladio, Andrea, 1508-1580.,
- Serlio, Sebastiano, 1475-1554.,
- Barbaro, Daniel, 1514-1570.,
- Architecture, Renaissance Italy.,
- Humanism Italy.,
- Architectural writing Italy.,
- Humanisme Italie.,
- Architecture Art d'écrire Italie.,
- Architectural writing.,
- Architecture, Renaissance.,
- Humanism.,
- Italy.,
- Theses.
Publication:
1994.
1994.
Titre:
Word and image in architectural treatises of the Italian Renaissance / Margaret Muther D'Evelyn.
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Description:
4 v. (xxv, 840 leaves)
Word and image in architectural treatises of the Italian Renaissance / Margaret Muther D'Evelyn.
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Description:
4 v. (xxv, 840 leaves)
Classification:
livres
livres
Publication:
1994.
1994.
Auteur:
Sujet:
- Palladio, Andrea, 1508-1580.,
- Serlio, Sebastiano, 1475-1554.,
- Barbaro, Daniel, 1514-1570.,
- Architecture, Renaissance Italy.,
- Humanism Italy.,
- Architectural writing Italy.,
- Humanisme Italie.,
- Architecture Art d'écrire Italie.,
- Architectural writing.,
- Architecture, Renaissance.,
- Humanism.,
- Italy.,
- Theses.
Classification:
livres
livres
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Description:
xxiv, 162 pages : illustrations ; 22 cm.
Description:
xxiv, 162 pages : illustrations ; 22 cm.
Auteur:
Sujet:
- Piero, della Francesca, 1416?-1492. Trattato d'abaco.,
- Piero, della Francesca, 1416?-1492. Libellus de quinque corporibus regularibus.,
- Piero della Francesca 1416-1492,
- Piero della Francesca, (1416?-1492),
- Piero (della Francesca),
- Libellus de quinque corporibus regularibus (Piero, della Francesca),
- Mathematics Early works to 1800.,
- Geometry Early works to 1800.,
- Mathématiques Ouvrages avant 1800.,
- Géométrie Ouvrages avant 1800.,
- Geometry,
- Mathematics,
- Kunst,
- Mathematik,
- Renaissance,
- Meetkunde.,
- Abacus.,
- Mathématiques 15e siècle.,
- Géométrie 15e siècle.,
- 1482-1494,
- Mathematiktraktat.,
- Mathematische Traktate.,
- Early works
Publication:
Ravenna : Longo, 1977.
Ravenna : Longo, 1977.
Titre:
Piero della Francesca's mathematical treatises : the Trattato d'abaco and Libellus de quinque corporibus regularibus / Margaret Daly Davis.
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Description:
xxiv, 162 pages : illustrations ; 22 cm.
Piero della Francesca's mathematical treatises : the Trattato d'abaco and Libellus de quinque corporibus regularibus / Margaret Daly Davis.
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Description:
xxiv, 162 pages : illustrations ; 22 cm.
Classification:
livres
livres
Publication:
Ravenna : Longo, 1977.
Ravenna : Longo, 1977.
Auteur:
Sujet:
- Piero, della Francesca, 1416?-1492. Trattato d'abaco.,
- Piero, della Francesca, 1416?-1492. Libellus de quinque corporibus regularibus.,
- Piero della Francesca 1416-1492,
- Piero della Francesca, (1416?-1492),
- Piero (della Francesca),
- Libellus de quinque corporibus regularibus (Piero, della Francesca),
- Mathematics Early works to 1800.,
- Geometry Early works to 1800.,
- Mathématiques Ouvrages avant 1800.,
- Géométrie Ouvrages avant 1800.,
- Geometry,
- Mathematics,
- Kunst,
- Mathematik,
- Renaissance,
- Meetkunde.,
- Abacus.,
- Mathématiques 15e siècle.,
- Géométrie 15e siècle.,
- 1482-1494,
- Mathematiktraktat.,
- Mathematische Traktate.,
- Early works
Classification:
livres
livres
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Description:
157 pages, 35 unnumbered leaves of plates : illustrations ; 30 cm
Description:
157 pages, 35 unnumbered leaves of plates : illustrations ; 30 cm
Auteur:
- Hosking, William, 1800-1861.,
- Tredgold, Thomas, 1788-1829.,
- Young, Thomas, 1773-1829.
Sujet:
- Architecture Handbooks, manuals, etc.,
- Building Handbooks, manuals, etc.,
- Masonry.,
- Carpentry.,
- Framing (Building),
- Construction Guides, manuels, etc.,
- Maçonnerie.,
- Charpenterie.,
- Architecture Guides, manuels, etc.,
- masonry (building materials),
- carpentry (process),
- Architecture,
- Building,
- handbooks.,
- Handbooks and manuals,
- Guides et manuels.
Publication:
Edinburgh : A. & C. Black, 1839.
Edinburgh : A. & C. Black, 1839.
Titre:
Treatises on architecture, building, masonry, joinery, and carpentry / From the Encyclopaedia Britannica, seventh edition ; with thirty-five plates.
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Description:
157 pages, 35 unnumbered leaves of plates : illustrations ; 30 cm
Treatises on architecture, building, masonry, joinery, and carpentry / From the Encyclopaedia Britannica, seventh edition ; with thirty-five plates.
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Description:
157 pages, 35 unnumbered leaves of plates : illustrations ; 30 cm
Classification:
livres
livres
Publication:
Edinburgh : A. & C. Black, 1839.
Edinburgh : A. & C. Black, 1839.
Auteur:
- Hosking, William, 1800-1861.,
- Tredgold, Thomas, 1788-1829.,
- Young, Thomas, 1773-1829.
Sujet:
- Architecture Handbooks, manuals, etc.,
- Building Handbooks, manuals, etc.,
- Masonry.,
- Carpentry.,
- Framing (Building),
- Construction Guides, manuels, etc.,
- Maçonnerie.,
- Charpenterie.,
- Architecture Guides, manuels, etc.,
- masonry (building materials),
- carpentry (process),
- Architecture,
- Building,
- handbooks.,
- Handbooks and manuals,
- Guides et manuels.
Classification:
livres
livres
Actions:
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Description:
157 pages, 36 unnumbered leaves of plates : illustrations ; 30 cm
- Bibliothèque study room microform 69830 | ID87B7159s45 MFM; ID:91-B812 | Disponible
Description:
157 pages, 36 unnumbered leaves of plates : illustrations ; 30 cm
Auteur:
Sujet:
- Architecture Handbooks, manuals, etc.,
- Building Handbooks, manuals, etc.,
- Masonry.,
- Carpentry.,
- Construction Guides, manuels, etc.,
- Maçonnerie.,
- Charpenterie.,
- Architecture.,
- Building.,
- Handbooks and manuals.
Publication:
New York : D. Appleton, 1852.
New York : D. Appleton, 1852.
Titre:
Treatises on architecture, building, masonry, joinery and carpentry / by William Hosking, Thomas Tredgold and Thomas Young.
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Description:
157 pages, 36 unnumbered leaves of plates : illustrations ; 30 cm
Treatises on architecture, building, masonry, joinery and carpentry / by William Hosking, Thomas Tredgold and Thomas Young.
Actions:
Exemplaires:
- Bibliothèque study room microform 69830 | ID87B7159s45 MFM; ID:91-B812 | Disponible
Description:
157 pages, 36 unnumbered leaves of plates : illustrations ; 30 cm
Classification:
livres
livres
Publication:
New York : D. Appleton, 1852.
New York : D. Appleton, 1852.
Auteur:
Sujet:
- Architecture Handbooks, manuals, etc.,
- Building Handbooks, manuals, etc.,
- Masonry.,
- Carpentry.,
- Construction Guides, manuels, etc.,
- Maçonnerie.,
- Charpenterie.,
- Architecture.,
- Building.,
- Handbooks and manuals.
