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Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it(...)
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Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it(...)
Titre:
The camera does the rest: how Polaroid changed photography
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Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
The camera does the rest: how Polaroid changed photography
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Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
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livres
Publication:
avril 2016
avril 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
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$115.00
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This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication(...)
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This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication(...)
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Willam Eggleston: Polaroid SX-70. Facsimile edition
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This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication of Eggleston's Polaroids. The gloriously mundane subjects of these photos—a Mississippi street sign, a telephone book, stacked crates of empty soda bottles—is familiar Eggleston territory, but, fascinatingly, all of these Polaroids were taken outdoors. They are rare records of Eggleston's strolls or drives in and around Mississippi, complementing the majority of his work made with color negative film or color slides, and showing his flair for photo-sequencing in book form.
Willam Eggleston: Polaroid SX-70. Facsimile edition
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This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication of Eggleston's Polaroids. The gloriously mundane subjects of these photos—a Mississippi street sign, a telephone book, stacked crates of empty soda bottles—is familiar Eggleston territory, but, fascinatingly, all of these Polaroids were taken outdoors. They are rare records of Eggleston's strolls or drives in and around Mississippi, complementing the majority of his work made with color negative film or color slides, and showing his flair for photo-sequencing in book form.
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livres
Publication:
mars 2020
mars 2020
Sujet:
Monographies photo
Monographies photo
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$60.00
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into(...)
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into(...)
Titre:
From polaroid to impossible: masterpieces of instant photography, the Westlicht collection
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into Polaroid's International Collection at their European headquarters near Frankfurt am Main. In 2008 Polaroid went bankrupt. The company was bought by the Impossible Project (who promptly invented a new kind of instant film at the Polaroid factory in Enschede) and its legendary collection was acquired by the Westlicht Schauplatz museum in Vienna. From Polaroid to Impossible celebrates both this acquisition and the launch of a new Polaroid collection spearheaded by Westlicht and the Impossible Project. It offers the first overview of the European Polaroid Collection, and includes selected Polaroid masterpieces by figures such as Ansel Adams, Barbara Crane, Giselle Freund, Gottfried Helnwein, Sally Mann, Robert Mapplethorpe, Helmut Newton, Stephen Shore, Aaron Siskind, Andy Warhol, William Wegman and Minor White; artists like Miyako Ishiuchi, Andreas Mahl and Catherine Wagner, who made specialties of the medium; plus newly commissioned Impossible instant photography by contemporary artists such as Nobuyoshi Araki, David Leventhal, Mary Ellen Mark and Stefanie Schneider. Numerous images are reproduced in full color at 1:1 scale, making this volume a luscious and giftworthy celebration of the charm of the Polaroid photograph.
From polaroid to impossible: masterpieces of instant photography, the Westlicht collection
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$60.00
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into Polaroid's International Collection at their European headquarters near Frankfurt am Main. In 2008 Polaroid went bankrupt. The company was bought by the Impossible Project (who promptly invented a new kind of instant film at the Polaroid factory in Enschede) and its legendary collection was acquired by the Westlicht Schauplatz museum in Vienna. From Polaroid to Impossible celebrates both this acquisition and the launch of a new Polaroid collection spearheaded by Westlicht and the Impossible Project. It offers the first overview of the European Polaroid Collection, and includes selected Polaroid masterpieces by figures such as Ansel Adams, Barbara Crane, Giselle Freund, Gottfried Helnwein, Sally Mann, Robert Mapplethorpe, Helmut Newton, Stephen Shore, Aaron Siskind, Andy Warhol, William Wegman and Minor White; artists like Miyako Ishiuchi, Andreas Mahl and Catherine Wagner, who made specialties of the medium; plus newly commissioned Impossible instant photography by contemporary artists such as Nobuyoshi Araki, David Leventhal, Mary Ellen Mark and Stefanie Schneider. Numerous images are reproduced in full color at 1:1 scale, making this volume a luscious and giftworthy celebration of the charm of the Polaroid photograph.
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Publication:
juillet 2011
juillet 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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$63.95
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Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a(...)
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Résumé:
Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2017
juin 2017
Titre:
The Polaroid project: at the intersection of art and technology
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Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a reality—within an hour. Land’s creation was a groundbreaking scientific accomplishment that also heralded an exciting new chapter of artistic expression. Through the efforts of thousands of photographers the world over, as well as the corporation’s own artist support program, which provided many with materials, Polaroid would help shape the artistic landscape of the late twentieth century. Published to accompany a major traveling exhibition, "The Polaroid project" is a creative exploration of the relationship between Polaroid’s many technological innovations and the art that was created with their help. Richly designed with over 300 illustrations, this impressive volume showcases not only the myriad and often idiosyncratic approaches taken by such photographers as Ansel Adams, Robert Mapplethorpe, Ellen Carey, and Chuck Close, but also a fascinating selection of the technical objects and artifacts that speak to the sheer ingenuity that lay behind the art. With essays by the exhibition’s curators and leading photographic writers and historians, "The Polaroid project" provides a unique perspective on the Polaroid phenomenon—a technology, an art form, a convergence of both—and its enduring cultural legacy.
The Polaroid project: at the intersection of art and technology
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Polaroid instant photography revolutionized the taking and making of pictures, and the story of its beginnings is a simple one. In 1943, after being asked by his daughter why she couldn’t immediately see the photograph he had just taken, American inventor and scientist Edwin H. Land conceived of the technology required to make this seemingly impossible demand a reality—within an hour. Land’s creation was a groundbreaking scientific accomplishment that also heralded an exciting new chapter of artistic expression. Through the efforts of thousands of photographers the world over, as well as the corporation’s own artist support program, which provided many with materials, Polaroid would help shape the artistic landscape of the late twentieth century. Published to accompany a major traveling exhibition, "The Polaroid project" is a creative exploration of the relationship between Polaroid’s many technological innovations and the art that was created with their help. Richly designed with over 300 illustrations, this impressive volume showcases not only the myriad and often idiosyncratic approaches taken by such photographers as Ansel Adams, Robert Mapplethorpe, Ellen Carey, and Chuck Close, but also a fascinating selection of the technical objects and artifacts that speak to the sheer ingenuity that lay behind the art. With essays by the exhibition’s curators and leading photographic writers and historians, "The Polaroid project" provides a unique perspective on the Polaroid phenomenon—a technology, an art form, a convergence of both—and its enduring cultural legacy.
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Publication:
juin 2017
juin 2017
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Théorie de la photographie
Théorie de la photographie
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223 pages : illustrations (some color) ; 29 cm
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223 pages : illustrations (some color) ; 29 cm
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Santa Barbara, CA : Santa Barbara Museum of Art ; Munich : DelMonico Books, an imprint of Prestel, 2013.
Santa Barbara, CA : Santa Barbara Museum of Art ; Munich : DelMonico Books, an imprint of Prestel, 2013.
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John Divola : as far as I could get / Santa Barbara Museum of Art with Los Angeles County Museum of Art and Pomona College Museum of Art ; foreword by Larry Feinberg, Robert and Mercedes Eichholz Director & Chief Executive Officer, Santa Barbara Museum of Art ; essays by Karen Sinsheimer, Britt Salvesen, Kathleen Howe ; interview with John Divola by Simon Baker.
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223 pages : illustrations (some color) ; 29 cm
John Divola : as far as I could get / Santa Barbara Museum of Art with Los Angeles County Museum of Art and Pomona College Museum of Art ; foreword by Larry Feinberg, Robert and Mercedes Eichholz Director & Chief Executive Officer, Santa Barbara Museum of Art ; essays by Karen Sinsheimer, Britt Salvesen, Kathleen Howe ; interview with John Divola by Simon Baker.
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223 pages : illustrations (some color) ; 29 cm
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Santa Barbara, CA : Santa Barbara Museum of Art ; Munich : DelMonico Books, an imprint of Prestel, 2013.
Santa Barbara, CA : Santa Barbara Museum of Art ; Munich : DelMonico Books, an imprint of Prestel, 2013.
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267 pages : color illustrations ; 28 cm
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267 pages : color illustrations ; 28 cm
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New York : Aperture, 2022.
New York : Aperture, 2022.
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Kimowan Metchewais : a kind of prayer / [texts by Christopher T. Green, Kimowan Metchewais, Emily Moazami, and Jeff Whetstone]
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267 pages : color illustrations ; 28 cm
Kimowan Metchewais : a kind of prayer / [texts by Christopher T. Green, Kimowan Metchewais, Emily Moazami, and Jeff Whetstone]
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267 pages : color illustrations ; 28 cm
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New York : Aperture, 2022.
New York : Aperture, 2022.
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1 vol. (158 p.) : photogr. ; 29 cm.
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1 vol. (158 p.) : photogr. ; 29 cm.
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Paris : Delpire & Co, DL 2021.
Paris : Delpire & Co, DL 2021.
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Eyes open : 23 idées photographiques pour enfants curieux / par Susan Meiselas.
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1 vol. (158 p.) : photogr. ; 29 cm.
Eyes open : 23 idées photographiques pour enfants curieux / par Susan Meiselas.
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Paris : Delpire & Co, DL 2021.
Paris : Delpire & Co, DL 2021.
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214 pages : illustrations (some color) ; 26 cm + 3 maps
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214 pages : illustrations (some color) ; 26 cm + 3 maps
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[Eindhoven] Netherlands : Onomatopee ; [Cairo] : Al Kotob Khan for Publishing, [2015]
[Eindhoven] Netherlands : Onomatopee ; [Cairo] : Al Kotob Khan for Publishing, [2015]
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Sidewalk salon, Cairo = صالون الرصيف / Manar Moursi & David Puig. Sidewalk salon, Cairo = Ṣālūn al-raṣīf / Manar Moursi & David Puig.
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214 pages : illustrations (some color) ; 26 cm + 3 maps
Sidewalk salon, Cairo = صالون الرصيف / Manar Moursi & David Puig. Sidewalk salon, Cairo = Ṣālūn al-raṣīf / Manar Moursi & David Puig.
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214 pages : illustrations (some color) ; 26 cm + 3 maps
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[Eindhoven] Netherlands : Onomatopee ; [Cairo] : Al Kotob Khan for Publishing, [2015]
[Eindhoven] Netherlands : Onomatopee ; [Cairo] : Al Kotob Khan for Publishing, [2015]
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406 pages : illustrations (some color), portraits ; 28 cm
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406 pages : illustrations (some color), portraits ; 28 cm
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Munich ; London ; New York : Prestel, [2015], ©2015
Munich ; London ; New York : Prestel, [2015], ©2015
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Walker Evans : depth of field / edited by John T. Hill and Heinz Liesbrock ; essays by John T. Hill, Heinz Liesbrock, Jerry L. Thompson, Alan Trachtenberg, Thomas Weski.
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406 pages : illustrations (some color), portraits ; 28 cm
Walker Evans : depth of field / edited by John T. Hill and Heinz Liesbrock ; essays by John T. Hill, Heinz Liesbrock, Jerry L. Thompson, Alan Trachtenberg, Thomas Weski.
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406 pages : illustrations (some color), portraits ; 28 cm
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Munich ; London ; New York : Prestel, [2015], ©2015
Munich ; London ; New York : Prestel, [2015], ©2015
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127 pages : illustrations (some color), portraits ; 24 cm
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127 pages : illustrations (some color), portraits ; 24 cm
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New York : Thames and Hudson, 1997.
New York : Thames and Hudson, 1997.
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The last years of Walker Evans : a first-hand account / by Jerry L. Thompson.
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127 pages : illustrations (some color), portraits ; 24 cm
The last years of Walker Evans : a first-hand account / by Jerry L. Thompson.
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127 pages : illustrations (some color), portraits ; 24 cm
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New York : Thames and Hudson, 1997.
New York : Thames and Hudson, 1997.
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