1043 Résultats
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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the(...)
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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the(...)
Titre:
The Art Museum from Boullée to Bilbao
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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullée in the eighteenth century to the new Guggenheim in Bilbao and beyond, it explores key aspects of museum theory and practice: ideals and mission; architecture; collecting, classification, and display; the public; commercialism; and restitution and repatriation. The only single volume to give a comprehensive account of the issues critical to museums, the book also highlights the challenges they will face in the future.
The Art Museum from Boullée to Bilbao
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Résumé:
Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullée in the eighteenth century to the new Guggenheim in Bilbao and beyond, it explores key aspects of museum theory and practice: ideals and mission; architecture; collecting, classification, and display; the public; commercialism; and restitution and repatriation. The only single volume to give a comprehensive account of the issues critical to museums, the book also highlights the challenges they will face in the future.
Classification:
livres
livres
Publication:
novembre 2007, Berkeley, Los Angeles
novembre 2007, Berkeley, Los Angeles
Sujet:
Muséologie
Muséologie
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livres
livres
Titre:
Global design
Global design
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and(...)
$60.00
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and(...)
Titre:
Global design
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and of production processes. The focus is on the formation of global networks in the areas of communication, production, commerce, finance, and mobility. The diverse phenomena of globalization are visualized through film, products, clothing, images, and models by well-known artists such as Armin Linke, Fischli Weiss, Didier Faustino, and Thomas Demand. Alongside the shipping container, an indispensable element of globalization, the presentation provides insights into cultural transfer both in the present day and historically, and presents -globalization in relationship to regionalism as well as to worldwide trends.
Global design
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This volume surveys the ways in which our globalized world has manifested itself in design since ca 1970, and the ways in which design has evolved to serve a globalized world. The point of departure is a conception of design which encompasses -architecture, graphics, the media, fashion, product and industrial design, as well as the shaping of the manmade environment and of production processes. The focus is on the formation of global networks in the areas of communication, production, commerce, finance, and mobility. The diverse phenomena of globalization are visualized through film, products, clothing, images, and models by well-known artists such as Armin Linke, Fischli Weiss, Didier Faustino, and Thomas Demand. Alongside the shipping container, an indispensable element of globalization, the presentation provides insights into cultural transfer both in the present day and historically, and presents -globalization in relationship to regionalism as well as to worldwide trends.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Design industriel
Design industriel
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livres
livres
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an(...)
$39.95
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an(...)
Publication:
février 2007, Cambridge (MA)
février 2007, Cambridge (MA)
Titre:
The beautiful language of my century : reinventing the language of contestation in postwar France, 1945-1968
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In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged Mémoires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The beautiful language of my century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of détournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France déchirée"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fête as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968 - when the struggle over language and culture merged with a broader resistance to capitalist modernization.
The beautiful language of my century : reinventing the language of contestation in postwar France, 1945-1968
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Résumé:
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used - or stole, plagiarized, and expropriated - elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged Mémoires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The beautiful language of my century" describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of détournement and its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France déchirée"), Godard's early film Le Petit Soldat, and Christo's Project for a Temporary Wall of Steel Drums. He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the fête as a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968 - when the struggle over language and culture merged with a broader resistance to capitalist modernization.
Classification:
livres
livres
Publication:
février 2007, Cambridge (MA)
février 2007, Cambridge (MA)
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livres
livres
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Archival power, silences, and absences profoundly shape and structure postcolonial landscapes, spaces, and urban environments by controlling bodies, histories, and interactions. This book explores pathways to dismantle these imperial entanglements by developing methodologies and plural epistemologies through an interdisciplinary dialog between history, memory politics,(...)
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Résumé:
Archival power, silences, and absences profoundly shape and structure postcolonial landscapes, spaces, and urban environments by controlling bodies, histories, and interactions. This book explores pathways to dismantle these imperial entanglements by developing methodologies and plural epistemologies through an interdisciplinary dialog between history, memory politics,(...)
Publication:
janvier 2024
janvier 2024
Titre:
Unearthing traces: dismantling imperialist entanglements of archives, landscapes, and the built environment
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Archival power, silences, and absences profoundly shape and structure postcolonial landscapes, spaces, and urban environments by controlling bodies, histories, and interactions. This book explores pathways to dismantle these imperial entanglements by developing methodologies and plural epistemologies through an interdisciplinary dialog between history, memory politics, critical theory, and archival practice together with the fields of the built environment, landscape, urban studies, architecture, and the arts. Unearthing traces catalyzes critical discussions that not only challenge the objectivity and dismantle the neutrality surrounding current archival practices and archival institutions, but also question what constitutes the archive itself. The book unearths potential histories and minor narratives buried by the imperial production of pasts and silences. The diverse range of contributions in the book offers original research, discussions, positions, and tools and provides a critical resource for scholars, architects, artists, activists, and archivists who want to engage with landscapes and built environments in a critical and postcolonial perspective in relation to archival materials and practices.
Unearthing traces: dismantling imperialist entanglements of archives, landscapes, and the built environment
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$60.00
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Résumé:
Archival power, silences, and absences profoundly shape and structure postcolonial landscapes, spaces, and urban environments by controlling bodies, histories, and interactions. This book explores pathways to dismantle these imperial entanglements by developing methodologies and plural epistemologies through an interdisciplinary dialog between history, memory politics, critical theory, and archival practice together with the fields of the built environment, landscape, urban studies, architecture, and the arts. Unearthing traces catalyzes critical discussions that not only challenge the objectivity and dismantle the neutrality surrounding current archival practices and archival institutions, but also question what constitutes the archive itself. The book unearths potential histories and minor narratives buried by the imperial production of pasts and silences. The diverse range of contributions in the book offers original research, discussions, positions, and tools and provides a critical resource for scholars, architects, artists, activists, and archivists who want to engage with landscapes and built environments in a critical and postcolonial perspective in relation to archival materials and practices.
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livres
livres
Publication:
janvier 2024
janvier 2024
Classification:
périodiques
périodiques
Titre:
MAP 007: Orbit
MAP 007: Orbit
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MAP architects have been creating Manual of Architectural Possibilities since 2009. The publication aims to merge the fields of science and research on one hand, and architectural design on the other. It aims to exemplify this approach via it’s format. MAP presents itself as a folded A1, with only two pages. Research and data on one page, and architectural projects on the(...)
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MAP architects have been creating Manual of Architectural Possibilities since 2009. The publication aims to merge the fields of science and research on one hand, and architectural design on the other. It aims to exemplify this approach via it’s format. MAP presents itself as a folded A1, with only two pages. Research and data on one page, and architectural projects on the(...)
Titre:
MAP 007: Orbit
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$12.50
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MAP architects have been creating Manual of Architectural Possibilities since 2009. The publication aims to merge the fields of science and research on one hand, and architectural design on the other. It aims to exemplify this approach via it’s format. MAP presents itself as a folded A1, with only two pages. Research and data on one page, and architectural projects on the other. Each issue deals with a single subject, sometimes abstract, sometimes concrete, which is placed under scrutiny through the collection of data and research from multiple perspectives. The architectural projects are a direct response to the research, sometimes pragmatic, sometimes critical or even ironic. No design is undertaken until the research phase is complete, which lasts about 3 months. MAP aims to exercise architecture in the realm of speculation, through the boundaries and directions set by research and investigations, carried out into a series of fields and themes with direct spatial implications.
MAP 007: Orbit
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Résumé:
MAP architects have been creating Manual of Architectural Possibilities since 2009. The publication aims to merge the fields of science and research on one hand, and architectural design on the other. It aims to exemplify this approach via it’s format. MAP presents itself as a folded A1, with only two pages. Research and data on one page, and architectural projects on the other. Each issue deals with a single subject, sometimes abstract, sometimes concrete, which is placed under scrutiny through the collection of data and research from multiple perspectives. The architectural projects are a direct response to the research, sometimes pragmatic, sometimes critical or even ironic. No design is undertaken until the research phase is complete, which lasts about 3 months. MAP aims to exercise architecture in the realm of speculation, through the boundaries and directions set by research and investigations, carried out into a series of fields and themes with direct spatial implications.
Classification:
périodiques
périodiques
Publication:
mai 2014
mai 2014
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Cartographic cinema
Cartographic cinema
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Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
$31.50
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Résumé:
Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with(...)
Titre:
Cartographic cinema
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$31.50
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Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
Cartographic cinema
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$31.50
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Cartography and cinema are what might be called locational machinery. Maps and movies tell their viewers where they are situated, what they are doing, and, to a strong degree, who they are. In this work,scholar Tom Conley establishes the ideological power of maps in classic, contemporary, and avant-garde cinema to shape the imaginary and mediated relations we hold with the world. "Cartographic cinema" examines the affinities of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. In doing so, Conley reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography. In addition, he demonstrates that spatial signs in film foster a critical relation with the prevailing narrative and mimetic registers of cinema. Conley convincingly argues that the very act of watching films, and cinema itself, is actually a form of cartography. Unlike its function in an atlas, a map in a movie often causes the spectator to entertain broader questions—not only about cinema but also of the nature of space and being.
Classification:
livres
livres
Publication:
décembre 2006, Minneapolis, London
décembre 2006, Minneapolis, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Don't build, rebuild
Don't build, rebuild
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$43.95
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to(...)
$43.95
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to(...)
Titre:
Don't build, rebuild
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$43.95
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As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well. Architectural reuse is as old as civilization itself. In the streets of Europe, you can find fragments from the Roman Empire. More recently, marginalized communities from New York to Detroit—queer people looking for places to gather or cruise, punks looking to make loud music, artists and displaced people looking for space to work and live—have taken over industrial spaces created then abandoned by capitalism, forging a unique style in the process. Their methods—from urban mining to dumpster diving—now inform architects transforming old structures today.
Don't build, rebuild
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$43.95
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Résumé:
As climate change has escalated into a crisis, the reuse of existing structures is the only way to even begin to preserve our wood, sand, silicon, and iron, let alone stop belching carbon monoxide into the air. Our housing crisis means that we need usable buildings now more than ever, but architect and critic Aaron Betsky shows that new construction—often seeking to maximize profits rather than resources, often soulless in its feel—is not the answer. Whenever possible, it is better to repair, recycle, renovate, and reuse—not only from an environmental perspective, but culturally and artistically as well. Architectural reuse is as old as civilization itself. In the streets of Europe, you can find fragments from the Roman Empire. More recently, marginalized communities from New York to Detroit—queer people looking for places to gather or cruise, punks looking to make loud music, artists and displaced people looking for space to work and live—have taken over industrial spaces created then abandoned by capitalism, forging a unique style in the process. Their methods—from urban mining to dumpster diving—now inform architects transforming old structures today.
Classification:
livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$34.95
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Résumé:
Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
Titre:
Architecture's historical turn: phenomenology and the rise of the postmodern
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
Architecture's historical turn: phenomenology and the rise of the postmodern
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$34.95
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Résumé:
Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
Classification:
livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Book of ruins
Book of ruins
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$80.99
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Résumé:
''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when(...)
$80.99
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Résumé:
''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2022
septembre 2022
Titre:
Book of ruins
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$80.99
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''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when viewing the destruction of Carthage) to present times (the ruins of a modern city, portrayed in the film ''Requiem for Detroit''), it provides a perspective upon what the past has meant to different cultures at different times. Following an introductory essay, the book includes 70 entries, chronologically ordered, each including an indicative image (or two), an introductory commentary by the authors, and the text itself. The texts come from designers (from Bernini through Piranesi to David Chipperfield) as well as other artists (John Piper), and from literary figures (Goethe, Wordsworth, Byron and Shelley, Hugo, and Hardy). It concludes by discussing what we do with ruins by way of preservation, conservation, adaptive reuse and appropriation, and contemporary loss and ruin, as illustrated by 9/11 and the Neues Museum and highlighting the continuing relevance of the ruin.
Book of ruins
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$80.99
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''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when viewing the destruction of Carthage) to present times (the ruins of a modern city, portrayed in the film ''Requiem for Detroit''), it provides a perspective upon what the past has meant to different cultures at different times. Following an introductory essay, the book includes 70 entries, chronologically ordered, each including an indicative image (or two), an introductory commentary by the authors, and the text itself. The texts come from designers (from Bernini through Piranesi to David Chipperfield) as well as other artists (John Piper), and from literary figures (Goethe, Wordsworth, Byron and Shelley, Hugo, and Hardy). It concludes by discussing what we do with ruins by way of preservation, conservation, adaptive reuse and appropriation, and contemporary loss and ruin, as illustrated by 9/11 and the Neues Museum and highlighting the continuing relevance of the ruin.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
History of cities in maps
History of cities in maps
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$50.00
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Résumé:
The city: a concept nearly as old as history itself, it is a paradox of human innovation and intervention, order and conflict. From ancient civilizations to modern-day metropolises, maps have played a crucial role in urban progress. This book explores the development of cities through more than 70 captivating maps. Each map in this beautifully designed volume gives a(...)
$50.00
(disponible sur commande)
Résumé:
The city: a concept nearly as old as history itself, it is a paradox of human innovation and intervention, order and conflict. From ancient civilizations to modern-day metropolises, maps have played a crucial role in urban progress. This book explores the development of cities through more than 70 captivating maps. Each map in this beautifully designed volume gives a(...)
Titre:
History of cities in maps
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Prix:
$50.00
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Résumé:
The city: a concept nearly as old as history itself, it is a paradox of human innovation and intervention, order and conflict. From ancient civilizations to modern-day metropolises, maps have played a crucial role in urban progress. This book explores the development of cities through more than 70 captivating maps. Each map in this beautifully designed volume gives a unique visual representation of and historical context to the city it surveys. Spanning more than 9,000 years, this book expertly curates more than 70 historical maps which tell the fascinating story of human civilization: from cities founded on sacred places, ideas and power, to early examples of town planning and later innovations such as skyscrapers and urban transport.
History of cities in maps
Actions:
Prix:
$50.00
(disponible sur commande)
Résumé:
The city: a concept nearly as old as history itself, it is a paradox of human innovation and intervention, order and conflict. From ancient civilizations to modern-day metropolises, maps have played a crucial role in urban progress. This book explores the development of cities through more than 70 captivating maps. Each map in this beautifully designed volume gives a unique visual representation of and historical context to the city it surveys. Spanning more than 9,000 years, this book expertly curates more than 70 historical maps which tell the fascinating story of human civilization: from cities founded on sacred places, ideas and power, to early examples of town planning and later innovations such as skyscrapers and urban transport.
Classification:
livres
livres
Publication:
janvier 2025
janvier 2025
