archives
Niveau de description archivistique:
Fonds
Fonds Myron Goldsmith
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
1933-1996
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
archives
Niveau de description archivistique:
Fonds
1933-1996
Projet
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
1971-2017
Vestirsi Di Siede [Wearable Chairs] (1971)
Actions:
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
Project
1971-2017
photographies
Quantité:
6 photograph(s)
AP140.S2.SS1.D19.P5
Description:
views of presentation drawings including elevations and sectional elevations for the outer wall of students' rooms and residential buildings
1958 or after
Views of presentation drawings including elevations and sectional elevations
Actions:
AP140.S2.SS1.D19.P5
Description:
views of presentation drawings including elevations and sectional elevations for the outer wall of students' rooms and residential buildings
photographies
Quantité:
6 photograph(s)
1958 or after
Projet
Pasadena Television Studios
AP163.S1.SS1.D16
Description:
File documents Victor Prus's unrealized project for television studios at Pasadena, California. The project was a student project designed in collaboration with a group of students of the Polish University College in London, where Victor Prus was assistant professor. Material in this file was produced in 1949. Drawings in the file are mainly reprographic copies. File contains presentation drawings, chiefly reprographic copies, textual records and a roll.
1949
Pasadena Television Studios
Actions:
AP163.S1.SS1.D16
Description:
File documents Victor Prus's unrealized project for television studios at Pasadena, California. The project was a student project designed in collaboration with a group of students of the Polish University College in London, where Victor Prus was assistant professor. Material in this file was produced in 1949. Drawings in the file are mainly reprographic copies. File contains presentation drawings, chiefly reprographic copies, textual records and a roll.
File 16
1949
Sous-série
Correspondence and Papers
AP032.S3.D3
Description:
Correspondence to and from Goldsmith's colleagues and students. Also includes papers related to the Mies van der Rohe Archive in New York and a file on Goldsmith. Mostly arranged alphabetically by name.
1961-1983
Correspondence and Papers
Actions:
AP032.S3.D3
Description:
Correspondence to and from Goldsmith's colleagues and students. Also includes papers related to the Mies van der Rohe Archive in New York and a file on Goldsmith. Mostly arranged alphabetically by name.
File 3
1961-1983
Berlin: section
DR2004:0976:001
Description:
Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students.
1992
Berlin: section
Actions:
DR2004:0976:001
Description:
Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students.
Berlin: section
DR2004:0976:002
Description:
Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students.
1992
Berlin: section
Actions:
DR2004:0976:002
Description:
Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students.
DR2004:0976:003
Description:
Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students.
1992
Berlin: bird's-eye view
Actions:
DR2004:0976:003
Description:
Project designed by a team composed of Cedric Price, Max Fordham, Almut Ernst, Katharina von Ehren, Christopher McCarthy and 12 students.
articles
Paysages vivants
Paysages vivants
Robyn Adams, Julia Pingeton et Marie Pontais s’intéressent à l’espace transitoire qu’est le littoral
Actions:
archives
Niveau de description archivistique:
Fonds
Fonds Pierre Dionne
AP006
Résumé:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
1948-1976
Fonds Pierre Dionne
Actions:
AP006
Résumé:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
archives
Niveau de description archivistique:
Fonds
1948-1976