1752 Résultats
Classification:
vidéo
vidéo
Titre:
Conditions of Unknowing
Conditions of Unknowing
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Description:
1 online resource (1 video file)
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Publication:
Chen's 2020
Chen's 2020
Classification:
vidéo
vidéo
Publication:
Chen's 2020
Chen's 2020
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Classification:
livres
livres
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Prix:
$39.95
(disponible sur commande)
Résumé:
In the summer of 1970, the Museum of Modern Art in New York mounted the now legendary exhibition 'Information', one of the first surveys of conceptual art. Conceived by MoMA’s curator Kynaston McShine as an 'international report' on contemporary trends, the show and attendant catalog together assembled the work of more than 150 artists from 15 countries to explore the(...)
$39.95
(disponible sur commande)
Résumé:
In the summer of 1970, the Museum of Modern Art in New York mounted the now legendary exhibition 'Information', one of the first surveys of conceptual art. Conceived by MoMA’s curator Kynaston McShine as an 'international report' on contemporary trends, the show and attendant catalog together assembled the work of more than 150 artists from 15 countries to explore the(...)
Publication:
octobre 2019
octobre 2019
Titre:
Information: 50th anniversary edition
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Prix:
$39.95
(disponible sur commande)
Résumé:
In the summer of 1970, the Museum of Modern Art in New York mounted the now legendary exhibition 'Information', one of the first surveys of conceptual art. Conceived by MoMA’s curator Kynaston McShine as an 'international report' on contemporary trends, the show and attendant catalog together assembled the work of more than 150 artists from 15 countries to explore the parameters and possibilities of the emerging art practices of the era. This facsimile edition of the original 'Information' catalog, which has long been out of print, invites reengagement with MoMA’s landmark exhibition while illuminating the early history of conceptual art.
Information: 50th anniversary edition
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Prix:
$39.95
(disponible sur commande)
Résumé:
In the summer of 1970, the Museum of Modern Art in New York mounted the now legendary exhibition 'Information', one of the first surveys of conceptual art. Conceived by MoMA’s curator Kynaston McShine as an 'international report' on contemporary trends, the show and attendant catalog together assembled the work of more than 150 artists from 15 countries to explore the parameters and possibilities of the emerging art practices of the era. This facsimile edition of the original 'Information' catalog, which has long been out of print, invites reengagement with MoMA’s landmark exhibition while illuminating the early history of conceptual art.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Classification:
livres
livres
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$131.95
(disponible en magasin)
Résumé:
''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising(...)
$131.95
(disponible en magasin)
Résumé:
''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising(...)
Titre:
Nature's truth: photography, painting, and science in Victorian Britain
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$131.95
(disponible en magasin)
Résumé:
''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception. Drawing on sources ranging from artists' letters to scientific treatises, ''Nature's Truth'' illuminates the dynamic relationship between art and science throughout the nineteenth century. Helmreich's study shows that this relatively short-lived movement had a profound effect on modern British art and changed conceptions of truth and the role of art in modern society.
Nature's truth: photography, painting, and science in Victorian Britain
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Prix:
$131.95
(disponible en magasin)
Résumé:
''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception. Drawing on sources ranging from artists' letters to scientific treatises, ''Nature's Truth'' illuminates the dynamic relationship between art and science throughout the nineteenth century. Helmreich's study shows that this relatively short-lived movement had a profound effect on modern British art and changed conceptions of truth and the role of art in modern society.
Classification:
livres
livres
Publication:
août 2016
août 2016
Classification:
livres
livres
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Exemplaires:
Description:
320 pages : illustrations (black and white, and colour), maps (black and white, and colour) ; 28 cm
Description:
320 pages : illustrations (black and white, and colour), maps (black and white, and colour) ; 28 cm
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Publication:
London : Thames and Hudson, 2019.
London : Thames and Hudson, 2019.
Titre:
Joseph Banks' Florilegium : botanical treasures from Cook's first voyage / with texts by Mel Gooding ; commentaries on the plates by David Mabberley ; and an afterword by Joe Studholme.
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Exemplaires:
Description:
320 pages : illustrations (black and white, and colour), maps (black and white, and colour) ; 28 cm
Joseph Banks' Florilegium : botanical treasures from Cook's first voyage / with texts by Mel Gooding ; commentaries on the plates by David Mabberley ; and an afterword by Joe Studholme.
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Exemplaires:
Description:
320 pages : illustrations (black and white, and colour), maps (black and white, and colour) ; 28 cm
Classification:
livres
livres
Publication:
London : Thames and Hudson, 2019.
London : Thames and Hudson, 2019.
Auteur:
Sujet:
Classification:
livres
livres
Prix:
$59.95
(disponible sur commande)
Résumé:
Y a-t-il une manière féminine de collectionner ? Une collection d'art peut-elle avoir un genre ? Cet ouvrage présente la première synthèse historique consacrée aux femmes collectionneuses d'art et mécènes en Occident depuis la fin du XIXe siècle jusqu'à nos jours. Alternant avec ces mises au point, de multiples portraits singuliers retracent l'itinéraire biographique et(...)
$59.95
(disponible sur commande)
Résumé:
Y a-t-il une manière féminine de collectionner ? Une collection d'art peut-elle avoir un genre ? Cet ouvrage présente la première synthèse historique consacrée aux femmes collectionneuses d'art et mécènes en Occident depuis la fin du XIXe siècle jusqu'à nos jours. Alternant avec ces mises au point, de multiples portraits singuliers retracent l'itinéraire biographique et(...)
Titre:
Femmes collectionneuses d'art et mécènes, de 1880 à nos jours
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$59.95
(disponible sur commande)
Résumé:
Y a-t-il une manière féminine de collectionner ? Une collection d'art peut-elle avoir un genre ? Cet ouvrage présente la première synthèse historique consacrée aux femmes collectionneuses d'art et mécènes en Occident depuis la fin du XIXe siècle jusqu'à nos jours. Alternant avec ces mises au point, de multiples portraits singuliers retracent l'itinéraire biographique et esthétique des collectionneuses les plus remarquables : Nélie Jacquemart, Hélène Kröller-Müller, Helena Rubinstein, Marie-laure de Noailles, Peggy Guggenheim ou encore, plus près de nous, Ingvild Goetz ou Dominique de Ménil, en sont quelques exemples. Cette galerie de portraits montre l'extrême diversité des personnalités et des motivations.
Femmes collectionneuses d'art et mécènes, de 1880 à nos jours
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Prix:
$59.95
(disponible sur commande)
Résumé:
Y a-t-il une manière féminine de collectionner ? Une collection d'art peut-elle avoir un genre ? Cet ouvrage présente la première synthèse historique consacrée aux femmes collectionneuses d'art et mécènes en Occident depuis la fin du XIXe siècle jusqu'à nos jours. Alternant avec ces mises au point, de multiples portraits singuliers retracent l'itinéraire biographique et esthétique des collectionneuses les plus remarquables : Nélie Jacquemart, Hélène Kröller-Müller, Helena Rubinstein, Marie-laure de Noailles, Peggy Guggenheim ou encore, plus près de nous, Ingvild Goetz ou Dominique de Ménil, en sont quelques exemples. Cette galerie de portraits montre l'extrême diversité des personnalités et des motivations.
Classification:
livres
livres
Publication:
avril 2014
avril 2014
Classification:
livres
livres
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$19.95
(disponible sur commande)
Résumé:
One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
$19.95
(disponible sur commande)
Résumé:
One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
Publication:
août 2012
août 2012
Titre:
One thing leads to another - everything is connected
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Prix:
$19.95
(disponible sur commande)
Résumé:
One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
One thing leads to another - everything is connected
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Prix:
$19.95
(disponible sur commande)
Résumé:
One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
Classification:
livres
livres
Publication:
août 2012
août 2012
Classification:
livres
livres
Titre:
Credos IV
Credos IV
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Prix:
$30.00
(disponible en magasin)
Résumé:
''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown,(...)
$30.00
(disponible en magasin)
Résumé:
''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown,(...)
Publication:
février 2022
février 2022
Titre:
Credos IV
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Prix:
$30.00
(disponible en magasin)
Résumé:
''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown, Prince Edward Island, and shown in the frame of the all-day public art festival ''Art in the Open'' in 2020. An 8-hour online radio program was broadcast alongside the tabletop displays. ''Credos IV'' is also a response to social distance, but at the same time a furthering of an inquiry into the substitutions and translations of an exhibition into non-gallery spaces.
Credos IV
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Prix:
$30.00
(disponible en magasin)
Résumé:
''Credos'' is a series of exhibitions that started off as table-top group mini-exhibitions conceived for church-basement bazaars in Laval and Greater Montreal throughout 2019–20. The first two editions took place in different Armenian congregations in Laval. When the COVID-19 pandemic put subsequent Québec editions on hold, a version was transported to Charlottetown, Prince Edward Island, and shown in the frame of the all-day public art festival ''Art in the Open'' in 2020. An 8-hour online radio program was broadcast alongside the tabletop displays. ''Credos IV'' is also a response to social distance, but at the same time a furthering of an inquiry into the substitutions and translations of an exhibition into non-gallery spaces.
Classification:
livres
livres
Publication:
février 2022
février 2022
Classification:
livres
livres
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Prix:
$45.95
(disponible sur commande)
Résumé:
Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected(...)
$45.95
(disponible sur commande)
Résumé:
Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected(...)
Titre:
Make everything new: a project on communism
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$45.95
(disponible sur commande)
Résumé:
Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected counter-narratives, abstract and unrealistic ideas, engaged political commentary and satirical work, that presents neither an historical or comprehensive overview nor a requiem for the past. It is a collection of partial and subjective accounts of various creative practices, an experimental platform for ideas and an attempt to see in what ways the communist imagination can be materialised as art. Contributors include: 16Beaver, Gopal Balakrishnan, Michael Blum, AA Bronson, Maria Eichorn, Factotum, Dmitry Gutov, Wu Ming, Aleksandra Mir, Sarah Pierce/The Metropolitan Complex, CK Rajan, Raqs Media Collective, Dont Rhine, Martha Rosler, Rob Stone, Alberto Toscano, and Klaus Weber.
Make everything new: a project on communism
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Prix:
$45.95
(disponible sur commande)
Résumé:
Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected counter-narratives, abstract and unrealistic ideas, engaged political commentary and satirical work, that presents neither an historical or comprehensive overview nor a requiem for the past. It is a collection of partial and subjective accounts of various creative practices, an experimental platform for ideas and an attempt to see in what ways the communist imagination can be materialised as art. Contributors include: 16Beaver, Gopal Balakrishnan, Michael Blum, AA Bronson, Maria Eichorn, Factotum, Dmitry Gutov, Wu Ming, Aleksandra Mir, Sarah Pierce/The Metropolitan Complex, CK Rajan, Raqs Media Collective, Dont Rhine, Martha Rosler, Rob Stone, Alberto Toscano, and Klaus Weber.
Classification:
livres
livres
Publication:
janvier 2006, London
janvier 2006, London
Classification:
livres
livres
Titre:
Sculpture shock: site-specific interventions in subterranean, ambulatory, and historic contexts
Sculpture shock: site-specific interventions in subterranean, ambulatory, and historic contexts
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$29.95
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Résumé:
The book reveals the processes and production of nine artists during the Sculpture Shock award (2013-2015) for temporary site-specific interventions. Featuring the work of Alexander Costello MRBS, Lynn Dennison MRBS, Hanna Haaslahti. Patrick Lowry MRBS, David Ogle MRBS,William Mackrell MRBS, Nika Neelova, Amy Sharrocks and Joanna Sands MRBS. This richly illustrated(...)
$29.95
(disponible sur commande)
Résumé:
The book reveals the processes and production of nine artists during the Sculpture Shock award (2013-2015) for temporary site-specific interventions. Featuring the work of Alexander Costello MRBS, Lynn Dennison MRBS, Hanna Haaslahti. Patrick Lowry MRBS, David Ogle MRBS,William Mackrell MRBS, Nika Neelova, Amy Sharrocks and Joanna Sands MRBS. This richly illustrated(...)
Publication:
novembre 2016
novembre 2016
Titre:
Sculpture shock: site-specific interventions in subterranean, ambulatory, and historic contexts
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Prix:
$29.95
(disponible sur commande)
Résumé:
The book reveals the processes and production of nine artists during the Sculpture Shock award (2013-2015) for temporary site-specific interventions. Featuring the work of Alexander Costello MRBS, Lynn Dennison MRBS, Hanna Haaslahti. Patrick Lowry MRBS, David Ogle MRBS,William Mackrell MRBS, Nika Neelova, Amy Sharrocks and Joanna Sands MRBS. This richly illustrated publication is contextualised throughout by: Dave Beech, writer, curator and Senior Lecturer in Fine Art at Chelsea College of Art; Richard Cork, British art historian, editor, critic and broadcaster; and Sarah Kent, former visual arts editor of Time Out and the ICA's Director of Exhibitions.
Sculpture shock: site-specific interventions in subterranean, ambulatory, and historic contexts
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Prix:
$29.95
(disponible sur commande)
Résumé:
The book reveals the processes and production of nine artists during the Sculpture Shock award (2013-2015) for temporary site-specific interventions. Featuring the work of Alexander Costello MRBS, Lynn Dennison MRBS, Hanna Haaslahti. Patrick Lowry MRBS, David Ogle MRBS,William Mackrell MRBS, Nika Neelova, Amy Sharrocks and Joanna Sands MRBS. This richly illustrated publication is contextualised throughout by: Dave Beech, writer, curator and Senior Lecturer in Fine Art at Chelsea College of Art; Richard Cork, British art historian, editor, critic and broadcaster; and Sarah Kent, former visual arts editor of Time Out and the ICA's Director of Exhibitions.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Classification:
livres
livres
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$71.95
(disponible sur commande)
Résumé:
It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of(...)
$71.95
(disponible sur commande)
Résumé:
It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of(...)
Publication:
mai 2002, Cambridge, Mass.
mai 2002, Cambridge, Mass.
Titre:
The arts at Black Mountain College
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Prix:
$71.95
(disponible sur commande)
Résumé:
It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of the 1960s. The faculty included such diverse talents as Anni and Josef Albers, Eric Bentley, Ilya Bolotowsky, Robert Creeley, Willem de Kooning, Robert Duncan, Lyonel Feininger, Paul Goodman, Walter Gropius, Franz Kline, Robert Motherwell, and Charles Olson. Among the students were Ruth Asawa, John Chamberlain, Francine du Plessix Gray, Kenneth Noland, Arthur Penn, Robert Rauschenberg, Kenneth Snelson, Cy Twombly, Stan Vanderbeek, and Jose Yglesias. In this definitive account of the arts at Black Mountain College, back in print after many years, Mary Emma Harris describes a unique educational experiment and the artists and writers who conducted it. She replaces the myth of the college as a haphazardly conceived venture with a portrait of a consciously directed liberal arts school that grew out of the progressive education movement. Proceeding chronologically through the four major periods of the college’s history, Harris covers every aspect of its extraordinary curriculum in the visual, literary, and performing arts.
The arts at Black Mountain College
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Prix:
$71.95
(disponible sur commande)
Résumé:
It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his first dome. Although it lasted only twenty-four years (1933-1957) and enrolled fewer than 1,200 students, Black Mountain College launched a remarkable number of the artists who spearheaded the avant-garde in America of the 1960s. The faculty included such diverse talents as Anni and Josef Albers, Eric Bentley, Ilya Bolotowsky, Robert Creeley, Willem de Kooning, Robert Duncan, Lyonel Feininger, Paul Goodman, Walter Gropius, Franz Kline, Robert Motherwell, and Charles Olson. Among the students were Ruth Asawa, John Chamberlain, Francine du Plessix Gray, Kenneth Noland, Arthur Penn, Robert Rauschenberg, Kenneth Snelson, Cy Twombly, Stan Vanderbeek, and Jose Yglesias. In this definitive account of the arts at Black Mountain College, back in print after many years, Mary Emma Harris describes a unique educational experiment and the artists and writers who conducted it. She replaces the myth of the college as a haphazardly conceived venture with a portrait of a consciously directed liberal arts school that grew out of the progressive education movement. Proceeding chronologically through the four major periods of the college’s history, Harris covers every aspect of its extraordinary curriculum in the visual, literary, and performing arts.
Classification:
livres
livres
Publication:
mai 2002, Cambridge, Mass.
mai 2002, Cambridge, Mass.
