Vitra- Arrange
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Finally, a book that shows iconic modern furniture in real (read: lived-in) home environments, rather than sterile, I-don’t-believe- someone-actually-lives-here situations! This catalog from design giant Vitra Inc. is used as a marketing tool for furniture sales, and it’s beautifully persuasive, proving that these classic pieces of design can work in the real world. Put(...)
Design industriel
juin 2007
Vitra- Arrange
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$42.00
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Finally, a book that shows iconic modern furniture in real (read: lived-in) home environments, rather than sterile, I-don’t-believe- someone-actually-lives-here situations! This catalog from design giant Vitra Inc. is used as a marketing tool for furniture sales, and it’s beautifully persuasive, proving that these classic pieces of design can work in the real world. Put an Eames lounge chair in front of a disheveled pile of records, a Nelson sunburst clock over a platter of leeks and carrots, or a Panton plastic chair at the bottom of a swimming pool with enthusiastic children using it for a diving platform – you’ll understand that fine design works anywhere. Just ask the black and white kitty curled up in the Nelson Coconut Chair. A handsome full-color volume.
Design industriel
$58.00
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The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of(...)
ECAL : A success story in art and design
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The Ecole cantonale d'art de Lausanne (ECAL) has evolved from a regional school into an internationally renowned institution. This success story owes much to ECAL director Pierre Keller, but there is also a diverse team of instructors and students, whose work--much of which is quite well known--is showcased in this volume. Invaluable for any instructor in the field of design, the teaching principles that have led to ECAL's rise are documented, along with accounts of its subsequent successes. Today ECAL is at the top of the international game in graphic design, photography and, especially, industrial design. ECAL frequently garners commissions from museums and companies like Christofle, Swarovski, Nestle and Coca-Cola and has been included in numerous exhibitions and publications. In addition to staff and students, key players in the world of design and criticism, such as Paola Antonelli, Stephen Shore, Rolf Fehlbaum, Paolo Roversi, Ronan Bouroullec and Fernando and Humberto Company contribute a professional perspective.
Design industriel
Master of Rietveld
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This book contains an overview of a selection of great and important designers who have emerged from the Sandberg Institute in Amsterdam. This book is almost a work of art in itself, full of visual references ordered by form, as if it were a morph.
Master of Rietveld
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This book contains an overview of a selection of great and important designers who have emerged from the Sandberg Institute in Amsterdam. This book is almost a work of art in itself, full of visual references ordered by form, as if it were a morph.
Design industriel
$49.80
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This book presents objects from the 21st Century by Spanish designers of the 21st century. This publication is motivated by the conviction that the concept of the object, as such, has been left behind. The universe of objects, or perhaps we would have to say of "offjects," put forward here is that of the work of those generation that graduated after the Barcelona(...)
Offjects. Concepts and designs for a change of century
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This book presents objects from the 21st Century by Spanish designers of the 21st century. This publication is motivated by the conviction that the concept of the object, as such, has been left behind. The universe of objects, or perhaps we would have to say of "offjects," put forward here is that of the work of those generation that graduated after the Barcelona Olympics: from 1992 into these first few years of the 21st century. What seems clear is that the classic definition of "design" has been rendered obsolete. In the first place because an object's conceptual and narrative charge largely determines its material and physical configuration, and in second place, because many present-day pieces are not produced industrially - some because their designers chose not to, others because they seem not to fit into excessively conservative industrial set-ups. What does seem to be the case is that we are dealing with a new typology of designer, more open, more multidisciplinary and more remote from the traditional commercial circuit, which is not to say remote from the market.
Design industriel
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The occupation of space is a trend that can currently be recognized in many creative fields. While furniture and product design were once largely driven by classical industrial and interior design, these disciplines are now also being shaped by the visual culture of graphic design and high-tech production processes. These new influences are contributing to the creation of(...)
Furnish: Furniture and interior design for the 21st century
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The occupation of space is a trend that can currently be recognized in many creative fields. While furniture and product design were once largely driven by classical industrial and interior design, these disciplines are now also being shaped by the visual culture of graphic design and high-tech production processes. These new influences are contributing to the creation of furniture and interiors that go beyond anything previously designed or imagined. Furnish presents domestic territories that expand upon our current understanding of interior design. The book documents recent work by designers, artists and architects that shows how they are using furniture in pioneering ways: as environment, as art object, as digital-organic growth, as mutation or as insertion. These cutting-edge examples are a sure indicator of the trends that will be influencing interiors as well as hotel, restaurant and club design for the next several years. Furnish also explores the new hybrid nature of occupied spaces, where the domestic enters the realm of fine art and where objects from pimped heirlooms to rapid prototypes find their homes. The book also presents surprising interdisciplinary work, for example, the results of architects engineering tables, graphic designers creating soft furniture and industrial designers making concept art. The experimental spaces that are shown in Furnish are not only interesting for interior designers, but also contain innovative examples of interdisciplinary design work that are relevant and inspiring for anyone working creatively.
Design industriel
Simply material
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In the fields of design - interior, product, industrial, fashion and architecture, no single creative element matters more than the materials used to create the product. Materials underpin all of the design criteria implemented by the designers and unequivocally influence the end result. Simply Materials presents a broad selection of objects created using a range of(...)
Simply material
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In the fields of design - interior, product, industrial, fashion and architecture, no single creative element matters more than the materials used to create the product. Materials underpin all of the design criteria implemented by the designers and unequivocally influence the end result. Simply Materials presents a broad selection of objects created using a range of sophisticated new technologies and many born of traditional handcraftsmanship. This book introduces the reader to a variety of materials that can be used to create objects or art forms of great beauty in an array of irregular shapes, sizes and compositions. It demonstrates clearly how composition alone is able to liberate materials from the category of raw junk into materials that arouse great visual interest. With contributors including BOEK (PIET HEIN EEK), Tim Parsons, Sand & Birch Design, Contraforma, and many more. This is the first volume in the groundbreaking new series Simply.. From Victionary.
Design industriel
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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and(...)
Rethinking the modular: adaptable systems in architecture and design
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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and the Cooper-Hewitt National Design Museum. Released as part of USM’s fiftieth-anniversary celebration of this iconic furniture design, Rethink the Modular examines the role of unit-based systems in the wider context of architecture and design. It combines previously published writings, specially commissioned essays from thinkers and innovators John Thackara and Rick Poyner, and interviews with leading figures in the design world that explain how the concept of the modular influences their work. Interspersed with visual material, the texts reveal the many possibilities created by balancing structure with flexibility, and seek to redefine the place of modularity in modern design history.
Design industriel
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"The pencil perfect" takes its namesake’s four simple ingredients – wood, graphite, clay, and water – and narrates a tale of worldwide influence and innovation. Caroline Weaver, pencil connoisseur and CW Pencil Enterprise Shop owner, composes texts that extol the nuanced influence of her beloved and humble implement. Illustrations exclusively drawn for "The pencil(...)
The pencil perfect: the untold story of a cultural icon
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"The pencil perfect" takes its namesake’s four simple ingredients – wood, graphite, clay, and water – and narrates a tale of worldwide influence and innovation. Caroline Weaver, pencil connoisseur and CW Pencil Enterprise Shop owner, composes texts that extol the nuanced influence of her beloved and humble implement. Illustrations exclusively drawn for "The pencil perfect" by Oriana Fenwick, an artist from Zimbabwe who works with fine details and intense realism, pair with Weaver’s words to present a story that is both endearing and enlightening. Through profiles of pencil makers, anecdotes about famous writers’ favorite pencils, and essays about the surprising role of pencils in world history and culture, the chronicle of a modest but mighty tool unfolds. Follow the charming contrivance as it guides the course of early communication in the Scientific Revolution, the American Revolutionary War, the Anglo-French War, and the French Revolution: it is a historical journey and a captivating memoir. See how its past contemporarily compares with its use and appearance today – from the Blackwing 602 to novelty ferrules. The development of cultures and communities is laid bare within the timeline of this slender entity. "The pencil perfect" immortalizes the biography of an inanimate object within its pages for a future cast of historians, writers, and curious minds.
Design industriel
The future starts here
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What makes us human? We are all connected, but do we feel lonely? Does democracy still work? Are cities for everyone? Should the planet be a design project? If Mars is the answer, what is the question? Who wants to live forever? The world of tomorrow is shaped by emerging design and the technology of today. Bringing together a range of objects either newly released or in(...)
The future starts here
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What makes us human? We are all connected, but do we feel lonely? Does democracy still work? Are cities for everyone? Should the planet be a design project? If Mars is the answer, what is the question? Who wants to live forever? The world of tomorrow is shaped by emerging design and the technology of today. Bringing together a range of objects either newly released or in development, "The Future Starts Here" begins to imagine where our society might be headed. Cute but intelligent robots, massive unmanned aircraft that deliver internet access, crowdfunded buildings, tools printed in space, mysterious black boxes that understand human genetic codes--how can these objects affect the way we live, learn, and love? And how are they challenging our understanding of what it means to be an individual, a citizen, a crowd, or a species?
Design industriel
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For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. "Things of beauty growing" explores major typologies of the vessel—such as bowl, vase, and charger—that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of(...)
Things of beauty growing : British studio pottery
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For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. "Things of beauty growing" explores major typologies of the vessel—such as bowl, vase, and charger—that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of objects from Europe, Japan, and Korea and presents essays by an international team of scholars and experts. The book highlights the objects themselves, including new works by Adam Buick, Halima Cassell, and Nao Matsunago, featured alongside works by William Staite Murray, Lucie Rie, Edmund de Waal, and others, many published here for the first time. Rounding out the beautifully illustrated volume is an interview with renowned collector John Driscoll and approximately fifty illustrated short biographies of significant makers.
Design industriel