1088 Résultats
Classification:
livres
livres
Titre:
Walker Evans
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
Titre:
Walker Evans
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$37.50
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Walker Evans
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$37.50
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Résumé:
Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Classification:
livres
livres
Publication:
juillet 2003, Minneapolis
juillet 2003, Minneapolis
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$69.95
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American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions(...)
$69.95
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Résumé:
American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions(...)
Titre:
The lofts of SoHo: gentrification, art and industry in New York 1950-1980
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American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
The lofts of SoHo: gentrification, art and industry in New York 1950-1980
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$69.95
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Résumé:
American cities entered a new phase when, beginning in the 1950s, artists and developers looked upon a decaying industrial zone in Lower Manhattan and saw, not blight, but opportunity: cheap rents, lax regulation, and wide open spaces. Thus, SoHo was born. From 1960 to 1980, residents transformed the industrial neighborhood into an artist district, creating the conditions under which it evolved into an upper-income, gentrified area. Introducing the idea—still potent in city planning today—that art could be harnessed to drive municipal prosperity, SoHo was the forerunner of gentrified districts in cities nationwide, spawning the notion of the creative class. In The Lofts of SoHo, Aaron Shkuda studies the transition of the district from industrial space to artists’ enclave to affluent residential area, focusing on the legacy of urban renewal in and around SoHo and the growth of artist-led redevelopment. Shkuda explores conflicts between residents and property owners and analyzes the city’s embrace of the once-illegal loft conversion as an urban development strategy. As Shkuda explains, artists eventually lost control of SoHo’s development, but over several decades they nonetheless forced scholars, policymakers, and the general public to take them seriously as critical actors in the twentieth-century American city.
Classification:
livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$35.00
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"I trace my ancestry back to the Mayflower," writes Andrew S. Dolkart. "Not to the legendary ship that brought the Pilgrims to Plymouth, Massachusetts, in 1620, but to the more prosaic tenement on the southeast corner of East Broadway and Clinton Street named the Mayflower, where my father was born in 1914 to Russian-Jewish immigrants." For Dolkart, the experience of(...)
$35.00
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"I trace my ancestry back to the Mayflower," writes Andrew S. Dolkart. "Not to the legendary ship that brought the Pilgrims to Plymouth, Massachusetts, in 1620, but to the more prosaic tenement on the southeast corner of East Broadway and Clinton Street named the Mayflower, where my father was born in 1914 to Russian-Jewish immigrants." For Dolkart, the experience of(...)
Publication:
juin 2006, Santa fe, Staunton
juin 2006, Santa fe, Staunton
Titre:
Biography of a tenement house : an architectural history of 97 Orchard Street
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$35.00
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"I trace my ancestry back to the Mayflower," writes Andrew S. Dolkart. "Not to the legendary ship that brought the Pilgrims to Plymouth, Massachusetts, in 1620, but to the more prosaic tenement on the southeast corner of East Broadway and Clinton Street named the Mayflower, where my father was born in 1914 to Russian-Jewish immigrants." For Dolkart, the experience of being raised in a tenement became a metaphor for the life that was afforded countless thousands of other immigrant children growing up in Lower Manhattan during the past century and more. Dolkart presents for us a precise and informative biography of a typical tenement house in New York City that became, in 1988, the site for the Lower East Side Tenement Museum. Dolkart documents, analyzes, and interprets the architectural and social history of this building at 97 Orchard Street, starting in the 1860s when it was erected, moving on to the late nineteenth and early twentieth centuries when the neighborhood started to change, and concluding in the present day as the building is reincarnated as the museum. This book is a lasting tribute to the legacy of immigrants and their children, who were part of the transformation of New York City and the fabric of everyday American urban life.
Biography of a tenement house : an architectural history of 97 Orchard Street
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$35.00
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Résumé:
"I trace my ancestry back to the Mayflower," writes Andrew S. Dolkart. "Not to the legendary ship that brought the Pilgrims to Plymouth, Massachusetts, in 1620, but to the more prosaic tenement on the southeast corner of East Broadway and Clinton Street named the Mayflower, where my father was born in 1914 to Russian-Jewish immigrants." For Dolkart, the experience of being raised in a tenement became a metaphor for the life that was afforded countless thousands of other immigrant children growing up in Lower Manhattan during the past century and more. Dolkart presents for us a precise and informative biography of a typical tenement house in New York City that became, in 1988, the site for the Lower East Side Tenement Museum. Dolkart documents, analyzes, and interprets the architectural and social history of this building at 97 Orchard Street, starting in the 1860s when it was erected, moving on to the late nineteenth and early twentieth centuries when the neighborhood started to change, and concluding in the present day as the building is reincarnated as the museum. This book is a lasting tribute to the legacy of immigrants and their children, who were part of the transformation of New York City and the fabric of everyday American urban life.
Classification:
livres
livres
Publication:
juin 2006, Santa fe, Staunton
juin 2006, Santa fe, Staunton
Classification:
livres
livres
Titre:
Vacant Spaces NY
Vacant Spaces NY
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$80.00
(disponible sur commande)
Résumé:
This project began by walking around our neighborhood noticing empty storefronts. Once we saw them, they were everywhere. They followed us, appearing quietly throughout New York City. Many with no signage, no “for rent,” no “coming soon.” Usually empty, sometimes dusty, sometimes with brown paper covering the glass. Now, vacancy has only increased. In the densest city in(...)
$80.00
(disponible sur commande)
Résumé:
This project began by walking around our neighborhood noticing empty storefronts. Once we saw them, they were everywhere. They followed us, appearing quietly throughout New York City. Many with no signage, no “for rent,” no “coming soon.” Usually empty, sometimes dusty, sometimes with brown paper covering the glass. Now, vacancy has only increased. In the densest city in(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
octobre 2021
octobre 2021
Titre:
Vacant Spaces NY
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Prix:
$80.00
(disponible sur commande)
Résumé:
This project began by walking around our neighborhood noticing empty storefronts. Once we saw them, they were everywhere. They followed us, appearing quietly throughout New York City. Many with no signage, no “for rent,” no “coming soon.” Usually empty, sometimes dusty, sometimes with brown paper covering the glass. Now, vacancy has only increased. In the densest city in the United States. During a housing crisis. Throughout a pandemic. The quantity of vacant spaces is anyone’s best guess. It’s only partially documented. They hide in plain sight. This volume is organized from large to small, general to specific. It begins by looking at vacancy within the United States and continues down to each Manhattan neighborhood, where we zoom into specific vacant spaces, where we have provided as case studies that imagine some possibilities for transforming current vacant spaces into housing or social services. There is also a section on Covid 19, which infiltrated New York during our research. As a whole, this document is not meant to provide specific solutions. The data is incomplete. Case studies are limited. We are not policy experts or data analysts or urban planners. Instead, it is simply meant to show something we have taken for granted, vacant spaces, taking part in a collective process of imagining a better city.
Vacant Spaces NY
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Prix:
$80.00
(disponible sur commande)
Résumé:
This project began by walking around our neighborhood noticing empty storefronts. Once we saw them, they were everywhere. They followed us, appearing quietly throughout New York City. Many with no signage, no “for rent,” no “coming soon.” Usually empty, sometimes dusty, sometimes with brown paper covering the glass. Now, vacancy has only increased. In the densest city in the United States. During a housing crisis. Throughout a pandemic. The quantity of vacant spaces is anyone’s best guess. It’s only partially documented. They hide in plain sight. This volume is organized from large to small, general to specific. It begins by looking at vacancy within the United States and continues down to each Manhattan neighborhood, where we zoom into specific vacant spaces, where we have provided as case studies that imagine some possibilities for transforming current vacant spaces into housing or social services. There is also a section on Covid 19, which infiltrated New York during our research. As a whole, this document is not meant to provide specific solutions. The data is incomplete. Case studies are limited. We are not policy experts or data analysts or urban planners. Instead, it is simply meant to show something we have taken for granted, vacant spaces, taking part in a collective process of imagining a better city.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
périodiques
périodiques
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$23.50
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Résumé:
Fifty years ago, in 1964, Minoru Yamasaki’s proposed design for the World Trade Center was first revealed to the public. Rising far above the Lower Manhattan skyline, the Twin Towers—centerpieces of the original World Trade Center complex—were intended, in the words of their architect, to “become a living representation of man’s belief in humanity.” From the beginning,(...)
$23.50
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Résumé:
Fifty years ago, in 1964, Minoru Yamasaki’s proposed design for the World Trade Center was first revealed to the public. Rising far above the Lower Manhattan skyline, the Twin Towers—centerpieces of the original World Trade Center complex—were intended, in the words of their architect, to “become a living representation of man’s belief in humanity.” From the beginning,(...)
Titre:
CLOG 12 2014: World Trade Center
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Fifty years ago, in 1964, Minoru Yamasaki’s proposed design for the World Trade Center was first revealed to the public. Rising far above the Lower Manhattan skyline, the Twin Towers—centerpieces of the original World Trade Center complex—were intended, in the words of their architect, to “become a living representation of man’s belief in humanity.” From the beginning, the project was not without controversy. Positioned at the confluence of several transportation routes, an entire district known as “Radio Row” would be claimed through eminent domain and demolished to make way for the new center of commerce. The abstract—arguably overpowering—design invited fierce criticism. Nevertheless, Yamasaki and associate architects Emery Roth & Sons would devote over a decade to the design and construction of the World Trade Center, which proved significant not only as an urban renewal project, but also as an architectural and engineering marvel. By the time of their destruction, the Twin Towers were one of New York City’s most prominent icons. With the new World Trade Center slowly approaching completion, the importance and irreplaceability of the original becomes more evident. CLOG will therefore critically examine that which has forever been lost: the World Trade Center, Dedicated April 4, 1973.
CLOG 12 2014: World Trade Center
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$23.50
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Résumé:
Fifty years ago, in 1964, Minoru Yamasaki’s proposed design for the World Trade Center was first revealed to the public. Rising far above the Lower Manhattan skyline, the Twin Towers—centerpieces of the original World Trade Center complex—were intended, in the words of their architect, to “become a living representation of man’s belief in humanity.” From the beginning, the project was not without controversy. Positioned at the confluence of several transportation routes, an entire district known as “Radio Row” would be claimed through eminent domain and demolished to make way for the new center of commerce. The abstract—arguably overpowering—design invited fierce criticism. Nevertheless, Yamasaki and associate architects Emery Roth & Sons would devote over a decade to the design and construction of the World Trade Center, which proved significant not only as an urban renewal project, but also as an architectural and engineering marvel. By the time of their destruction, the Twin Towers were one of New York City’s most prominent icons. With the new World Trade Center slowly approaching completion, the importance and irreplaceability of the original becomes more evident. CLOG will therefore critically examine that which has forever been lost: the World Trade Center, Dedicated April 4, 1973.
Classification:
périodiques
périodiques
Publication:
janvier 2015
janvier 2015
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Never built New York
Never built New York
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$70.00
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Résumé:
New York towers among world capitals, but the city we know might have reached even more stellar heights, or burrowed into more destructive depths, had the ideas of its greatest dreamers progressed beyond the drawing board. What is wonderfully grand might easily have been ingloriously grandiose; equally, what is blandly unremarkable might have become delightfully(...)
$70.00
(disponible sur commande)
Résumé:
New York towers among world capitals, but the city we know might have reached even more stellar heights, or burrowed into more destructive depths, had the ideas of its greatest dreamers progressed beyond the drawing board. What is wonderfully grand might easily have been ingloriously grandiose; equally, what is blandly unremarkable might have become delightfully(...)
Titre:
Never built New York
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$70.00
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New York towers among world capitals, but the city we know might have reached even more stellar heights, or burrowed into more destructive depths, had the ideas of its greatest dreamers progressed beyond the drawing board. What is wonderfully grand might easily have been ingloriously grandiose; equally, what is blandly unremarkable might have become delightfully provocative.Nearly 200 proposals spanning 200 years encompass bridges, skyscrapers, master plans, parks, transit schemes, amusements, airports, plans to fill in rivers and extend Manhattan, and much, much more. Included are alternate visions for Central Park, Columbus Circle, Lincoln Center, MoMA, the UN, Grand Central Terminal, the World Trade Center site and other highlights such as: Alfred Ely Beach’s system of airtight subway cars propelled via atmospheric pressure; Frank Lloyd Wright’s last project, his Key Plan for Ellis Island, on which he would have developed his dream city; Buckminster Fuller’s design for Brooklyn’s Dodger Stadium, complete with giant geodesic dome to shield players and fans from the rain; developer William Zeckendorf’s Rooftop Airport, perched on steel columns 200 feet above street level, spanning from 24th to 71st Street, Ninth Avenue to the Hudson River; John Johansen’s Leapfrog City proposal to create an entirely new neighborhood atop the tenements of East Harlem; and Stephen Holl’s Bridge of Houses, offering options from SROs to modest studios to luxury apartments on a segment of what is now the High Line.
Never built New York
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Prix:
$70.00
(disponible sur commande)
Résumé:
New York towers among world capitals, but the city we know might have reached even more stellar heights, or burrowed into more destructive depths, had the ideas of its greatest dreamers progressed beyond the drawing board. What is wonderfully grand might easily have been ingloriously grandiose; equally, what is blandly unremarkable might have become delightfully provocative.Nearly 200 proposals spanning 200 years encompass bridges, skyscrapers, master plans, parks, transit schemes, amusements, airports, plans to fill in rivers and extend Manhattan, and much, much more. Included are alternate visions for Central Park, Columbus Circle, Lincoln Center, MoMA, the UN, Grand Central Terminal, the World Trade Center site and other highlights such as: Alfred Ely Beach’s system of airtight subway cars propelled via atmospheric pressure; Frank Lloyd Wright’s last project, his Key Plan for Ellis Island, on which he would have developed his dream city; Buckminster Fuller’s design for Brooklyn’s Dodger Stadium, complete with giant geodesic dome to shield players and fans from the rain; developer William Zeckendorf’s Rooftop Airport, perched on steel columns 200 feet above street level, spanning from 24th to 71st Street, Ninth Avenue to the Hudson River; John Johansen’s Leapfrog City proposal to create an entirely new neighborhood atop the tenements of East Harlem; and Stephen Holl’s Bridge of Houses, offering options from SROs to modest studios to luxury apartments on a segment of what is now the High Line.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
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$74.00
(disponible sur commande)
Résumé:
Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban(...)
$74.00
(disponible sur commande)
Résumé:
Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban(...)
Titre:
The skyscraper and the city: the woolworth building and the making of modern New York
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$74.00
(disponible sur commande)
Résumé:
Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York. Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them. As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.
The skyscraper and the city: the woolworth building and the making of modern New York
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Prix:
$74.00
(disponible sur commande)
Résumé:
Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York. Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them. As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.
Classification:
livres
livres
Publication:
mai 2008, Chicago, London
mai 2008, Chicago, London
Sujet:
Gratte-ciels
Gratte-ciels
Classification:
livres
livres
Prix:
$38.00
(disponible sur commande)
Résumé:
In 1924 two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Van Alen was a creative genius who envisioned a bold, contemporary building(...)
$38.00
(disponible sur commande)
Résumé:
In 1924 two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Van Alen was a creative genius who envisioned a bold, contemporary building(...)
Titre:
Higher : a historic race to the sky and the making of a city
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$38.00
(disponible sur commande)
Résumé:
In 1924 two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Van Alen was a creative genius who envisioned a bold, contemporary building that would move beyond the tired architecture of the previous century. By a stroke of good fortune he found a larger-than-life patron in automobile magnate Walter Chrysler, and they set out to build the legendary Chrysler building. Severance, by comparison, was a brilliant businessman, and he tapped his circle of downtown, old-money investors to begin construction on the Manhattan Company Building at 40 Wall Street. From ground-breaking to bricklaying, Van Alen and Severance fought a duel of wills. Each man was forced to revamp his architectural design in an attempt to push higher, to overcome his rival in mid-construction, as the structures rose, floor by floor, in record time. Yet just as the battle was underway, a third party entered the arena and announced plans to build an even larger building. This project would be overseen by one of Chrysler’s principal rivals--a representative of the General Motors group--and the building ultimately became known as The Empire State Building.
Higher : a historic race to the sky and the making of a city
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Prix:
$38.00
(disponible sur commande)
Résumé:
In 1924 two architects, William Van Alen and Craig Severance (former friends and successful partners, but now bitter adversaries), set out to imprint their individual marks on the rapidly evolving skyline of New York City. Each man desired to build the city’s tallest building, or ‘skyscraper.’ Van Alen was a creative genius who envisioned a bold, contemporary building that would move beyond the tired architecture of the previous century. By a stroke of good fortune he found a larger-than-life patron in automobile magnate Walter Chrysler, and they set out to build the legendary Chrysler building. Severance, by comparison, was a brilliant businessman, and he tapped his circle of downtown, old-money investors to begin construction on the Manhattan Company Building at 40 Wall Street. From ground-breaking to bricklaying, Van Alen and Severance fought a duel of wills. Each man was forced to revamp his architectural design in an attempt to push higher, to overcome his rival in mid-construction, as the structures rose, floor by floor, in record time. Yet just as the battle was underway, a third party entered the arena and announced plans to build an even larger building. This project would be overseen by one of Chrysler’s principal rivals--a representative of the General Motors group--and the building ultimately became known as The Empire State Building.
Classification:
livres
livres
Publication:
septembre 2003, New York
septembre 2003, New York
Sujet:
Gratte-ciels
Gratte-ciels
Classification:
livres
livres
Actions:
Prix:
$99.00
(disponible sur commande)
Résumé:
This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s(...)
$99.00
(disponible sur commande)
Résumé:
This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s(...)
Publication:
mars 2020
mars 2020
Titre:
Donald Judd spaces: Judd Foundation New York & Texas
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Prix:
$99.00
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Résumé:
This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd’s extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building’s historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd’s consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.
Donald Judd spaces: Judd Foundation New York & Texas
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Prix:
$99.00
(disponible sur commande)
Résumé:
This book presents an unprecedented visual survey of the living and working spaces of the artist Donald Judd in New York and Texas. Filled with newly commissioned and previously unpublished archival photographs alongside five essays by the artist, this book provides an opportunity to explore Judd’s personal spaces, which are a crucial part of this revered artist’s oeuvre. From a 19th-century cast-iron building in Manhattan to an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and lands surrounding the buildings that comprise Judd’s extant living and working spaces. Readers will discover how Judd developed the concept of permanent installation at Spring Street in New York City, with artworks, furniture, and decorative objects striking a balance between the building’s historic qualities and his own architectural innovations. His buildings in Marfa, Texas, demonstrate how Judd reiterated his concept of integrative living on a larger scale, extending to the reaches of the Chinati Mountains at Ayala de Chinati, his 33,000-acre ranch south of the town. Each of the spaces was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these residences reflect Judd’s consistent aesthetic. His spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.
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livres
livres
Publication:
mars 2020
mars 2020
Classification:
livres
livres
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$46.95
(disponible sur commande)
Résumé:
Hans Haacke’s art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context—the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration’s(...)
$46.95
(disponible sur commande)
Résumé:
Hans Haacke’s art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context—the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration’s(...)
Titre:
Working conditions: the writings of Hans Haacke
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$46.95
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Résumé:
Hans Haacke’s art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context—the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration’s Indochina policy; Gallery-Goers’ Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires. This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 São Paulo Biennial; the title piece, “Working Conditions,” which discusses corporate influence on the art world; Haacke’s thinking about “real-time social systems”; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEVÖLKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015.
Working conditions: the writings of Hans Haacke
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Prix:
$46.95
(disponible sur commande)
Résumé:
Hans Haacke’s art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context—the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration’s Indochina policy; Gallery-Goers’ Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires. This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 São Paulo Biennial; the title piece, “Working Conditions,” which discusses corporate influence on the art world; Haacke’s thinking about “real-time social systems”; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEVÖLKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de l’art
Théorie de l’art
