Michael Rakowitz, artiste basé à Chicago, discute avec Luca Stasi de Recetas Urbanas de leurs projets divers. Les œuvres de Michael Rakowitz explorent les concepts de l’habitat nomade et de l’appropriation urbaine, tandis que ceux de Recetas Urbanas proposent des stratégies de logement et de rénovation urbaine en tirant parti de certains vides juridiques pour pratiquer(...)
Théâtre Paul-Desmarais
2 avril 2009
Michael Rakowitz et Luca Stasi de Recetas Urbanas
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Description:
Michael Rakowitz, artiste basé à Chicago, discute avec Luca Stasi de Recetas Urbanas de leurs projets divers. Les œuvres de Michael Rakowitz explorent les concepts de l’habitat nomade et de l’appropriation urbaine, tandis que ceux de Recetas Urbanas proposent des stratégies de logement et de rénovation urbaine en tirant parti de certains vides juridiques pour pratiquer(...)
Théâtre Paul-Desmarais
Liquidated Architecture
Damon Rich, urbaniste et designer américain, analyse le lien entre la politique, l’architecture et l’histoire. Ses recherches concernent essentiellement l’analyse de l’évolution du marché immobilier à travers l’étude de cas de saisies, d’hypothèques, de construction et de zonage. Il est également impliqué au Center for Urban Pedagogy (CUP), une organisation basée à(...)
Théâtre Paul-Desmarais
26 février 2009
Liquidated Architecture
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Description:
Damon Rich, urbaniste et designer américain, analyse le lien entre la politique, l’architecture et l’histoire. Ses recherches concernent essentiellement l’analyse de l’évolution du marché immobilier à travers l’étude de cas de saisies, d’hypothèques, de construction et de zonage. Il est également impliqué au Center for Urban Pedagogy (CUP), une organisation basée à(...)
Théâtre Paul-Desmarais
articles
Escalade d’engagement
Pour votre sécurité
25 mars 2024
Escalade d’engagement
Shane Reiner-Roth retrace le développement de l'infrastructure autoroutière de Los Angeles
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Pour votre sécurité
Série(s)
Project records from Mr. Koz
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
1996
Project records from Mr. Koz
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AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Series
1996
documents textuels
ARCH258925
Description:
Correspondance avec les fournisseurs, le Cabinet du Ministre des Travaux Publics, et Jacques Gréber, architecte, incluant des dessins de détail, des bleus pliés, des notes et calculs, relatifs à l'électricité, à l'acoustique, et des rapports d'inspection. Comprend aussi un dossier de la documentation photographique.
1937-1940
Correspondance avec les fournisseurs, clients et architecte, notes et rapports
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ARCH258925
Description:
Correspondance avec les fournisseurs, le Cabinet du Ministre des Travaux Publics, et Jacques Gréber, architecte, incluant des dessins de détail, des bleus pliés, des notes et calculs, relatifs à l'électricité, à l'acoustique, et des rapports d'inspection. Comprend aussi un dossier de la documentation photographique.
documents textuels
1937-1940
Projet
Fun Palace Project
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
1961-1985, predominant 1961-1974
Fun Palace Project
Actions:
AP144.S2.D46
Description:
File documents the various unexecuted proposals for the Fun Palace Project, an interactive and adaptable, educational and cultural complex to be located in London, England. The project was commissioned by Joan Littlewood, to be erected on disused public land slated for redevelopment and intended to be dismantled after 10 years. Conceptual and design development drawings were created for a typical Fun Palace that could be erected on any suitable site, and several sites were considered, some belonging to the Civic Trust. Presentation drawings were elaborated for a Fun Palace in the Lea Valley at Mill Meads and for a later modified Pilot Project in Camden Town. Publication drawings were also created for an article in Price, Cedric. "Fun Palace Project." 'Architectural Review'. (January 1965), 74-75. The Fun Palace Trust was created to oversee the project and the file contains material from related activities of the Trust which was active until the 1970's. Existing conditions drawings begin in 1961 and include regional, zoning, and transportation maps of Greater London and a photocollage of the site. Conceptual and diagrammatic drawings include: perspectives for the structural system; plans for site access; charts for modular systems; axonometrics for modules; preliminary drawings for escalators and service towers; and studies for activity areas. A "Table of Kindred and Affinity" separates modular components physically and visually by means of activity types, circulation, and individual/group accommodations. Design development drawings for the Fun Palace Project include: plans for activity areas, site plans, typical plans, site movement/circulation plans, theatre seating plans, diagrammatic sections, volumetric structural diagrams, perspectives, charts for services for mass activities, typical mass activity enclosure types, charts for required equipment for activities, and "clamp" structural systems and studies for three dimensional versatility and modular feasibility. Design development drawings for the 1963 Camden Town Pilot Project include: site plans; diagrammatic plans showing circulation patterns; drawings showing basic cubes with components and structural panel types; details for component connections; charts for individual activity module requirements; and network analysis charts. Presentation material includes: aerial photographs mounted on board; enlargements of clippings; reprographic copies of photographs of the design models. Material in this file was created between 1961 and 1985 but predominantly between 1961 and 1974. File contains conceptual drawings, design development drawings, presentation drawings and panels, publication drawings, reference drawings, an artefact, a film reel, models, photographic material, and textual records.
File 46
1961-1985, predominant 1961-1974
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Salles principales
26 novembre 2008 au 19 avril 2009
Actions : comment s’approprier la ville
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Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Salles principales
Adam Caruso de Caruso St John et Brigitte Shim de Shim-Sutcliffe Architects abordent des questions d’importance vitale dans la pratique architecturale contemporaine. Les présentations de Caruso et Shim sont suivies d’une conversation animée par le directeur du CCA, Mirko Zardini. La série Urgence témoigne de l’intérêt constant du CCA à explorer les questions cruciales(...)
12 juin 2009
Urgence 2009 : Adam Caruso et Brigitte Shim
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Description:
Adam Caruso de Caruso St John et Brigitte Shim de Shim-Sutcliffe Architects abordent des questions d’importance vitale dans la pratique architecturale contemporaine. Les présentations de Caruso et Shim sont suivies d’une conversation animée par le directeur du CCA, Mirko Zardini. La série Urgence témoigne de l’intérêt constant du CCA à explorer les questions cruciales(...)
L’enseignement de… Toronto
Ian Chodikoff, architecte, urbaniste et rédacteur en chef du magazine Canadian Architect, présente ses recherches sur la banlieue contemporaine, et sur les influences qu’exercent la diversité ethnique et le multiculturalisme sur l’architecture et l’esthétique urbaine dans les paysages suburbains de la région du Grand Toronto (RGT). Les banlieues d’aujourd’hui sont plus(...)
Théâtre Paul-Desmarais
4 mars 2010 , 19h
L’enseignement de… Toronto
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Description:
Ian Chodikoff, architecte, urbaniste et rédacteur en chef du magazine Canadian Architect, présente ses recherches sur la banlieue contemporaine, et sur les influences qu’exercent la diversité ethnique et le multiculturalisme sur l’architecture et l’esthétique urbaine dans les paysages suburbains de la région du Grand Toronto (RGT). Les banlieues d’aujourd’hui sont plus(...)
Théâtre Paul-Desmarais
Projet
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
1978-1979
Piscina de "Görlitzer Bad" Kreuzberg, Berlim Oeste [Görlitzer Bad swimming pool], Berlin, Germany (1978-1979)
Actions:
AP178.S1.1979.PR02
Description:
The project series documents the 1979 design entry for the Görlitzer Bad swimming pool. While the records were held in the office’s archives this project was assigned the number 48/70; in the past the office identified the project as number 159. The office assigned the date 1979 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza would later submit proposals to the IBA for Block 70 and 89 (Fränkelufer residential complex), Block 121 (Bonjour Tristesse), Block 11-12 (Kottbusser Damm), Monument to Gestapo victims Prinz- Albrecht-Palais, and a proposal for the Kulturforum. The Görlitzer Bad swimming pool was Siza's first international project and first competition. Preceding the IBA competition, Siza attended the 1976 International Design Zentrum (IDZ) symposium in Berlin, "Stadtstruktur-Stadtgestalt". Brigitte Fleck, responsible for national and international architecture competitions for the Senate of Berlin (1971-1985), invited Siza to participate in the IBA competition to design the swimming pool for Kreuzberg. Fleck had heard of Siza’s participation in the IDZ symposium and became interested in Siza’s work with the Servicio Ambulatorio de Apio Lokal (SAAL). By this time Siza’s work with SAAL had been published in the December 1976 and March 1978 publications of the Lotus International Quarterly Architectural Review (numbers 13 and 18). Fleck felt that Siza's work with SAAL would be relevant to the IBA. In 1979, Siza entered his design for the Görlitzer Bad swimming pool to be built on a vacant area on the east side of Kreuzberg. The design for the pool was strongly opposed by the public because the dome over the main swimming pool was said to resemble a mosque. This area of Kreuzberg was largely populated by Turkish Muslims and there was hostility towards this immigrant community. Although Siza’s entry went through the first round of the IBA competition, it did not win the competition and was only awarded a special prize. The project series contains sketches and studies, as well as conceptual and design development drawings of elevations, site plans, and floor plans. Documentation for the competition includes site plans for the competition and a strata plan. The photographs, negatives, contact sheets, and slides mostly document the model and drawings for the project.
Project
1978-1979