15474 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Personnes et institutions:
Date:
2002-2014
2002-2014
Titre:
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Classification:
documents textuels
documents textuels
Date:
2002-2014
2002-2014
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2009
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Date:
23 mars 2009 au 30 octobre 2009
23 mars 2009 au 30 octobre 2009
Titre:
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Chercheurs en résidence 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, États-Unis Sujet : Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, États-Unis Sujet : Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, États-Unis Sujet : Emergent Genetic(...)
Classification:
recherche
recherche
Date:
23 mars 2009 au
30 octobre 2009
23 mars 2009 au
30 octobre 2009
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Personnes et institutions:
Date:
1931
1931
Titre:
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
House for Mrs H. H. Johnson, Pinehurst, North Carolina (1931)
Actions:
CI005.S1.1931.PR1
Description:
Oud's international reputation was cemented due in part to his work on the Weissenhofsiedlung, in Stuttgart, as well as to the praise of contemporary American art historian, Henry-Russell Hitchcock. Oud was commissioned in 1931 to design a private home for the mother of Oud's American friend, Philip Johnson, although the project was never realized due to the client's financial struggles in the economic Depression. Oud submitted drawings and a model of the design for Mrs H.H. Johnson's home to the Museum of Modern Art's 1932 "Modern Architecture – International Exhibition." Although Oud was generally praised for his exhibition entries, especially photographs of Hoek van Holland, he received little positive attention with his model submission of the House of Mrs H.H. Johnson. Oud began design for the house late in 1931 and designed a large villa with an open, spacious living room and dining room, strategic garden views, and a detached sunroom with a retractable roof (Taverne et al. 2001, 320). Project series includes photographs of the model of House for Mrs H.H. Johnson, as well as drawings of plans for the house.
Niveau de description archivistique:
project
project
Date:
1931
1931
Personnes et institutions:
Classification:
expositions
expositions
Description:
Lors de la réforme de l’enseignement dans les écoles d’architecture américaines durant les années 1970, Kenneth Frampton a joué un rôle de premier plan dans la transformation du programme de la Graduate School of Architecture Planning de Columbia University. Il a notamment créé et enseigné les trois cours de base du programme: le séminaire théorique «Comparative Critical(...)
Lors de la réforme de l’enseignement dans les écoles d’architecture américaines durant les années 1970, Kenneth Frampton a joué un rôle de premier plan dans la transformation du programme de la Graduate School of Architecture Planning de Columbia University. Il a notamment créé et enseigné les trois cours de base du programme: le séminaire théorique «Comparative Critical(...)
Localisation:
Salle octogonale Mot(s)-clé(s):
Kenneth Frampton, Columbia, Princeton, teaching, GSAPP
Salle octogonale Mot(s)-clé(s):
Kenneth Frampton, Columbia, Princeton, teaching, GSAPP
Date:
31 mai 2017 au 24 septembre 2017
31 mai 2017 au 24 septembre 2017
Titre:
Apprendre aux architectes : quatre cours de Kenneth Frampton
Actions:
Description:
Lors de la réforme de l’enseignement dans les écoles d’architecture américaines durant les années 1970, Kenneth Frampton a joué un rôle de premier plan dans la transformation du programme de la Graduate School of Architecture Planning de Columbia University. Il a notamment créé et enseigné les trois cours de base du programme: le séminaire théorique «Comparative Critical(...)
Apprendre aux architectes : quatre cours de Kenneth Frampton
Actions:
Description:
Lors de la réforme de l’enseignement dans les écoles d’architecture américaines durant les années 1970, Kenneth Frampton a joué un rôle de premier plan dans la transformation du programme de la Graduate School of Architecture Planning de Columbia University. Il a notamment créé et enseigné les trois cours de base du programme: le séminaire théorique «Comparative Critical(...)
Classification:
expositions
expositions
Date:
31 mai 2017 au
24 septembre 2017
31 mai 2017 au
24 septembre 2017
Localisation:
Salle octogonale Mot(s)-clé(s):
Kenneth Frampton, Columbia, Princeton, teaching, GSAPP
Salle octogonale Mot(s)-clé(s):
Kenneth Frampton, Columbia, Princeton, teaching, GSAPP
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Annalisa Avon, Chercheuse indépendante, Fiume Veneto, Italie Sujet : Baroque in France Before Bernini’s Arrival Dirk De Meyer, Universiteit Gent, Gand, Belgique Sujet : Johann Santini Aichel (1677-1723) Rochelle Ziskin, Department of Art and Art History, University of Missouri-Kansas City, États-Unis Sujet : Lexicons of(...)
Thème : Le phénomène baroque au-delà de Rome Annalisa Avon, Chercheuse indépendante, Fiume Veneto, Italie Sujet : Baroque in France Before Bernini’s Arrival Dirk De Meyer, Universiteit Gent, Gand, Belgique Sujet : Johann Santini Aichel (1677-1723) Rochelle Ziskin, Department of Art and Art History, University of Missouri-Kansas City, États-Unis Sujet : Lexicons of(...)
Date:
septembre 1998 au août 1999
septembre 1998 au août 1999
Titre:
Chercheurs en résidence 1998-1999
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Annalisa Avon, Chercheuse indépendante, Fiume Veneto, Italie Sujet : Baroque in France Before Bernini’s Arrival Dirk De Meyer, Universiteit Gent, Gand, Belgique Sujet : Johann Santini Aichel (1677-1723) Rochelle Ziskin, Department of Art and Art History, University of Missouri-Kansas City, États-Unis Sujet : Lexicons of(...)
Chercheurs en résidence 1998-1999
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome Annalisa Avon, Chercheuse indépendante, Fiume Veneto, Italie Sujet : Baroque in France Before Bernini’s Arrival Dirk De Meyer, Universiteit Gent, Gand, Belgique Sujet : Johann Santini Aichel (1677-1723) Rochelle Ziskin, Department of Art and Art History, University of Missouri-Kansas City, États-Unis Sujet : Lexicons of(...)
Classification:
recherche
recherche
Date:
septembre 1998 au
août 1999
septembre 1998 au
août 1999
Classification:
recherche
recherche
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Date:
septembre 2000 au août 2001
septembre 2000 au août 2001
Titre:
Chercheurs en résidence 2000-2001
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Chercheurs en résidence 2000-2001
Actions:
Description:
Thème : Le phénomène de changements de paradigmes en architecture depuis l’Antiquité : Oliver Botar, École d’art, Université du Manitoba, Winnipeg, Canada Sujet : On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italie Sujet : Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’(...)
Classification:
recherche
recherche
Date:
septembre 2000 au
août 2001
septembre 2000 au
août 2001
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Personnes et institutions:
Date:
[1997]-1998
[1997]-1998
Titre:
Fonds IIT - New Campus Center Competition
Actions:
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Fonds IIT - New Campus Center Competition
Actions:
AP113
Résumé:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
[1997]-1998
[1997]-1998
Personnes et institutions:
Classification:
événements
événements
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Date:
21 septembre 2017, 18h30
21 septembre 2017, 18h30
Titre:
David B. Stewart, quel sens avait l’histoire pour Kazuo Shinohara?
Actions:
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
David B. Stewart, quel sens avait l’histoire pour Kazuo Shinohara?
Actions:
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Classification:
événements
événements
Date:
21 septembre 2017
18h30
21 septembre 2017
18h30
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
Personnes et institutions:
Date:
1963-1964
1963-1964
Titre:
Bata Limited Office Building, Don Mills, Ontario (1962-1965)
Actions:
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
Bata Limited Office Building, Don Mills, Ontario (1962-1965)
Actions:
AP018.S1.1962.PR02
Description:
This project series documents the Bata Limited office building in Toronto from 1962-1965. The office identified the project number as 6243. This project consisted of a three-storey office building for the shoe company, Bata Limited, located at the corners of Eglington Avenue and Don Mills Road. The building consisted of a basement with mechanical equipment and storage, a first floor with waiting room, cafeteria, kitchen and conference rooms, and second and third floors with general office space. This pavilion style building had 27 tree-like columns lining the outside that the top two storeys rested upon. The interior had similar columns to carry the design inside the building. This project was celebrated as an iconic example of modern architecture in Canada. It has since been demolished. The project is recorded through construction drawings, which are mostly reprographic copies, dating from 1963-1964.
Niveau de description archivistique:
Project
Project
Date:
1963-1964
1963-1964
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.057
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.058 and AP206.S2.059. This file includes the following papers: Untitled paper on art activities in Chandigarh, 1982 "Avoidable Waste of Energy," newspaper article, 1983 "Need to Halt Waste of Energy," newspaper article, 1983 "Review of Modern Architecture Since 1900 by William JR Curtis," 1983 "Chandigarh Whose Baby?" "The Personality of a Unique City," newspaper article, 1983
AP206.S2.057
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.058 and AP206.S2.059. This file includes the following papers: Untitled paper on art activities in Chandigarh, 1982 "Avoidable Waste of Energy," newspaper article, 1983 "Need to Halt Waste of Energy," newspaper article, 1983 "Review of Modern Architecture Since 1900 by William JR Curtis," 1983 "Chandigarh Whose Baby?" "The Personality of a Unique City," newspaper article, 1983
Personnes et institutions:
Date:
1982-1985
1982-1985
Titre:
Published and unpublished papers (folder 2 of 4)
Actions:
AP206.S2.057
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.058 and AP206.S2.059. This file includes the following papers: Untitled paper on art activities in Chandigarh, 1982 "Avoidable Waste of Energy," newspaper article, 1983 "Need to Halt Waste of Energy," newspaper article, 1983 "Review of Modern Architecture Since 1900 by William JR Curtis," 1983 "Chandigarh Whose Baby?" "The Personality of a Unique City," newspaper article, 1983
Published and unpublished papers (folder 2 of 4)
Actions:
AP206.S2.057
Description:
File was originally housed in a binder along with content arranged in AP206.S2.056, AP206.S2.058 and AP206.S2.059. This file includes the following papers: Untitled paper on art activities in Chandigarh, 1982 "Avoidable Waste of Energy," newspaper article, 1983 "Need to Halt Waste of Energy," newspaper article, 1983 "Review of Modern Architecture Since 1900 by William JR Curtis," 1983 "Chandigarh Whose Baby?" "The Personality of a Unique City," newspaper article, 1983
Classification:
documents textuels
documents textuels
Date:
1982-1985
1982-1985
Personnes et institutions:
