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This volume investigates the role of architecture, taking the Tracé Royal (the royal route) in Brussels as an example of an urban figure. The succession of emblematic streets, running from the Palace of Justice in the heart of the city to the Church of Our Lady and the Royal Domain in Laeken, is home to several of Belgium’s national political, legal, religious, financial,(...)
Institutions and the city: The role of architecture
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This volume investigates the role of architecture, taking the Tracé Royal (the royal route) in Brussels as an example of an urban figure. The succession of emblematic streets, running from the Palace of Justice in the heart of the city to the Church of Our Lady and the Royal Domain in Laeken, is home to several of Belgium’s national political, legal, religious, financial, and cultural institutions. The book explores the strategies put in place over time by the various institutions to inscribe themselves durably on the country’s social order, revealing similar spatial responses and surprisingly common mutation processes. And it highlights the importance of architecture when it comes to inventing new relationships with institutional spaces in order to live together better in a time when social, political, and cultural reference points are being blurred.
Théorie de l’urbanisme
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154 p., [52] p. of plates : ill., plans ; 26 cm.
Brussel : Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, 1998.
Jacques Francart, Premier livre d'architecture (1617) : studie van een Zuid-Nederlands modelboek met poortgebouwen / Annemie De Vos.
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154 p., [52] p. of plates : ill., plans ; 26 cm.
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Brussel : Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, 1998.
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In 2006, Amsterdam's 66 East: Centre for Urban Culture organized a project in which artists and architects--including Theo Baart, Bas Princen, Ralph Kämena, Jannes Linders, Jeroen Musch and Hans Werlemann--examined Amsterdam's predominately Arabic and Turkish neighborhood, Indische Buurt, which had recently become home to studios and offices for the creative sector, often(...)
Houses in transformation: interventions in European gentrification
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In 2006, Amsterdam's 66 East: Centre for Urban Culture organized a project in which artists and architects--including Theo Baart, Bas Princen, Ralph Kämena, Jannes Linders, Jeroen Musch and Hans Werlemann--examined Amsterdam's predominately Arabic and Turkish neighborhood, Indische Buurt, which had recently become home to studios and offices for the creative sector, often seen as the first step in gentrification. Adopting strategies ranging from critical commentary to activist intervention, the project and subsequent exhibition, Houses of Transformation, posits creative alternatives for urban planners, developers and administrators in responding to the inevitable and ongoing problems of urban renewal. This volume documents these strategies and proposals, while also casting a critical eye on similar neighborhoods in other European cities--including Barcelona, Berlin, Budapest, Brussels and London--putting the unique issues of Dutch gentrification into a larger perspective
Théorie de l’urbanisme
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This book discusses the architectural influence that Japan and the West have had on each other during the last 150 years. While the recent histories of Western and Japanese architecture have been well recorded, they have rarely been interwoven. Based on extensive research, this book provides a synthetic overview that brings together the main themes of Japanese and Western(...)
Japan and the West: an architectural dialogue
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This book discusses the architectural influence that Japan and the West have had on each other during the last 150 years. While the recent histories of Western and Japanese architecture have been well recorded, they have rarely been interwoven. Based on extensive research, this book provides a synthetic overview that brings together the main themes of Japanese and Western architecture since 1850, showing that neither could exist in its present state without the other. It should be no surprise that the Bank of Japan in Tokyo is based upon the national banks in Brussels and London or that Le Corbusier’s cabanon at Cap Martin in the south of France is based upon an eight mat tatami room. In considering these histories, this book demonstrates the mutual interdependence of both architectural cultures while, at the same time, acknowledging their differences.
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"Fresh dialogue 3" brings together the work of four young and innovative studios who share the distinction of being selected as participants in the American Institute of Graphic Arts, New York Chapter's Fresh Dialogue series. BASE is a studio with offices in New York, Brussels, and Barcelona. The fashion industry accounts for nearly half their business which includes(...)
décembre 2003, New York
Fresh dialogue 3 : new voices in graphic design
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"Fresh dialogue 3" brings together the work of four young and innovative studios who share the distinction of being selected as participants in the American Institute of Graphic Arts, New York Chapter's Fresh Dialogue series. BASE is a studio with offices in New York, Brussels, and Barcelona. The fashion industry accounts for nearly half their business which includes developing image campaigns and corporate identities. HONEST, founded by Stella Bugbee, Jonathan Milott, and Cary Murnion, works with a variety of fashion, art, music and architecture related clients including MoMA, Kate Spade, and Virgin Records. Brooklyn based HunterGatherer was founded by Todd St. John in 2000. Recent projects have included work with MTV, Nixon Watches, and Adidas. STILETTO is a design collective comprised of three partners: Stefanie Barth, Julie Hirschfeld, and Joan Raspo. They work are in variety of media including web design, film, animation, and motion graphics.
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This book brings together, for the first time, the entire Private Scenes photographic series in which we discover a new dimension of the work of Masahisa Fukase, that of the artist struggling with his medium. This singular corpus is made up of images in which the artist inserts himself. The series is made up of two sets: Letters from Journeys which presents photographs(...)
Masahisa Fukase : Private scenes
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This book brings together, for the first time, the entire Private Scenes photographic series in which we discover a new dimension of the work of Masahisa Fukase, that of the artist struggling with his medium. This singular corpus is made up of images in which the artist inserts himself. The series is made up of two sets: Letters from Journeys which presents photographs taken in 1989 in different cities around the world (Paris, London, Brussels, Antwerp, etc.), and Private Scenes '92 which focuses on his daily life in Tokyo, where now each print is enhanced with color paints, thus becoming a unique work. This final series bears witness to Fukase's questions about his own practice of photography at the end of his life, and the place of the photographer in his work, when subject and object overlap, also evoking the current practice of the selfie.
Monographies photo
East of a new Eden
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Europe’s new eastern borders stretch from the Baltic Sea to the Black Sea: 1.600 heavily guarded kilometers between former “fraternal countries.” The photographers Yann Mingard and Alban Kakulya spent a long time on the road; one of them traveled down from the North and the other up from the South in an effort to document the places and landscapes that mark the end of the(...)
East of a new Eden
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Europe’s new eastern borders stretch from the Baltic Sea to the Black Sea: 1.600 heavily guarded kilometers between former “fraternal countries.” The photographers Yann Mingard and Alban Kakulya spent a long time on the road; one of them traveled down from the North and the other up from the South in an effort to document the places and landscapes that mark the end of the Western world. On their journey, they photographed the landscape as well as the border posts with their soldiers and their refugees seized at the frontier, and documented a reality defined in faraway Strasbourg, Brussels, and elsewhere. Explanatory maps and satellite images are juxtaposed in this book with the striking photographs. Articles by political scientists, security experts, sociologists, human rights specialists, and philosophers, as well as literary texts round out this photographic survey of the EU’s Eastern European external borders.
Photographie par région
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In 1958, Swiss-French architect and urban planner Le Corbusier designed the Philips Pavilion for the World's Fair in Brussels. It is the only building the artist produced for a Dutch client. The unconventional pavilion was the setting for the experimental performance "Le Poème électronique," by avant-garde composer Edgard Varèse, seen by one and a half million visitors.(...)
Inside Le Corbusier's Philips Pavilion
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In 1958, Swiss-French architect and urban planner Le Corbusier designed the Philips Pavilion for the World's Fair in Brussels. It is the only building the artist produced for a Dutch client. The unconventional pavilion was the setting for the experimental performance "Le Poème électronique," by avant-garde composer Edgard Varèse, seen by one and a half million visitors. Combining film, color, music and light, this event is regarded as the first multimedia performance for the general public. After its demolition in 1959, the pavilion became an icon of 20th-century art. The Rijksmuseum in Amsterdam hosts a scale model of the pavilion and also provides the eight-minute soundtrack of "Le Poème électronique." EYE Filmmuseum, also in Amsterdam, has kept the film footage of the performance. This monograph includes a complete overview of the Philips Pavilion, including its history, construction and detailed documentation of "Le Poème électronique."
Architecture, monographies
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Radicale ensembles = Radical ensembles / auteurs, Koen Van Bockstal, Jantje Engels, Bart Decroos.
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136 pages : illustrations (chiefly color), plans ; 21 x 21 cm
Brussel : Academic & Scientific Publishers, ©2018.
Radicale ensembles = Radical ensembles / auteurs, Koen Van Bockstal, Jantje Engels, Bart Decroos.
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136 pages : illustrations (chiefly color), plans ; 21 x 21 cm
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Brussel : Academic & Scientific Publishers, ©2018.
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679 pages : illustrations (some color), map ; 31 cm
Berlin : Jovis, ©2010.
Hans Schwippert : 1899-1973 : Moderation des Wiederaufbaus / Gerda Breuer, Pia Mingels, Christopher Oestereich (Hg.).
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679 pages : illustrations (some color), map ; 31 cm
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Berlin : Jovis, ©2010.