1136 Résultats
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livres
livres
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Description:
481 pages : illustrations, maps ; 23 cm.
Description:
481 pages : illustrations, maps ; 23 cm.
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Publication:
Ann Arbor : University of Michigan Press, ©1996.
Ann Arbor : University of Michigan Press, ©1996.
Titre:
The geography of identity / edited by Patricia Yaeger.
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Description:
481 pages : illustrations, maps ; 23 cm.
The geography of identity / edited by Patricia Yaeger.
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Description:
481 pages : illustrations, maps ; 23 cm.
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livres
livres
Publication:
Ann Arbor : University of Michigan Press, ©1996.
Ann Arbor : University of Michigan Press, ©1996.
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livres
livres
Titre:
1000 Chairs
1000 Chairs
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$17.95
(disponible sur commande)
Résumé:
More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to(...)
$17.95
(disponible sur commande)
Résumé:
More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to(...)
Titre:
1000 Chairs
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$17.95
(disponible sur commande)
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More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant-garde armchairs. The book, a slightly abbreviated version of our classic title "1000 Chairs", devotes one page to each chair, displayed on its own as pure form, with biographical and historical information about the chairs and their designers. A special treat for anyone who loves design and a must for collectors!
1000 Chairs
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$17.95
(disponible sur commande)
Résumé:
More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant-garde armchairs. The book, a slightly abbreviated version of our classic title "1000 Chairs", devotes one page to each chair, displayed on its own as pure form, with biographical and historical information about the chairs and their designers. A special treat for anyone who loves design and a must for collectors!
Classification:
livres
livres
Publication:
mai 2005, Cologne
mai 2005, Cologne
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$99.00
(disponible en magasin)
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Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and(...)
$99.00
(disponible en magasin)
Résumé:
Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
mai 2001, Basel / Boston / Berlin
mai 2001, Basel / Boston / Berlin
Titre:
Hermann & Valentiny and partners : jetz / now
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$99.00
(disponible en magasin)
Résumé:
Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and content. Representing Luxembourg at the architecture biennale in Venice, Hermann & Valentiny reveal how architecture and art can be successfully combined. This up-to-date report "Now" illustrates how conceptual questions and a comparatively restricted choice of materials dominate the work of Hermann & Valentiny. Wherever possible they use concrete to replace plaster; glass maintains its unique role; metal mesh acts as a membrane, allowing historical architecture to shimmer through. Moreover, colour has a special function in their architecture. Not just black and white, but also tomato red, melon yellow, peppermint green... Finally, the book reveals the architects' general concepts which incorporate the living, the natural surroundings in the plans.
Hermann & Valentiny and partners : jetz / now
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$99.00
(disponible en magasin)
Résumé:
Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and content. Representing Luxembourg at the architecture biennale in Venice, Hermann & Valentiny reveal how architecture and art can be successfully combined. This up-to-date report "Now" illustrates how conceptual questions and a comparatively restricted choice of materials dominate the work of Hermann & Valentiny. Wherever possible they use concrete to replace plaster; glass maintains its unique role; metal mesh acts as a membrane, allowing historical architecture to shimmer through. Moreover, colour has a special function in their architecture. Not just black and white, but also tomato red, melon yellow, peppermint green... Finally, the book reveals the architects' general concepts which incorporate the living, the natural surroundings in the plans.
Classification:
livres
livres
Publication:
mai 2001, Basel / Boston / Berlin
mai 2001, Basel / Boston / Berlin
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$58.50
(disponible sur commande)
Résumé:
The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through(...)
$58.50
(disponible sur commande)
Résumé:
The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through(...)
Titre:
The uses of photography: art, politics and the reinvention of a medium
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$58.50
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The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today.
The uses of photography: art, politics and the reinvention of a medium
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$58.50
(disponible sur commande)
Résumé:
The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today.
Classification:
livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
périodiques
périodiques
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$35.00
(disponible sur commande)
Résumé:
OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century,(...)
$35.00
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Résumé:
OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century,(...)
Titre:
OASE 90: What is good architecture?
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$35.00
(disponible sur commande)
Résumé:
OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century, models for architecture evaluation such as modernism and postmodernism have been modified by supermodernism and retromodernism, and more recently by sustainability. Nevertheless, it is impossible to work with architecture – in design, theory or history – without making assumptions about criteria for quality. This issue uncovers and makes explicit the assumptions underlying these models, by posing the simple question ‘What is good architecture?’ in different ways and have it answered by people whose ‘main occupation’ is architecture. This issue of OASE can be like a banquet at which each guest selects something entirely different from the menu in a well-reasoned and forthright way – and so keeps the architecture party going.
OASE 90: What is good architecture?
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Prix:
$35.00
(disponible sur commande)
Résumé:
OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century, models for architecture evaluation such as modernism and postmodernism have been modified by supermodernism and retromodernism, and more recently by sustainability. Nevertheless, it is impossible to work with architecture – in design, theory or history – without making assumptions about criteria for quality. This issue uncovers and makes explicit the assumptions underlying these models, by posing the simple question ‘What is good architecture?’ in different ways and have it answered by people whose ‘main occupation’ is architecture. This issue of OASE can be like a banquet at which each guest selects something entirely different from the menu in a well-reasoned and forthright way – and so keeps the architecture party going.
Classification:
périodiques
périodiques
Publication:
août 2013
août 2013
Sujet:
Revues
Revues
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livres
livres
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Description:
xvii, 476 pages : illustrations ; 24 cm
Description:
xvii, 476 pages : illustrations ; 24 cm
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Publication:
Cambridge, Mass. : MIT Press, ©2007.
Cambridge, Mass. : MIT Press, ©2007.
Titre:
The artwork caught by the tail : Francis Picabia and Dada in Paris / George Baker.
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Description:
xvii, 476 pages : illustrations ; 24 cm
The artwork caught by the tail : Francis Picabia and Dada in Paris / George Baker.
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Description:
xvii, 476 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©2007.
Cambridge, Mass. : MIT Press, ©2007.
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livres
livres
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Description:
xiv, 285 pages : illustrations, maps ; 24 cm
Description:
xiv, 285 pages : illustrations, maps ; 24 cm
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Publication:
Baltimore : Johns Hopkins University Press, ©1993.
Baltimore : Johns Hopkins University Press, ©1993.
Titre:
Geography and the human spirit / Anne Buttimer ; with a foreword by Yi-Fu Tuan.
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Description:
xiv, 285 pages : illustrations, maps ; 24 cm
Geography and the human spirit / Anne Buttimer ; with a foreword by Yi-Fu Tuan.
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Description:
xiv, 285 pages : illustrations, maps ; 24 cm
Classification:
livres
livres
Publication:
Baltimore : Johns Hopkins University Press, ©1993.
Baltimore : Johns Hopkins University Press, ©1993.
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Classification:
livres
livres
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$29.95
(disponible sur commande)
Résumé:
After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built,(...)
$29.95
(disponible sur commande)
Résumé:
After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built,(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
novembre 2007, Toronto
novembre 2007, Toronto
Titre:
Concrete Toronto : a guidebook to concrete architecture from the fifties to the seventies
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$29.95
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Résumé:
After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built, including Viljo Revell’s groundbreaking New City Hall, John Andrew’s seminal Scarborough College and the record-smashing CN Tower. Toronto is a city cast in concrete. However, as architectural fashion has shifted from postmodernism to the glass-and-steel neomodernism of today, these concrete structures have been ignored, misunderstood and, in some cases, demolished. Concrete Toronto acts as a guide to the city’s extensive concrete heritage. A diverse group of experts has been assembled to re-examine the uniqueness and value of these buildings. Included are the insights of many of the original concrete architects, university faculty, local practitioners, journalists and industry experts. Together they explore the past and future of Toronto’s concrete buildings. Included is a wealth of new and archival photos, drawings, interviews, articles, as well as case studies of Toronto’s major concrete architecture.
Concrete Toronto : a guidebook to concrete architecture from the fifties to the seventies
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$29.95
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Résumé:
After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built, including Viljo Revell’s groundbreaking New City Hall, John Andrew’s seminal Scarborough College and the record-smashing CN Tower. Toronto is a city cast in concrete. However, as architectural fashion has shifted from postmodernism to the glass-and-steel neomodernism of today, these concrete structures have been ignored, misunderstood and, in some cases, demolished. Concrete Toronto acts as a guide to the city’s extensive concrete heritage. A diverse group of experts has been assembled to re-examine the uniqueness and value of these buildings. Included are the insights of many of the original concrete architects, university faculty, local practitioners, journalists and industry experts. Together they explore the past and future of Toronto’s concrete buildings. Included is a wealth of new and archival photos, drawings, interviews, articles, as well as case studies of Toronto’s major concrete architecture.
Classification:
livres
livres
Publication:
novembre 2007, Toronto
novembre 2007, Toronto
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
livres
livres
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$34.95
(disponible sur commande)
Résumé:
Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
$34.95
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Résumé:
Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
Titre:
Architecture's historical turn: phenomenology and the rise of the postmodern
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$34.95
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
Architecture's historical turn: phenomenology and the rise of the postmodern
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$34.95
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Résumé:
Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
Classification:
livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$70.00
(disponible sur commande)
Résumé:
Maurice R. Stein and Larry Miller’s 'Blueprint for Counter Education' is one of the defining (but neglected) works of radical pedagogy of the Vietnam War era. Originally published as a boxed set by Doubleday in 1970, the book was accompanied by large graphic posters that could serve as a portable learning environment for a new process-based model of education, and a(...)
$70.00
(disponible sur commande)
Résumé:
Maurice R. Stein and Larry Miller’s 'Blueprint for Counter Education' is one of the defining (but neglected) works of radical pedagogy of the Vietnam War era. Originally published as a boxed set by Doubleday in 1970, the book was accompanied by large graphic posters that could serve as a portable learning environment for a new process-based model of education, and a(...)
Titre:
Blueprint for counter education
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$70.00
(disponible sur commande)
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Maurice R. Stein and Larry Miller’s 'Blueprint for Counter Education' is one of the defining (but neglected) works of radical pedagogy of the Vietnam War era. Originally published as a boxed set by Doubleday in 1970, the book was accompanied by large graphic posters that could serve as a portable learning environment for a new process-based model of education, and a bibliography and checklist that map patterns and relationships between radical thought and artistic practices—from the modernist avant-gardes to postmodernism, from the Bauhaus to Black Mountain College, from Theodor Adorno and Walter Benjamin to Buckminster Fuller and Norman O. Brown—with Herbert Marcuse and Marshall McLuhan serving as points of anchorage. 'Blueprint for Counter Education' thus serves as a vital synthesis of the numerous intellectual currents in the countercultural debate on the radical reform of schools, universities and ways of learning. To accompany this new facsimile edition of the book and posters, an 80-page booklet features a conversation with the original Blueprint creators, Maurice R. Stein, Larry Miller and designer Marshall Henrichs, as well as essays from Jeffrey Schnapp, Paul Cronin and notes on the design by Adam Michaels of Project Projects.
Blueprint for counter education
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$70.00
(disponible sur commande)
Résumé:
Maurice R. Stein and Larry Miller’s 'Blueprint for Counter Education' is one of the defining (but neglected) works of radical pedagogy of the Vietnam War era. Originally published as a boxed set by Doubleday in 1970, the book was accompanied by large graphic posters that could serve as a portable learning environment for a new process-based model of education, and a bibliography and checklist that map patterns and relationships between radical thought and artistic practices—from the modernist avant-gardes to postmodernism, from the Bauhaus to Black Mountain College, from Theodor Adorno and Walter Benjamin to Buckminster Fuller and Norman O. Brown—with Herbert Marcuse and Marshall McLuhan serving as points of anchorage. 'Blueprint for Counter Education' thus serves as a vital synthesis of the numerous intellectual currents in the countercultural debate on the radical reform of schools, universities and ways of learning. To accompany this new facsimile edition of the book and posters, an 80-page booklet features a conversation with the original Blueprint creators, Maurice R. Stein, Larry Miller and designer Marshall Henrichs, as well as essays from Jeffrey Schnapp, Paul Cronin and notes on the design by Adam Michaels of Project Projects.
Classification:
livres
livres
Publication:
février 2016
février 2016
Sujet:
Muséologie
Muséologie
