1136 Résultats
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livres
livres
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Description:
481 pages : illustrations, maps ; 23 cm.
Description:
481 pages : illustrations, maps ; 23 cm.
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Publication:
Ann Arbor : University of Michigan Press, ©1996.
Ann Arbor : University of Michigan Press, ©1996.
Titre:
The geography of identity / edited by Patricia Yaeger.
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Description:
481 pages : illustrations, maps ; 23 cm.
The geography of identity / edited by Patricia Yaeger.
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Description:
481 pages : illustrations, maps ; 23 cm.
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livres
livres
Publication:
Ann Arbor : University of Michigan Press, ©1996.
Ann Arbor : University of Michigan Press, ©1996.
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livres
livres
Titre:
1000 Chairs
1000 Chairs
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$17.95
(disponible sur commande)
Résumé:
More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to(...)
$17.95
(disponible sur commande)
Résumé:
More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to(...)
Titre:
1000 Chairs
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$17.95
(disponible sur commande)
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More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant-garde armchairs. The book, a slightly abbreviated version of our classic title "1000 Chairs", devotes one page to each chair, displayed on its own as pure form, with biographical and historical information about the chairs and their designers. A special treat for anyone who loves design and a must for collectors!
1000 Chairs
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$17.95
(disponible sur commande)
Résumé:
More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a back-rest, or the twist of a leg, the angle of a seat or the colour of the entire artefact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto via Verner Panton to Eva Zeisel; from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet's bentwood chairs and Hoffmann's sitting-machines, Marcel Breuer's Wassily chair and Ron Arad's avant-garde armchairs. The book, a slightly abbreviated version of our classic title "1000 Chairs", devotes one page to each chair, displayed on its own as pure form, with biographical and historical information about the chairs and their designers. A special treat for anyone who loves design and a must for collectors!
Classification:
livres
livres
Publication:
mai 2005, Cologne
mai 2005, Cologne
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$99.00
(disponible en magasin)
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Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and(...)
$99.00
(disponible en magasin)
Résumé:
Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
mai 2001, Basel / Boston / Berlin
mai 2001, Basel / Boston / Berlin
Titre:
Hermann & Valentiny and partners : jetz / now
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$99.00
(disponible en magasin)
Résumé:
Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and content. Representing Luxembourg at the architecture biennale in Venice, Hermann & Valentiny reveal how architecture and art can be successfully combined. This up-to-date report "Now" illustrates how conceptual questions and a comparatively restricted choice of materials dominate the work of Hermann & Valentiny. Wherever possible they use concrete to replace plaster; glass maintains its unique role; metal mesh acts as a membrane, allowing historical architecture to shimmer through. Moreover, colour has a special function in their architecture. Not just black and white, but also tomato red, melon yellow, peppermint green... Finally, the book reveals the architects' general concepts which incorporate the living, the natural surroundings in the plans.
Hermann & Valentiny and partners : jetz / now
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$99.00
(disponible en magasin)
Résumé:
Hermann & Valentiny first came to public attention in the 1980s with their villa in the Rauchstrasse, a part of the International Building Exhibition in Berlin, when postmodernism was at its peak in Europe. Since then the office which is based in Vienna and Remerschen has built in Austria, Luxembourg and Germany, and its architecture has progressed in both form and content. Representing Luxembourg at the architecture biennale in Venice, Hermann & Valentiny reveal how architecture and art can be successfully combined. This up-to-date report "Now" illustrates how conceptual questions and a comparatively restricted choice of materials dominate the work of Hermann & Valentiny. Wherever possible they use concrete to replace plaster; glass maintains its unique role; metal mesh acts as a membrane, allowing historical architecture to shimmer through. Moreover, colour has a special function in their architecture. Not just black and white, but also tomato red, melon yellow, peppermint green... Finally, the book reveals the architects' general concepts which incorporate the living, the natural surroundings in the plans.
Classification:
livres
livres
Publication:
mai 2001, Basel / Boston / Berlin
mai 2001, Basel / Boston / Berlin
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$58.50
(disponible sur commande)
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The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through(...)
$58.50
(disponible sur commande)
Résumé:
The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through(...)
Titre:
The uses of photography: art, politics and the reinvention of a medium
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$58.50
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The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today.
The uses of photography: art, politics and the reinvention of a medium
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$58.50
(disponible sur commande)
Résumé:
The Uses of Photography examines a network of artists who were active in Southern California between the late 1960s and early 1980s and whose experiments with photography opened the medium to a profusion of new strategies and subjects. These artists introduced urgent social issues and themes of everyday life into the seemingly neutral territory of conceptual art, through photographic works that took on hybrid forms, from books and postcards to video and text-and-image installations. Tracing a crucial history of photoconceptual practice, The Uses of Photography focuses on an artistic community that formed in and around the young University of California San Diego, founded in 1960, and its visual arts department, founded in 1967. Artists such as Eleanor Antin, Allan Kaprow, Fred Lonidier, Martha Rosler, Allan Sekula, and Carrie Mae Weems employed photography and its expanded forms as a means to dismantle modernist autonomy, to contest notions of photographic truth, and to engage in political critique. The work of these artists shaped emergent accounts of postmodernism in the visual arts and their influence is felt throughout the global contemporary art world today.
Classification:
livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
périodiques
périodiques
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Prix:
$35.00
(disponible sur commande)
Résumé:
OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century,(...)
$35.00
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Résumé:
OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century,(...)
Titre:
OASE 90: What is good architecture?
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$35.00
(disponible sur commande)
Résumé:
OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century, models for architecture evaluation such as modernism and postmodernism have been modified by supermodernism and retromodernism, and more recently by sustainability. Nevertheless, it is impossible to work with architecture – in design, theory or history – without making assumptions about criteria for quality. This issue uncovers and makes explicit the assumptions underlying these models, by posing the simple question ‘What is good architecture?’ in different ways and have it answered by people whose ‘main occupation’ is architecture. This issue of OASE can be like a banquet at which each guest selects something entirely different from the menu in a well-reasoned and forthright way – and so keeps the architecture party going.
OASE 90: What is good architecture?
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Prix:
$35.00
(disponible sur commande)
Résumé:
OASE 90 investigates the expectation behind existing value models in architecture. Many problems in today’s architecture world would vanish if every once in a while it was clearer what is meant by good architecture. The ‘crisis of criticism’, for instance, is a symptom of the impossibility of knowing (or daring to know) what good architecture is. Over the past century, models for architecture evaluation such as modernism and postmodernism have been modified by supermodernism and retromodernism, and more recently by sustainability. Nevertheless, it is impossible to work with architecture – in design, theory or history – without making assumptions about criteria for quality. This issue uncovers and makes explicit the assumptions underlying these models, by posing the simple question ‘What is good architecture?’ in different ways and have it answered by people whose ‘main occupation’ is architecture. This issue of OASE can be like a banquet at which each guest selects something entirely different from the menu in a well-reasoned and forthright way – and so keeps the architecture party going.
Classification:
périodiques
périodiques
Publication:
août 2013
août 2013
Sujet:
Revues
Revues
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livres
livres
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Description:
xvii, 476 pages : illustrations ; 24 cm
Description:
xvii, 476 pages : illustrations ; 24 cm
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Publication:
Cambridge, Mass. : MIT Press, ©2007.
Cambridge, Mass. : MIT Press, ©2007.
Titre:
The artwork caught by the tail : Francis Picabia and Dada in Paris / George Baker.
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Description:
xvii, 476 pages : illustrations ; 24 cm
The artwork caught by the tail : Francis Picabia and Dada in Paris / George Baker.
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Description:
xvii, 476 pages : illustrations ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©2007.
Cambridge, Mass. : MIT Press, ©2007.
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livres
livres
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Description:
xiv, 285 pages : illustrations, maps ; 24 cm
Description:
xiv, 285 pages : illustrations, maps ; 24 cm
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Publication:
Baltimore : Johns Hopkins University Press, ©1993.
Baltimore : Johns Hopkins University Press, ©1993.
Titre:
Geography and the human spirit / Anne Buttimer ; with a foreword by Yi-Fu Tuan.
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Description:
xiv, 285 pages : illustrations, maps ; 24 cm
Geography and the human spirit / Anne Buttimer ; with a foreword by Yi-Fu Tuan.
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Description:
xiv, 285 pages : illustrations, maps ; 24 cm
Classification:
livres
livres
Publication:
Baltimore : Johns Hopkins University Press, ©1993.
Baltimore : Johns Hopkins University Press, ©1993.
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Classification:
livres
livres
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$29.95
(disponible sur commande)
Résumé:
After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built,(...)
$29.95
(disponible sur commande)
Résumé:
After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built,(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
novembre 2007, Toronto
novembre 2007, Toronto
Titre:
Concrete Toronto : a guidebook to concrete architecture from the fifties to the seventies
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$29.95
(disponible sur commande)
Résumé:
After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built, including Viljo Revell’s groundbreaking New City Hall, John Andrew’s seminal Scarborough College and the record-smashing CN Tower. Toronto is a city cast in concrete. However, as architectural fashion has shifted from postmodernism to the glass-and-steel neomodernism of today, these concrete structures have been ignored, misunderstood and, in some cases, demolished. Concrete Toronto acts as a guide to the city’s extensive concrete heritage. A diverse group of experts has been assembled to re-examine the uniqueness and value of these buildings. Included are the insights of many of the original concrete architects, university faculty, local practitioners, journalists and industry experts. Together they explore the past and future of Toronto’s concrete buildings. Included is a wealth of new and archival photos, drawings, interviews, articles, as well as case studies of Toronto’s major concrete architecture.
Concrete Toronto : a guidebook to concrete architecture from the fifties to the seventies
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$29.95
(disponible sur commande)
Résumé:
After World War II, concrete became increasingly popular as a building medium around the world. Brutalism, the fashion for plain, heavy design, reigned. Toronto was particularly affected. The city has concrete buildings of all stripes – international landmarks, metropolitan infrastructure and even the single family home. Hundreds of these structures were built, including Viljo Revell’s groundbreaking New City Hall, John Andrew’s seminal Scarborough College and the record-smashing CN Tower. Toronto is a city cast in concrete. However, as architectural fashion has shifted from postmodernism to the glass-and-steel neomodernism of today, these concrete structures have been ignored, misunderstood and, in some cases, demolished. Concrete Toronto acts as a guide to the city’s extensive concrete heritage. A diverse group of experts has been assembled to re-examine the uniqueness and value of these buildings. Included are the insights of many of the original concrete architects, university faculty, local practitioners, journalists and industry experts. Together they explore the past and future of Toronto’s concrete buildings. Included is a wealth of new and archival photos, drawings, interviews, articles, as well as case studies of Toronto’s major concrete architecture.
Classification:
livres
livres
Publication:
novembre 2007, Toronto
novembre 2007, Toronto
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
livres
livres
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$80.00
(disponible en magasin)
Résumé:
Aditya Prakash (1924-2008) belonged to the first generation of Indian modernists that came into its own in the Nehruvian era. Built around a multi-disciplinary oeuvre that was unique amongst his peers, Prakash's life was dedicated to finding the 'one continuous line' which linked art - as the search for the beautiful, architecture - as the enabler of life, and planning -(...)
$80.00
(disponible en magasin)
Résumé:
Aditya Prakash (1924-2008) belonged to the first generation of Indian modernists that came into its own in the Nehruvian era. Built around a multi-disciplinary oeuvre that was unique amongst his peers, Prakash's life was dedicated to finding the 'one continuous line' which linked art - as the search for the beautiful, architecture - as the enabler of life, and planning -(...)
Titre:
Onecontinuousline: art, architecture and urbanism of Aditya Prakash
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$80.00
(disponible en magasin)
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Aditya Prakash (1924-2008) belonged to the first generation of Indian modernists that came into its own in the Nehruvian era. Built around a multi-disciplinary oeuvre that was unique amongst his peers, Prakash's life was dedicated to finding the 'one continuous line' which linked art - as the search for the beautiful, architecture - as the enabler of life, and planning - as the ethic of protecting the interests of poor. nterspersed with a series of visual essays, this book is conceived as an introduction to Prakash's vast body of work. Besides practicing architecture, he was an academic, a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. This volume documents Prakash's education as an architect in Delhi and London, his early modernist works, his deep artistic impulses, his love of theatre, and his efforts to rally a culture of academic inquiry. The narrative describes his successes and failures, his arguments for and against modernism, postmodernism and globalization, and his passion for sustainable urbanism, the animal and the acoustic. The book concludes with an interpretive essay on Prakash's life and legacy, along with illustrations of a portfolio of select works.
Onecontinuousline: art, architecture and urbanism of Aditya Prakash
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Prix:
$80.00
(disponible en magasin)
Résumé:
Aditya Prakash (1924-2008) belonged to the first generation of Indian modernists that came into its own in the Nehruvian era. Built around a multi-disciplinary oeuvre that was unique amongst his peers, Prakash's life was dedicated to finding the 'one continuous line' which linked art - as the search for the beautiful, architecture - as the enabler of life, and planning - as the ethic of protecting the interests of poor. nterspersed with a series of visual essays, this book is conceived as an introduction to Prakash's vast body of work. Besides practicing architecture, he was an academic, a prolific painter, sculptor, furniture designer, stage set-designer, poet and public speaker. This volume documents Prakash's education as an architect in Delhi and London, his early modernist works, his deep artistic impulses, his love of theatre, and his efforts to rally a culture of academic inquiry. The narrative describes his successes and failures, his arguments for and against modernism, postmodernism and globalization, and his passion for sustainable urbanism, the animal and the acoustic. The book concludes with an interpretive essay on Prakash's life and legacy, along with illustrations of a portfolio of select works.
Classification:
livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$49.95
(disponible sur commande)
Résumé:
Over the last decade, 'parametricism' has been heralded as a new avant-garde in the industries of architecture, urban design, and industrial design, regarded by many as the next grand style in the history of architecture, heir to postmodernism and deconstruction. From buildings to cities, the built environment is increasingly addressed, designed and constructed using(...)
$49.95
(disponible sur commande)
Résumé:
Over the last decade, 'parametricism' has been heralded as a new avant-garde in the industries of architecture, urban design, and industrial design, regarded by many as the next grand style in the history of architecture, heir to postmodernism and deconstruction. From buildings to cities, the built environment is increasingly addressed, designed and constructed using(...)
Titre:
The politics of parametricism digital technologies in architecture
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$49.95
(disponible sur commande)
Résumé:
Over the last decade, 'parametricism' has been heralded as a new avant-garde in the industries of architecture, urban design, and industrial design, regarded by many as the next grand style in the history of architecture, heir to postmodernism and deconstruction. From buildings to cities, the built environment is increasingly addressed, designed and constructed using digital software based on parametric scripting platforms which claim to be able to process complex physical and social modelling alike. As more and more digital tools are developed into an apparently infinite repertoire of socio-technical functions, critical questions concerning these cultural and technological shifts are often eclipsed by the seductive aesthetic and the alluring futuristic imaginary that parametric design tools and their architectural products and discourses represent. The Politics of Parametricism addresses these issues, offering a collection of new essays written by leading international thinkers in the fields of digital design, architecture, theory and technology. Exploring the social, political, ethical and philosophical issues at stake in the history, practice and processes of parametric architecture and urbanism, each chapter provides different vantage points to interrogate the challenges and opportunities presented by this latest mode of technological production.
The politics of parametricism digital technologies in architecture
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Prix:
$49.95
(disponible sur commande)
Résumé:
Over the last decade, 'parametricism' has been heralded as a new avant-garde in the industries of architecture, urban design, and industrial design, regarded by many as the next grand style in the history of architecture, heir to postmodernism and deconstruction. From buildings to cities, the built environment is increasingly addressed, designed and constructed using digital software based on parametric scripting platforms which claim to be able to process complex physical and social modelling alike. As more and more digital tools are developed into an apparently infinite repertoire of socio-technical functions, critical questions concerning these cultural and technological shifts are often eclipsed by the seductive aesthetic and the alluring futuristic imaginary that parametric design tools and their architectural products and discourses represent. The Politics of Parametricism addresses these issues, offering a collection of new essays written by leading international thinkers in the fields of digital design, architecture, theory and technology. Exploring the social, political, ethical and philosophical issues at stake in the history, practice and processes of parametric architecture and urbanism, each chapter provides different vantage points to interrogate the challenges and opportunities presented by this latest mode of technological production.
Classification:
livres
livres
Publication:
décembre 2015
décembre 2015
Sujet:
Architecture numérique
Architecture numérique
