1153 Résultats
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livres
livres
Titre:
Hans Hollein
Hans Hollein
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$145.00
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Résumé:
The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
$145.00
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
Publication:
avril 2012
avril 2012
Titre:
Hans Hollein
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$145.00
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Résumé:
The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
Hans Hollein
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$145.00
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
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Description:
515 pages : illustrations (some color) ; 31 cm
Description:
515 pages : illustrations (some color) ; 31 cm
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London : Academy Editions, 1994.
London : Academy Editions, 1994.
Titre:
The invisible in architecture / editors, Ole Bouman and Roemer van Toorn.
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Description:
515 pages : illustrations (some color) ; 31 cm
The invisible in architecture / editors, Ole Bouman and Roemer van Toorn.
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515 pages : illustrations (some color) ; 31 cm
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livres
livres
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London : Academy Editions, 1994.
London : Academy Editions, 1994.
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154 pages : illustrations ; 23 x 27 cm.
Description:
154 pages : illustrations ; 23 x 27 cm.
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New York : Harper & Row, ©1984.
New York : Harper & Row, ©1984.
Titre:
A view from the Campidoglio : selected essays, 1953-1984 / Robert Venturi and Denise Scott Brown ; edited by Peter Arnell, Ted Bickford, Catherine Bergart.
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154 pages : illustrations ; 23 x 27 cm.
A view from the Campidoglio : selected essays, 1953-1984 / Robert Venturi and Denise Scott Brown ; edited by Peter Arnell, Ted Bickford, Catherine Bergart.
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154 pages : illustrations ; 23 x 27 cm.
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livres
livres
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New York : Harper & Row, ©1984.
New York : Harper & Row, ©1984.
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$56.00
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture.(...)
$56.00
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture.(...)
Titre:
Building after Auschwitz: Jewish architecture and the memory of the Holocaust
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this new Jewish architecture. Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
Building after Auschwitz: Jewish architecture and the memory of the Holocaust
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$56.00
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this new Jewish architecture. Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
Classification:
livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$34.95
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Résumé:
What is truth in the postmodern age? The artistic generation of the twentieth century has grown up immersed in the delirious imagination of postmodern thought, which insists upon the ultimate uncertainty of meaning and that there is no self-evident truth. In Praise of Nonsense explores the possibilities and parameters of a postmodern imagination freed from the(...)
$34.95
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What is truth in the postmodern age? The artistic generation of the twentieth century has grown up immersed in the delirious imagination of postmodern thought, which insists upon the ultimate uncertainty of meaning and that there is no self-evident truth. In Praise of Nonsense explores the possibilities and parameters of a postmodern imagination freed from the(...)
Titre:
In praise of nonesense : aesthetics, uncertainty, and postmodern identity
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$34.95
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What is truth in the postmodern age? The artistic generation of the twentieth century has grown up immersed in the delirious imagination of postmodern thought, which insists upon the ultimate uncertainty of meaning and that there is no self-evident truth. In Praise of Nonsense explores the possibilities and parameters of a postmodern imagination freed from the philosophical responsibilities of fiction, fact, and replication of lived experience. Mobilizing scholars and contemporary artists, this study examines postmodern thinking through the lenses of identity and visual culture. It focuses on theories of disappearance, irony, and nonsense, where the pleasures of the imaginary give rise to artistic inspiration. When truth is unhinged, so is falsity, and all artistic thinking is called into question. Ted Hiebert takes on the ambitious project of holding postmodernism accountable for its own conclusions while also considering how those conclusions might still be given philosophical and artistic form.
In praise of nonesense : aesthetics, uncertainty, and postmodern identity
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$34.95
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Résumé:
What is truth in the postmodern age? The artistic generation of the twentieth century has grown up immersed in the delirious imagination of postmodern thought, which insists upon the ultimate uncertainty of meaning and that there is no self-evident truth. In Praise of Nonsense explores the possibilities and parameters of a postmodern imagination freed from the philosophical responsibilities of fiction, fact, and replication of lived experience. Mobilizing scholars and contemporary artists, this study examines postmodern thinking through the lenses of identity and visual culture. It focuses on theories of disappearance, irony, and nonsense, where the pleasures of the imaginary give rise to artistic inspiration. When truth is unhinged, so is falsity, and all artistic thinking is called into question. Ted Hiebert takes on the ambitious project of holding postmodernism accountable for its own conclusions while also considering how those conclusions might still be given philosophical and artistic form.
Classification:
livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$64.95
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Résumé:
The art of networked thinking consists in making complexity easier to handle and creating scope for new ideas. The approach, which is now applied in all spheres of knowledge, is one which also defines artistic practice. The subject of this book is some two dozen atlases, charts, and diagrams of Russian history and the history of art from antiquity to postmodernism that(...)
$64.95
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Résumé:
The art of networked thinking consists in making complexity easier to handle and creating scope for new ideas. The approach, which is now applied in all spheres of knowledge, is one which also defines artistic practice. The subject of this book is some two dozen atlases, charts, and diagrams of Russian history and the history of art from antiquity to postmodernism that(...)
Titre:
Maciunas' learning machines: from art history to a chronology of Fluxus, second revised and enlarged edition
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The art of networked thinking consists in making complexity easier to handle and creating scope for new ideas. The approach, which is now applied in all spheres of knowledge, is one which also defines artistic practice. The subject of this book is some two dozen atlases, charts, and diagrams of Russian history and the history of art from antiquity to postmodernism that were designed between 1953 and 1973 by Fluxus initiator George Maciunas. Without such visualization of the past, so Maciunas believed, there could be no real understanding of how art and politics have evolved. His maps, charts, and diagrams, more than half of which are published for the first time here in this second edition, attempt in various ways to draw a picture of history made up of dates and facts, and lines and arrows. The result is fascinating, for both science and art.
Maciunas' learning machines: from art history to a chronology of Fluxus, second revised and enlarged edition
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$64.95
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Résumé:
The art of networked thinking consists in making complexity easier to handle and creating scope for new ideas. The approach, which is now applied in all spheres of knowledge, is one which also defines artistic practice. The subject of this book is some two dozen atlases, charts, and diagrams of Russian history and the history of art from antiquity to postmodernism that were designed between 1953 and 1973 by Fluxus initiator George Maciunas. Without such visualization of the past, so Maciunas believed, there could be no real understanding of how art and politics have evolved. His maps, charts, and diagrams, more than half of which are published for the first time here in this second edition, attempt in various ways to draw a picture of history made up of dates and facts, and lines and arrows. The result is fascinating, for both science and art.
Classification:
livres
livres
Publication:
novembre 2005
novembre 2005
Classification:
livres
livres
Titre:
Architecture and authorship
Architecture and authorship
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$48.00
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Résumé:
Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own(...)
$48.00
(disponible sur commande)
Résumé:
Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juin 2007, London
juin 2007, London
Titre:
Architecture and authorship
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$48.00
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Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own unique territory -- the origins and intentions of their work, and their signature style. Written contributions from international experts in architecture and art history cover a variety of fascinating topics, including domestic space; eighteenth century landscape gardens; the Berlin of the late nineteenth and early twentieth century; and postmodernism and the "Death of the Author;" as well as exploring the work of luminaries from Ernst Neufert and Cedric Price to Rem Koolhaas. Architecture and Authorship is a lavishly illustrated alternative look at the history and culture of architecture, and the thought processes and ideas behind a variety of architectural "practices."
Architecture and authorship
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$48.00
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Résumé:
Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own unique territory -- the origins and intentions of their work, and their signature style. Written contributions from international experts in architecture and art history cover a variety of fascinating topics, including domestic space; eighteenth century landscape gardens; the Berlin of the late nineteenth and early twentieth century; and postmodernism and the "Death of the Author;" as well as exploring the work of luminaries from Ernst Neufert and Cedric Price to Rem Koolhaas. Architecture and Authorship is a lavishly illustrated alternative look at the history and culture of architecture, and the thought processes and ideas behind a variety of architectural "practices."
Classification:
livres
livres
Publication:
juin 2007, London
juin 2007, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Aldo Rossi: The urban fact
Aldo Rossi: The urban fact
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$88.00
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The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi(...)
$88.00
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Résumé:
The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
novembre 2021
novembre 2021
Titre:
Aldo Rossi: The urban fact
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$88.00
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The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi spent a decade developing a theory of urban design that focused on the “collective memory” of a city as an essential element of its urban planning and gave consideration to how buildings and urban areas age over time. Here, Rossi’s theory is applied to his own works from that period, both built and unbuilt, in a careful selection of 23 projects that express this memory-based paradigm of civic existence and construction. Aldo Rossi: The Urban Fact thus unifies Rossi’s theory and practice, demonstrating the visionary dimension driving his singular brand of postmodernism.
Aldo Rossi: The urban fact
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$88.00
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The great Italian architect, designer, theorist and printmaker Aldo Rossi (1931–97) galvanized the postmodernist architectural movement in the middle of the 20th century with his unique synthesis of influences such as Adolf Loos, Giorgio de Chirico and Soviet architecture. From his publication Architecture of the City (1966) to his 1976 exhibition Analogous City, Rossi spent a decade developing a theory of urban design that focused on the “collective memory” of a city as an essential element of its urban planning and gave consideration to how buildings and urban areas age over time. Here, Rossi’s theory is applied to his own works from that period, both built and unbuilt, in a careful selection of 23 projects that express this memory-based paradigm of civic existence and construction. Aldo Rossi: The Urban Fact thus unifies Rossi’s theory and practice, demonstrating the visionary dimension driving his singular brand of postmodernism.
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livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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Description:
xi, 316 pages : illustrations (some color) ; 27 cm
Description:
xi, 316 pages : illustrations (some color) ; 27 cm
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Montreal & Kingston ; London ; Chicago : McGill-Queen's University Press, [2016], ©2016
Montreal & Kingston ; London ; Chicago : McGill-Queen's University Press, [2016], ©2016
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Architecture on ice : a history of the hockey arena / Howard Shubert.
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xi, 316 pages : illustrations (some color) ; 27 cm
Architecture on ice : a history of the hockey arena / Howard Shubert.
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xi, 316 pages : illustrations (some color) ; 27 cm
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livres
livres
Publication:
Montreal & Kingston ; London ; Chicago : McGill-Queen's University Press, [2016], ©2016
Montreal & Kingston ; London ; Chicago : McGill-Queen's University Press, [2016], ©2016
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livres
livres
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$49.95
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Résumé:
Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of(...)
$49.95
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Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of(...)
Titre:
Colonial Modern: Aesthetics of the past, rebellions for the future
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$49.95
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Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of modernization in architecture and urban planning, as well as on the highly charged intertwining of both in the context of colonialism and decolonization. It is based on the exhibition In the Desert of Modernity: Colonial Planning and After , which traced these connected histories of modern architecture and urban planning in colonial northern Africa and Europe, and was first exhibited in 2008 at the Haus der Kulturen der Welt in Berlin, Germany. The book reflects contemporary research into architectural modernism and colonialism, and utilizes the thesis of “negotiated modernism” to initiate new debates on conceptions of modernism and, inevitably, postmodernism in an interdisciplinary context.
Colonial Modern: Aesthetics of the past, rebellions for the future
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$49.95
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Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of modernization in architecture and urban planning, as well as on the highly charged intertwining of both in the context of colonialism and decolonization. It is based on the exhibition In the Desert of Modernity: Colonial Planning and After , which traced these connected histories of modern architecture and urban planning in colonial northern Africa and Europe, and was first exhibited in 2008 at the Haus der Kulturen der Welt in Berlin, Germany. The book reflects contemporary research into architectural modernism and colonialism, and utilizes the thesis of “negotiated modernism” to initiate new debates on conceptions of modernism and, inevitably, postmodernism in an interdisciplinary context.
Classification:
livres
livres
Publication:
août 2010
août 2010
Sujet:
Modernisme
Modernisme
