40677 Résultats
Classification:
dessins, oeuvres d'art
Quantité:
2 portfolio(s)
dessins, oeuvres d'art
Quantité:
2 portfolio(s)
Actions:
Numéro de référence:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ornement
architecture, design d'intérieur, ornement
Date:
between 1800 and 1868
between 1800 and 1868
Titre:
Two portfolios of drawings of ornament and other architectural subjects, mainly Italian and Islamic, and details of English and French Gothic and Romanesque architecture
Actions:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
Two portfolios of drawings of ornament and other architectural subjects, mainly Italian and Islamic, and details of English and French Gothic and Romanesque architecture
Actions:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
Classification:
dessins, oeuvres d'art
Quantité:
2 portfolio(s)
dessins, oeuvres d'art
Quantité:
2 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
Personnes et institutions:
Sujet:
architecture, design d'intérieur, ornement
architecture, design d'intérieur, ornement
Classification:
graphique
graphique
Numéro de référence:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Personnes et institutions:
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
Titre:
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Classification:
graphique
graphique
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Personnes et institutions:
Date:
1996-2015
1996-2015
Titre:
Documents d’archives de RUR Architecture pour le projet Kansai-kan, National Diet Library
Actions:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Documents d’archives de RUR Architecture pour le projet Kansai-kan, National Diet Library
Actions:
AP177
Résumé:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1996-2015
1996-2015
Personnes et institutions:
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
Personnes et institutions:
Titre:
Correspondence and other administrative records for various projects
Actions:
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
Correspondence and other administrative records for various projects
Actions:
DR2001:0020
Description:
Documents include Business development General files: Alteka office building correspondences, Wexner correspondences, Centre of Berlin correspondences, memorandums, capital improvements bulletin from Ohio Department of Administrative services, Aleppo telephone conversation records, drawings, maps, plans, Purpose of the project bibliotheque de France, notes, World Architecture Triennial correspondences, qualification submission package for design of Museum of science and technology for Phoenix Arizona. Business development for Museum of Contemporary Art: documentations, correspondences, memo, notes, business contracts, telephone conversation records. Business development for San Diego Convention Centre competition: documentation and correspondences. Business development for Matrix: documentation, correspondences, plans, elevations. New Business Proposals rejected: the county of Mobile, Alabama in cooperation with the City of Mobile, documentation, correspondences, clippings. UC Riverside: photographs, draft-qualification statement science library, notes, telephone conversation records, fax transmittals, correspondences, documentation report, list of articles on Peter Eisenman in books, periodicals and catalogues. American Centre for Physics: statement of interest, correspondences, documentation, notes, faxes transmittals. Business Development General for Time-Pack Museum: fax communications. The Mandell Companies, Inc: report exhibits to the business plan, memo, correspondences, documentation, business plan, report of the Rick Mandell trip to Israel, clipping, curriculum vitea of Rick Mandell. Business Development for General Lake Superior Centre: statement of interest, correspondences, notes. Cleveland State University: capital improvements bulletin (Ohio department of administrative service) request for professional design services, telephone conversation records, documentation records, documentation program and Urban Design phase, clippings. Charlestown Navy Yard: notes, clippings, telephone conversation records, competition fees, professional cards, fax transmittals, project program, Harbor Park District Zoning amendment. Case Western Reserve University macromolecular science facility: proposal of phase one, memorandum 1990, chemistry note DRCON1999:0015:087:004. Koc University: statement of interest, meeting minutes, memo, correspondences, documentation, map of Istanbul, fax transmittals. The JBSpeed Art Museum, Louisville, Kentucky: promotion material folder, correspondences, meeting minutes, notes. The Environmental design building, University of California: proposal for detailed project program, maps, fax transmittals, notes, and documentations. Aerospace Centre Washington DC: Album with photographs, drawings and plans.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Actions:
Numéro de référence:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
Personnes et institutions:
Sujet:
sculpture, topographique
sculpture, topographique
Date:
1867
1867
Titre:
Plans and Photographs of Stonehenge, and of Turusachan in the Island of Lewis; with Notes Relating to the Druids and Sketches of Cromlechs in Ireland
Actions:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
Plans and Photographs of Stonehenge, and of Turusachan in the Island of Lewis; with Notes Relating to the Druids and Sketches of Cromlechs in Ireland
Actions:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
Date:
1867
1867
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sculpture, topographique
sculpture, topographique
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livres
livres
Titre:
The book / Amaranth Borsuk.
The book / Amaranth Borsuk.
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Description:
xvi, 322 pages : illustrations ; 18 cm
Description:
xvi, 322 pages : illustrations ; 18 cm
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Cambridge, Massachusetts ; London, England : The MIT Press, [2018], ©2018
Cambridge, Massachusetts ; London, England : The MIT Press, [2018], ©2018
Titre:
The book / Amaranth Borsuk.
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Description:
xvi, 322 pages : illustrations ; 18 cm
The book / Amaranth Borsuk.
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Description:
xvi, 322 pages : illustrations ; 18 cm
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livres
livres
Publication:
Cambridge, Massachusetts ; London, England : The MIT Press, [2018], ©2018
Cambridge, Massachusetts ; London, England : The MIT Press, [2018], ©2018
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périodiques
périodiques
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Book history.
Book history.
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[University Park, Pa.] : Pennsylvania State University Press, ©1998-, Baltimore, MD : Johns Hopkins University Press
[University Park, Pa.] : Pennsylvania State University Press, ©1998-, Baltimore, MD : Johns Hopkins University Press
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périodiques
périodiques
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[University Park, Pa.] : Pennsylvania State University Press, ©1998-, Baltimore, MD : Johns Hopkins University Press
[University Park, Pa.] : Pennsylvania State University Press, ©1998-, Baltimore, MD : Johns Hopkins University Press
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Description:
xii, 288 pages, 24 unnumbered pages of plates : illustrations (some color) ; 24 cm
Description:
xii, 288 pages, 24 unnumbered pages of plates : illustrations (some color) ; 24 cm
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Publication:
Charlottesville : Bibliographical Society of the University of Virginia, 2011., New Castle, Delaware : Oak Knoll Books
Charlottesville : Bibliographical Society of the University of Virginia, 2011., New Castle, Delaware : Oak Knoll Books
Titre:
Book-jackets : their history, forms, and use / G. Thomas Tanselle.
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xii, 288 pages, 24 unnumbered pages of plates : illustrations (some color) ; 24 cm
Book-jackets : their history, forms, and use / G. Thomas Tanselle.
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xii, 288 pages, 24 unnumbered pages of plates : illustrations (some color) ; 24 cm
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livres
livres
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Charlottesville : Bibliographical Society of the University of Virginia, 2011., New Castle, Delaware : Oak Knoll Books
Charlottesville : Bibliographical Society of the University of Virginia, 2011., New Castle, Delaware : Oak Knoll Books
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périodiques
périodiques
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The Book collector.
The Book collector.
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Description:
volumes : illustrations, plates ; 19-23 cm
Description:
volumes : illustrations, plates ; 19-23 cm
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London : The Collector Ltd.
London : The Collector Ltd.
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The Book collector.
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Description:
volumes : illustrations, plates ; 19-23 cm
The Book collector.
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volumes : illustrations, plates ; 19-23 cm
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périodiques
périodiques
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London : The Collector Ltd.
London : The Collector Ltd.
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livres
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Description:
19 pages ; 23 cm
Description:
19 pages ; 23 cm
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Washington, D.C. : Council on Library Resources, 1982.
Washington, D.C. : Council on Library Resources, 1982.
Titre:
Book longevity : reports of the Committee on Production Guidelines for Book Longevity.
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Description:
19 pages ; 23 cm
Book longevity : reports of the Committee on Production Guidelines for Book Longevity.
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Description:
19 pages ; 23 cm
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livres
livres
Publication:
Washington, D.C. : Council on Library Resources, 1982.
Washington, D.C. : Council on Library Resources, 1982.
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