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Image Bank began compiling artist’s addresses and image requests to prompt correspondence artworks using the postal system in 1970. These requests first appeared in print in General Idea’s & AA Bronson’s FILE Megazine issues 1, 2 and 3, and they were published in their own volume in 1972 by Talonbooks. Nearly fifty years after its initial release, this revised facsimile(...)
International image exchange directory
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Image Bank began compiling artist’s addresses and image requests to prompt correspondence artworks using the postal system in 1970. These requests first appeared in print in General Idea’s & AA Bronson’s FILE Megazine issues 1, 2 and 3, and they were published in their own volume in 1972 by Talonbooks. Nearly fifty years after its initial release, this revised facsimile edition includes the original list of image requests from over 200 artists alongside examples of mail art from many compelling contributors as well as new archival images from Western Front and Michael Morris. ''Internation image exchange directory'' comprises an alphabetically ordered list of over 200 artist’s addresses and image requests. Looking at the publication now, the book itself could be seen perhaps as a white pages telephone book for mail art. In between the directory listings, pages of compelling visual imagery from selected contributors adds additional context as to what mail art looked like in its very beginning. The book's directory includes submissions from artists such as Anna Banana, Joseph Beuys, William Burroughs, Robert Cumming, Robert Filliou, General Idea, Gilbert and George, Ray Johnson, Sol Lewitt, Lucy Lippard, Ed Ruscha, Robert Rauschenberg and many more.
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Over the past 50 years, drawing has been elevated from a supporting role to a primary medium, ranking alongside painting as a central art form. Since the publication of ''Vitamin D'' (2005) and ''Vitamin D2'' (2013), contemporary artists have continued to explore drawing's possibilities - from intimate to large-scale works, in a diversity of mark-making processes and(...)
Vitamin D3: Today's best in contemporary drawing
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Over the past 50 years, drawing has been elevated from a supporting role to a primary medium, ranking alongside painting as a central art form. Since the publication of ''Vitamin D'' (2005) and ''Vitamin D2'' (2013), contemporary artists have continued to explore drawing's possibilities - from intimate to large-scale works, in a diversity of mark-making processes and materials. ''Vitamin D3'' showcases more than 100 such artists, nominated by more than 70 international art experts. The more than 100 artists include: Miriam Cahn, Robert Crumb, Tom Friedman, Tania Kovats, Claudette Johnson, Rashid Johnson, Otobong Nkanga, Toyin Ojih Odutola, Deanna Petherbridge, Christina Quarles, Qiu Zhijie, Nathaniel Mary Quinn, Wael Shawky, Emma Talbot, and Johanna Unzueta.
livres
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xi, 465 pages : illustrations ; 24 cm
New York : A.A. Knopf, 1994.
Philip Johnson : life and work / by Franz Schulze.
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xi, 465 pages : illustrations ; 24 cm
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New York : A.A. Knopf, 1994.
Architektonika
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Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
septembre 2014
Architektonika
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Architektonika chronicles a multi-media exhibition that examines how differently artists have approached the interface between art and architecture since the 1960s. Artists include Fischli & Weiss, Dan Graham, Sol LeWitt, Gordon Matta-Clark, Bruce Nauman, Roman Ondák, Thomas Schütte and James Turrell.
Landscape
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This comprehensive reader explores the American landscape in the second half of the 20th century, showing how a romantic American tradition in the representation of the countryside reached its apotheosis at the same time in both hyperrealist painting, photography and land art.
juillet 2015
Landscape
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This comprehensive reader explores the American landscape in the second half of the 20th century, showing how a romantic American tradition in the representation of the countryside reached its apotheosis at the same time in both hyperrealist painting, photography and land art.
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629 pages : illustrations, plans ; 21 cm
Louvain-La-Neuve : Presses universitaires de Louvain, [2017]
L'espace architectonique. Entre création et expérience / Thierry Delcommune, Roland Matthu.
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629 pages : illustrations, plans ; 21 cm
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Louvain-La-Neuve : Presses universitaires de Louvain, [2017]
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Pyramid / Pablo López Luz.
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1 volume (unpaged) : chiefly color illustrations ; 22 x 27 cm
Barcelona, España : RM Verlag, S.L., [2014]
Pyramid / Pablo López Luz.
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1 volume (unpaged) : chiefly color illustrations ; 22 x 27 cm
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Barcelona, España : RM Verlag, S.L., [2014]
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.
août 2014
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.
audio
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2015.
audio
[Place of publication not identified] : Lateral Addition, 2015.
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate(...)
BioMedia: The age of media with life-like behavior
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The research exhibition ''BioMedia: The age of media with life-like behavior'' at ZKM | Center for Art and Media Karlsruhe presents works that intersect the realms of art, science, and technology. The media systems on show, which range from digital, computer-generated, and computer-simulated systems to complex adaptive robots and interactive installations, simulate various different aspects of life beyond movement and raise fundamental questions about the interaction between human and non-human beings and what inorganic life might mean in the future. The term ''BioMedia'' or biomimetic media is used here to refer to media that exhibit life-like forms of behaviour. Over sixty artists have contributed works illustrating the exhibition themes. The book accompanying the show focuses on the artworks, which are described in detail in richly illustrated texts.