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The Wiener Werkstätte, founded in Vienna in 1903 by Josef Hoffmann and Koloman Moser, became the international trademark for art as well as arts-and-crafts in the twentieth century. The history of the Wiener Werkstätte is told in this volume, which features historic photographs (some of them published for the first time here), documents and original texts selected by(...)
Yearning for beauty : the Wiener Werkstätte and the Stoclet House
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The Wiener Werkstätte, founded in Vienna in 1903 by Josef Hoffmann and Koloman Moser, became the international trademark for art as well as arts-and-crafts in the twentieth century. The history of the Wiener Werkstätte is told in this volume, which features historic photographs (some of them published for the first time here), documents and original texts selected by experts from the MAK (where the Wiener Werkstätte archives have been housed since 1955). Full-page illustrations feature outstanding examples of Wiener Werkstätte objects, covering architecture, furniture, ceramics, glass, books, posters, postcards, carpets, jewelry, fashion and print design. The book also focuses on the innovative "total concept" used by this avant-garde association to establish an early "consumer culture," since the Werkstätte was one of the first organizations to develop a corporate identity that followed a product through every stage from concept and development to marketing.
Design d’intérieur
livres
The arts and crafts movement
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Dating from the 1850s to the First World War, the Arts and Crafts movement was an international phenomenon of enormous scope and influence. It encompassed everything from architecture to town planning, metalwork and embroidery, in places as diverse as California and Budapest. Born of thinkers and practitioners in Victorian England its ideological currents reflect the(...)
The arts and crafts movement
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Dating from the 1850s to the First World War, the Arts and Crafts movement was an international phenomenon of enormous scope and influence. It encompassed everything from architecture to town planning, metalwork and embroidery, in places as diverse as California and Budapest. Born of thinkers and practitioners in Victorian England its ideological currents reflect the era’s most pressing social, political and artistic concerns. In this book Rosalind Blakesley explores the common ideas that give cohesion to a movement of otherwise bewildering breadth and stylistic heterogeneity. At the origins of the movement was a reaction against industrialization, the long-standing division between traditional crafts and fine art and the over-elaborate ornamentation which disguised an object or building’s true 'function'. Early British Arts and Crafts practitioners campaigned for a revival of old craft techniques, for the elevation of the applied arts and for 'honesty' in design, ideas that were picked up and developed across Europe and the United States, with national variants quickly emerging. Germany, for example, recognized the potential of industrial techniques and experimented with standardization in design; in Finland, then annexed to Russia, Arts and Crafts was allied to the search for self-expression and a national style in art. Examining both acknowledged Arts and Crafts centres and lesser-known communities, Rosalind Blakesley concludes her survey with an evaluation of the Movement’s significance in the twenty-first century.
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octobre 2006, London
Design d’intérieur
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Ce hors-série de « Beaux Arts Magazine » revient sur le design, son évolution ses principaux acteurs et courants actuels. Au sommaire : une histoire du design en 100 objets, 50 portraits de créateurs, un guide et des textes de référence.
Qu'est-ce que le design ? (aujourd'hui), Beaux-Arts Magazine
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Ce hors-série de « Beaux Arts Magazine » revient sur le design, son évolution ses principaux acteurs et courants actuels. Au sommaire : une histoire du design en 100 objets, 50 portraits de créateurs, un guide et des textes de référence.
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octobre 2005, Paris
Design d’intérieur
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Parlant du papier peint, un rédacteur du Dictionnaire de l’industrie paru en l’an III (1801) écrivait que “ presque inconnu en 1760, il a fait de tels progrès en vingt années, qu’à peine les manufactures, qui se sont multipliées depuis, suffisent à une mode constante et soutenue ”. On ne saurait mieux dire combien l’usage de ce papier peint s’est rapidement et fortement(...)
Décors de papier : production, commerce et usages des papiers peints à Paris 1750-1820
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Parlant du papier peint, un rédacteur du Dictionnaire de l’industrie paru en l’an III (1801) écrivait que “ presque inconnu en 1760, il a fait de tels progrès en vingt années, qu’à peine les manufactures, qui se sont multipliées depuis, suffisent à une mode constante et soutenue ”. On ne saurait mieux dire combien l’usage de ce papier peint s’est rapidement et fortement imposé dans la seconde moitié du XVIIIème siècle à Paris, en cette époque et ce lieu qui furent alors ceux d’un véritable âge d’or des arts décoratifs. L’ouvrage resitue cette histoire des premiers succès du papier peint, présente le vaste répertoire de motifs dont il s’empare où qu’il fait naître, analyse ses modes de production, son commerce, ses usages.
Design d’intérieur
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Design pervades our lives. Everything from drafting a PowerPoint presentation to planning a state-of-the-art bridge embodies this universal human activity. But what makes a great design? In this compelling and wide-ranging look at the essence of invention, distinguished engineer and author Henry Petroski argues that, time and again, we have built success on the back of(...)
Success through failure : the paradox of design
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Design pervades our lives. Everything from drafting a PowerPoint presentation to planning a state-of-the-art bridge embodies this universal human activity. But what makes a great design? In this compelling and wide-ranging look at the essence of invention, distinguished engineer and author Henry Petroski argues that, time and again, we have built success on the back of failure--not through easy imitation of success. Success through Failure shows us that making something better--by carefully anticipating and thus averting failure--is what invention and design are all about. Petroski explores the nature of invention and the character of the inventor through an unprecedented range of both everyday and extraordinary examples--illustrated lectures, child-resistant packaging for drugs, national constitutions, medical devices, the world's tallest skyscrapers, long-span bridges, and more.
Design d’intérieur
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This book offers more than 70 examples of contemporary chair design worldwide by designers Tom Dixon, the Campana Brothers, Frank Gehry, and Massimo Vignelli, an others. Chairs of new and reprocessed materials, chairs that knock-down or stack in imaginative ways, chairs impossible to imagine before computer-aided design, even chairs that push the traditional concept of(...)
New chairs : innovations in design, technology, and materials
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This book offers more than 70 examples of contemporary chair design worldwide by designers Tom Dixon, the Campana Brothers, Frank Gehry, and Massimo Vignelli, an others. Chairs of new and reprocessed materials, chairs that knock-down or stack in imaginative ways, chairs impossible to imagine before computer-aided design, even chairs that push the traditional concept of utility are all present. Inflatable, sculptural, and illuminated chairs apply imaginative dimensions to this ubiquitous object. The book includes concept drawings, prototypes, manufacturing details, and insights into the creative process in the designers' own words, all accompanied by color photos of each piece—making.
Design d’intérieur
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For the growing number of people looking to embrace an eco-friendly lifestyle without sacrificing high style, "Ecodesign"—now fully revised and updated—is a shopping resource. The latest edition of this sourcebook includes up-to-the-minute listings for more than seven hundred consumer products—from clothing to kitchenware, electronics to furniture—that have a minimal(...)
Eco design : the source book, revised edition
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For the growing number of people looking to embrace an eco-friendly lifestyle without sacrificing high style, "Ecodesign"—now fully revised and updated—is a shopping resource. The latest edition of this sourcebook includes up-to-the-minute listings for more than seven hundred consumer products—from clothing to kitchenware, electronics to furniture—that have a minimal impact on the earth while remaining useful and beautiful. This compendium also directs readers to little known handcrafted objects from artisanal studios. Detailed, illustrated entries describe the products, while an extensive reference section defines new and hybrid materials and provides information on manufacturers, design studios, and green organizations.
Design d’intérieur
Arts and crafts furniture
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This is a fully illustrated history of the Arts and Crafts movement covering : the influence of Ruskin, Pugin, Talbert, Eastlake and G.E. Street; the founding of William Morris & Co. in the 1860s until its demise in the early twentieth century; the fruition of the Movement from 1880 to 1910 including the Guilds, the major personalities and their attitude to Art Nouveau;(...)
Arts and crafts furniture
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This is a fully illustrated history of the Arts and Crafts movement covering : the influence of Ruskin, Pugin, Talbert, Eastlake and G.E. Street; the founding of William Morris & Co. in the 1860s until its demise in the early twentieth century; the fruition of the Movement from 1880 to 1910 including the Guilds, the major personalities and their attitude to Art Nouveau; the aftermath into the 1920s and the rise of Modernism The Arts and Crafts Movement (1860-1920)changed the way designers think about furniture. All of the main leaders of the movement are covered. Illustrations show examples of museum quality pieces: the typical production of the Guilds, the Cotswold School, the Glasgow designers, Heal, Liberty and the major commercial companies including Gordon Russell. The principal American followers are also included. Each section details the furniture of the architects and designers involved.
Design d’intérieur
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Selling shaker
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The Shakers - a religious community whose origins are founded in the eighteenth century - continue to exert an influence upon twenty-first century life, not for their religious teachings but rather through the simple, yet elegant aesthetic they developed for the everyday artefacts they designed for themselves. "Selling Shaker" aims to explore this influence and chart its(...)
Selling shaker
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The Shakers - a religious community whose origins are founded in the eighteenth century - continue to exert an influence upon twenty-first century life, not for their religious teachings but rather through the simple, yet elegant aesthetic they developed for the everyday artefacts they designed for themselves. "Selling Shaker" aims to explore this influence and chart its evolution throughout the course of the twentieth century via the interest shown by the media, art institutions and general public in the Shaker story. Whilst other books have sought to examine the origins of the religious or aesthetic basis of the movement throughout the course of the eighteenth and nineteenth centuries, this book seeks to deal with the Shaker phenomenon from a different angle. "Selling Shaker" examines the means by which the Shakers have been 'promoted' during the course of the last century by scholars and museum academics, in order to establish a 'national' style. The book follows this process from high art to popular culture influences, illustrating how the Shaker style has entered the general design consciousness, and in doing so, has become a generic style largely divorced from the original Shaker aesthetic. Using a variety of sources ranging from museum catalogues to contemporary design magazines, "Selling Shaker" aims to tell the story of the rise and rise of the Shaker phenomenon.
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mai 2006, Liverpool
Design d’intérieur
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In the Bubble is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the(...)
In the bubble : designing in a complex world
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In the Bubble is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the Bubble describes services designed to help people carry out daily activities in new ways. Many of these services involve technology -- ranging from body implants to wide-bodied jets. But objects and systems play a supporting role in a people-centered world. The design focus is on services, not things. And new principles -- above all, lightness -- inform the way these services are designed and used. At the heart of In the Bubble is a belief, informed by a wealth of real-world examples, that ethics and responsibility can inform design decisions without impeding social and technical innovation.
Design d’intérieur