1752 Résultats
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livres
livres
Titre:
Ad Astra
Ad Astra
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''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the(...)
$50.00
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Résumé:
''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the(...)
Publication:
septembre 2021
septembre 2021
Titre:
Ad Astra
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$50.00
(disponible en magasin)
Résumé:
''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the hospital community, are transformed by means of a collaboration between art and neuroscience to generate astral images, and ultimately, a collective artwork representing a collection of prayers, hopes and fears. Rooted in deep human experiences,''Ad Astra'' gives voice to the range of emotions and the cycle of life and death that the hospital context is witness to daily. In compliment to the permanent multimedia artwork installed in the library, the book presents a tightly knit set of relationships among the various elements that compose the project, including messages, portraits, neurological diagrams, video-stills, citations, and texts. An introductory essay by Claire Moeder creatively illuminates the core interests of the project while the graphic design by Criterium echoes the installation with material means. The book is a nomadic archive and tactile object that was created to travel beyond the primary site of medical library, and ultimately towards the stars.
Ad Astra
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$50.00
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Résumé:
''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the hospital community, are transformed by means of a collaboration between art and neuroscience to generate astral images, and ultimately, a collective artwork representing a collection of prayers, hopes and fears. Rooted in deep human experiences,''Ad Astra'' gives voice to the range of emotions and the cycle of life and death that the hospital context is witness to daily. In compliment to the permanent multimedia artwork installed in the library, the book presents a tightly knit set of relationships among the various elements that compose the project, including messages, portraits, neurological diagrams, video-stills, citations, and texts. An introductory essay by Claire Moeder creatively illuminates the core interests of the project while the graphic design by Criterium echoes the installation with material means. The book is a nomadic archive and tactile object that was created to travel beyond the primary site of medical library, and ultimately towards the stars.
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livres
livres
Publication:
septembre 2021
septembre 2021
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livres
livres
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$45.00
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary(...)
$45.00
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary(...)
Titre:
General idea: haute culture, a retrospective, 1969-1994
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. General Idea came to an end in 1994, when Partz and Zontal died of AIDS. Today General Idea can be seen to anticipate the later art collectives of the 1970s as well as aspects of Relational Aesthetics in the 1990s. This volume presents an overview of the Canadian collective''s bold mingling of reality and fiction and their frequently transgressive, parodic incursions upon both art and society. Including newly commissioned essays and reprinted texts, this volume is richly illustrated with documents and reproductions of the most significant projects realized by General Idea between 1969 and 1994. Exhibited at ARC/Musée d'art moderne de la Ville de Paris and the Art Gallery of Ontario, Toronto in 2011.
General idea: haute culture, a retrospective, 1969-1994
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. General Idea came to an end in 1994, when Partz and Zontal died of AIDS. Today General Idea can be seen to anticipate the later art collectives of the 1970s as well as aspects of Relational Aesthetics in the 1990s. This volume presents an overview of the Canadian collective''s bold mingling of reality and fiction and their frequently transgressive, parodic incursions upon both art and society. Including newly commissioned essays and reprinted texts, this volume is richly illustrated with documents and reproductions of the most significant projects realized by General Idea between 1969 and 1994. Exhibited at ARC/Musée d'art moderne de la Ville de Paris and the Art Gallery of Ontario, Toronto in 2011.
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livres
livres
Publication:
janvier 2011
janvier 2011
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livres
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Description:
119 pages : illustrations (some color) ; 31 cm
Description:
119 pages : illustrations (some color) ; 31 cm
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[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
Titre:
Eva Zeisel, designer for industry / catalogue essay by Martin Eidelberg.
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Description:
119 pages : illustrations (some color) ; 31 cm
Eva Zeisel, designer for industry / catalogue essay by Martin Eidelberg.
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Description:
119 pages : illustrations (some color) ; 31 cm
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livres
livres
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[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
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livres
livres
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$97.00
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Résumé:
While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg.(...)
$97.00
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Résumé:
While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg.(...)
Publication:
décembre 2016
décembre 2016
Titre:
Inventing downtown: artist-run galleries in New York City, 1952-1965
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$97.00
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
Inventing downtown: artist-run galleries in New York City, 1952-1965
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$97.00
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
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livres
livres
Publication:
décembre 2016
décembre 2016
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livres
livres
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Camden Arts Centre 2019
Camden Arts Centre 2019
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livres
livres
Publication:
Camden Arts Centre 2019
Camden Arts Centre 2019
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livres
livres
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Description:
186 pages : illustrations ; 24 cm
Description:
186 pages : illustrations ; 24 cm
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Nancy : Presses universitaires de Nancy, c2015.
Nancy : Presses universitaires de Nancy, c2015.
Titre:
Mutations du projet : milieux et cultures numériques : actes du colloque, CNAM, les 28 et 29 mai 2015 / sous la direction d'Aurélie de Boissieu, Catherine Deshayes et Antonella Tufano.
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186 pages : illustrations ; 24 cm
Mutations du projet : milieux et cultures numériques : actes du colloque, CNAM, les 28 et 29 mai 2015 / sous la direction d'Aurélie de Boissieu, Catherine Deshayes et Antonella Tufano.
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186 pages : illustrations ; 24 cm
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Nancy : Presses universitaires de Nancy, c2015.
Nancy : Presses universitaires de Nancy, c2015.
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livres
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Titre:
L'image volée
L'image volée
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$95.00
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Résumé:
''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and(...)
$95.00
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Résumé:
''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and(...)
Titre:
L'image volée
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$95.00
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''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and the culture of the copy, the project focuses on theft, authorship, annexation and the creative potential of such pursuits.
L'image volée
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$95.00
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Résumé:
''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and the culture of the copy, the project focuses on theft, authorship, annexation and the creative potential of such pursuits.
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livres
livres
Publication:
août 2016
août 2016
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livres
livres
Titre:
Collection architecture
Collection architecture
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$114.95
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Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
$114.95
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Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
Titre:
Collection architecture
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$114.95
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Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
Collection architecture
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Prix:
$114.95
(disponible sur commande)
Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
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livres
livres
Publication:
juillet 2016
juillet 2016
Classification:
livres
livres
Titre:
Ceci n'est pas une bouteille
Ceci n'est pas une bouteille
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$49.95
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ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un(...)
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Résumé:
ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un(...)
Titre:
Ceci n'est pas une bouteille
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$49.95
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ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un statut à part en tant qu’objets de collection. Leurs formes communiquent aussi sur d’autres plans : matériaux (qualités de verre, bois), aspect pratique (utilité, obsolescence, détournement), usage (traces, poussières, brillance). L’ouvrage met en valeur une soixantaine de pièces rassemblées par les deux institutions.
Ceci n'est pas une bouteille
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$49.95
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Résumé:
ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un statut à part en tant qu’objets de collection. Leurs formes communiquent aussi sur d’autres plans : matériaux (qualités de verre, bois), aspect pratique (utilité, obsolescence, détournement), usage (traces, poussières, brillance). L’ouvrage met en valeur une soixantaine de pièces rassemblées par les deux institutions.
Classification:
livres
livres
Publication:
septembre 2015
septembre 2015
Classification:
livres
livres
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$120.00
(disponible sur commande)
Résumé:
Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects(...)
$120.00
(disponible sur commande)
Résumé:
Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects(...)
Publication:
janvier 1900, Ostfildern
janvier 1900, Ostfildern
Titre:
Documenta_11 exhibition catalogue
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$120.00
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Résumé:
Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects and writings facilitate an additional insight into the processes of creative thought and the mechanisms of reception at stake in the making of the exhibition. Short guide also available.
Documenta_11 exhibition catalogue
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$120.00
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Résumé:
Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects and writings facilitate an additional insight into the processes of creative thought and the mechanisms of reception at stake in the making of the exhibition. Short guide also available.
Classification:
livres
livres
Publication:
janvier 1900, Ostfildern
janvier 1900, Ostfildern
