1214 Résultats
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From the iconic modernism of Luis Barragán to the brightly colored postmodern forms of Ricardo Legoretta, this important historical document deals with the plurality of architectural styles and voices in Mexico during the 20th and early 21st centuries. Referencing French philosopher Michel Foucault’s idea of effective history in which knowledge does not encompass absolute(...)
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From the iconic modernism of Luis Barragán to the brightly colored postmodern forms of Ricardo Legoretta, this important historical document deals with the plurality of architectural styles and voices in Mexico during the 20th and early 21st centuries. Referencing French philosopher Michel Foucault’s idea of effective history in which knowledge does not encompass absolute(...)
Publication:
mars 2014
mars 2014
Titre:
Architecture in Mexico: 1900-2010, 2-volume set
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From the iconic modernism of Luis Barragán to the brightly colored postmodern forms of Ricardo Legoretta, this important historical document deals with the plurality of architectural styles and voices in Mexico during the 20th and early 21st centuries. Referencing French philosopher Michel Foucault’s idea of effective history in which knowledge does not encompass absolute truths delivered in traditional historical texts but rather fragments, shortening its vision to the things nearest it, Architecture in Mexico offers a new reading of the diverse interests at stake in historical Mexican architecture—its production and its subsequent reception. The volume pursues comprehension beyond built forms and closer to the ideas (and ideologies) that gave rise to them.
Architecture in Mexico: 1900-2010, 2-volume set
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$175.95
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From the iconic modernism of Luis Barragán to the brightly colored postmodern forms of Ricardo Legoretta, this important historical document deals with the plurality of architectural styles and voices in Mexico during the 20th and early 21st centuries. Referencing French philosopher Michel Foucault’s idea of effective history in which knowledge does not encompass absolute truths delivered in traditional historical texts but rather fragments, shortening its vision to the things nearest it, Architecture in Mexico offers a new reading of the diverse interests at stake in historical Mexican architecture—its production and its subsequent reception. The volume pursues comprehension beyond built forms and closer to the ideas (and ideologies) that gave rise to them.
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livres
livres
Publication:
mars 2014
mars 2014
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livres
livres
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$80.95
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Résumé:
While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
$80.95
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe(...)
Titre:
Reckoning with Colin Rowe: ten architects take position
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
Reckoning with Colin Rowe: ten architects take position
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$80.95
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While the first half of the 20th century in architecture was, to a large extent, characterized by innovations in aesthetics (accompanied by succinct and polemical manifestoes), the post-war decades saw emerge a more refined and intellectual disciplinary framework that eventually metamorphosed into the highly theory-focused moment of the 'postmodern'. Colin Frederick Rowe (1920 - 1999) was a leader of this epistemic shift due to his aptitude to connect his historical and philosophical erudition to the visual analysis of architecture. This book unites ten different perspectives from architects whose lives and ideas intersected with Rowe’s, including: Robert Maxwell, Anthony Vidler, Peter Eisenman, O. Mathias Ungers, Léon Krier, Rem Koolhaas, Alan Colquhoun, Robert Slutzky, Bernhard Hoesli and Bernard Tschumi.
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livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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1973 nervous breakdown : Watergate, Warhol, and the birth of post-sixties America / Andreas Killen.
1973 nervous breakdown : Watergate, Warhol, and the birth of post-sixties America / Andreas Killen.
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312 pages ; 25 cm
Description:
312 pages ; 25 cm
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New York : Bloomsbury : Distributed to the trade by Holtzbrinck, 2006.
New York : Bloomsbury : Distributed to the trade by Holtzbrinck, 2006.
Titre:
1973 nervous breakdown : Watergate, Warhol, and the birth of post-sixties America / Andreas Killen.
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Description:
312 pages ; 25 cm
1973 nervous breakdown : Watergate, Warhol, and the birth of post-sixties America / Andreas Killen.
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312 pages ; 25 cm
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livres
livres
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New York : Bloomsbury : Distributed to the trade by Holtzbrinck, 2006.
New York : Bloomsbury : Distributed to the trade by Holtzbrinck, 2006.
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livres
livres
Titre:
Utopias and architecture
Utopias and architecture
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$68.50
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Utopian thought, though commonly characterized as projecting a future without a past, depends on golden models for re-invention of what is. Through a detailed and innovative re-assessment of the work of three architects who sought to represent a utopian content in their work and a consideration of the thoughts of a range of leading writers, Coleman offers the reader a (...)
$68.50
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Utopian thought, though commonly characterized as projecting a future without a past, depends on golden models for re-invention of what is. Through a detailed and innovative re-assessment of the work of three architects who sought to represent a utopian content in their work and a consideration of the thoughts of a range of leading writers, Coleman offers the reader a (...)
Titre:
Utopias and architecture
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$68.50
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Utopian thought, though commonly characterized as projecting a future without a past, depends on golden models for re-invention of what is. Through a detailed and innovative re-assessment of the work of three architects who sought to represent a utopian content in their work and a consideration of the thoughts of a range of leading writers, Coleman offers the reader a perspective of idealism in architectural design. With unparalleled depth and focus of vision on the work of Le Corbusier, Louis I Kahn and Aldo Van Eyck, this book persuasively challenges predominant assumptions in current architectural discourse, forging a new approach to the invention of welcoming built environments and transcending the limitations of both the postmodern and hyper-modern stance and orthodox modernist architecture.
Utopias and architecture
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$68.50
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Utopian thought, though commonly characterized as projecting a future without a past, depends on golden models for re-invention of what is. Through a detailed and innovative re-assessment of the work of three architects who sought to represent a utopian content in their work and a consideration of the thoughts of a range of leading writers, Coleman offers the reader a perspective of idealism in architectural design. With unparalleled depth and focus of vision on the work of Le Corbusier, Louis I Kahn and Aldo Van Eyck, this book persuasively challenges predominant assumptions in current architectural discourse, forging a new approach to the invention of welcoming built environments and transcending the limitations of both the postmodern and hyper-modern stance and orthodox modernist architecture.
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livres
livres
Publication:
octobre 2005, New York
octobre 2005, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$65.00
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Though he garnered global praise at the peak of his career from 1960 to 1990, Australian architect John Andrews faced waning fame as postmodern cultural transformations challenged modernist design values, and wider social and economic changes led to a withdrawal of government-funded institutional commissions. Yet his body of work is a remarkable achievement that deserves(...)
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Though he garnered global praise at the peak of his career from 1960 to 1990, Australian architect John Andrews faced waning fame as postmodern cultural transformations challenged modernist design values, and wider social and economic changes led to a withdrawal of government-funded institutional commissions. Yet his body of work is a remarkable achievement that deserves(...)
Titre:
John Andrews: Architecture of uncommon sense
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$65.00
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Though he garnered global praise at the peak of his career from 1960 to 1990, Australian architect John Andrews faced waning fame as postmodern cultural transformations challenged modernist design values, and wider social and economic changes led to a withdrawal of government-funded institutional commissions. Yet his body of work is a remarkable achievement that deserves to be better known. Following a path from Australia to the United States and Canada and back again, ''John Andrews: Architect of uncommon sense'' examines his most important buildings and reveals how the internationalization of architecture during this period was an unexpectedly dispersed geographical phenomenon, following more complex flows and localized progressions than earlier modernist ideas that travelled from center to periphery, metropole to outpost.
John Andrews: Architecture of uncommon sense
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$65.00
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Though he garnered global praise at the peak of his career from 1960 to 1990, Australian architect John Andrews faced waning fame as postmodern cultural transformations challenged modernist design values, and wider social and economic changes led to a withdrawal of government-funded institutional commissions. Yet his body of work is a remarkable achievement that deserves to be better known. Following a path from Australia to the United States and Canada and back again, ''John Andrews: Architect of uncommon sense'' examines his most important buildings and reveals how the internationalization of architecture during this period was an unexpectedly dispersed geographical phenomenon, following more complex flows and localized progressions than earlier modernist ideas that travelled from center to periphery, metropole to outpost.
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livres
livres
Publication:
février 2023
février 2023
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$46.95
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Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary(...)
$46.95
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Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary(...)
Titre:
Retracing the expanded field: encounters between art and architecture
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$46.95
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Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art’s transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss’s hugely influential text and maps the ensuing interactions between art and architecture.
Retracing the expanded field: encounters between art and architecture
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$46.95
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Résumé:
Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art’s transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss’s hugely influential text and maps the ensuing interactions between art and architecture.
Classification:
livres
livres
Publication:
septembre 2014
septembre 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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Description:
127 pages : illustrations (some color) ; 30 cm
Description:
127 pages : illustrations (some color) ; 30 cm
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Paris : Rivages, ©1988.
Paris : Rivages, ©1988.
Titre:
Maisons individuelles des années 80 : les grandes réussites des architectes français / Patrice Goulet.
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127 pages : illustrations (some color) ; 30 cm
Maisons individuelles des années 80 : les grandes réussites des architectes français / Patrice Goulet.
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127 pages : illustrations (some color) ; 30 cm
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livres
livres
Publication:
Paris : Rivages, ©1988.
Paris : Rivages, ©1988.
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livres
livres
Titre:
The space of appearance
The space of appearance
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$41.95
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Résumé:
What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the(...)
$41.95
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Résumé:
What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the(...)
Titre:
The space of appearance
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$41.95
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What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models of publicness that have been typical both of modernism and of many of its postmodern successors. Rather, he insists, it is necessary to construct a "space of appearance" that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism and building an understanding of our present dilemmas that is constructive and critically informed. The period from 1960 to the present has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimization modernism once held. After an extended introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in the trajectory of contemporary cultural theory since the key interventions of Arendt in the 1950s. (first edition : 1995.)
The space of appearance
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$41.95
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What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models of publicness that have been typical both of modernism and of many of its postmodern successors. Rather, he insists, it is necessary to construct a "space of appearance" that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism and building an understanding of our present dilemmas that is constructive and critically informed. The period from 1960 to the present has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimization modernism once held. After an extended introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in the trajectory of contemporary cultural theory since the key interventions of Arendt in the 1950s. (first edition : 1995.)
Classification:
livres
livres
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Description:
233 pages : illustrations ; 24 cm
Description:
233 pages : illustrations ; 24 cm
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Cambridge Mass. : MIT Press, ©1998.
Cambridge Mass. : MIT Press, ©1998.
Titre:
The situationist city / Simon Sadler.
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Description:
233 pages : illustrations ; 24 cm
The situationist city / Simon Sadler.
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233 pages : illustrations ; 24 cm
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livres
livres
Publication:
Cambridge Mass. : MIT Press, ©1998.
Cambridge Mass. : MIT Press, ©1998.
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livres
livres
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Description:
51 pages : illustrations (some color) ; 27 cm
Description:
51 pages : illustrations (some color) ; 27 cm
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Vancouver : University of British Columbia Fine Arts Gallery, 1986.
Vancouver : University of British Columbia Fine Arts Gallery, 1986.
Titre:
A measure of consensus : Canadian architecture in transition / Andrew Gruft ; an exhibition sponsored by the Canada Council ; the School of Architecture of the University of British Columbia ; the Architectural Institute of British Columbia.
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51 pages : illustrations (some color) ; 27 cm
A measure of consensus : Canadian architecture in transition / Andrew Gruft ; an exhibition sponsored by the Canada Council ; the School of Architecture of the University of British Columbia ; the Architectural Institute of British Columbia.
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Description:
51 pages : illustrations (some color) ; 27 cm
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livres
livres
Publication:
Vancouver : University of British Columbia Fine Arts Gallery, 1986.
Vancouver : University of British Columbia Fine Arts Gallery, 1986.
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