1789 Résultats
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livres
livres
Titre:
The artist's museum
The artist's museum
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This book accompanies a stunning exhibition of immersive installations that propose unexpected relationships between artworks and images across time and place. This book presents immersive artworks that bring together art, artifacts, and natural materials to create distinct models from each artist’s world. Employing the language of museum display, the artists chart the(...)
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Résumé:
This book accompanies a stunning exhibition of immersive installations that propose unexpected relationships between artworks and images across time and place. This book presents immersive artworks that bring together art, artifacts, and natural materials to create distinct models from each artist’s world. Employing the language of museum display, the artists chart the(...)
Publication:
novembre 2016
novembre 2016
Titre:
The artist's museum
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$65.00
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Résumé:
This book accompanies a stunning exhibition of immersive installations that propose unexpected relationships between artworks and images across time and place. This book presents immersive artworks that bring together art, artifacts, and natural materials to create distinct models from each artist’s world. Employing the language of museum display, the artists chart the recurrence of forms and themes across cultures and history, to reveal unexpected relationships and affinities.
The artist's museum
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$65.00
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Résumé:
This book accompanies a stunning exhibition of immersive installations that propose unexpected relationships between artworks and images across time and place. This book presents immersive artworks that bring together art, artifacts, and natural materials to create distinct models from each artist’s world. Employing the language of museum display, the artists chart the recurrence of forms and themes across cultures and history, to reveal unexpected relationships and affinities.
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livres
livres
Publication:
novembre 2016
novembre 2016
Classification:
livres
livres
Titre:
Architecture of Life
Architecture of Life
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$50.00
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Published in conjunction with Berkeley Art Museum and Pacific Film Archive’s inaugural exhibition in its landmark new building designed by Diller Scofidio + Renfro, Architecture of Life explores the ways that architecture—as concept, metaphor, and practice—illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of(...)
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Published in conjunction with Berkeley Art Museum and Pacific Film Archive’s inaugural exhibition in its landmark new building designed by Diller Scofidio + Renfro, Architecture of Life explores the ways that architecture—as concept, metaphor, and practice—illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of(...)
Publication:
février 2016
février 2016
Titre:
Architecture of Life
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Published in conjunction with Berkeley Art Museum and Pacific Film Archive’s inaugural exhibition in its landmark new building designed by Diller Scofidio + Renfro, Architecture of Life explores the ways that architecture—as concept, metaphor, and practice—illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of reality, and the power of the imagination to reshape our world. The sweeping exhibition comprises over 150 works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, all of which are reproduced in full color in the catalog. International in scope, Architecture of Life presents work by artists Yuri Ancarani, George Ault, Lee Bontecou, Louise Bourgeois, Marcel Duchamp, Léon Ferrari, Suzan Frecon, Trenton Doyle Hancock, Johannes Itten, Kimsooja, Fernand Léger, Tomás Saraceno; architects Diller Scofidio + Renfro, Buckminster Fuller, Frederick Kiesler, Toyo Ito, Lebbeus Woods; scientists Wilson Bentley, Santiago Ramón y Cajal, Viktor Schauberger; and composer Iannis Xenakis, among many others. The exhibition also includes Mbuti barkcloth drawings, Pomo baskets, Micronesian navigational charts, Tibetan meditation mandalas, and tantric drawings from Rajasthan.
Architecture of Life
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Published in conjunction with Berkeley Art Museum and Pacific Film Archive’s inaugural exhibition in its landmark new building designed by Diller Scofidio + Renfro, Architecture of Life explores the ways that architecture—as concept, metaphor, and practice—illuminates various aspects of life experience: the nature of the self and psyche, the fundamental structures of reality, and the power of the imagination to reshape our world. The sweeping exhibition comprises over 150 works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, all of which are reproduced in full color in the catalog. International in scope, Architecture of Life presents work by artists Yuri Ancarani, George Ault, Lee Bontecou, Louise Bourgeois, Marcel Duchamp, Léon Ferrari, Suzan Frecon, Trenton Doyle Hancock, Johannes Itten, Kimsooja, Fernand Léger, Tomás Saraceno; architects Diller Scofidio + Renfro, Buckminster Fuller, Frederick Kiesler, Toyo Ito, Lebbeus Woods; scientists Wilson Bentley, Santiago Ramón y Cajal, Viktor Schauberger; and composer Iannis Xenakis, among many others. The exhibition also includes Mbuti barkcloth drawings, Pomo baskets, Micronesian navigational charts, Tibetan meditation mandalas, and tantric drawings from Rajasthan.
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livres
livres
Publication:
février 2016
février 2016
Classification:
livres
livres
Titre:
Ostalgia
Ostalgia
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$35.00
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The word “ostalgie” emerged in Germany in the 1990s to describe a then-burgeoning nostalgia for the era prior to the collapse of the Communist Bloc and the breaking up of countries formerly united under Communist government. Ostalgia looks at the art produced in these countries--some of which did not even formally exist two decades ago--bringing together the work of more(...)
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The word “ostalgie” emerged in Germany in the 1990s to describe a then-burgeoning nostalgia for the era prior to the collapse of the Communist Bloc and the breaking up of countries formerly united under Communist government. Ostalgia looks at the art produced in these countries--some of which did not even formally exist two decades ago--bringing together the work of more(...)
Publication:
mars 2012
mars 2012
Titre:
Ostalgia
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$35.00
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The word “ostalgie” emerged in Germany in the 1990s to describe a then-burgeoning nostalgia for the era prior to the collapse of the Communist Bloc and the breaking up of countries formerly united under Communist government. Ostalgia looks at the art produced in these countries--some of which did not even formally exist two decades ago--bringing together the work of more than 50 artists from 20 countries across Eastern Europe and the former Soviet Republics. Many of these works, by seminal figures and younger artists alike, offer a series of reportages on life and art under Communism and in the new post-Soviet countries. Eschewing a chronological perspective, this piblication instead establishes a series of dialogues between different generations and geographies, revealing local avant-garde practices and highlighting their international affinities. Among the artists included are Victor Alimpiev, Said Atabekov, Miroslav Balka, Irina Botea, Erik Bulatov, André Cadere, Stanislav Filko, Sanja Ivekovic, Jiri Kovanda, Edward Krasinski, Jonas Mekas, Boris Mikhailov, Paulina Olowska, Roman Ondák, Helga Paris, Dmitri Prigov, Anri Sala, Andro Wekua and Anna Zemánková.
Ostalgia
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The word “ostalgie” emerged in Germany in the 1990s to describe a then-burgeoning nostalgia for the era prior to the collapse of the Communist Bloc and the breaking up of countries formerly united under Communist government. Ostalgia looks at the art produced in these countries--some of which did not even formally exist two decades ago--bringing together the work of more than 50 artists from 20 countries across Eastern Europe and the former Soviet Republics. Many of these works, by seminal figures and younger artists alike, offer a series of reportages on life and art under Communism and in the new post-Soviet countries. Eschewing a chronological perspective, this piblication instead establishes a series of dialogues between different generations and geographies, revealing local avant-garde practices and highlighting their international affinities. Among the artists included are Victor Alimpiev, Said Atabekov, Miroslav Balka, Irina Botea, Erik Bulatov, André Cadere, Stanislav Filko, Sanja Ivekovic, Jiri Kovanda, Edward Krasinski, Jonas Mekas, Boris Mikhailov, Paulina Olowska, Roman Ondák, Helga Paris, Dmitri Prigov, Anri Sala, Andro Wekua and Anna Zemánková.
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livres
livres
Publication:
mars 2012
mars 2012
Classification:
livres
livres
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$56.95
(disponible en magasin)
Résumé:
''Style Congo: Heritage & heresy'' examines the politics of cultural representation and appropriation through contemporary artistic and architectural interventions, as well as historical materials primarily sourced from the CIVA collection in Brussels. Starting with the Art Nouveau movement and stemming from the exhibition of the same name, this book traces the portrayal(...)
$56.95
(disponible en magasin)
Résumé:
''Style Congo: Heritage & heresy'' examines the politics of cultural representation and appropriation through contemporary artistic and architectural interventions, as well as historical materials primarily sourced from the CIVA collection in Brussels. Starting with the Art Nouveau movement and stemming from the exhibition of the same name, this book traces the portrayal(...)
Publication:
septembre 2023
septembre 2023
Titre:
Style Congo: Heritage and heresy
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$56.95
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Résumé:
''Style Congo: Heritage & heresy'' examines the politics of cultural representation and appropriation through contemporary artistic and architectural interventions, as well as historical materials primarily sourced from the CIVA collection in Brussels. Starting with the Art Nouveau movement and stemming from the exhibition of the same name, this book traces the portrayal of the Congo in international and colonial exhibitions in Belgium, France, and the Congo between 1885 and 1958.
Style Congo: Heritage and heresy
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$56.95
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Résumé:
''Style Congo: Heritage & heresy'' examines the politics of cultural representation and appropriation through contemporary artistic and architectural interventions, as well as historical materials primarily sourced from the CIVA collection in Brussels. Starting with the Art Nouveau movement and stemming from the exhibition of the same name, this book traces the portrayal of the Congo in international and colonial exhibitions in Belgium, France, and the Congo between 1885 and 1958.
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livres
livres
Publication:
septembre 2023
septembre 2023
Classification:
livres
livres
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$24.00
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Drawing on original documents, photographs, and detainee artwork, ''Bordered lives'' offers a unique insight into the experience of immigration detention in the United Kingdom. With interdisciplinary backgrounds in art, design, and criminology, the authors present views of everyday life under this form of border control. In offering a glimpse within these hidden sites,(...)
$24.00
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Drawing on original documents, photographs, and detainee artwork, ''Bordered lives'' offers a unique insight into the experience of immigration detention in the United Kingdom. With interdisciplinary backgrounds in art, design, and criminology, the authors present views of everyday life under this form of border control. In offering a glimpse within these hidden sites,(...)
Publication:
février 2021
février 2021
Titre:
Bordered lives: immigration detention archive
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Drawing on original documents, photographs, and detainee artwork, ''Bordered lives'' offers a unique insight into the experience of immigration detention in the United Kingdom. With interdisciplinary backgrounds in art, design, and criminology, the authors present views of everyday life under this form of border control. In offering a glimpse within these hidden sites, they explore fundamental questions about coercion, censorship, and control, as well as belonging and resistance.
Bordered lives: immigration detention archive
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Drawing on original documents, photographs, and detainee artwork, ''Bordered lives'' offers a unique insight into the experience of immigration detention in the United Kingdom. With interdisciplinary backgrounds in art, design, and criminology, the authors present views of everyday life under this form of border control. In offering a glimpse within these hidden sites, they explore fundamental questions about coercion, censorship, and control, as well as belonging and resistance.
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livres
livres
Publication:
février 2021
février 2021
Classification:
audio
audio
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Description:
1 online resource.
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[Place of publication not identified] : FHNW HGK, 2022.
[Place of publication not identified] : FHNW HGK, 2022.
Classification:
audio
audio
Publication:
[Place of publication not identified] : FHNW HGK, 2022.
[Place of publication not identified] : FHNW HGK, 2022.
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livres
livres
Titre:
Myths of the marble
Myths of the marble
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"Myths of the Marble" documents a group exhibition that took place in 2017 at the Henie Onstad Kunstsenter, Norway (HOK) and the Institute of Contemporary Art, University of Pennsylvania (ICA). Coorganized by curators Alex Klein (ICA) and Milena Hoegsberg (HOK), the exhibition reflects upon how the virtual has been engaged by contemporary artists as a way to consider the(...)
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Résumé:
"Myths of the Marble" documents a group exhibition that took place in 2017 at the Henie Onstad Kunstsenter, Norway (HOK) and the Institute of Contemporary Art, University of Pennsylvania (ICA). Coorganized by curators Alex Klein (ICA) and Milena Hoegsberg (HOK), the exhibition reflects upon how the virtual has been engaged by contemporary artists as a way to consider the(...)
Publication:
mars 2018
mars 2018
Titre:
Myths of the marble
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Résumé:
"Myths of the Marble" documents a group exhibition that took place in 2017 at the Henie Onstad Kunstsenter, Norway (HOK) and the Institute of Contemporary Art, University of Pennsylvania (ICA). Coorganized by curators Alex Klein (ICA) and Milena Hoegsberg (HOK), the exhibition reflects upon how the virtual has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that both permeates physical space and online experience.
Myths of the marble
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Résumé:
"Myths of the Marble" documents a group exhibition that took place in 2017 at the Henie Onstad Kunstsenter, Norway (HOK) and the Institute of Contemporary Art, University of Pennsylvania (ICA). Coorganized by curators Alex Klein (ICA) and Milena Hoegsberg (HOK), the exhibition reflects upon how the virtual has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that both permeates physical space and online experience.
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livres
livres
Publication:
mars 2018
mars 2018
Classification:
livres
livres
Titre:
Ad Astra
Ad Astra
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''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the(...)
$50.00
(disponible en magasin)
Résumé:
''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the(...)
Publication:
septembre 2021
septembre 2021
Titre:
Ad Astra
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$50.00
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Résumé:
''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the hospital community, are transformed by means of a collaboration between art and neuroscience to generate astral images, and ultimately, a collective artwork representing a collection of prayers, hopes and fears. Rooted in deep human experiences,''Ad Astra'' gives voice to the range of emotions and the cycle of life and death that the hospital context is witness to daily. In compliment to the permanent multimedia artwork installed in the library, the book presents a tightly knit set of relationships among the various elements that compose the project, including messages, portraits, neurological diagrams, video-stills, citations, and texts. An introductory essay by Claire Moeder creatively illuminates the core interests of the project while the graphic design by Criterium echoes the installation with material means. The book is a nomadic archive and tactile object that was created to travel beyond the primary site of medical library, and ultimately towards the stars.
Ad Astra
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$50.00
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Résumé:
''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the hospital community, are transformed by means of a collaboration between art and neuroscience to generate astral images, and ultimately, a collective artwork representing a collection of prayers, hopes and fears. Rooted in deep human experiences,''Ad Astra'' gives voice to the range of emotions and the cycle of life and death that the hospital context is witness to daily. In compliment to the permanent multimedia artwork installed in the library, the book presents a tightly knit set of relationships among the various elements that compose the project, including messages, portraits, neurological diagrams, video-stills, citations, and texts. An introductory essay by Claire Moeder creatively illuminates the core interests of the project while the graphic design by Criterium echoes the installation with material means. The book is a nomadic archive and tactile object that was created to travel beyond the primary site of medical library, and ultimately towards the stars.
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livres
livres
Publication:
septembre 2021
septembre 2021
Classification:
livres
livres
Prix:
$45.00
(disponible sur commande)
Résumé:
General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary(...)
$45.00
(disponible sur commande)
Résumé:
General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary(...)
Titre:
General idea: haute culture, a retrospective, 1969-1994
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$45.00
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. General Idea came to an end in 1994, when Partz and Zontal died of AIDS. Today General Idea can be seen to anticipate the later art collectives of the 1970s as well as aspects of Relational Aesthetics in the 1990s. This volume presents an overview of the Canadian collective''s bold mingling of reality and fiction and their frequently transgressive, parodic incursions upon both art and society. Including newly commissioned essays and reprinted texts, this volume is richly illustrated with documents and reproductions of the most significant projects realized by General Idea between 1969 and 1994. Exhibited at ARC/Musée d'art moderne de la Ville de Paris and the Art Gallery of Ontario, Toronto in 2011.
General idea: haute culture, a retrospective, 1969-1994
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$45.00
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General Idea was founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson as a generic identity to free the artists "from the tyranny of individual genius." Under the leadership of their fictitious muse Miss General Idea, and inspired by William Burroughs' conception of the "image virus," the collective interrogated media image culture through now legendary projects like File magazine, as well as paintings, installations, sculptures, mail art, photographs, videos, ephemera, TV programs and even a beauty pageant. General Idea came to an end in 1994, when Partz and Zontal died of AIDS. Today General Idea can be seen to anticipate the later art collectives of the 1970s as well as aspects of Relational Aesthetics in the 1990s. This volume presents an overview of the Canadian collective''s bold mingling of reality and fiction and their frequently transgressive, parodic incursions upon both art and society. Including newly commissioned essays and reprinted texts, this volume is richly illustrated with documents and reproductions of the most significant projects realized by General Idea between 1969 and 1994. Exhibited at ARC/Musée d'art moderne de la Ville de Paris and the Art Gallery of Ontario, Toronto in 2011.
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livres
livres
Publication:
janvier 2011
janvier 2011
Classification:
livres
livres
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$97.00
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg.(...)
$97.00
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Résumé:
While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg.(...)
Publication:
décembre 2016
décembre 2016
Titre:
Inventing downtown: artist-run galleries in New York City, 1952-1965
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$97.00
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Résumé:
While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
Inventing downtown: artist-run galleries in New York City, 1952-1965
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$97.00
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Résumé:
While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
Classification:
livres
livres
Publication:
décembre 2016
décembre 2016
