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'History Through Our Eyes' is a day-at-a-time look back at the 20th century through the lenses of Montreal’s news photographers. The photographs are drawn from the archives of the Montreal Gazette, one of North America’s longest-publishing daily newspapers. They include iconic images from the Gazette as well as some photographs from the Montreal Herald, the Montreal Star(...)
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'History Through Our Eyes' is a day-at-a-time look back at the 20th century through the lenses of Montreal’s news photographers. The photographs are drawn from the archives of the Montreal Gazette, one of North America’s longest-publishing daily newspapers. They include iconic images from the Gazette as well as some photographs from the Montreal Herald, the Montreal Star(...)
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History through our eyes: Photos of people and events that shaped 20th century Montreal
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'History Through Our Eyes' is a day-at-a-time look back at the 20th century through the lenses of Montreal’s news photographers. The photographs are drawn from the archives of the Montreal Gazette, one of North America’s longest-publishing daily newspapers. They include iconic images from the Gazette as well as some photographs from the Montreal Herald, the Montreal Star and the Standard. While the photographs are the focus of this volume, the texts that accompany them tell the story of one of North America’s most fascinating cities.
History through our eyes: Photos of people and events that shaped 20th century Montreal
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'History Through Our Eyes' is a day-at-a-time look back at the 20th century through the lenses of Montreal’s news photographers. The photographs are drawn from the archives of the Montreal Gazette, one of North America’s longest-publishing daily newspapers. They include iconic images from the Gazette as well as some photographs from the Montreal Herald, the Montreal Star and the Standard. While the photographs are the focus of this volume, the texts that accompany them tell the story of one of North America’s most fascinating cities.
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livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Architecture de Montréal
Architecture de Montréal
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Architecture Drawing Topology presents an extensive body of drawings and texts and their complex relationalities, ranging from ontology to history. These relationalities have been developed in response to the natural topography of the Greek island of Hydra, and tested in the urban landscape of Berlin, Paris and Tokyo. Through constellations that are both real and(...)
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Architecture Drawing Topology presents an extensive body of drawings and texts and their complex relationalities, ranging from ontology to history. These relationalities have been developed in response to the natural topography of the Greek island of Hydra, and tested in the urban landscape of Berlin, Paris and Tokyo. Through constellations that are both real and(...)
Titre:
Architecture drawing topology
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Architecture Drawing Topology presents an extensive body of drawings and texts and their complex relationalities, ranging from ontology to history. These relationalities have been developed in response to the natural topography of the Greek island of Hydra, and tested in the urban landscape of Berlin, Paris and Tokyo. Through constellations that are both real and virtual, the collection is composed of numerous highly detailed drawings. The diverse drawings express a complex and ambiguous field of significations, instrumentalizing an open production of meaning. Positions, relations, orders, levels, dimensions, energies, and processes are discovered as a new field of possibilities, creating an architecture of the event.
Architecture drawing topology
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Architecture Drawing Topology presents an extensive body of drawings and texts and their complex relationalities, ranging from ontology to history. These relationalities have been developed in response to the natural topography of the Greek island of Hydra, and tested in the urban landscape of Berlin, Paris and Tokyo. Through constellations that are both real and virtual, the collection is composed of numerous highly detailed drawings. The diverse drawings express a complex and ambiguous field of significations, instrumentalizing an open production of meaning. Positions, relations, orders, levels, dimensions, energies, and processes are discovered as a new field of possibilities, creating an architecture of the event.
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livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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Conceived and directed by Emilio Ambasz. With essays by Jean Baudrillard, Manuel Castells, Gillo Dorfles, Ronald Dworkin, Umberto Eco, Erich Jantsch, Suzanne Keller, Gyorgy Kepes, Richard L. Meier, Martin Pawley, Octavio Paz, Anatol Rapoport, Meyer Schapiro, Carl Schorske and Jivan Tabibian, among others. With foreword by Terrance Riley. In January of 1972, The Museum(...)
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Conceived and directed by Emilio Ambasz. With essays by Jean Baudrillard, Manuel Castells, Gillo Dorfles, Ronald Dworkin, Umberto Eco, Erich Jantsch, Suzanne Keller, Gyorgy Kepes, Richard L. Meier, Martin Pawley, Octavio Paz, Anatol Rapoport, Meyer Schapiro, Carl Schorske and Jivan Tabibian, among others. With foreword by Terrance Riley. In January of 1972, The Museum(...)
Titre:
The universitas project : solutions for a post-technological society
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Conceived and directed by Emilio Ambasz. With essays by Jean Baudrillard, Manuel Castells, Gillo Dorfles, Ronald Dworkin, Umberto Eco, Erich Jantsch, Suzanne Keller, Gyorgy Kepes, Richard L. Meier, Martin Pawley, Octavio Paz, Anatol Rapoport, Meyer Schapiro, Carl Schorske and Jivan Tabibian, among others. With foreword by Terrance Riley. In January of 1972, The Museum of Modern Art hosted "The universitas project," a two-day conference sponsored by the Museum’s International Council and the Institute for Architecture and Urban Studies. The participants, from a wide range of scholarly and artistic disciplines, engaged in a multidisciplinary debate on the future of design and design institutions in the postindustrial era. The project was originally described as "a critical and prospective inquiry into the relation of man to the natural and the sociocultural environment...specifically planned to explore the possibility of establishing in the United States a new type of institution centered around the task of evaluating and designing the man-made milieu." This volume publishes in their entirety the various components of the conference : the working papers that set the terms of the debate; the essays submitted by the invitees; the proceedings of the symposia responding to the papers; and the postscripts provided by the participants after the event.
The universitas project : solutions for a post-technological society
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Conceived and directed by Emilio Ambasz. With essays by Jean Baudrillard, Manuel Castells, Gillo Dorfles, Ronald Dworkin, Umberto Eco, Erich Jantsch, Suzanne Keller, Gyorgy Kepes, Richard L. Meier, Martin Pawley, Octavio Paz, Anatol Rapoport, Meyer Schapiro, Carl Schorske and Jivan Tabibian, among others. With foreword by Terrance Riley. In January of 1972, The Museum of Modern Art hosted "The universitas project," a two-day conference sponsored by the Museum’s International Council and the Institute for Architecture and Urban Studies. The participants, from a wide range of scholarly and artistic disciplines, engaged in a multidisciplinary debate on the future of design and design institutions in the postindustrial era. The project was originally described as "a critical and prospective inquiry into the relation of man to the natural and the sociocultural environment...specifically planned to explore the possibility of establishing in the United States a new type of institution centered around the task of evaluating and designing the man-made milieu." This volume publishes in their entirety the various components of the conference : the working papers that set the terms of the debate; the essays submitted by the invitees; the proceedings of the symposia responding to the papers; and the postscripts provided by the participants after the event.
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livres
livres
Publication:
août 2006, New York
août 2006, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Architecture : more for less
Architecture : more for less
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In 2010, the international congress ‘Architecture: More for Less’ was held in Pamplona. Its aim was to take stock of the changing mood in architecture, which today faces huge ecological and economic challenges. This publication is a record of the event through the interviews conducted by five prominent critics – Richard Ingersoll, Antón García-Abril, Estrella de Diego,(...)
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In 2010, the international congress ‘Architecture: More for Less’ was held in Pamplona. Its aim was to take stock of the changing mood in architecture, which today faces huge ecological and economic challenges. This publication is a record of the event through the interviews conducted by five prominent critics – Richard Ingersoll, Antón García-Abril, Estrella de Diego,(...)
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Architecture : more for less
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In 2010, the international congress ‘Architecture: More for Less’ was held in Pamplona. Its aim was to take stock of the changing mood in architecture, which today faces huge ecological and economic challenges. This publication is a record of the event through the interviews conducted by five prominent critics – Richard Ingersoll, Antón García-Abril, Estrella de Diego, Vicente Verdú and Llàtzer Moix – with the participants, among them Renzo Piano, Anne Lacaton, Carlos Jiménez, Mark Wigley, Slavoj Žižek and Glenn Murcutt, who themselves cover a broad generational and geographic spectrum. Through the lens of architecture, it offers a kaleidoscopic portrait of our time.
Architecture : more for less
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In 2010, the international congress ‘Architecture: More for Less’ was held in Pamplona. Its aim was to take stock of the changing mood in architecture, which today faces huge ecological and economic challenges. This publication is a record of the event through the interviews conducted by five prominent critics – Richard Ingersoll, Antón García-Abril, Estrella de Diego, Vicente Verdú and Llàtzer Moix – with the participants, among them Renzo Piano, Anne Lacaton, Carlos Jiménez, Mark Wigley, Slavoj Žižek and Glenn Murcutt, who themselves cover a broad generational and geographic spectrum. Through the lens of architecture, it offers a kaleidoscopic portrait of our time.
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livres
livres
Publication:
février 2013
février 2013
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
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livres
livres
Publication:
avril 2003, Cambridge / London
avril 2003, Cambridge / London
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
Titre:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Résumé:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
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livres
livres
Publication:
avril 2000, Cambridge
avril 2000, Cambridge
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livres
livres
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The Case Study House program (1945-66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom.
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The Case Study House program (1945-66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom.
Titre:
Case study houses (1945-1966)
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The Case Study House program (1945-66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom.
Case study houses (1945-1966)
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The Case Study House program (1945-66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom.
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livres
livres
Publication:
juin 2009
juin 2009
Sujet:
Architecture résidentielle
Architecture résidentielle
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livres
livres
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$44.95
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This book discusses th forerunners, context, and technology of portable architecture. It documents numerous international examples - organised by areas of application - such as Shigeru Ban's Nomadic Museum in New York made of shipping containers, Marx Fisher's event architecture for concert tours by the Rolling Stones and U2, Richard Horden's micro-compact home, Tadao(...)
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This book discusses th forerunners, context, and technology of portable architecture. It documents numerous international examples - organised by areas of application - such as Shigeru Ban's Nomadic Museum in New York made of shipping containers, Marx Fisher's event architecture for concert tours by the Rolling Stones and U2, Richard Horden's micro-compact home, Tadao(...)
Titre:
Portable architecture: design and technology
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This book discusses th forerunners, context, and technology of portable architecture. It documents numerous international examples - organised by areas of application - such as Shigeru Ban's Nomadic Museum in New York made of shipping containers, Marx Fisher's event architecture for concert tours by the Rolling Stones and U2, Richard Horden's micro-compact home, Tadao Ando's Karaza Theatre and NASA's TransHAB, a mobile space habitat. The book presents a broad array of concepts for the design of mobile structures of all kinds, suitable even for use in extreme situations, such as the Antarctic or the aftermath of natural catastrophes.
Portable architecture: design and technology
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$44.95
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This book discusses th forerunners, context, and technology of portable architecture. It documents numerous international examples - organised by areas of application - such as Shigeru Ban's Nomadic Museum in New York made of shipping containers, Marx Fisher's event architecture for concert tours by the Rolling Stones and U2, Richard Horden's micro-compact home, Tadao Ando's Karaza Theatre and NASA's TransHAB, a mobile space habitat. The book presents a broad array of concepts for the design of mobile structures of all kinds, suitable even for use in extreme situations, such as the Antarctic or the aftermath of natural catastrophes.
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livres
livres
Publication:
juillet 2008, Basel, Berlin, Boston
juillet 2008, Basel, Berlin, Boston
Sujet:
Maisons mobiles
Maisons mobiles
Classification:
périodiques
périodiques
Titre:
Interactive architecture 2
Interactive architecture 2
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This is the second issue of this innovative bookzine, an inter-disciplinary look at interactive architecture from researchers, students and guest lectures in Kas Oosterhuis's Hyperbody at the Delft Institute of Technology, along with experts from other organizations. This issue brings the reader deeper into the interactive relationships between built components and(...)
$28.00
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This is the second issue of this innovative bookzine, an inter-disciplinary look at interactive architecture from researchers, students and guest lectures in Kas Oosterhuis's Hyperbody at the Delft Institute of Technology, along with experts from other organizations. This issue brings the reader deeper into the interactive relationships between built components and(...)
Titre:
Interactive architecture 2
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$28.00
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This is the second issue of this innovative bookzine, an inter-disciplinary look at interactive architecture from researchers, students and guest lectures in Kas Oosterhuis's Hyperbody at the Delft Institute of Technology, along with experts from other organizations. This issue brings the reader deeper into the interactive relationships between built components and people, using parametric Design, Powerlines and multiplayer design games. It also offers an overview on the iWEB pavilion, a vehicle for trans-disciplinary research, education and design developed by Hyperbody, from the software it applies to the building process and to its opening event. A publication fulfilling its destiny as an essential component in this groundbreaking architectural movement.
Interactive architecture 2
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This is the second issue of this innovative bookzine, an inter-disciplinary look at interactive architecture from researchers, students and guest lectures in Kas Oosterhuis's Hyperbody at the Delft Institute of Technology, along with experts from other organizations. This issue brings the reader deeper into the interactive relationships between built components and people, using parametric Design, Powerlines and multiplayer design games. It also offers an overview on the iWEB pavilion, a vehicle for trans-disciplinary research, education and design developed by Hyperbody, from the software it applies to the building process and to its opening event. A publication fulfilling its destiny as an essential component in this groundbreaking architectural movement.
Classification:
périodiques
périodiques
Publication:
décembre 2008
décembre 2008
Classification:
livres
livres
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$72.95
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ArchiLab has increasingly become a major event in the field of contemporary architecture and research and this 8th edition focused on the urban architectural transformations that are taking place across Europe. This catalogue presents the core ideas and visions floated around at the conference while providing case studies of some 50 major projects or master-plans(...)
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ArchiLab has increasingly become a major event in the field of contemporary architecture and research and this 8th edition focused on the urban architectural transformations that are taking place across Europe. This catalogue presents the core ideas and visions floated around at the conference while providing case studies of some 50 major projects or master-plans(...)
Titre:
Archilab Europe strategic architecture
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ArchiLab has increasingly become a major event in the field of contemporary architecture and research and this 8th edition focused on the urban architectural transformations that are taking place across Europe. This catalogue presents the core ideas and visions floated around at the conference while providing case studies of some 50 major projects or master-plans occurring in European cities and areas. Texts from some 15 authors are accompanied by such concepts as territory networking, polymerisation, re-animation, implantation and re-labelling operations and examined in relation to leading projects by architects such as Zaha Hadid, Rem Koolhaas and Vincente Guallart.
Archilab Europe strategic architecture
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ArchiLab has increasingly become a major event in the field of contemporary architecture and research and this 8th edition focused on the urban architectural transformations that are taking place across Europe. This catalogue presents the core ideas and visions floated around at the conference while providing case studies of some 50 major projects or master-plans occurring in European cities and areas. Texts from some 15 authors are accompanied by such concepts as territory networking, polymerisation, re-animation, implantation and re-labelling operations and examined in relation to leading projects by architects such as Zaha Hadid, Rem Koolhaas and Vincente Guallart.
Classification:
livres
livres
Publication:
décembre 2008, Orléans
décembre 2008, Orléans
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
