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119 pages : illustrations (some color) ; 31 cm
[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
Eva Zeisel, designer for industry / catalogue essay by Martin Eidelberg.
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119 pages : illustrations (some color) ; 31 cm
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[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
livres
Description:
186 pages : illustrations ; 24 cm
Nancy : Presses universitaires de Nancy, c2015.
Mutations du projet : milieux et cultures numériques : actes du colloque, CNAM, les 28 et 29 mai 2015 / sous la direction d'Aurélie de Boissieu, Catherine Deshayes et Antonella Tufano.
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Description:
186 pages : illustrations ; 24 cm
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Nancy : Presses universitaires de Nancy, c2015.
Collection architecture
$114.95
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Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
Collection architecture
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$114.95
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Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
L'image volée
$95.00
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Résumé:
''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and(...)
L'image volée
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$95.00
(disponible en magasin)
Résumé:
''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and the culture of the copy, the project focuses on theft, authorship, annexation and the creative potential of such pursuits.
Ceci n'est pas une bouteille
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Résumé:
ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un(...)
Ceci n'est pas une bouteille
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ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un statut à part en tant qu’objets de collection. Leurs formes communiquent aussi sur d’autres plans : matériaux (qualités de verre, bois), aspect pratique (utilité, obsolescence, détournement), usage (traces, poussières, brillance). L’ouvrage met en valeur une soixantaine de pièces rassemblées par les deux institutions.
livres
$120.00
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Résumé:
Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects(...)
janvier 1900, Ostfildern
Documenta_11 exhibition catalogue
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$120.00
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Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects and writings facilitate an additional insight into the processes of creative thought and the mechanisms of reception at stake in the making of the exhibition. Short guide also available.
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janvier 1900, Ostfildern
$51.95
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The exhibition catalogue presents an important collection of tapestries with woven pieces often unsuspected major figures in the arts or unknown to the general public, but which all have in common the fact that they have marked the art in tapestry of the last fifty years. Among the many artists solicited we find notably: Geneviève Asse, Pierrette Bloch, Pierre Buraglio,(...)
décembre 2020
Le Mural Nomade : Tapisseries modernes et contemporaines au couvent de La Tourette
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$51.95
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The exhibition catalogue presents an important collection of tapestries with woven pieces often unsuspected major figures in the arts or unknown to the general public, but which all have in common the fact that they have marked the art in tapestry of the last fifty years. Among the many artists solicited we find notably: Geneviève Asse, Pierrette Bloch, Pierre Buraglio, Alexander Calder, Edouardo Chilida, Le Corbusier, Sonia Delaunay, Julije Kniffer, Aurélie Nemours, Gustave Singier, Raoul Ubac, Victor Vasarely, Vieira Da Silva.
Hairy Who? 1966-1969
$65.00
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This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six(...)
octobre 2018
Hairy Who? 1966-1969
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$65.00
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This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six exhibitions, held between 1966 and 1969, and offers a reassessment of the Hairy Who's idiosyncratic place within the cultural and political context of its time and place.
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Camden Arts Centre 2019
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Camden Arts Centre 2019
Wanderlust
$44.50
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Résumé:
Wanderlust highlights artists as voyagers who leave their studios to make art. This book (and the exhibition it accompanies) is the first comprehensive survey of the artist's need to roam and the work that emerges from this need. Wanderlust presents the work of under-recognized yet pioneering artists alongside their well-known counterparts, and represents works that vary(...)
Wanderlust
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$44.50
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Wanderlust highlights artists as voyagers who leave their studios to make art. This book (and the exhibition it accompanies) is the first comprehensive survey of the artist's need to roam and the work that emerges from this need. Wanderlust presents the work of under-recognized yet pioneering artists alongside their well-known counterparts, and represents works that vary in process, with some artists working as solitary figures implanting themselves physically on the landscape while others perform and create movements in a collaborative manner or in public.