1288 Résultats
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184 pages : illustrations ; 24 cm
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184 pages : illustrations ; 24 cm
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Munich ; New York : Prestel, ©2002.
Munich ; New York : Prestel, ©2002.
Titre:
The poetic museum : reviving historic collections / Julian Spalding.
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Description:
184 pages : illustrations ; 24 cm
The poetic museum : reviving historic collections / Julian Spalding.
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184 pages : illustrations ; 24 cm
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livres
livres
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Munich ; New York : Prestel, ©2002.
Munich ; New York : Prestel, ©2002.
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livres
livres
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1 online resource
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[Place of publication not identified] : Sternberg Press, 2017., [Place of publication not identified] : e-flux, 2017.
[Place of publication not identified] : Sternberg Press, 2017., [Place of publication not identified] : e-flux, 2017.
Titre:
Art Without Death: : Conversations on Russian Cosmism.
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1 online resource
Art Without Death: : Conversations on Russian Cosmism.
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1 online resource
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livres
livres
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[Place of publication not identified] : Sternberg Press, 2017., [Place of publication not identified] : e-flux, 2017.
[Place of publication not identified] : Sternberg Press, 2017., [Place of publication not identified] : e-flux, 2017.
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$27.95
(disponible sur commande)
Résumé:
The Scottish architect, designer and painter Charles Rennie Mackintosh (1868–1928) was one of the early pioneers of modern architecture and design. His multifaceted œuvre is an important link between the movement towards artistic reform in Britain and continental Modernism. Mackintosh’s avant-garde designs for the Glasgow school of art, the legendary Willow tea rooms or(...)
$27.95
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Résumé:
The Scottish architect, designer and painter Charles Rennie Mackintosh (1868–1928) was one of the early pioneers of modern architecture and design. His multifaceted œuvre is an important link between the movement towards artistic reform in Britain and continental Modernism. Mackintosh’s avant-garde designs for the Glasgow school of art, the legendary Willow tea rooms or(...)
Titre:
Charles Rennie Mackintosh, 1868-1928
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$27.95
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The Scottish architect, designer and painter Charles Rennie Mackintosh (1868–1928) was one of the early pioneers of modern architecture and design. His multifaceted œuvre is an important link between the movement towards artistic reform in Britain and continental Modernism. Mackintosh’s avant-garde designs for the Glasgow school of art, the legendary Willow tea rooms or the Hill house in Helensburgh are a blend of functional simplicity and poetic decorative details. The result is a cool elegance which combines "mysticism and aestheticism with a strong touch of lilac ... and a gentle sensuality". In addition to his architectural works, this book focuses on Mackintosh’s famous interiors and also on his often neglected textile designs and watercolours.
Charles Rennie Mackintosh, 1868-1928
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$27.95
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The Scottish architect, designer and painter Charles Rennie Mackintosh (1868–1928) was one of the early pioneers of modern architecture and design. His multifaceted œuvre is an important link between the movement towards artistic reform in Britain and continental Modernism. Mackintosh’s avant-garde designs for the Glasgow school of art, the legendary Willow tea rooms or the Hill house in Helensburgh are a blend of functional simplicity and poetic decorative details. The result is a cool elegance which combines "mysticism and aestheticism with a strong touch of lilac ... and a gentle sensuality". In addition to his architectural works, this book focuses on Mackintosh’s famous interiors and also on his often neglected textile designs and watercolours.
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livres
livres
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avril 2004, Köln
avril 2004, Köln
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Architecture, monographies
Architecture, monographies
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livres
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2 volumes : illustrations (chiefly color) ; 34 cm.
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2 volumes : illustrations (chiefly color) ; 34 cm.
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Florence : Villa I Tatti, the Harvard University Center for Italian Renaissance Studies ; Leiden : Primavera Press, 2009.
Florence : Villa I Tatti, the Harvard University Center for Italian Renaissance Studies ; Leiden : Primavera Press, 2009.
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Sassetta : the Borgo San Sepolcro altarpiece / edited by Machtelt Israëls.
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2 volumes : illustrations (chiefly color) ; 34 cm.
Sassetta : the Borgo San Sepolcro altarpiece / edited by Machtelt Israëls.
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2 volumes : illustrations (chiefly color) ; 34 cm.
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Florence : Villa I Tatti, the Harvard University Center for Italian Renaissance Studies ; Leiden : Primavera Press, 2009.
Florence : Villa I Tatti, the Harvard University Center for Italian Renaissance Studies ; Leiden : Primavera Press, 2009.
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Writing Modernity : Constructing a History of Chinese Architecture, 1920-1949 / by Yan Wencheng.
Writing Modernity : Constructing a History of Chinese Architecture, 1920-1949 / by Yan Wencheng.
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1 online resource (352 pages)
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1 online resource (352 pages)
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[Santa Barbara, Calif.] : University of California, Santa Barbara, 2016.
[Santa Barbara, Calif.] : University of California, Santa Barbara, 2016.
Titre:
Writing Modernity : Constructing a History of Chinese Architecture, 1920-1949 / by Yan Wencheng.
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1 online resource (352 pages)
Writing Modernity : Constructing a History of Chinese Architecture, 1920-1949 / by Yan Wencheng.
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1 online resource (352 pages)
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livres
livres
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[Santa Barbara, Calif.] : University of California, Santa Barbara, 2016.
[Santa Barbara, Calif.] : University of California, Santa Barbara, 2016.
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livres
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$119.95
(disponible en magasin)
Résumé:
Christopher Tadgell covers the major architectural traditions of the Middle Ages, from the Romanesque architecture of the 9th and 10th centuries, built on the legacy of ancient Rome and including elements from Carolingian, Ottonian, Byzantine and northern European traditions, through to the evolution of the Gothic which heralded new, structurally daring architecture. The(...)
$119.95
(disponible en magasin)
Résumé:
Christopher Tadgell covers the major architectural traditions of the Middle Ages, from the Romanesque architecture of the 9th and 10th centuries, built on the legacy of ancient Rome and including elements from Carolingian, Ottonian, Byzantine and northern European traditions, through to the evolution of the Gothic which heralded new, structurally daring architecture. The(...)
Titre:
The West: from the advent of Christendom to the eve of Reformation
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$119.95
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Christopher Tadgell covers the major architectural traditions of the Middle Ages, from the Romanesque architecture of the 9th and 10th centuries, built on the legacy of ancient Rome and including elements from Carolingian, Ottonian, Byzantine and northern European traditions, through to the evolution of the Gothic which heralded new, structurally daring architecture. The book ends with the Italian rediscovery of Classical ideas and ideals and the emergence of the great Renaissance theorists and architects, including Brunelleschi, Alberti, and Bramante. As well as the palazzos, villas and churches of Renaissance Italy, this period saw the building of great chateaux in France, palaces in Germany and the golden-domed cathedrals of Russia.
The West: from the advent of Christendom to the eve of Reformation
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$119.95
(disponible en magasin)
Résumé:
Christopher Tadgell covers the major architectural traditions of the Middle Ages, from the Romanesque architecture of the 9th and 10th centuries, built on the legacy of ancient Rome and including elements from Carolingian, Ottonian, Byzantine and northern European traditions, through to the evolution of the Gothic which heralded new, structurally daring architecture. The book ends with the Italian rediscovery of Classical ideas and ideals and the emergence of the great Renaissance theorists and architects, including Brunelleschi, Alberti, and Bramante. As well as the palazzos, villas and churches of Renaissance Italy, this period saw the building of great chateaux in France, palaces in Germany and the golden-domed cathedrals of Russia.
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livres
livres
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avril 2009
avril 2009
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xv, 732 pages : illustrations (some color) ; 32 cm
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xv, 732 pages : illustrations (some color) ; 32 cm
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New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
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The great utopia : the Russian and Soviet avant-garde, 1915-1932 / Solomon R. Guggenheim Museum [and others].
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xv, 732 pages : illustrations (some color) ; 32 cm
The great utopia : the Russian and Soviet avant-garde, 1915-1932 / Solomon R. Guggenheim Museum [and others].
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xv, 732 pages : illustrations (some color) ; 32 cm
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livres
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New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
New York : Guggenheim Museum : Distributed by Rizzoli International Publications, ©1992.
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xiii, 151 pages : illustrations ; 26 x 28 cm
Description:
xiii, 151 pages : illustrations ; 26 x 28 cm
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Baton Rouge : Louisiana State University Press, ©2011.
Baton Rouge : Louisiana State University Press, ©2011.
Titre:
Robert W. Tebbs, photographer to architects : Louisiana plantations in 1926 / Richard Anthony Lewis ; foreword by Robert J. Cangelosi, Jr.
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xiii, 151 pages : illustrations ; 26 x 28 cm
Robert W. Tebbs, photographer to architects : Louisiana plantations in 1926 / Richard Anthony Lewis ; foreword by Robert J. Cangelosi, Jr.
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xiii, 151 pages : illustrations ; 26 x 28 cm
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livres
livres
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Baton Rouge : Louisiana State University Press, ©2011.
Baton Rouge : Louisiana State University Press, ©2011.
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livres
livres
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$89.95
(disponible en magasin)
Résumé:
Minerva Parker Nichols (1862–1949) was the first American woman to practice architecture independently. Her specialty was residential spaces—though her commissions also included an iron foundry and a macaroni factory—and she was a significant figure in the design of the emerging railroad towns just outside of Philadelphia, where she was in active practice from 1883 until(...)
$89.95
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Minerva Parker Nichols (1862–1949) was the first American woman to practice architecture independently. Her specialty was residential spaces—though her commissions also included an iron foundry and a macaroni factory—and she was a significant figure in the design of the emerging railroad towns just outside of Philadelphia, where she was in active practice from 1883 until(...)
Titre:
Minerva Parker Nichols: The search for a forgotten architect
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$89.95
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Minerva Parker Nichols (1862–1949) was the first American woman to practice architecture independently. Her specialty was residential spaces—though her commissions also included an iron foundry and a macaroni factory—and she was a significant figure in the design of the emerging railroad towns just outside of Philadelphia, where she was in active practice from 1883 until 1896. She was also a writer, teacher, and active participant in several reform movements of the era. Creating an archive in the absence of one, this book recovers Nichols’s forgotten story to document a career that spanned seven decades, engaging with contemporary questions about absences in the historical record, the challenges of architectural history and preservation, and the need for new tools and frameworks to address these gaps.
Minerva Parker Nichols: The search for a forgotten architect
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$89.95
(disponible en magasin)
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Minerva Parker Nichols (1862–1949) was the first American woman to practice architecture independently. Her specialty was residential spaces—though her commissions also included an iron foundry and a macaroni factory—and she was a significant figure in the design of the emerging railroad towns just outside of Philadelphia, where she was in active practice from 1883 until 1896. She was also a writer, teacher, and active participant in several reform movements of the era. Creating an archive in the absence of one, this book recovers Nichols’s forgotten story to document a career that spanned seven decades, engaging with contemporary questions about absences in the historical record, the challenges of architectural history and preservation, and the need for new tools and frameworks to address these gaps.
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livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$131.95
(disponible en magasin)
Résumé:
''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising(...)
$131.95
(disponible en magasin)
Résumé:
''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising(...)
Titre:
Nature's truth: photography, painting, and science in Victorian Britain
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$131.95
(disponible en magasin)
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception. Drawing on sources ranging from artists' letters to scientific treatises, ''Nature's Truth'' illuminates the dynamic relationship between art and science throughout the nineteenth century. Helmreich's study shows that this relatively short-lived movement had a profound effect on modern British art and changed conceptions of truth and the role of art in modern society.
Nature's truth: photography, painting, and science in Victorian Britain
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$131.95
(disponible en magasin)
Résumé:
''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception. Drawing on sources ranging from artists' letters to scientific treatises, ''Nature's Truth'' illuminates the dynamic relationship between art and science throughout the nineteenth century. Helmreich's study shows that this relatively short-lived movement had a profound effect on modern British art and changed conceptions of truth and the role of art in modern society.
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livres
livres
Publication:
août 2016
août 2016
