Rémy Marlot
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Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the(...)
Rémy Marlot
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Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the United States and Japan.
Monographies photo
livres
The object
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Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such(...)
The object
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Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus.
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mars 2014
Théorie de l’art
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264 pages : illustrations, portraits ; 25 cm
London ; New York : Thames & Hudson, ©2013.
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss / edited by Richard Shone and John-Paul Stonard.
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264 pages : illustrations, portraits ; 25 cm
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London ; New York : Thames & Hudson, ©2013.
The critic as artist
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In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and(...)
The critic as artist
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In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and a quizzical Gilbert. With his playwright’s ear for dialogue, Wilde champions idleness and contemplation as prerequisites to artistic cultivation. Beyond the well-known dictum of art for art’s sake, Wilde’s originality lays an argument for the equality of criticism and art. For him, criticism is not subject to the work of art, but can in fact precede it: the artist cannot create without engaging his or her critical faculties first. And, as Wilde writes, “To the critic the work of art is simply a suggestion for a new work of his own.” The field of art and criticism should be open to the free play of the mind, but Wilde plays seriously, even prophetically.
Théorie de l’art
Carlos Bunga: Serralves
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Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the(...)
septembre 2014
Carlos Bunga: Serralves
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Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the surrounding architecture. This publication documents the special commission made for the Sonae/Serralves Project in 2012 for which the artist created a very large structure for the entrance hall of the Serralves Museum emphasizing the space’s verticality and functionality, in dialogue with Álvaro Siza’s architecture. Illustrated with Bunga’s projects in other artistic contexts, the book features texts by João Fernandes and Ricardo Nicolau (exhibition curators), Adam Budak (curator at the Hirshhorn Museum and Sculpture Garden, Washington D.C.), Marta Jecu (writer and researcher at CICANT Institute, Universidade Lusófona, Lisbon) and an interview conducted by María Inez Rodríguez (former chief curator at Museo Universitario de Arte Contemporáneo in Mexico City) offering comprehensive insights into Carlos Bunga’s work.
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What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst(...)
Uneasy listening: notes on hearing and being heard
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What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst and a violin maker, Uneasy Listening is a dialogue between two very different kinds of professional listener: the former working with speech, the latter with musical instruments. Beginning as total strangers, Anouchka Grose and Robert Brewer Young embark on an engaging, entertaining, and winding meditation on communication that weaves together wide-ranging references from across psychoanalytic theory, philosophy, contemporary politics and culture. As they discuss the differences, similarities, and resonances between their practices, they run up against some of the illuminating difficulties of dialogue itself. The result is a kind of awkward duet in which two thinkers and practitioners accommodate, interrupt, and perplex each other in an attempt to say something about what listening means.
Théorie/ philosophie
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Dans ce journal d'un jardin au fil des saisons, la poétesse Anne Rothschild nous dit son enchantement pour la beauté buissonnière, la vie surgissante des fleurs, la douceur des pluies estivales, la bienveillance des arbres, les maraudes de ses chats ou le dialogue des oiseaux.... On y respire la vie, on y savoure les poètes et les textes sacrés qui égrènent leurs vers et(...)
Conversations avec mes arbres : Journal d'un jardin à travers les saisons
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Dans ce journal d'un jardin au fil des saisons, la poétesse Anne Rothschild nous dit son enchantement pour la beauté buissonnière, la vie surgissante des fleurs, la douceur des pluies estivales, la bienveillance des arbres, les maraudes de ses chats ou le dialogue des oiseaux.... On y respire la vie, on y savoure les poètes et les textes sacrés qui égrènent leurs vers et leurs mots secrets au tournant des pages..
Littérature et poésie
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L'art des structures
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Le thème de la structure constitue depuis toujours un aspect fondamental de la construction, intéressant aussi bien les ingénieurs que les architectes. Cet ouvrage consacré aux structures en architecture s'est donné pour objectif de contribuer à faciliter le dialogue entre ces deux domaines professionnels. «L'art des structures» offre un panorama complet sur les(...)
L'art des structures
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Le thème de la structure constitue depuis toujours un aspect fondamental de la construction, intéressant aussi bien les ingénieurs que les architectes. Cet ouvrage consacré aux structures en architecture s'est donné pour objectif de contribuer à faciliter le dialogue entre ces deux domaines professionnels. «L'art des structures» offre un panorama complet sur les structures portantes et leur fonctionnement, en décrivant la manière dont les charges sont reprises et transmises jusqu'au sol.
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juin 2004, Lausanne
Structures d’ingénierie
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Twenty years of progressive residential architecture in Japan is surveyed in this substantial exhibition catalogue which was produced in conjunction with Gallery MA's anniversary celebrations. Containing 127 works by 91 architects from the cream of the Japanese architectural world, as well as archival statements and essays, this publication offers not only an opportunity(...)
mai 2006, Tokyo
Contemporary Japanese houses 1985-2005
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Twenty years of progressive residential architecture in Japan is surveyed in this substantial exhibition catalogue which was produced in conjunction with Gallery MA's anniversary celebrations. Containing 127 works by 91 architects from the cream of the Japanese architectural world, as well as archival statements and essays, this publication offers not only an opportunity for reflection but also a timely contribution to an ongoing dialogue about new types of architecture.
.Bak gordon
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The architecture of Ricardo Gordon Bak embraces a particular sensibility, balancing fragility with robustness. Sited in the challenging Portuguese landscape, the architect’s buildings provide comfortable interiors that engage in direct dialogue with their expansive surrounds. Starting with the House in Pousos, Leiria and Two Houses in Casa Queimada, Tavira, this survey(...)
.Bak gordon
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The architecture of Ricardo Gordon Bak embraces a particular sensibility, balancing fragility with robustness. Sited in the challenging Portuguese landscape, the architect’s buildings provide comfortable interiors that engage in direct dialogue with their expansive surrounds. Starting with the House in Pousos, Leiria and Two Houses in Casa Queimada, Tavira, this survey examines an additional 16 works and projects, finishing with the design for the Portuguese Pavilion for ExpoZaragoza, 2008.
Architecture, monographies