1222 Résultats
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and(...)
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and(...)
Sujet:
Design, époques et styles
Design, époques et styles
Publication:
décembre 2009
décembre 2009
Titre:
The ballets russes and the art of design
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century. The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations—many from private collections and never-before-published—discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.
The ballets russes and the art of design
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century. The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations—many from private collections and never-before-published—discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.
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livres
livres
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décembre 2009
décembre 2009
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Design, époques et styles
Design, époques et styles
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livres
livres
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the(...)
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the(...)
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Cities, museums and soft power
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the vantage point of museums and demonstrates how they are quietly changing the world. With contributions by thirteen experts from ten countries, Cities, Museums and Soft Power reveals the world’s 80,000 museums to be sleeping giants. Two major characteristics of soft power—the rise of cities and the role of civil society—are pushing museums from the margins toward the center as these institutions serve as education hubs, employers, magnets for creative industries, and engines of economic development. Meanwhile, the growth of technological networks and connectivity has enabled this soft power to spread even farther and deeper across the Internet and groups of people. Whether cozy and local or internationally renowned, museums possess a cultural strength that extends far beyond their walls.
Cities, museums and soft power
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the vantage point of museums and demonstrates how they are quietly changing the world. With contributions by thirteen experts from ten countries, Cities, Museums and Soft Power reveals the world’s 80,000 museums to be sleeping giants. Two major characteristics of soft power—the rise of cities and the role of civil society—are pushing museums from the margins toward the center as these institutions serve as education hubs, employers, magnets for creative industries, and engines of economic development. Meanwhile, the growth of technological networks and connectivity has enabled this soft power to spread even farther and deeper across the Internet and groups of people. Whether cozy and local or internationally renowned, museums possess a cultural strength that extends far beyond their walls.
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livres
livres
Publication:
août 2015
août 2015
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Muséologie
Muséologie
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Description:
414 pages : color illustrations ; 28 cm
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414 pages : color illustrations ; 28 cm
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Portland, Oregon : Timber Press, Inc., 2018., ©2018
Portland, Oregon : Timber Press, Inc., 2018., ©2018
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Gardenlust : a botanical tour of the world's best new gardens / Christopher Woods.
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414 pages : color illustrations ; 28 cm
Gardenlust : a botanical tour of the world's best new gardens / Christopher Woods.
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414 pages : color illustrations ; 28 cm
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Portland, Oregon : Timber Press, Inc., 2018., ©2018
Portland, Oregon : Timber Press, Inc., 2018., ©2018
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147 pages : chiefly illustrations (some color) ; 29 x 29 cm
Description:
147 pages : chiefly illustrations (some color) ; 29 x 29 cm
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Bangkok, Thailand : River Books Press, 2015., ©2015
Bangkok, Thailand : River Books Press, 2015., ©2015
Titre:
Siam through the lens of John Thomson, 1865-66 : including Angkor and coastal China / Paisarn Piemmettawat ; translated by Narisa Chakrabongse.
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147 pages : chiefly illustrations (some color) ; 29 x 29 cm
Siam through the lens of John Thomson, 1865-66 : including Angkor and coastal China / Paisarn Piemmettawat ; translated by Narisa Chakrabongse.
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147 pages : chiefly illustrations (some color) ; 29 x 29 cm
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Bangkok, Thailand : River Books Press, 2015., ©2015
Bangkok, Thailand : River Books Press, 2015., ©2015
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Les bibliothèques face au monde des données / Véronique Mesguich ; préface d'Emmanuelle Bermès.
Les bibliothèques face au monde des données / Véronique Mesguich ; préface d'Emmanuelle Bermès.
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185 pages : illustrations (some color), charts ; 24 cm.
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185 pages : illustrations (some color), charts ; 24 cm.
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Villeurbanne : Presses de l'Enssib, [2023], ©2023
Villeurbanne : Presses de l'Enssib, [2023], ©2023
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Les bibliothèques face au monde des données / Véronique Mesguich ; préface d'Emmanuelle Bermès.
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185 pages : illustrations (some color), charts ; 24 cm.
Les bibliothèques face au monde des données / Véronique Mesguich ; préface d'Emmanuelle Bermès.
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185 pages : illustrations (some color), charts ; 24 cm.
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Villeurbanne : Presses de l'Enssib, [2023], ©2023
Villeurbanne : Presses de l'Enssib, [2023], ©2023
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périodiques
périodiques
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Résumé:
Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and(...)
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Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and(...)
Titre:
Detail 1/2 2025 : Digital and sustainable
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Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and constructing spaces – far more than mere devices for experiencing them. Lengthy construction workflows, optimised designs, and the complex coordination of planning, cost control, and project management are increasingly digitalised. We can now program buildings to meet parametric specifications, construct homes using 3D printing, and create detailed 3D models of existing buildings to analyse them before renovation even begins. While landscape has transformed dramatically, digitalisation in architecture is clearly still in its early stages. To begin the year, this issue shines a spotlight on the digital present and future of architecture, exploring how digital tools can enhance sustainability. Our project documentations showcase an array of approaches, from digital material passports to parametric models and BIM applications for existing structures. Experts offer insight on the complexities of planning and construction processes.
Detail 1/2 2025 : Digital and sustainable
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Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and constructing spaces – far more than mere devices for experiencing them. Lengthy construction workflows, optimised designs, and the complex coordination of planning, cost control, and project management are increasingly digitalised. We can now program buildings to meet parametric specifications, construct homes using 3D printing, and create detailed 3D models of existing buildings to analyse them before renovation even begins. While landscape has transformed dramatically, digitalisation in architecture is clearly still in its early stages. To begin the year, this issue shines a spotlight on the digital present and future of architecture, exploring how digital tools can enhance sustainability. Our project documentations showcase an array of approaches, from digital material passports to parametric models and BIM applications for existing structures. Experts offer insight on the complexities of planning and construction processes.
Classification:
périodiques
périodiques
Publication:
janvier 2025
janvier 2025
Sujet:
Revues
Revues
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livres
livres
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$30.00
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They(...)
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They(...)
Publication:
mai 2004, Los Angeles
mai 2004, Los Angeles
Titre:
Photographers of genius at the Getty
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They advanced the art of photography and in the process brought about changes in the history of art. These artists include well-known photographers such as Gustave Le Gray, Julia Margaret Cameron, Eugène Atget, Alfred Stieglitz, August Sander, André Kertész, Man Ray, Edward Weston, Brassaï, Henri Cartier-Bresson, Manuel Alvarez Bravo, Walker Evans, Dorothea Lange, Weegee, and Diane Arbus. Others will be new even to experts. For example, early innovators Girault de Prangey, Anna Atkins, Camille Silvy, Henry Bosse, and the Langenheim brothers have been rediscovered in recent years, bringing to light the importance of their particular contributions to the history of art and photography. Each artist is represented in the book by three related images and interpretive remarks by Naef. Illustrations include selections from Atget's signature views of Paris, Stieglitz's portrait of Georgia O'Keeffe, Weston's distinctive nudes, and Arbus's images of women.
Photographers of genius at the Getty
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They advanced the art of photography and in the process brought about changes in the history of art. These artists include well-known photographers such as Gustave Le Gray, Julia Margaret Cameron, Eugène Atget, Alfred Stieglitz, August Sander, André Kertész, Man Ray, Edward Weston, Brassaï, Henri Cartier-Bresson, Manuel Alvarez Bravo, Walker Evans, Dorothea Lange, Weegee, and Diane Arbus. Others will be new even to experts. For example, early innovators Girault de Prangey, Anna Atkins, Camille Silvy, Henry Bosse, and the Langenheim brothers have been rediscovered in recent years, bringing to light the importance of their particular contributions to the history of art and photography. Each artist is represented in the book by three related images and interpretive remarks by Naef. Illustrations include selections from Atget's signature views of Paris, Stieglitz's portrait of Georgia O'Keeffe, Weston's distinctive nudes, and Arbus's images of women.
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livres
livres
Publication:
mai 2004, Los Angeles
mai 2004, Los Angeles
Classification:
livres
livres
Titre:
Labyrinths & mazes
Labyrinths & mazes
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$70.00
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These aerial shots of ancient and modern labyrinths and mazes offer a perspective on an age-old phenomenon, and an opportunity to better understand its meaning. Allegories for life's uncertainty, labyrinths and mazes are ancient symbols that echo our own spiritual quests, transformations, and yearnings to find the right path. Jurgen Hohmuth used a custom-made camera(...)
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These aerial shots of ancient and modern labyrinths and mazes offer a perspective on an age-old phenomenon, and an opportunity to better understand its meaning. Allegories for life's uncertainty, labyrinths and mazes are ancient symbols that echo our own spiritual quests, transformations, and yearnings to find the right path. Jurgen Hohmuth used a custom-made camera(...)
Titre:
Labyrinths & mazes
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$70.00
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These aerial shots of ancient and modern labyrinths and mazes offer a perspective on an age-old phenomenon, and an opportunity to better understand its meaning. Allegories for life's uncertainty, labyrinths and mazes are ancient symbols that echo our own spiritual quests, transformations, and yearnings to find the right path. Jurgen Hohmuth used a custom-made camera attached to a miniature dirigible to photograph the labyrinths and mazes in this stunning book. The resulting low-altitude aerial photographs capture in astonishing detail the designs, textures, and settings that make each structure unique. Presented in large full-colour images, these gems of architectural landscaping take all forms and sizes, comprising an endless variety of materials: mosaics, cornstalks, sunflowers, stones, even beer crates. Laden with history, some labyrinths and mazes date back to the Bronze Age; grace the floors of medieval cathedrals; and spring up from the lawns of country estates. Modern incarnations are found in amusement parks, farmers' fields, and traffic circles. Lending depth to Hohmuth's photographs are brief essays from experts in the field, including Adrian Fisher, the world's foremost designer of labyrinths and mazes, as well as an innovative layout design that echoes the spirit of the labyrinth.
Labyrinths & mazes
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$70.00
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Résumé:
These aerial shots of ancient and modern labyrinths and mazes offer a perspective on an age-old phenomenon, and an opportunity to better understand its meaning. Allegories for life's uncertainty, labyrinths and mazes are ancient symbols that echo our own spiritual quests, transformations, and yearnings to find the right path. Jurgen Hohmuth used a custom-made camera attached to a miniature dirigible to photograph the labyrinths and mazes in this stunning book. The resulting low-altitude aerial photographs capture in astonishing detail the designs, textures, and settings that make each structure unique. Presented in large full-colour images, these gems of architectural landscaping take all forms and sizes, comprising an endless variety of materials: mosaics, cornstalks, sunflowers, stones, even beer crates. Laden with history, some labyrinths and mazes date back to the Bronze Age; grace the floors of medieval cathedrals; and spring up from the lawns of country estates. Modern incarnations are found in amusement parks, farmers' fields, and traffic circles. Lending depth to Hohmuth's photographs are brief essays from experts in the field, including Adrian Fisher, the world's foremost designer of labyrinths and mazes, as well as an innovative layout design that echoes the spirit of the labyrinth.
Classification:
livres
livres
Publication:
novembre 2003, Munich
novembre 2003, Munich
Sujet:
Jardins
Jardins
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livres
livres
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$19.50
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Résumé:
This book develops an alternative and inclusive approach –based on the hypothesis that the impact of digitalization on architectural culture is similar to the effects of the linguistic turn in philosophy– and steers clear of exclusive dichotomous approaches, without the foundational reconsideration of the discipline or its ontological conservation. The project is open and(...)
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This book develops an alternative and inclusive approach –based on the hypothesis that the impact of digitalization on architectural culture is similar to the effects of the linguistic turn in philosophy– and steers clear of exclusive dichotomous approaches, without the foundational reconsideration of the discipline or its ontological conservation. The project is open and(...)
Titre:
Total designer: authorship in the architecture of the postdigital age
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$19.50
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This book develops an alternative and inclusive approach –based on the hypothesis that the impact of digitalization on architectural culture is similar to the effects of the linguistic turn in philosophy– and steers clear of exclusive dichotomous approaches, without the foundational reconsideration of the discipline or its ontological conservation. The project is open and broad, which was a necessary condition for demonstrating the power of the turn brought about by digitalization. Most studies on the digital phenomenon carried out in the context of the discipline are focused on the more technical aspects, with expert discourses based on the standpoint of the optimization of existing processes. This text was inspired by a concern and a certain discomfort with respect to those positions, which are often underwritten by a positivist vision of reality. This concern gave way to the idea for a study rooted in a cultural approach to the phenomenon. Given the general tendency toward creating experts –a phenomenon that, on the other hand, is not exclusive to the field of architecture– and encapsulating knowledge, this text is meant to be based on a transversal vision, which can help non-specialist readers to understand certain complex phenomena.
Total designer: authorship in the architecture of the postdigital age
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$19.50
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Résumé:
This book develops an alternative and inclusive approach –based on the hypothesis that the impact of digitalization on architectural culture is similar to the effects of the linguistic turn in philosophy– and steers clear of exclusive dichotomous approaches, without the foundational reconsideration of the discipline or its ontological conservation. The project is open and broad, which was a necessary condition for demonstrating the power of the turn brought about by digitalization. Most studies on the digital phenomenon carried out in the context of the discipline are focused on the more technical aspects, with expert discourses based on the standpoint of the optimization of existing processes. This text was inspired by a concern and a certain discomfort with respect to those positions, which are often underwritten by a positivist vision of reality. This concern gave way to the idea for a study rooted in a cultural approach to the phenomenon. Given the general tendency toward creating experts –a phenomenon that, on the other hand, is not exclusive to the field of architecture– and encapsulating knowledge, this text is meant to be based on a transversal vision, which can help non-specialist readers to understand certain complex phenomena.
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livres
livres
Publication:
août 2017
août 2017
Sujet:
Architecture numérique
Architecture numérique
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livres
livres
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$32.95
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin,(...)
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin,(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
mars 2007, Montréal, Kingston, London, Ithaca
mars 2007, Montréal, Kingston, London, Ithaca
Titre:
Urban enigmas : Montréal, Toronto, and the problem of comparing cities
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin, and Berlin", address theoretical and methodological aspects of comparison, while case-studies examine the mutually constituted identities of Montreal and Toronto through examples of travel writing, public art, film festivals, theatrical performances, diasporic communities, ethnic festivals, and urban media. Comparison is shown to be not only something performed by experts but a deeply embedded, everyday social practice that contributes to the mutable identities of cities. "Urban enigmas" demonstrates that the accumulation of urban actions, encounters, experiences, and relationships create distinctive patterns that make it possible to recognize the particularity of cities. Contributors include Alan Blum (York), Kieran Bonner (St. Jerome's), Jenny Burman (McGill), Jean-François Côté (Université du Québec à Montréal), Michael Darroch (York), Nicholas DeMaria Harney (Western Australia), Kevin Dowler (York & Toronto), Dipti Gupta (Dawson College), Janine Marchessault (York), Jean-François Morissette (Université du Québec à Montréal), and Greg Nielsen (Concordia).
Urban enigmas : Montréal, Toronto, and the problem of comparing cities
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin, and Berlin", address theoretical and methodological aspects of comparison, while case-studies examine the mutually constituted identities of Montreal and Toronto through examples of travel writing, public art, film festivals, theatrical performances, diasporic communities, ethnic festivals, and urban media. Comparison is shown to be not only something performed by experts but a deeply embedded, everyday social practice that contributes to the mutable identities of cities. "Urban enigmas" demonstrates that the accumulation of urban actions, encounters, experiences, and relationships create distinctive patterns that make it possible to recognize the particularity of cities. Contributors include Alan Blum (York), Kieran Bonner (St. Jerome's), Jenny Burman (McGill), Jean-François Côté (Université du Québec à Montréal), Michael Darroch (York), Nicholas DeMaria Harney (Western Australia), Kevin Dowler (York & Toronto), Dipti Gupta (Dawson College), Janine Marchessault (York), Jean-François Morissette (Université du Québec à Montréal), and Greg Nielsen (Concordia).
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livres
livres
Publication:
mars 2007, Montréal, Kingston, London, Ithaca
mars 2007, Montréal, Kingston, London, Ithaca
Sujet:
Architecture du Canada
Architecture du Canada
