1196 Résultats
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$65.00
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Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing.(...)
$65.00
(disponible en magasin)
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Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing.(...)
Publication:
juin 2017
juin 2017
Titre:
Modeling history. The case for the tectonic. Stagecraft: models and photos
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$65.00
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Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing. Produced on the occasion of the exhibition 'Stagecraft: Models and Photos' at Columbia University's Arthur RossArchitecture Gallery, Modeling History moves between modes of representation, past and present, to explore Frampton's theory and pedagogy concerning tectonics. The sixteen photographs enclosed in this book by photographer James Ewing reveal the possibilities of Frampton's radical approach today. Each image not only reengages with a model built during Frampton's seminar, but, by playing with the potentials of photography, also aspires to project similar material, tectonic, and poetic realities. Printed in a limited edition of 250 copies.
Modeling history. The case for the tectonic. Stagecraft: models and photos
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$65.00
(disponible en magasin)
Résumé:
Modeling History revisits the material legacy of Kenneth Frampton's course Studies in Tectonic Culture, a collection of models familiar to anyone who has passed through Avery Hall. It looks back in order to project forward, and asks how the construction of architectural history through the making of models might generate new histories, practices, and ways of seeing. Produced on the occasion of the exhibition 'Stagecraft: Models and Photos' at Columbia University's Arthur RossArchitecture Gallery, Modeling History moves between modes of representation, past and present, to explore Frampton's theory and pedagogy concerning tectonics. The sixteen photographs enclosed in this book by photographer James Ewing reveal the possibilities of Frampton's radical approach today. Each image not only reengages with a model built during Frampton's seminar, but, by playing with the potentials of photography, also aspires to project similar material, tectonic, and poetic realities. Printed in a limited edition of 250 copies.
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livres
livres
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juin 2017
juin 2017
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livres
livres
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$58.00
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A great deal of Aalto-related research has been conducted over the years in different parts of the world. Some of these contributions have appeared in compendiums, seminar and congress publications and similar works. Many studies, however, have remained unpublished or known inly to a small circle of experts. 'Aalto Studies' is the Alvar Aalto Museum's new scholarly(...)
$58.00
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A great deal of Aalto-related research has been conducted over the years in different parts of the world. Some of these contributions have appeared in compendiums, seminar and congress publications and similar works. Many studies, however, have remained unpublished or known inly to a small circle of experts. 'Aalto Studies' is the Alvar Aalto Museum's new scholarly(...)
Titre:
Aino and Alvar Aalto - a shared journey, interpretations of an everyday modernism
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A great deal of Aalto-related research has been conducted over the years in different parts of the world. Some of these contributions have appeared in compendiums, seminar and congress publications and similar works. Many studies, however, have remained unpublished or known inly to a small circle of experts. 'Aalto Studies' is the Alvar Aalto Museum's new scholarly series. It seeks to compile existing research while also providing a channel of publication for new international Aalto research that is continuously growing in extent. This is the first number of 'Aalto studies' a collection of seven studies by Renja Suominen-Kokkonen PhD. Over the cours of several years, the author's research has particularly focused on the role of Aino Aalto alongside her maestro husband, thus expanding our understanding of Aalto and his works. Adjunct Professor Renja Suominen-Kokkonen PhD is at present acting professor of art history at the University of Helsinki.
Aino and Alvar Aalto - a shared journey, interpretations of an everyday modernism
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$58.00
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A great deal of Aalto-related research has been conducted over the years in different parts of the world. Some of these contributions have appeared in compendiums, seminar and congress publications and similar works. Many studies, however, have remained unpublished or known inly to a small circle of experts. 'Aalto Studies' is the Alvar Aalto Museum's new scholarly series. It seeks to compile existing research while also providing a channel of publication for new international Aalto research that is continuously growing in extent. This is the first number of 'Aalto studies' a collection of seven studies by Renja Suominen-Kokkonen PhD. Over the cours of several years, the author's research has particularly focused on the role of Aino Aalto alongside her maestro husband, thus expanding our understanding of Aalto and his works. Adjunct Professor Renja Suominen-Kokkonen PhD is at present acting professor of art history at the University of Helsinki.
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livres
livres
Publication:
juin 2008, Helsinki
juin 2008, Helsinki
Sujet:
Architecture, monographies
Architecture, monographies
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16 unnumbered pages : illustrations, music, portraits ; 23 cm
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16 unnumbered pages : illustrations, music, portraits ; 23 cm
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Montréal : [publisher not identified], 1951 (Montréal : Albert Valois)
Montréal : [publisher not identified], 1951 (Montréal : Albert Valois)
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Collège Saint-Viateur : sous la direction des Clercs de Saint Viateur.
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16 unnumbered pages : illustrations, music, portraits ; 23 cm
Collège Saint-Viateur : sous la direction des Clercs de Saint Viateur.
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16 unnumbered pages : illustrations, music, portraits ; 23 cm
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livres
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Montréal : [publisher not identified], 1951 (Montréal : Albert Valois)
Montréal : [publisher not identified], 1951 (Montréal : Albert Valois)
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48, [23] leaves : illustrations (some color), plans ; 28 x 43 cm
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48, [23] leaves : illustrations (some color), plans ; 28 x 43 cm
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[Montréal] : [Jodoin Lamarre Pratte et associés, architectes], [1994]
[Montréal] : [Jodoin Lamarre Pratte et associés, architectes], [1994]
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Proposition de développement : Grand Séminaire et Collège de Montréal, le Domaine du Fort de la Montagne, rue Sherbrooke ouest, Montréal.
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48, [23] leaves : illustrations (some color), plans ; 28 x 43 cm
Proposition de développement : Grand Séminaire et Collège de Montréal, le Domaine du Fort de la Montagne, rue Sherbrooke ouest, Montréal.
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48, [23] leaves : illustrations (some color), plans ; 28 x 43 cm
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[Montréal] : [Jodoin Lamarre Pratte et associés, architectes], [1994]
[Montréal] : [Jodoin Lamarre Pratte et associés, architectes], [1994]
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xvi, 311 pages ; 22 cm
Description:
xvi, 311 pages ; 22 cm
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Abingdon, Oxon ; New York, NY : Routledge, 2015., ©2015
Abingdon, Oxon ; New York, NY : Routledge, 2015., ©2015
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Architecture's appeal : how theory informs architectural praxis / edited by Marc J. Neveu and Negin Djavaherian.
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xvi, 311 pages ; 22 cm
Architecture's appeal : how theory informs architectural praxis / edited by Marc J. Neveu and Negin Djavaherian.
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xvi, 311 pages ; 22 cm
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livres
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Abingdon, Oxon ; New York, NY : Routledge, 2015., ©2015
Abingdon, Oxon ; New York, NY : Routledge, 2015., ©2015
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livres
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Le Grand Séminaire de Montréal, de 1840 à 1990 : 150 années au service de la formation des prêtres.
Le Grand Séminaire de Montréal, de 1840 à 1990 : 150 années au service de la formation des prêtres.
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462 pages : illustrations (some color), coat of arms, plans, portraits ; 23 x 25 cm
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462 pages : illustrations (some color), coat of arms, plans, portraits ; 23 x 25 cm
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Montréal : Éditions du Grand Séminaire de Montréal, ©1990.
Montréal : Éditions du Grand Séminaire de Montréal, ©1990.
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Le Grand Séminaire de Montréal, de 1840 à 1990 : 150 années au service de la formation des prêtres.
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462 pages : illustrations (some color), coat of arms, plans, portraits ; 23 x 25 cm
Le Grand Séminaire de Montréal, de 1840 à 1990 : 150 années au service de la formation des prêtres.
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462 pages : illustrations (some color), coat of arms, plans, portraits ; 23 x 25 cm
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livres
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Montréal : Éditions du Grand Séminaire de Montréal, ©1990.
Montréal : Éditions du Grand Séminaire de Montréal, ©1990.
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archives
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
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Abalos & Herreros fonds, 1920-2009.
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
Abalos & Herreros fonds, 1920-2009.
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approximately 45,313 items, 17.2 linear meters of textual records, 0.05 linear meter of graphic materials., Arranged by series. 1- Architectural projects, service...
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$48.99
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first(...)
$48.99
(disponible en magasin)
Résumé:
From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first(...)
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On painting: Courses March - June 1981
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$48.99
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon. Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?
On painting: Courses March - June 1981
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$48.99
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From 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze’s thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon. Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?
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livres
livres
Publication:
août 2025
août 2025
Sujet:
Théorie de l’art
Théorie de l’art
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xiii, 289 pages ; 24 cm.
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xiii, 289 pages ; 24 cm.
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Leiden : Brill, [2015], ©2015
Leiden : Brill, [2015], ©2015
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After orientalism : critical perspectives on western agency and eastern re-appropriations / edited by François Pouillon, Jean-Claude Vatin.
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xiii, 289 pages ; 24 cm.
After orientalism : critical perspectives on western agency and eastern re-appropriations / edited by François Pouillon, Jean-Claude Vatin.
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xiii, 289 pages ; 24 cm.
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livres
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Leiden : Brill, [2015], ©2015
Leiden : Brill, [2015], ©2015
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$61.95
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Résumé:
Acoustics and protection against noise do not perhaps number among the primary parameters that normally influence the design of a building. Nevertheless, at the very latest when the lecturer in the seminar room cannot be heard, when the noise level in an open-plan office reaches unbearable levels, or when a neighbor’s noise deprives you of sleep, it becomes clear just how(...)
$61.95
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Acoustics and protection against noise do not perhaps number among the primary parameters that normally influence the design of a building. Nevertheless, at the very latest when the lecturer in the seminar room cannot be heard, when the noise level in an open-plan office reaches unbearable levels, or when a neighbor’s noise deprives you of sleep, it becomes clear just how(...)
Titre:
Detail Practice: acoustics and sound insulation, principles, planning, examples
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$61.95
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Acoustics and protection against noise do not perhaps number among the primary parameters that normally influence the design of a building. Nevertheless, at the very latest when the lecturer in the seminar room cannot be heard, when the noise level in an open-plan office reaches unbearable levels, or when a neighbor’s noise deprives you of sleep, it becomes clear just how essential acoustic can be to everyday well-being. it is not just concert halls or the amphitheaters of antiquity that call for acoustic quality; rather, every building, indeed every room, has an acoustic dimension that changes according to the nature of its particular requirements. This practice-oriented volume provides expert planners and architects but also interested developers with practical knowledge on the subject of acoustics in high-rise architecture, beginning with standards on methods of planning and prognosis and moving on to the areas of acoustics of rooms and architecture and noise protection in urban planning. Typologically organized chapters comment on proper approaches to the subject with examples of different types of building such as residential and office buildings, schools, kindergartens, lecture halls, event spaces, and so on, because appropriate acoustic conditions make an essential contribution to the success of a project.
Detail Practice: acoustics and sound insulation, principles, planning, examples
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$61.95
(disponible sur commande)
Résumé:
Acoustics and protection against noise do not perhaps number among the primary parameters that normally influence the design of a building. Nevertheless, at the very latest when the lecturer in the seminar room cannot be heard, when the noise level in an open-plan office reaches unbearable levels, or when a neighbor’s noise deprives you of sleep, it becomes clear just how essential acoustic can be to everyday well-being. it is not just concert halls or the amphitheaters of antiquity that call for acoustic quality; rather, every building, indeed every room, has an acoustic dimension that changes according to the nature of its particular requirements. This practice-oriented volume provides expert planners and architects but also interested developers with practical knowledge on the subject of acoustics in high-rise architecture, beginning with standards on methods of planning and prognosis and moving on to the areas of acoustics of rooms and architecture and noise protection in urban planning. Typologically organized chapters comment on proper approaches to the subject with examples of different types of building such as residential and office buildings, schools, kindergartens, lecture halls, event spaces, and so on, because appropriate acoustic conditions make an essential contribution to the success of a project.
Classification:
livres
livres
Publication:
mai 2009
mai 2009
Sujet:
Acoustique
Acoustique
