recherche
Thème : Le phénomène baroque au-delà de Rome : Mark Dorrian, Département d’architecture, Université d’Édimbourg, Édimbourg, Royaume-Uni Sujet : Baroque Deformation Martina Frank, Département d’histoire, Université d’Udine, Udine, Italie Sujet : Luca Danesi et le baroque vénitien Indra McEwen, École nationale de théâtre du Canada, Montréal, Canada Sujet : The State of(...)
janvier 2000 au août 2000
Chercheurs en résidence 1999–2000
Actions:
Description:
Thème : Le phénomène baroque au-delà de Rome : Mark Dorrian, Département d’architecture, Université d’Édimbourg, Édimbourg, Royaume-Uni Sujet : Baroque Deformation Martina Frank, Département d’histoire, Université d’Udine, Udine, Italie Sujet : Luca Danesi et le baroque vénitien Indra McEwen, École nationale de théâtre du Canada, Montréal, Canada Sujet : The State of(...)
recherche
janvier 2000 au
août 2000
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
27 mars 2019, 13h30
La bibliothèque parlante : avec Konstantinos Pantazis
Actions:
Description:
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
Projet
AP075.S1.2007.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of Robson Square in Vancouver. This project series concerns work on Robson Square grounds starting from the mid 2000s to early 2010s to which Oberlander participated as landscape architect or consultaing landscape architect. Oberlander worked with Arthur Erickson on the earliest revitalisation projects, but also with other architectural firms, including Grout McTavish Architects. It includes revitisation works, such as sunken plaza revitalization, the Nelson Street Plaza revitalisation, addition of a 'grass wave' or a mound in 2008 for the North Plaza, renovations for the 2010 Vancouver Olympic and Paralympic Games, and Ice Rink Expansion and Revitalisation of Ice Rink Plaza. The project series contains predominantly textual records, including correspondence with client, architects, consultants and contractors, specifications, including landscape specifications, minutes of projects meetings, inspections reports and press clippings and articles on the revitalisation projects. The project is also documented through landscape drawings, such as planting plans, irrigation and grading plans, landscape sections, and details for planters. It also includes sets of building plans used as reference and digital photographs of planting and landscape maintenance. Project series comprises documents related to the preservation of Robson Square, including documentation, articles and clippings, and correspondence.
1994-2016
Robson Square Renewal, Vancouver, British Columbia (2007)
Actions:
AP075.S1.2007.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work for the renewal of Robson Square in Vancouver. This project series concerns work on Robson Square grounds starting from the mid 2000s to early 2010s to which Oberlander participated as landscape architect or consultaing landscape architect. Oberlander worked with Arthur Erickson on the earliest revitalisation projects, but also with other architectural firms, including Grout McTavish Architects. It includes revitisation works, such as sunken plaza revitalization, the Nelson Street Plaza revitalisation, addition of a 'grass wave' or a mound in 2008 for the North Plaza, renovations for the 2010 Vancouver Olympic and Paralympic Games, and Ice Rink Expansion and Revitalisation of Ice Rink Plaza. The project series contains predominantly textual records, including correspondence with client, architects, consultants and contractors, specifications, including landscape specifications, minutes of projects meetings, inspections reports and press clippings and articles on the revitalisation projects. The project is also documented through landscape drawings, such as planting plans, irrigation and grading plans, landscape sections, and details for planters. It also includes sets of building plans used as reference and digital photographs of planting and landscape maintenance. Project series comprises documents related to the preservation of Robson Square, including documentation, articles and clippings, and correspondence.
Project
1994-2016
Série(s)
Office documentation
AP041.S5
Description:
This series documents Melvin Charney’s professional activities from 1958 to 2021. It includes press and media clippings related to his projects, his work and exhibitions he curated or group exhibitions he was involved in. The series also includes personal and professional correspondence, and paperwork related to applications for funding and membership in various professional associations.
1935-2012
Office documentation
Actions:
AP041.S5
Description:
This series documents Melvin Charney’s professional activities from 1958 to 2021. It includes press and media clippings related to his projects, his work and exhibitions he curated or group exhibitions he was involved in. The series also includes personal and professional correspondence, and paperwork related to applications for funding and membership in various professional associations.
Series
1935-2012
Par des gestes de réciprocité et de transmission de savoirs liés à la terre, le travail de Brooke Rice, Autumn Godwin, Marnie Jacobs et Amanda Lickers résiste à l’effacement en honorant les cycles naturels et en assurant une continuité entre passé, présent et futur.
Maison Shaughnessy Mot(s)-clé(s):
Amanda Lickers, Sans trêve, autochtone, réciprocité, care
13 novembre 2025, 18h à 19h30
Placekeeping avec Brooke Rice, Autumn Godwin, Marnie Jacobs et Amanda Lickers
Actions:
Description:
Par des gestes de réciprocité et de transmission de savoirs liés à la terre, le travail de Brooke Rice, Autumn Godwin, Marnie Jacobs et Amanda Lickers résiste à l’effacement en honorant les cycles naturels et en assurant une continuité entre passé, présent et futur.
Maison Shaughnessy Mot(s)-clé(s):
Amanda Lickers, Sans trêve, autochtone, réciprocité, care
dessins, documents textuels
DR1999:0350
Description:
documents include miscellaneous drawings, curtain wall, calculation sheets, finishes, drywall, ceramic tile, equipment, toilet partitions, drywall, trade catalogue, fireproofing. Also blueprints: furnishings, equipment, elevators, conveying system, granite, site work, structural, plumbing, lavatories, beams, elevators, coffee stations, ductwork, cellar, equipment file.
Miscellaneous drawings, curtain wall, calculation sheets
Actions:
DR1999:0350
Description:
documents include miscellaneous drawings, curtain wall, calculation sheets, finishes, drywall, ceramic tile, equipment, toilet partitions, drywall, trade catalogue, fireproofing. Also blueprints: furnishings, equipment, elevators, conveying system, granite, site work, structural, plumbing, lavatories, beams, elevators, coffee stations, ductwork, cellar, equipment file.
dessins, documents textuels
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
7 décembre 2023, 18h30
Documenter les déplacements III
Actions:
Description:
Documenter les déplacements propose dexplorer la notion de déplacement et ses diverses significations et effets dans des œuvres photographiques et vidéo dartistes qui sintéressent à cette notion à travers le sujet quils ont représenté ou à travers leurs méthodologies et processus eux-mêmes. Les artistes présentés dans cette série vivent et travaillent tous en Amérique du(...)
Théâtre Paul-Desmarais Mot(s)-clé(s):
Victor Arroyo, Documenter les déplacements, Hester Keijser, photography, Cherán, P’urhépecha
dessins, photographies
ARCH270251
Description:
This ring binder contains material related to the design and construction of the Glass Station. It includes panoramic images of the Glass Station canopy under construction. It also contains 2 photographic prints of wireframe images of the canopy, overlayed with translucent sheets that have notations for page layout. There are 7 colour transparencies: an aerial view of the built work, 2 views of the built work from a neighboring building, and 4 views taken near the gas station pumps while the service station was open. Thirteen slides contain views of the built work, computer-generated bird's-eye perspectives of the project and wireframes of the canopy. There are 3 presentation drawings (elevation, plans, details), one with captions in English. There are 19 colour photographic prints dated January 1992 with views a model being tested in a laboratory. There are 2 photocopies of published articles about the project. There are also 6 reduced copies of presentation drawings (details and a site plan).
1992-1994?
Ring binder containing material related to the design and construction of the Glass Station, Oguni, Japan
Actions:
ARCH270251
Description:
This ring binder contains material related to the design and construction of the Glass Station. It includes panoramic images of the Glass Station canopy under construction. It also contains 2 photographic prints of wireframe images of the canopy, overlayed with translucent sheets that have notations for page layout. There are 7 colour transparencies: an aerial view of the built work, 2 views of the built work from a neighboring building, and 4 views taken near the gas station pumps while the service station was open. Thirteen slides contain views of the built work, computer-generated bird's-eye perspectives of the project and wireframes of the canopy. There are 3 presentation drawings (elevation, plans, details), one with captions in English. There are 19 colour photographic prints dated January 1992 with views a model being tested in a laboratory. There are 2 photocopies of published articles about the project. There are also 6 reduced copies of presentation drawings (details and a site plan).
dessins, photographies
1992-1994?
Sous-série
AP207.S3.SS06
Description:
The sub-series documents a publication entitled "Gianni Pettena: Opere 2001/2018" which appears to be an unfinished publication about Gianni Pettena's projects from 2001 to 2018. The work doesn't appear to have been published. The sub-series contains a digital version of the publication, with pictures for each projects and a small description in Italian and English.
2018
Gianni Pettena: Opere 2001/2018 (circa 2001-2018)
Actions:
AP207.S3.SS06
Description:
The sub-series documents a publication entitled "Gianni Pettena: Opere 2001/2018" which appears to be an unfinished publication about Gianni Pettena's projects from 2001 to 2018. The work doesn't appear to have been published. The sub-series contains a digital version of the publication, with pictures for each projects and a small description in Italian and English.
Subseries
2018
Série(s)
Hans and Wassili Luckhardt
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
1919-1920
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
series
1919-1920