1816 Résultats
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119 pages : illustrations (some color) ; 31 cm
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119 pages : illustrations (some color) ; 31 cm
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[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
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Eva Zeisel, designer for industry / catalogue essay by Martin Eidelberg.
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119 pages : illustrations (some color) ; 31 cm
Eva Zeisel, designer for industry / catalogue essay by Martin Eidelberg.
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119 pages : illustrations (some color) ; 31 cm
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livres
livres
Publication:
[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
[Montreal] : Le Château Dufresne, Musée des Arts Décoratifs de Montréal ; [Chicago] : Distributed by the University of Chicago Press, 1984.
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livres
livres
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$97.00
(disponible sur commande)
Résumé:
While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg.(...)
$97.00
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg.(...)
Publication:
décembre 2016
décembre 2016
Titre:
Inventing downtown: artist-run galleries in New York City, 1952-1965
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$97.00
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
Inventing downtown: artist-run galleries in New York City, 1952-1965
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$97.00
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Résumé:
While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
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livres
livres
Publication:
décembre 2016
décembre 2016
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audio
audio
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1 online resource.
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[Place of publication not identified] : FHNW HGK, 2022.
[Place of publication not identified] : FHNW HGK, 2022.
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audio
audio
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[Place of publication not identified] : FHNW HGK, 2022.
[Place of publication not identified] : FHNW HGK, 2022.
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186 pages : illustrations ; 24 cm
Description:
186 pages : illustrations ; 24 cm
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Nancy : Presses universitaires de Nancy, c2015.
Nancy : Presses universitaires de Nancy, c2015.
Titre:
Mutations du projet : milieux et cultures numériques : actes du colloque, CNAM, les 28 et 29 mai 2015 / sous la direction d'Aurélie de Boissieu, Catherine Deshayes et Antonella Tufano.
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186 pages : illustrations ; 24 cm
Mutations du projet : milieux et cultures numériques : actes du colloque, CNAM, les 28 et 29 mai 2015 / sous la direction d'Aurélie de Boissieu, Catherine Deshayes et Antonella Tufano.
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186 pages : illustrations ; 24 cm
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livres
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Nancy : Presses universitaires de Nancy, c2015.
Nancy : Presses universitaires de Nancy, c2015.
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livres
livres
Titre:
Collection architecture
Collection architecture
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$114.95
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Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
$114.95
(disponible sur commande)
Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
Titre:
Collection architecture
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$114.95
(disponible sur commande)
Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
Collection architecture
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Prix:
$114.95
(disponible sur commande)
Résumé:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
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livres
livres
Publication:
juillet 2016
juillet 2016
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livres
livres
Titre:
L'image volée
L'image volée
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$95.00
(disponible en magasin)
Résumé:
''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and(...)
$95.00
(disponible en magasin)
Résumé:
''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and(...)
Titre:
L'image volée
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$95.00
(disponible en magasin)
Résumé:
''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and the culture of the copy, the project focuses on theft, authorship, annexation and the creative potential of such pursuits.
L'image volée
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Prix:
$95.00
(disponible en magasin)
Résumé:
''L'image volée'' (The Stolen Image) includes more than 90 works produced by over 60 artists from 1820 through the present day. Demand's idea for the exhibition is to explore the way we all rely on pre-existing models, and how artists have always referred to existing imagery to make their own. Questioning the boundaries between originality, conceptual inventiveness and the culture of the copy, the project focuses on theft, authorship, annexation and the creative potential of such pursuits.
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livres
livres
Publication:
août 2016
août 2016
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livres
livres
Titre:
Ceci n'est pas une bouteille
Ceci n'est pas une bouteille
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$49.95
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Résumé:
ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un(...)
$49.95
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Résumé:
ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un(...)
Titre:
Ceci n'est pas une bouteille
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$49.95
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Résumé:
ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un statut à part en tant qu’objets de collection. Leurs formes communiquent aussi sur d’autres plans : matériaux (qualités de verre, bois), aspect pratique (utilité, obsolescence, détournement), usage (traces, poussières, brillance). L’ouvrage met en valeur une soixantaine de pièces rassemblées par les deux institutions.
Ceci n'est pas une bouteille
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$49.95
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Résumé:
ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un statut à part en tant qu’objets de collection. Leurs formes communiquent aussi sur d’autres plans : matériaux (qualités de verre, bois), aspect pratique (utilité, obsolescence, détournement), usage (traces, poussières, brillance). L’ouvrage met en valeur une soixantaine de pièces rassemblées par les deux institutions.
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livres
livres
Publication:
septembre 2015
septembre 2015
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livres
livres
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$120.00
(disponible sur commande)
Résumé:
Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects(...)
$120.00
(disponible sur commande)
Résumé:
Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects(...)
Publication:
janvier 1900, Ostfildern
janvier 1900, Ostfildern
Titre:
Documenta_11 exhibition catalogue
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$120.00
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Résumé:
Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects and writings facilitate an additional insight into the processes of creative thought and the mechanisms of reception at stake in the making of the exhibition. Short guide also available.
Documenta_11 exhibition catalogue
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$120.00
(disponible sur commande)
Résumé:
Extensively illustrated, the catalog contains an essay by the artistic director, Okwui Enwezor, contributions from members of the Documenta11 team, and texts written by invited authors from different fields, such as art history, philosophy, or theory. All artists are featured with illustrations of representative works, and the documentation of selected artists’ projects and writings facilitate an additional insight into the processes of creative thought and the mechanisms of reception at stake in the making of the exhibition. Short guide also available.
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livres
livres
Publication:
janvier 1900, Ostfildern
janvier 1900, Ostfildern
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livres
livres
Titre:
Hairy Who? 1966-1969
Hairy Who? 1966-1969
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$65.00
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Résumé:
This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six(...)
$65.00
(disponible sur commande)
Résumé:
This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six(...)
Publication:
octobre 2018
octobre 2018
Titre:
Hairy Who? 1966-1969
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$65.00
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Résumé:
This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six exhibitions, held between 1966 and 1969, and offers a reassessment of the Hairy Who's idiosyncratic place within the cultural and political context of its time and place.
Hairy Who? 1966-1969
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$65.00
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Résumé:
This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six exhibitions, held between 1966 and 1969, and offers a reassessment of the Hairy Who's idiosyncratic place within the cultural and political context of its time and place.
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livres
livres
Publication:
octobre 2018
octobre 2018
Classification:
livres
livres
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$51.95
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Résumé:
The exhibition catalogue presents an important collection of tapestries with woven pieces often unsuspected major figures in the arts or unknown to the general public, but which all have in common the fact that they have marked the art in tapestry of the last fifty years. Among the many artists solicited we find notably: Geneviève Asse, Pierrette Bloch, Pierre Buraglio,(...)
$51.95
(disponible sur commande)
Résumé:
The exhibition catalogue presents an important collection of tapestries with woven pieces often unsuspected major figures in the arts or unknown to the general public, but which all have in common the fact that they have marked the art in tapestry of the last fifty years. Among the many artists solicited we find notably: Geneviève Asse, Pierrette Bloch, Pierre Buraglio,(...)
Publication:
décembre 2020
décembre 2020
Titre:
Le Mural Nomade : Tapisseries modernes et contemporaines au couvent de La Tourette
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$51.95
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Résumé:
The exhibition catalogue presents an important collection of tapestries with woven pieces often unsuspected major figures in the arts or unknown to the general public, but which all have in common the fact that they have marked the art in tapestry of the last fifty years. Among the many artists solicited we find notably: Geneviève Asse, Pierrette Bloch, Pierre Buraglio, Alexander Calder, Edouardo Chilida, Le Corbusier, Sonia Delaunay, Julije Kniffer, Aurélie Nemours, Gustave Singier, Raoul Ubac, Victor Vasarely, Vieira Da Silva.
Le Mural Nomade : Tapisseries modernes et contemporaines au couvent de La Tourette
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$51.95
(disponible sur commande)
Résumé:
The exhibition catalogue presents an important collection of tapestries with woven pieces often unsuspected major figures in the arts or unknown to the general public, but which all have in common the fact that they have marked the art in tapestry of the last fifty years. Among the many artists solicited we find notably: Geneviève Asse, Pierrette Bloch, Pierre Buraglio, Alexander Calder, Edouardo Chilida, Le Corbusier, Sonia Delaunay, Julije Kniffer, Aurélie Nemours, Gustave Singier, Raoul Ubac, Victor Vasarely, Vieira Da Silva.
Classification:
livres
livres
Publication:
décembre 2020
décembre 2020
