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Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum(...)
septembre 2021
Frederik Ruysch's Thesaurus Anatomicus: A morbid guide
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Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated ''Thesaurus Anatomicus.'' This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more.
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Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke(...)
UFO drawings from the National Archives
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Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke has selected examples from The National Archives to present a history of British UFO art and the remarkable stories behind these images, including an alien craft on the A1, flying saucers over Hampstead, and a spaceship landing at a primary school in Macclesfield.
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The subversive visual programme of the Surrealists was expressed in the interplay of the contradictions, with the goal of radically dismantling the expectations of the hitherto experienced. Today, in a time shaped by increasingly impenetrable and contradictory fragments of information, a new generation of artists is rediscovering the multifarious poetic stylistic devices(...)
juillet 2011
Das ohr von Giacometti: The ear of Giacometti
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The subversive visual programme of the Surrealists was expressed in the interplay of the contradictions, with the goal of radically dismantling the expectations of the hitherto experienced. Today, in a time shaped by increasingly impenetrable and contradictory fragments of information, a new generation of artists is rediscovering the multifarious poetic stylistic devices of Surrealism. Using a disparate, curious and ambiguous aesthetic, they respond to our uncertain and long since incomprehensible world. The catalogue The Ear of Giacometti evokes the main lines of development of central (post-)surrealist themes and is richly illustrated with images from classical and contemporary Surrealist art.
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Moonstorm.
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1 online resource.
[Place of publication not identified] : Nat Pyper, 2023., [Place of publication not identified] : Source Type, 2023.
livres
[Place of publication not identified] : Nat Pyper, 2023., [Place of publication not identified] : Source Type, 2023.
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Ethereum Foundation 2024
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Ethereum Foundation 2024
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xix, 780 pages, 56 unnumbered pages of plates : illustrations (some color), facsimiles, portraits ; 24 cm
London : Faber and Faber, ©1994.
William Morris : a life for our time / Fiona McCarthy.
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xix, 780 pages, 56 unnumbered pages of plates : illustrations (some color), facsimiles, portraits ; 24 cm
livres
London : Faber and Faber, ©1994.
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form(...)
décembre 2023
Painting in New York 1971-83
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Published to follow the landmark exhibition at Karma Gallery, New York, this catalog unites the works of 30 women painters who were active in New York City during the 1970s. The collection showcases the diverse practices and backgrounds of these artists, all of whom were deeply influenced by the transformative legacy of second-wave feminism. During this period, a new form of painting emerged, fusing elements of sculpture and textile into the medium while reevaluating its role through innovative art historical methodologies. Amid debates about the relevance of painting, women artists revitalized the practice, coinciding with a shifting political landscape characterized by the global revolt of women against their marginalized status.
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers(...)
février 2018
The Bauhaus and Czechoslovakia 1919-1938
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers and architects. Czech students brought their own original ideas and progressive techniques into this heady atmosphere. This volume, the result of years of scholarly research by Czech art historian Markéta Svobodová, is the first publication to survey the contributions of Czech students in this creative environment, offering a student-centered perspective on the famed institution.
Flowers & mushrooms
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Flowers and Mushrooms takes readers inside the rich and diverse symbolism of its eponymous subjects. Flowers have at times stood for freshness and fertility, transience and death. In addition to its ubiquitous and much-maligned image as a hallucinogen, the mushroom has throughout history signified health and life and served as an important symbol within religious ritual.(...)
Flowers & mushrooms
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Flowers and Mushrooms takes readers inside the rich and diverse symbolism of its eponymous subjects. Flowers have at times stood for freshness and fertility, transience and death. In addition to its ubiquitous and much-maligned image as a hallucinogen, the mushroom has throughout history signified health and life and served as an important symbol within religious ritual. In recent years though, flowers and mushrooms have become a focus in contemporary art, with artists manipulating the many clichés that surround them and adapting their representation to produce new and unexpected layers of meaning, from social criticism to feminism and the conceptual framework of the erotic.
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In 1933, John Rice founded Black Mountain College in North Carolina as an experiment in making artistic experience central to learning. Though it operated for only 24 years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors(...)
août 2015
Leap before you look: Black Mountain College (1933-1957)
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In 1933, John Rice founded Black Mountain College in North Carolina as an experiment in making artistic experience central to learning. Though it operated for only 24 years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, Buckminster Fuller, Karen Karnes, M. C. Richards, and Willem de Kooning, and students included Ruth Asawa, Robert Rauschenberg, and Cy Twombly. Leap Before You Look is a singular exploration of this legendary school and of the work of the artists who spent time there