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The labyrinth is one of the world's oldest symbols, and its meaning is often shrouded in myth and mystery or ties to religious rites. Today, this enigmatic form inspires artists to create their own interpretations in different, even unusual, ways, including by working with materials as varied as ice, snow, salt, wood, stone, glass, cement, and metal. This new collection(...)
Labyrinths and mazes: a journey through art, architecture and landscape
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The labyrinth is one of the world's oldest symbols, and its meaning is often shrouded in myth and mystery or ties to religious rites. Today, this enigmatic form inspires artists to create their own interpretations in different, even unusual, ways, including by working with materials as varied as ice, snow, salt, wood, stone, glass, cement, and metal. This new collection features both classical examples and the best contemporary projects, showcasing work by artists, landscape artists, and architects from around the world. The diverse and stunning examples include pavement labyrinths of thirteenth-century French cathedrals, a historic English turf maze, Renaissance hedge mazes, and numerous present-day projects by artists and architects, including BIG, Chris Drury, Richard Fleischner, Dan Graham, Robert Irwin, Arata Isozaki, Robert Morris, Yoko Ono, and Billie Tsien and Tod Williams.
Jardins
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This book shows how, even in the most difficult conditions–forced displacement, trauma, and struggle–design can help create a life worth living. ''Design to live'' documents designs, inventions, and artworks created by Syrian refugees living in the Azraq Refugee Camp in Jordan. Through these ingenious and creative innovations–including the vertical garden, an arrangement(...)
octobre 2021
Design to live: Everyday inventions from a refugee camp
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This book shows how, even in the most difficult conditions–forced displacement, trauma, and struggle–design can help create a life worth living. ''Design to live'' documents designs, inventions, and artworks created by Syrian refugees living in the Azraq Refugee Camp in Jordan. Through these ingenious and creative innovations–including the vertical garden, an arrangement necessitated by regulations that forbid planting in the ground; a front hall, fashioned to protect privacy; a baby swing made from recycled desks; and a chess set carved from a broomstick–refugees defy the material scarcity, unforgiving desert climate, and cultural isolation of the camp. Written in close collaboration with the residents of the camp, with text in both English and Arabic, ''Design to live,'' reflects two perspectives on the camp: people living and working in Azraq and designers reflecting on humanitarian architecture within the broader field of socially engaged art and design. Architectural drawings, illustrations, photographs, narratives, and stories offer vivid testimony to the imaginative and artful ways that residents alter and reconstruct the standardized humanitarian design of the camp–and provide models that can be replicated elsewhere. The book is the product of a three-year project undertaken by MIT Future Heritage Lab, researchers and students with Syrian refugees at the Azraq Refugee Camp, CARE, Jordan, and the German-Jordanian University.
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In this lavishly illustrated volume, Robin Karson traces the development of a distinctly American style of landscape design through an analysis of seven country places created by some of the nation's most talented landscape practitioners. In the mid-nineteenth century Frederick Law Olmsted, the designer of New York's Central Park, developed an approach to landscape(...)
A genius for place: American landscapes of the country place era
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In this lavishly illustrated volume, Robin Karson traces the development of a distinctly American style of landscape design through an analysis of seven country places created by some of the nation's most talented landscape practitioners. In the mid-nineteenth century Frederick Law Olmsted, the designer of New York's Central Park, developed an approach to landscape design based on the principles of the English Picturesque which also emphasized a specifically American experience of nature and scenery. After Olmsted's retirement in 1897, these precepts continued to ground a new generation of American landscape architects through the next four decades, a period known as the “country place era,” a time of rapid economic, social, and cultural change. The chapters in this book trace a progression in the period from the naturalistic wild gardens of Warren Manning to the mysterious “Prairie style” landscapes of Jens Jensen to the proto-modernist gardens of Fletcher Steele. Other practitioners cov ered are Charles Platt, Ellen Biddle Shipman, Beatrix Farrand, Marian Coffin, and Lockwood de Forest Jr. The projects profiled follow a broad geographic arc, from Stockbridge, Massachusetts, to Santa Barbara, California. All seven landscapes are now open to visitors.
Jardins
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Andre Le Notre (1613-1700) was the greatest landscape architect in France, and his work for Louis XIV (the Sun King) laid the groundwork for the baroque style in landscaping. He also defined the essence of French landscape design -scientific, rationalist-in counterpoint to the more romantic, naturalistic English tradition and based his work on the then state-of-the-art(...)
The Baroque landscape : André Le Nôtre & Vaux le Vicomte
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Andre Le Notre (1613-1700) was the greatest landscape architect in France, and his work for Louis XIV (the Sun King) laid the groundwork for the baroque style in landscaping. He also defined the essence of French landscape design -scientific, rationalist-in counterpoint to the more romantic, naturalistic English tradition and based his work on the then state-of-the-art science of optics and perspective. The castle and gardens at Vaux-le-Vicomte (approximately 50 km south of Paris) were begun in 1653. They are the first great landscape designed by Andre Le Notre and mark the beginning of the baroque tradition in gardening. Many of the principles Le Notre tried and tested at Vaux were later employed to great acclaim at Versailles, which he designed at the height of his career.