4292 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Porthole
Porthole
Numéro de référence:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Personnes et institutions:
Date:
1989
1989
Titre:
Porthole
Actions:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Porthole
Actions:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Niveau de description archivistique:
File 154
File 154
Date:
1989
1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
Personnes et institutions:
Date:
2003-2004
2003-2004
Titre:
Helipuerto Forum, Barcelona, Spain (2003)
Actions:
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
Helipuerto Forum, Barcelona, Spain (2003)
Actions:
AP164.S1.2003.D11
Description:
The project series documents the commission and construction of the prototype of a terminal for an urban heliport in Barcelona, Spain. The heliport was built, but has since then been demolished. The firm identified the project as number 174. Documenting the project are design development drawings, correspondence, project descriptions, budgets, studies, specifications and digital materials.
Niveau de description archivistique:
Project
Project
Date:
2003-2004
2003-2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Personnes et institutions:
Date:
1995-2013
1995-2013
Titre:
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Documents d’archives de ONL [Oosterhuis_Lénárd] pour le projet NSA Muscle
Actions:
AP167
Résumé:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2013
1995-2013
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH276561
Description:
Produit par l'Ontario Athletic Commission.
ARCH276561
Description:
Produit par l'Ontario Athletic Commission.
Personnes et institutions:
Date:
1908 - 1978
1908 - 1978
Titre:
Détails d'installations sportives
Actions:
ARCH276561
Description:
Produit par l'Ontario Athletic Commission.
Détails d'installations sportives
Actions:
ARCH276561
Description:
Produit par l'Ontario Athletic Commission.
Classification:
dessins
dessins
Date:
1908 - 1978
1908 - 1978
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1962.PR03
Description:
This project series documents a commission for an unrealized project for the Casa Berrini e Paietta, a two-storey residence for the Berrini-Paietta Family, in Taino, Italy. Riva worked on this project from 1963-1964. The project series contains design development drawings, including interior and exterior elevations, sections, floor plans, and furnishing details.
AP180.S1.1962.PR03
Description:
This project series documents a commission for an unrealized project for the Casa Berrini e Paietta, a two-storey residence for the Berrini-Paietta Family, in Taino, Italy. Riva worked on this project from 1963-1964. The project series contains design development drawings, including interior and exterior elevations, sections, floor plans, and furnishing details.
Personnes et institutions:
Date:
1963
1963
Titre:
Casa Berrini e Paietta [Berrini and Paietta House], Taino, Italy (1962)
Actions:
AP180.S1.1962.PR03
Description:
This project series documents a commission for an unrealized project for the Casa Berrini e Paietta, a two-storey residence for the Berrini-Paietta Family, in Taino, Italy. Riva worked on this project from 1963-1964. The project series contains design development drawings, including interior and exterior elevations, sections, floor plans, and furnishing details.
Casa Berrini e Paietta [Berrini and Paietta House], Taino, Italy (1962)
Actions:
AP180.S1.1962.PR03
Description:
This project series documents a commission for an unrealized project for the Casa Berrini e Paietta, a two-storey residence for the Berrini-Paietta Family, in Taino, Italy. Riva worked on this project from 1963-1964. The project series contains design development drawings, including interior and exterior elevations, sections, floor plans, and furnishing details.
Niveau de description archivistique:
Project
Project
Date:
1963
1963
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Personnes et institutions:
Date:
1754-1875
1754-1875
Titre:
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Public and Urban architecture
CI001.S1.D3
Description:
The urban and public architecture of Hubert Rohault de Fleury is insightful concerning both the stylistic directions of utilitarian architecture in France and the structure and role of the government architectural services (1) in the Empire and the Restoration. The drawings in the CCA collection depict built and unbuilt projects undertaken in the context of Hubert's positions in the government architectural services as well as private commissions. Hubert's principal official positions related to three branches of the French government: the Préfecture de la police, the Conseil général des hospices and the Conseil des Bâtiments Civils, a "division" of the Ministère de l'interieur. Hubert's work for the Préfecture de la police (which was also responsible for the gendarmerie and the sapeurs-pompiers barracks) is represented in the CCA collection by projects for four gendarmerie barracks (1821-1830) and alterations to the Préfecture de la Police (1833 ?) and nearby prison in Paris (1819)(DR1974:0002:016:001-070 / DR1974:0002:011:001-089 and DR1974:0002: 015:001-070). The drawings in these albums emphasize the planning (or re-arrangement) of the interior spaces. The album for the Préfecture de la police also includes record drawings for prisons in England and France as background material for Hubert's work and/or related to reports for the Conseil des Bâtiments Civils, which had an active role in the design of prisons throughout France during the early years of the nineteenth century (2). Although the CCA collection has no drawings directly related to Hubert's position as the architecte des hospices (3), drawings and prints are included for his earlier ideal hospitals (ca. 1810) (DR1974:0002:008:001-077). These projects continue the late 17th and 18th century tradition of monumental geometrically laid-out ideal hospitals. This album also contains prints and drawings of medical buildings by other architects (probably reference material), and drawings of Hubert's unexecuted proposal for the re-development of the École de médecine (Paris) and the surrounding buildings and urban spaces. Hubert was the architecte de l'École de medicine (4); a position that probably related to his work for the Ministère d'Interieur, which would have been responsible for this building. In general, Hubert's role and responsibilities within the Ministère de l'interieur and the associated Conseil de Bâtiment Civils (especially prior to his appointment to the position of inspecteur gènèral in 1830) are the least clear of his government positions. In addition to the École de medicine album, two other albums contain projects relating to the Ministère de l'Interieur: two proposals for Place Louis XV commissioned by the Ministre de l'interieur, Duc Decazes in 1821 (DR1974:0002:037:001-031), and drawings for the conversion or renovation of several Parisian hôtel particuliers (probably between 1810 and ca. 1820) including those used by the Ministère de l'interieur, Ministère de la Guerre and the Ministère des affaires étrangères (DR1974:0002;011:001-089). On other government commission of significance is represented in the CCA collection. In 1819, Hubert Rohault de Fleury in collaboration with Etienne Hyppolite Godde was commissioned to direct the restoration of the Thermes de Julien located under the Hôtel de Cluny. The CCA collection includes several letters and drawings, and a report related to this commission (DR1974:0002 :037:001-031). Hubert's private urban projects, mostly commissioned by private entrepreneurs or societies, were concerned with the expansion of the infrastructure of Paris and the surrounding communities as well as, to some extent, larger issues of urban development. One album contains projects dating from between 1819 and 1836 related horses - an essential part of 19th century urban life (5): a stud-farm (Haras de Madrid, Bois de Boulogne), an auction house and an infirmary (Clos St. Charles, Clos d'équarrissage, fôret de Bondy) and three slaughterhouses (Plaine de Grenelle, an unnamed project and La Villete (6))(DR1974:0002:014:001-104). These album also includes developmental studies for a new quartier of Paris - Nouveau Quartier Poissonière (the site of today's 10e arrondissement). A second album (ca. 1825) includes designs for a "maison de blanchisseur", an "entrepot de vins" with adjacent "guingette" and designs for structures at Parc de Clichy - a reservoir, a washhouse and a manège (DR1974:0002:009:001-079) (7). The drawings in these albums are particularly informative regarding the materials, structures and mechanical systems utilized. As with most of his government commissions, for these buildings, Hubert adopted a sparse architectural syntax of pared-down classical motifs and regimented plans grounded in the ideas of Durand and commonly used in utilitarian buildings during the 19th century. (1) These are discussed in some detail in Chapter 2 of David Van Zanten, 'Building Paris' (Cambridge: Cambridge University Press, 1994). (2) Van Zanten, 'Building Paris', 51-52. (3) The Cabinet des Estampes at the Musée Carnavalet in Paris has drawings related to Hubert's work for the Conseil général des hospices. (4) Evidence of this position is based on inscriptions on drawings in album, DR1974:0002:008:001-77. (5) Bergdoll, 4. (6) The La Villete slaughterhouse was designed by Charles Rohault de Fleury. (7) The source(s) of these commissions is unknown.
Niveau de description archivistique:
File 3
File 3
Date:
1754-1875
1754-1875
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
Personnes et institutions:
Date:
1957-1991
1957-1991
Titre:
Project and Proposal Documentation
Actions:
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
Project and Proposal Documentation
Actions:
AP027.S1
Description:
The abbreviation "n.c.", which represents "no client", occasionally appears in the project descriptions. This indicates that the client is unknown for that particular project or that the project was initiated by Van Ginkel Associates. Throughout its practice, Van Ginkel Associates devoted much of its time to research and design projects that were generated and paid for by the firm itself. Several of these projects were initiated by members of the staff. Project drawings, because of the multi-disciplinary nature of the firm's work and the scale of some of its commissions, differ greatly in extent, content, format, and size. The drawings therefore have been kept in their original groupings. The original titles assigned to the material by the creators while stored in tubes was transferred to their present folders.
Niveau de description archivistique:
Series
Series
Date:
1957-1991
1957-1991
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Hans Hansen
Hans Hansen
Numéro de référence:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Personnes et institutions:
Date:
1920
1920
Titre:
Hans Hansen
Actions:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Hans Hansen
Actions:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Niveau de description archivistique:
series
series
Date:
1920
1920
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
Personnes et institutions:
Date:
1918
1918
Titre:
De Vonk Holiday Hostel, Noordwijkerhout, Netherlands (1917-1919)
Actions:
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
De Vonk Holiday Hostel, Noordwijkerhout, Netherlands (1917-1919)
Actions:
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
Niveau de description archivistique:
project
project
Date:
1918
1918
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
Personnes et institutions:
Date:
1946-1956
1946-1956
Titre:
National Monument, Dam Square, Amsterdam, Netherlands (1946-1956)
Actions:
CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
National Monument, Dam Square, Amsterdam, Netherlands (1946-1956)
Actions:
CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
Niveau de description archivistique:
project
project
Date:
1946-1956
1946-1956
Personnes et institutions:
