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Location
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A collection of essays by art historians, anthropologists and commentators on contemporary visual culture on the theme of "Location". This publication explores the theme of "Location", including transatlantic exchanges and global connections, and the nature of hospitality that arises in acknowledging migration and diaspora. It also questions how important location is(...)
Théorie de l’art
avril 2007, Malden, Oxford, Victoria
Location
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A collection of essays by art historians, anthropologists and commentators on contemporary visual culture on the theme of "Location". This publication explores the theme of "Location", including transatlantic exchanges and global connections, and the nature of hospitality that arises in acknowledging migration and diaspora. It also questions how important location is in producing, understanding and curating art. The contributors consider such topics as site-specificity, examinations of the trans-national/trans-cultural, how images/visual forms migrate, and the repositioning of ownership.
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avril 2007, Malden, Oxford, Victoria
Théorie de l’art
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''Welcome to the 32nd issue of The Funambulist. For once, we curated and coordinated its editorial line amongst the three of us (Caroline Honorien, Margarida Waco, and Léopold Lambert) in order to combine our perspectives on the topic. Pan-Africanism is an issue dedicated to a political project that 'maps onto Blackness' (Denise Ferreira da Silva) between the African(...)
The Funambulist 32: Pan-Africanism, November - December 2020
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''Welcome to the 32nd issue of The Funambulist. For once, we curated and coordinated its editorial line amongst the three of us (Caroline Honorien, Margarida Waco, and Léopold Lambert) in order to combine our perspectives on the topic. Pan-Africanism is an issue dedicated to a political project that 'maps onto Blackness' (Denise Ferreira da Silva) between the African Continent, the Afro Diaspora, and beyond; a project that can serve as a force and a reference for all people struggling against colonialism or neocolonialism.''
Revues
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This unprecedented visual survey celebrates the work of 42 contemporary artists, from rising stars to globally recognized names, including Theresa Hak Kyung Cha, Kyungah Ham, Kimsooja, Lee Bul, Mire Lee, Minouk Lim, Haegue Yang, and Yun Suknam. Organized by themes including queer politics, ecofeminism, the diaspora, and abstraction, Korean Feminist Artists features(...)
Korean Feminist Artists: Confront and deconstruct
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This unprecedented visual survey celebrates the work of 42 contemporary artists, from rising stars to globally recognized names, including Theresa Hak Kyung Cha, Kyungah Ham, Kimsooja, Lee Bul, Mire Lee, Minouk Lim, Haegue Yang, and Yun Suknam. Organized by themes including queer politics, ecofeminism, the diaspora, and abstraction, Korean Feminist Artists features artworks across painting, sculpture, photography, film, video, installation, handicrafts, and performance. Through rich imagery and insightful writing, the book explores the quest of these pioneering artists for social, cultural, and sexual equality, from their confrontations with the mainstream art establishment to the significance of their aesthetic and political interventions.
Deanna Lawson
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This first scholarly publication on the artist Deana Lawson, surveying fifteen years of her photography, will be published to accompany the first comprehensive museum survey exhibition featuring Lawson’s artwork. A singular voice in contemporary photography, Lawson has been investigating and challenging conventional representations of black identities in the African(...)
Deanna Lawson
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This first scholarly publication on the artist Deana Lawson, surveying fifteen years of her photography, will be published to accompany the first comprehensive museum survey exhibition featuring Lawson’s artwork. A singular voice in contemporary photography, Lawson has been investigating and challenging conventional representations of black identities in the African American and African diaspora for over fifteen years. Her work samples numerous photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and found images, creating narratives of family, love, and desire. This publication will include selections from Lawson’s personal family photographs and archives of vernacular images that have profoundly informed her work.
Monographies photo
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Beatriz Nascimento (1942–1995) was a poet, historian, artist, and political leader in Brazil’s Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political(...)
The dialectic is in the sea: The Black radical thought of Beatriz Nascimento
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Beatriz Nascimento (1942–1995) was a poet, historian, artist, and political leader in Brazil’s Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. ''The dialectic is in the sea'' traces the development of Nascimento’s thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento’s work.
Social
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This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and(...)
Alice Neel: people come first
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This ambitious publication surveys Neel’s nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York’s global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel’s emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel’s portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity.
The progress of love
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The title of this volume, The Progress of Love, refers to a group of 18th-century paintings by Jean-Honoré Fragonard, who represented love as a contemporary phenomenon rather than in the guise of allegory or fiction. Today’s artists go further. Exploring the forces that shape our conceptions of love, The Progress of Love brings together the work of 30 artists from Africa,(...)
janvier 2013
The progress of love
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The title of this volume, The Progress of Love, refers to a group of 18th-century paintings by Jean-Honoré Fragonard, who represented love as a contemporary phenomenon rather than in the guise of allegory or fiction. Today’s artists go further. Exploring the forces that shape our conceptions of love, The Progress of Love brings together the work of 30 artists from Africa, Europe, the African diaspora, and the New World. Beautiful color images show works in a range of media by a dazzling array of contemporary artists, including Kelechi Amadi-Obi, Zoulikha Bouabdellah, Sophie Calle, Mary Ellen Carroll, Kendell Geers, Felix Gonzalez-Torres, Romuald Hazoumé, Zanele Muholi, Wura-Natasha Ogunji, and Yinka Shonibare.
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Indigenous activism in the Americas has long focused on the symbolic reclamation of land. Drawing on interdisciplinary perspectives, contributors to this issue explore narratives of territory and origin that provide a foundation for this political practice. The contributors study Indigenous-language stories from displaced communities, analyzing the meaning and power of(...)
mai 2020
Indigenous narratives of territory and creation: hemispheric perspectives
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Indigenous activism in the Americas has long focused on the symbolic reclamation of land. Drawing on interdisciplinary perspectives, contributors to this issue explore narratives of territory and origin that provide a foundation for this political practice. The contributors study Indigenous-language stories from displaced communities, analyzing the meaning and power of these narratives in the context of diaspora and the struggle for land. Essays address topics including territorial struggle and environmentalism, Indigenous resistance to neoliberal policies of land dispossession, and alliances between academic and Indigenous knowledges and activisms. This issue brings together fruitful comparisons of theoretical frameworks and case studies in Indigenous studies across North and South America. Its contributors advance the process of returning to Indigenous knowledge, offering essential alternatives to Western epistemologies.
L'inachevé
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Depuis l’effondrement de l’Union soviétique en 1991, l’Arménie transite entre deux états, évoluant en marge, avec sa propre temporalité. Elle demeure en dehors du flux des images et c’est précisément ce vide, cette part manquante, qu’interroge le photographe Julien Lombardi, lui-même d’origine arménienne. La mémoire défaillante de cette jeune république se superpose à la(...)
L'inachevé
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Depuis l’effondrement de l’Union soviétique en 1991, l’Arménie transite entre deux états, évoluant en marge, avec sa propre temporalité. Elle demeure en dehors du flux des images et c’est précisément ce vide, cette part manquante, qu’interroge le photographe Julien Lombardi, lui-même d’origine arménienne. La mémoire défaillante de cette jeune république se superpose à la sienne, tronquée par le déplacement et l’exil de la diaspora. Comment documenter ce qui n’existe plus ou n’est pas encore advenu ? Ces photographies sont autant de décors et d’espaces fragmentés susceptibles de devenir la toile de fond d’actions à venir. Comme le territoire qui les inspire, elles sont le réceptacle d’une nouvelle histoire à écrire, suggérant que l’inachevé est le théâtre d’une multitude de possibles.
Monographies photo
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita(...)
The Funambulist 59: Black indigeneities
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita Wailutu Kama) and beyond, in Aotearoa New Zealand (Nathan Rew and Makanaka Tuwe)—in several regions of the African Continent—South Africa (Zoé Samudzi and Mpho Matheolane/Nolan Oswald Dennis), Nubia (Menna Agha), Eritrea (Semhar Haile), and the Gabonese forests (Maya Mihindou)—in the Caribbean—Guiana (Karl Joseph and Marc-Alexandre Tareau) and Haiti (Tessa Mars)—as well as in the diaspora. The cover artwork by Tessa Mars.
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