documents textuels, périodiques
AP206.S2.060
Description:
This file includes the following publications: "Architecture, Community Planning and the Urban Systems," from the January-March 1982 issue of Nagarlokand presented at seminar "Industry and environment," published in 1984 edition of The Environmental Society of Chandigarh souvenir magazine "All about Waste Disposal," published in 1983 edition of The Environmental Society of Chandigarh souvenir magazine
1982-1984
Published papers
Actions:
AP206.S2.060
Description:
This file includes the following publications: "Architecture, Community Planning and the Urban Systems," from the January-March 1982 issue of Nagarlokand presented at seminar "Industry and environment," published in 1984 edition of The Environmental Society of Chandigarh souvenir magazine "All about Waste Disposal," published in 1983 edition of The Environmental Society of Chandigarh souvenir magazine
documents textuels, périodiques
1982-1984
documents textuels
AP206.S2.071
Description:
File was originally housed in a binder along with content arranged in AP206.S2.069 and AP206.S2.070. This file includes the following papers: "Ludhiana at the Crossroads" "What Haryana's Capital should be like," newspaper article, 1985 "Lessons from Chandigarh" "Urbanisation and Environment" "Blueprint for Survival" "The other crisis of Delhi," newspaper article "The Capital Scenario"
1985-1990
Published and unpublished papers (folder 3 of 3)
Actions:
AP206.S2.071
Description:
File was originally housed in a binder along with content arranged in AP206.S2.069 and AP206.S2.070. This file includes the following papers: "Ludhiana at the Crossroads" "What Haryana's Capital should be like," newspaper article, 1985 "Lessons from Chandigarh" "Urbanisation and Environment" "Blueprint for Survival" "The other crisis of Delhi," newspaper article "The Capital Scenario"
documents textuels
1985-1990
Projet
AP207.S1.2012.PR01
Description:
The project series documents the digitally created installation "Mother Nature" by Pettena in 2011. The project consists of a photograph of a rock formation on the edge of the water which was digitally modified to include a human figure nested in. "What is presented here in an almost didactic manner, by inserting a human figure into a setting prepared by nature, is the natural imbalance between the former and the infinite potentialities of the environment, which can only be known in part by someone who, accepting this situation of inferiority, makes use of it to acquire the capacity for a more conscious observation." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-mother-nature-2012-1/ (last accessed 27 January 2020)
2011-2015
Mother Nature (2012)
Actions:
AP207.S1.2012.PR01
Description:
The project series documents the digitally created installation "Mother Nature" by Pettena in 2011. The project consists of a photograph of a rock formation on the edge of the water which was digitally modified to include a human figure nested in. "What is presented here in an almost didactic manner, by inserting a human figure into a setting prepared by nature, is the natural imbalance between the former and the infinite potentialities of the environment, which can only be known in part by someone who, accepting this situation of inferiority, makes use of it to acquire the capacity for a more conscious observation." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-mother-nature-2012-1/ (last accessed 27 January 2020)
Project
2011-2015
Projet
AP075.S1.2013.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the Ecole Pauline-Johnson playground, located at the corner of Jefferson Street and 21st Street, in West Vancouver, British Columbia. Oberlander worked on this project in 2013-2015 with Susan Herrington as consulting landscape architect and the landscape architectural firm Atelier Anonymus, Landscape. The project consisted in re-imagining and re-designing the school playground to create a creative play environment. Oberlander's proposal included a logs and rocks creative play area, a seating area, and replanting of trees at the end of the playground on the 21st Street side. The project series contains a landscape sketch of the playground by Oberlander, project proposals by the team, correspondence with architects, consultants and contractors, documentation and research material and press.
Ecole Pauline-Johnson, West Vancouver, British Columbia (2013-2015)
Actions:
AP075.S1.2013.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as consulting landscape architect for the Ecole Pauline-Johnson playground, located at the corner of Jefferson Street and 21st Street, in West Vancouver, British Columbia. Oberlander worked on this project in 2013-2015 with Susan Herrington as consulting landscape architect and the landscape architectural firm Atelier Anonymus, Landscape. The project consisted in re-imagining and re-designing the school playground to create a creative play environment. Oberlander's proposal included a logs and rocks creative play area, a seating area, and replanting of trees at the end of the playground on the 21st Street side. The project series contains a landscape sketch of the playground by Oberlander, project proposals by the team, correspondence with architects, consultants and contractors, documentation and research material and press.
Project
Projet
AP207.S1.1979.PR01
Description:
The project series documents the performance "Isole Abbandonate Della Laguna" held at the Palazzo Grassi, in Venezia, during "The Art of Performance" in 1979. The setting for the performance is similar to a lecture, where the performer stands on a podium placed above television screens playing films on the abandoned islands of the Venetian Lagoon. The performer remains silent, walking around the stage. "He finally stops at the stand but, while he should speak about the environment and its pollution, his lips remain sealed. After trying several times he disappears upwards, into “the darkness of his failures“." [1] The project series contains photographs of the performance and storyboards. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-abandoned-islands-1979/ (last accessed 11 December 2019).
circa 1979-2018
Isole Abbandonate Della Laguna [The Abandoned Islands of the Lagoon] (1979)
Actions:
AP207.S1.1979.PR01
Description:
The project series documents the performance "Isole Abbandonate Della Laguna" held at the Palazzo Grassi, in Venezia, during "The Art of Performance" in 1979. The setting for the performance is similar to a lecture, where the performer stands on a podium placed above television screens playing films on the abandoned islands of the Venetian Lagoon. The performer remains silent, walking around the stage. "He finally stops at the stand but, while he should speak about the environment and its pollution, his lips remain sealed. After trying several times he disappears upwards, into “the darkness of his failures“." [1] The project series contains photographs of the performance and storyboards. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-abandoned-islands-1979/ (last accessed 11 December 2019).
Project
circa 1979-2018
Sous-série
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
1949-2019
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Sub-series
1949-2019
1 juin 2021, 9h30, 10h30 et 11h30
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
23 février 2017, 18h
Faire du Canada une halte-routière
Actions:
Description:
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
Projet
AP207.S1.1966.PR01
Description:
This project series documents the sound performance "Tunnel Sonoro." It was created in 1966, when Pettena was experimenting with music and worked with musicians. "Tunnel Sonoro" was one of the results of his collaborations with musicians. This project consists of a sound performance during which a performer, entirely dressed in a metallic bodysuit, crosses a narrow tunnel "in which, by scrapping against the surfaces, their body 'played' the environment, imitating the sound of the wind [...]." [1] The performance was conceived for the (Musica Elettronica Viva), a live acoustic and electronic improvisational group from Rome. The project series contains a project description in Italian and in English, a reproduction of a publication from the Biennale di Firenze describing the project, and drawings of the tunnel and the metallic bodysuit. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 98.
circa 1966-2018
Tunnel Sonoro [Sound Tunnel] (1966)
Actions:
AP207.S1.1966.PR01
Description:
This project series documents the sound performance "Tunnel Sonoro." It was created in 1966, when Pettena was experimenting with music and worked with musicians. "Tunnel Sonoro" was one of the results of his collaborations with musicians. This project consists of a sound performance during which a performer, entirely dressed in a metallic bodysuit, crosses a narrow tunnel "in which, by scrapping against the surfaces, their body 'played' the environment, imitating the sound of the wind [...]." [1] The performance was conceived for the (Musica Elettronica Viva), a live acoustic and electronic improvisational group from Rome. The project series contains a project description in Italian and in English, a reproduction of a publication from the Biennale di Firenze describing the project, and drawings of the tunnel and the metallic bodysuit. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 98.
Project
circa 1966-2018
documents textuels
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
circa 1966-1982
Published and unpublished papers (folder 2 of 3)
Actions:
AP206.S2.011
Description:
File was originally housed in a binder along with content arranged in AP206.S2.010 and AP206.S2.012. This file contains the following papers: Convocation address delivered in the DAV College of Education, 1980 "Folk Arts and Architecture," for symposium, 1980 "Administrative aspects of Urban and Regional Planning," published lecture script "Our Environment," 1982 "Theatre: Essentially a Form of Art!!" 1979 "Rural habitat"
documents textuels
circa 1966-1982