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189 pages : illustrations (chiefly color), plans (some color) ; 30 cm
Lima : Colegio de Arquitectos del Perú, 2009.
XIII Bienal Nacional de Arquitectura del Perú.
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189 pages : illustrations (chiefly color), plans (some color) ; 30 cm
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Lima : Colegio de Arquitectos del Perú, 2009.
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358 pages (some folded) : chiefly color illustrations ; 33 cm
Edam : Paradox ; Stuttgart : Hartmann Books, [2021], ©2021
Frank van der Salm : nowhere - imagining the global city / texts, Shumon Basar, Aaron Betsky, Urs Stahel ; translation, Joann Skrypzak, Herman te Loo ; editor, Bas Vroege ; design Irma Boom Office.
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358 pages (some folded) : chiefly color illustrations ; 33 cm
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Edam : Paradox ; Stuttgart : Hartmann Books, [2021], ©2021
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272 pages : illustrations (some color), maps (some color) ; 26 cm
New York, NY : Columbia Books on Architecture and the City, [2016]
The Arab city : architecture and representation / edited by Amale Andraos and Nora Akawi ; with Caitlin Blanchfield.
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272 pages : illustrations (some color), maps (some color) ; 26 cm
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New York, NY : Columbia Books on Architecture and the City, [2016]
audio
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1 online resource.
[Place of publication not identified] : Canadian Centre for Architecture, 2019.
Market Landscape : Speaking between Financial Districts and The Planet.
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1 online resource.
audio
[Place of publication not identified] : Canadian Centre for Architecture, 2019.
$60.95
(disponible sur commande)
Résumé:
In the late 1960s and early 1970s, the John Lindsay administration in New York City created innovative policies to try to draw on-location media production to the city. At the same time, the New York City Planning Commission was producing a wealth of documents that clearly reflect the influence of various media depictions of New York. Imaginary Apparatus reveals the links(...)
Imaginary apparatus: New York city and its mediated representation
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$60.95
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In the late 1960s and early 1970s, the John Lindsay administration in New York City created innovative policies to try to draw on-location media production to the city. At the same time, the New York City Planning Commission was producing a wealth of documents that clearly reflect the influence of various media depictions of New York. Imaginary Apparatus reveals the links between those two efforts, showing how they fed each other. As more and more films and TV shows were shot on location in New York, mediated images of the city and its buildings proliferated—and those same images exerted a powerful influence on the imaginations of the planners who were generating ideas for New York’s future development. Included with thisbook is a DVD featuring the movie What Is the City but the People?, the film version of the 1969 "Plan for New York City" and a unique document that has never before been publicly available.
Théorie de l’urbanisme
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Notes on the underground : an essay on technology, society, and the imagination / Rosalind Williams.
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xi, 283 pages : illustrations ; 23 cm
Cambridge, Mass. : MIT Press, ©2008.
Notes on the underground : an essay on technology, society, and the imagination / Rosalind Williams.
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xi, 283 pages : illustrations ; 23 cm
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Cambridge, Mass. : MIT Press, ©2008.
$34.95
(disponible sur commande)
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For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place. This book is about those cities. It’s(...)
Imaginary cities: a tour of dream cities, nightmare cities and everywhere in between
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$34.95
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For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place. This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from cities real and imagined around the globe and throughout history. Thomas More’s allegorical island shares space with Soviet mega-planning; Marco Polo links up with James Joyce’s meticulously imagined Dublin; the medieval land of Cockaigne meets the hopeful future of Star Trek. With Darran Anderson as our guide, we find common themes and recurring dreams, tied to the seemingly ineluctable problems of our actual cities, of poverty and exclusion and waste and destruction. And that’s where Imaginary Cities becomes more than a mere—if ecstatically entertaining—intellectual exercise: for, as Anderson says, “If a city can be imagined into being, it can be re-imagined.” Every architect, philosopher, artist, writer, planner, or citizen who dreams up an imaginary city offers lessons for our real ones; harnessing those flights of hopeful fancy can help us improve the streets where we live.
Théorie de l’urbanisme
livres
Chimurenga Magazine African Centre for Cities 2010
livres
Chimurenga Magazine African Centre for Cities 2010
audio
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1 online resource.
[Place of publication not identified] : The Funambulist, 2015.
The Geological and Technological Landscape Production of our Cities.
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1 online resource.
audio
[Place of publication not identified] : The Funambulist, 2015.
$39.95
(disponible en magasin)
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Bridging histories of technology, media studies, and aesthetics, ''Electrographic architecture'' forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early(...)
Electrographic architecture: New York color, Las Vegas light, and America's white imaginary
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$39.95
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Bridging histories of technology, media studies, and aesthetics, ''Electrographic architecture'' forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early twentieth century; the midcentury construction of polychromatic electrographic spectacles; and their eclipse by informatically intense, invisible algorithms at the dawn of the new millennium. Drawing on archival research, interviews, and visual analysis, Electrographic Architecture shows how the development of America's electrographic surround runs parallel to a new paradigm of power, property, and possession.
Théorie de l’architecture