1204 Résultats
Classification:
livres
livres
Exemplaires:
Description:
x, 234 pages : illustrations, maps ; 24 cm
Description:
x, 234 pages : illustrations, maps ; 24 cm
Auteur:
Sujet:
- Venturi, Robert. Learning from Las Vegas Criticism, Textual.,
- Venturi, Robert 1925-2018,
- Scott Brown, Denise, 1931- Criticism and interpretation.,
- Venturi, Robert, 1925-2018.,
- Scott Brown, Denise, 1931-,
- Izenour, Steven, 1940-2001.,
- Venturi, Robert.,
- Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld,
- Architectural writing United States.,
- Book design Massachusetts Cambridge History 20th century.,
- Architecture Art d'écrire États-Unis.,
- Livres Conception graphique Massachusetts Cambridge Histoire 20e siècle.,
- 21.60 architecture: general.,
- 21.73 urban development (architecture),
- Architectural writing.,
- Book design.,
- Postmoderne,
- Architektur,
- Architekturkritik,
- Architekturtheorie,
- Städtebau,
- Architectual theories.,
- City planning.,
- Modernism (culture),
- Massachusetts Cambridge.,
- United States.,
- Las Vegas, Nev.,
- Las Vegas.,
- USA.,
- Criticism, interpretation, etc.,
- History.
Publication:
Cambridge, Mass. : MIT Press, ©2008.
Cambridge, Mass. : MIT Press, ©2008.
Titre:
I am a monument : on Learning from Las Vegas / Aron Vinegar.
Actions:
Exemplaires:
Description:
x, 234 pages : illustrations, maps ; 24 cm
I am a monument : on Learning from Las Vegas / Aron Vinegar.
Actions:
Exemplaires:
Description:
x, 234 pages : illustrations, maps ; 24 cm
Classification:
livres
livres
Publication:
Cambridge, Mass. : MIT Press, ©2008.
Cambridge, Mass. : MIT Press, ©2008.
Auteur:
Sujet:
- Venturi, Robert. Learning from Las Vegas Criticism, Textual.,
- Venturi, Robert 1925-2018,
- Scott Brown, Denise, 1931- Criticism and interpretation.,
- Venturi, Robert, 1925-2018.,
- Scott Brown, Denise, 1931-,
- Izenour, Steven, 1940-2001.,
- Venturi, Robert.,
- Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld,
- Architectural writing United States.,
- Book design Massachusetts Cambridge History 20th century.,
- Architecture Art d'écrire États-Unis.,
- Livres Conception graphique Massachusetts Cambridge Histoire 20e siècle.,
- 21.60 architecture: general.,
- 21.73 urban development (architecture),
- Architectural writing.,
- Book design.,
- Postmoderne,
- Architektur,
- Architekturkritik,
- Architekturtheorie,
- Städtebau,
- Architectual theories.,
- City planning.,
- Modernism (culture),
- Massachusetts Cambridge.,
- United States.,
- Las Vegas, Nev.,
- Las Vegas.,
- USA.,
- Criticism, interpretation, etc.,
- History.
Classification:
livres
livres
Titre:
Loving the High Line
Loving the High Line
Actions:
Prix:
$20.00
(disponible sur commande)
Résumé:
As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming(...)
$20.00
(disponible sur commande)
Résumé:
As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming(...)
Titre:
Loving the High Line
Actions:
Prix:
$20.00
(disponible sur commande)
Résumé:
As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming soil creating a meadow on the derelict railbed. This microcosmic biome then also became a heterotopic, other space, in the social ecology of the city as an efflorescence of new art forms and underground subcultures flourished in the evacuated post-industrial spaces of Chelsea. These processes would unfold as New York City was being transformed into a global center in an emerging political-economy defined by the integration of finance capital with media and information industries. In this, marginal spaces of the kind that developed in Chelsea, and the cultures that create them, became important sources of new aesthetic and cultural innovation, that offer an exploitable social ground from which to extract semiotic value. As the Bloomberg administration gave shape to this new regime, a project was initiated to convert the High Line into a publicly accessible, linear park. This would be realized through a convoluted process in which the manifold tensions and contradictions of the postmodern city would be dramatically played out and the disjunctions between ideal image regimes and the reality of the material substrates that support them would be brought to light, if only to be newly obscured. The High Line urban park has been both heralded as a definitive model for new urban development, and denounced as a driver, or at least a morbid symptom, of devastating gentrification, and the destructive financialization of urban space. This text, originally published in 2015 as part of the Deconstructing the High Line anthology, edited by Mark Linder and Brian Rosa, tracks a collection of interconnected historical treads that converge in the reconstruction of the High Line, and situates the project within architectural discourse and practice, and social and material conditions with which it struggles to engage.
Loving the High Line
Actions:
Prix:
$20.00
(disponible sur commande)
Résumé:
As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming soil creating a meadow on the derelict railbed. This microcosmic biome then also became a heterotopic, other space, in the social ecology of the city as an efflorescence of new art forms and underground subcultures flourished in the evacuated post-industrial spaces of Chelsea. These processes would unfold as New York City was being transformed into a global center in an emerging political-economy defined by the integration of finance capital with media and information industries. In this, marginal spaces of the kind that developed in Chelsea, and the cultures that create them, became important sources of new aesthetic and cultural innovation, that offer an exploitable social ground from which to extract semiotic value. As the Bloomberg administration gave shape to this new regime, a project was initiated to convert the High Line into a publicly accessible, linear park. This would be realized through a convoluted process in which the manifold tensions and contradictions of the postmodern city would be dramatically played out and the disjunctions between ideal image regimes and the reality of the material substrates that support them would be brought to light, if only to be newly obscured. The High Line urban park has been both heralded as a definitive model for new urban development, and denounced as a driver, or at least a morbid symptom, of devastating gentrification, and the destructive financialization of urban space. This text, originally published in 2015 as part of the Deconstructing the High Line anthology, edited by Mark Linder and Brian Rosa, tracks a collection of interconnected historical treads that converge in the reconstruction of the High Line, and situates the project within architectural discourse and practice, and social and material conditions with which it struggles to engage.
Classification:
livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Paysages urbains
Paysages urbains
Classification:
livres
livres
Actions:
Exemplaires:
Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Auteur:
- Broken relations (Spector Books),
- Beck, Martin, 1962-,
- Bismarck, Beatrice von,,
- Buchmann, Sabeth,,
- Lafer, Ilse,,
- Akademie der Bildenden Künste in Wien,
Sujet:
- Art Exhibition techniques Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Installations (Art) Exhibitions.,
- Art and society Exhibitions.,
- Aesthetics Exhibitions.,
- Art Exhibition techniques.,
- Art and society.,
- Art Techniques d'exposition.,
- Art 20e siècle Expositions.,
- Installations (Art) Expositions.,
- Art et société.,
- Art Techniques d'exposition Expositions.,
- Art et société Expositions.,
- Aesthetics,
- Art, Modern,
- Installations (Art),
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
Publication:
Leipzig : Spector Books, [2022], ©2022
Leipzig : Spector Books, [2022], ©2022
Titre:
Broken relations : infrastructure, aesthetics, and critique / editors, Martin Beck, Beatrice von Bismarck, Sabeth Buchmann & Ilse Lafer ; introduction by the editors.
Actions:
Exemplaires:
Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Broken relations : infrastructure, aesthetics, and critique / editors, Martin Beck, Beatrice von Bismarck, Sabeth Buchmann & Ilse Lafer ; introduction by the editors.
Actions:
Exemplaires:
Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Classification:
livres
livres
Publication:
Leipzig : Spector Books, [2022], ©2022
Leipzig : Spector Books, [2022], ©2022
Auteur:
- Broken relations (Spector Books),
- Beck, Martin, 1962-,
- Bismarck, Beatrice von,,
- Buchmann, Sabeth,,
- Lafer, Ilse,,
- Akademie der Bildenden Künste in Wien,
Sujet:
- Art Exhibition techniques Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Installations (Art) Exhibitions.,
- Art and society Exhibitions.,
- Aesthetics Exhibitions.,
- Art Exhibition techniques.,
- Art and society.,
- Art Techniques d'exposition.,
- Art 20e siècle Expositions.,
- Installations (Art) Expositions.,
- Art et société.,
- Art Techniques d'exposition Expositions.,
- Art et société Expositions.,
- Aesthetics,
- Art, Modern,
- Installations (Art),
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
Classification:
livres
livres
Actions:
Exemplaires:
Description:
176 pages : illustrations (some color) ; 26 cm
Description:
176 pages : illustrations (some color) ; 26 cm
Auteur:
Sujet:
- Jencks, Charles Et l'architecture postmoderne.,
- Jencks, Charles 1939-2019,
- Jencks, Charles.,
- Architecture.,
- Architecture and society.,
- System theory.,
- Computational complexity.,
- Systems Theory,
- Architecture 20e siècle Philosophie.,
- Architecture et société.,
- Théorie des systèmes.,
- Complexité de calcul (Informatique),
- architecture (discipline),
- Architektur,
- Architekturtheorie,
- Komplexität,
- Komplexitätstheorie,
- Zukunft,
- Bouwstijlen.,
- Theorieën.,
- Wetenschap.,
- Arquitetura moderna.,
- Arquitetura pós-moderna.
Publication:
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
Titre:
The architecture of the jumping universe : a polemic : how complexity science is changing architecture and culture / Charles Jencks.
Actions:
Exemplaires:
Description:
176 pages : illustrations (some color) ; 26 cm
The architecture of the jumping universe : a polemic : how complexity science is changing architecture and culture / Charles Jencks.
Actions:
Exemplaires:
Description:
176 pages : illustrations (some color) ; 26 cm
Classification:
livres
livres
Publication:
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
Auteur:
Sujet:
- Jencks, Charles Et l'architecture postmoderne.,
- Jencks, Charles 1939-2019,
- Jencks, Charles.,
- Architecture.,
- Architecture and society.,
- System theory.,
- Computational complexity.,
- Systems Theory,
- Architecture 20e siècle Philosophie.,
- Architecture et société.,
- Théorie des systèmes.,
- Complexité de calcul (Informatique),
- architecture (discipline),
- Architektur,
- Architekturtheorie,
- Komplexität,
- Komplexitätstheorie,
- Zukunft,
- Bouwstijlen.,
- Theorieën.,
- Wetenschap.,
- Arquitetura moderna.,
- Arquitetura pós-moderna.
