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1 online resource.
[Place of publication not identified] : Lateral Addition, 2019.
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[Place of publication not identified] : Lateral Addition, 2019.
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Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures(...)
Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures into communities, subcultures, networks and innumerable other unities. "Scenes" are both the haziest of such unities and some of the most productive. Amidst an explosion of writing on all aspects of urban culture, our focus on scenes has served to constrain and inspire the studies contained in this issue. Contributors: Adrian Blackwell, Alan Blum, Jenny Burman, Jean-François Côté, Jonathan Gainer, Elke Grenzer, Janet Jones, Ryan Kamstra, Janine Marchessault, Paul Moore, Brian Poole, James N. Porter, John Porter, Peter Shevlin, Johanne Sloane, Geoff Stahl, Will Straw, Tom Taylor, Kathryn Walter, Margaux Williamson, Kelly Wood. Originally priced at $20.00.
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janvier 2002, Toronto
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Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and(...)
Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and expression for architecture. Their projects explore the interplay between rule-based systems and human ritual. In scale, this work lies somewhere between furniture and building, so that what is built, drawn, and projected gives human measure to procedural thinking. Published on the occasion of the studio's exhibition "Meeting the Clouds Halfway" at the Museum of Contemporary Art (MOCA) Tucson, this book is a collection of recent explorations into modularity, craft, pattern, rhythm, material, and memory. Trace Elements documents a wide-ranging and yet sharply focused body of work from an office dedicated both to intellectual exploration and the honing of a distinct design sensibility.
Essayism
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Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and(...)
Essayism
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Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and invention. How to write about essays and essayists while staying true to these contradictions? "ESSAYISM" is a personal, critical and polemical book about the genre, its history and contemporary possibilities. It's an example of what it describes: an essay that is curious and digressive, exacting yet evasive, a form that would instruct, seduce and mystify in equal measure. Among the essayists to whom he pays tribute - from Virginia Woolf to Georges Perec, Joan Didion to Sir Thomas Browne - Brian Dillon discovers a path back into his own life as a reader, and out of melancholia to a new sense of writing as adventure.
Littérature et poésie
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There's something irresistible about a skyscraper. It can reshape an entire city skyline and from the building's top floors, people can see the world from a different perspective. Travelling from New York City to Dubai, from London to Shanghai and from Kuala Lumpur to Chicago, this colourful book features double-page spreads for each of the skyscrapers it profiles.(...)
13 skyscrapers children should know
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There's something irresistible about a skyscraper. It can reshape an entire city skyline and from the building's top floors, people can see the world from a different perspective. Travelling from New York City to Dubai, from London to Shanghai and from Kuala Lumpur to Chicago, this colourful book features double-page spreads for each of the skyscrapers it profiles. Each chapter includes photographs, information on the building's architect and history and interesting facts about its construction and use. For instance, why is the Chrysler Building so admired, even though it doesn't stand nearly as tall as other skyscrapers? How do you measure the height of a building and how do you make sure it doesn't topple over in strong winds? How has skyscraper technology changed, from the steel frame skeletons that supported the earliest towers to the advanced computer programs that are now needed to design buildings more than 100 stories high? How has city life changed since the first skyscrapers were built?
Littérature jeunesse
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From a youth spent in different cities of the world, to his beginnings as an architect in Toronto, the author has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the(...)
Walking home: the life and lessons of a city builder
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From a youth spent in different cities of the world, to his beginnings as an architect in Toronto, the author has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the mid-century drive to suburbanization deprived us of these inherent advantages of urban living. The realization of this loss, in tandem with pressing recent concerns about energy scarcity and global warming, has made us see cities with fresh eyes and a growing understanding that they can provide us with an unparalleled measure of sustainability. This publication explains how turning the world's urban spaces back into places that can give us not only a platform to face the challenges of the future, but also a place we can call, with pride and satisfaction, home.
Théorie de l’urbanisme
The Immaterial
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In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy.(...)
The Immaterial
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In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy. In this volume, Gorz argues instead for the creation of a true knowledge economy. This economy would be based on zero-cost exchange and pooled resources, and knowledge would be treated as humanity's common property. Currently, in order to exploit knowledge and turn it into capital, the capitalist enterprise privatizes specialized knowledge and claims ownership through private licenses and copyright. But as Gorz shows, the traditional foundations of such capitalist economics have begun to crumble because of the immaterial nature of this new form of product, which makes it almost impossible to measure in monetary terms.
Théorie de l’art
Andrew Kuo: What me worry
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Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in(...)
Andrew Kuo: What me worry
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Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in the criteria and gradations they measure. Kuo's obsessive charts, which resemble Op art, Concrete art or the abstractions of Josef Albers have reached a wide audience through his music reviews for The New York Times, as well as through numerous solo shows over the past ten years. What Me Worry adopts Mad magazine's slogan to gently poke fun at the artist's compulsive record-keeping, and compiles a range of charts, some of which are also made into colorful sculptures, alongside figurative paintings, diary musings and a series of recipes.
Signalétique
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to(...)
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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Résumé:
Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others: "The Elements of Euclid in which coloured diagrams and symbols are used instead of letters for the greater ease of learners." Byrne is not content to trust solely in the supposed intuitive "logical" structure of Euclid's axioms and theorems – who doesn't know the first famous sentences of Euclid's Elements: "I. A point is that which has no parts. II. A line is length without breadth"? –, but translates them into colourful diagrams and symbols. He thereby thinks in terms of the school classroom : he compares his colours to the dyed chalks in which figures are drawn on the blackboard.
Théorie de l’architecture
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Apophanies.
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2022.
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[Place of publication not identified] : Lateral Addition, 2022.