L'appartement
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Présent au MAMCO depuis l'ouverture de l'institution au public, L'Appartement est un espace particulier dans le parcours du musée. Il s'agit de la reconstitution de l'appartement de Ghislain Mollet-Viéville situé à l'origine au 26 de la rue Beaubourg à Paris. Occupé et aménagé par ce dernier de 1975 à 1991, ce lieu de vie était aussi un lieu d'échanges et d'exposition(...)
février 2020
L'appartement
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Présent au MAMCO depuis l'ouverture de l'institution au public, L'Appartement est un espace particulier dans le parcours du musée. Il s'agit de la reconstitution de l'appartement de Ghislain Mollet-Viéville situé à l'origine au 26 de la rue Beaubourg à Paris. Occupé et aménagé par ce dernier de 1975 à 1991, ce lieu de vie était aussi un lieu d'échanges et d'exposition d'œuvres précisément choisies. L'art minimal et conceptuel y tenaient une place essentielle pas simplement à travers des œuvres mais aussi comme forme de vie. Désormais partie intégrante de la collection du MAMCO, L'Appartement propose, entre autres, des pièces de Donald Judd, Carl Andre, Claude Rutault, Art & Language, Joseph Kosuth, Lawrence Weiner et André Cadere. Cet ouvrage en est la présentation détaillée à travers un essai de Patricia Falguières, un entretien avec Ghislain Mollet-Viéville et une étude de chaque œuvre par Thierry Davila. Il montre aussi combien collectionner signifie inventer un type singulier de fréquentation de l'art.
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A mother stitches a few lines of prayer into a bedcover for her son serving in the Union army during the Civil War. A formerly enslaved African American woman creates a quilt populated by Biblical figures alongside celestial events. A quilted Lady Liberty, George Washington and Abraham Lincoln mark the resignation of Richard Nixon. These are just a few of the diverse and(...)
juin 2021
Fabric of a Nation: American quilt stories
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A mother stitches a few lines of prayer into a bedcover for her son serving in the Union army during the Civil War. A formerly enslaved African American woman creates a quilt populated by Biblical figures alongside celestial events. A quilted Lady Liberty, George Washington and Abraham Lincoln mark the resignation of Richard Nixon. These are just a few of the diverse and sometimes hidden stories of the American experience told by quilts and bedcovers from the collection of the Museum of Fine Arts, Boston. Spanning more than 400 years, the 58 works of textile art in this book express the personal narratives of their makers and owners and connect to broader stories of global trade, immigration, industry, marginalization, and territorial and cultural expansion. Made by Americans of European, African, Native and Hispanic heritage, these quilts and bedcovers range from family heirlooms to acts of political protest, each with its own story to tell.
Women building history
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This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure,(...)
Women building history
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This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman's opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman's politics. The Woman's Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
Walking sculpture: 1967-2015
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Artists have utilized walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. In this book, Lexi Lee Sullivan traces the history of walking as an aesthetic(...)
Walking sculpture: 1967-2015
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Artists have utilized walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. In this book, Lexi Lee Sullivan traces the history of walking as an aesthetic action from the Dadaists to contemporary ramblers. Titled after Michelangelo Pistoletto’s performance Walking Sculpture, the catalogue features 50 color illustrations ranging from photographs of Yvonne Rainer’s street actions to Francis Alÿs’s fantastical processions, poems by Cole Swensen, and a new project by artist Helen Mirra, who produces poetic meditations on landscape, ecology, and locomotion. Sculpture, film, video, photography, and performance converge to address the multi-disciplinary practice of ambulation through the cityscape and the countryside. For those who hike; march in fundraisers, protests, or parades; walk the dog; stroll in the park; or commute daily, this catalogue will invite new thought into basic human movement.
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Three volume exhibition catalogue of exhibition titled 'Supermarket of the dead' at the Dresden State Art Museum in 2015. One of the most ancient forms of Chinese spirituality proves to be a living tradition, still widely practised everywhere in Chinese culture. Paper replicas of money and goods are ritually burned as offerings to win the favour of ancestors, gods and(...)
juillet 2015
Supermarket of the dead: burnt offerings in China an dthe cultu of globalised consumption
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Three volume exhibition catalogue of exhibition titled 'Supermarket of the dead' at the Dresden State Art Museum in 2015. One of the most ancient forms of Chinese spirituality proves to be a living tradition, still widely practised everywhere in Chinese culture. Paper replicas of money and goods are ritually burned as offerings to win the favour of ancestors, gods and spirits. These paper models have recently undergone a kind of transformation, in which imi-tations of traditional objects have been superseded by replicas of consumer goods found in western shopping habits. An alter-native world made of paper, encompassing all today’s globalised brand consumption fetishes, Gucci bags, Prada shoes, mobile phones, Apple computers and even Heineken beer cans and life-size cars, is committed to the flames as a tribute to the ancestors. This three part catalog offers a glimpse of the exhibition and includes a volume of essays to accompany the works.
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xi, 331 pages, 9 unnumbered pages of plates : illustrations, facsimiles ; 24 cm
London : Bamboo Publishing, 1987.
Western books on China published up to 1850 in the Library of the School of Oriental and African Studies, University of London : a descriptive catalogue / John Lust.
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xi, 331 pages, 9 unnumbered pages of plates : illustrations, facsimiles ; 24 cm
livres
London : Bamboo Publishing, 1987.
L'Écologie des choses – Regards sur les artistes japonais et leurs environnements de 1970 à nos jour
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Au travers de dialogues inédits, ce catalogue propose de réévaluer comment certaines œuvres pionnières issues de mouvements artistiques majeurs au Japon tels que Mono-ha (L'école des choses) ou Fluxus portaient déjà un regard attentif à nos milieux de vie dans une dimension sociale et écologique, intime et collective. Si les pratiques de Noboru Takayama ou Kishio Suga(...)
L'Écologie des choses – Regards sur les artistes japonais et leurs environnements de 1970 à nos jour
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Au travers de dialogues inédits, ce catalogue propose de réévaluer comment certaines œuvres pionnières issues de mouvements artistiques majeurs au Japon tels que Mono-ha (L'école des choses) ou Fluxus portaient déjà un regard attentif à nos milieux de vie dans une dimension sociale et écologique, intime et collective. Si les pratiques de Noboru Takayama ou Kishio Suga (Mono-ha) font par exemple appel à la mémoire et l'histoire inhérente de nos environnements par le truchement et la confrontation de matériaux bruts, qu'ils soient d'origine naturelle ou industrielle, celles d'Hideki Umezawa et Koichi Sato ou d'Hiroshi Yoshimura investissent le médium sonore pour composer des paysages musicaux et visuels en réponse à certaines architectures et créer ainsi des lueurs de calme dans des lieux inattendus. Des approches non sans écho à celles privilégiées par certaines artistes Fluxus réunies ici (Yoko Ono, Mieko Shiomi et Takako Saito) et leur recours au langage.
livres
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Over the last 50 years, the America House in Berlin has been the focal point of cultural and political discussions and international controversies. Protected by barbed wire, it was attacked with eggs and Molotov cocktails; Robert Kennedy and Willy Brandt visited; millions of Berliners gained access to information in its library and at screenings of films; Lyonel Feininger(...)
The America House Berlin: pop, politics, and propaganda
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Over the last 50 years, the America House in Berlin has been the focal point of cultural and political discussions and international controversies. Protected by barbed wire, it was attacked with eggs and Molotov cocktails; Robert Kennedy and Willy Brandt visited; millions of Berliners gained access to information in its library and at screenings of films; Lyonel Feininger and Robert Rauschenberg exhibited their works there. In addition, the building is an architectural gem. Built in 1956-57 by Bruno Grimmek, the delicate, open structure is based on the concept of the "idea of space"-a fluid space that is borne by a transparent exterior membrane. In fall 2014 the building will be the new home of C/O Berlin, the exhibition center for photography and visual media.
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avril 2015
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On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war(...)
septembre 2023
50 Years after 50 Years of the Bauhaus
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On 4 May 1968, a few hours after angry student protesters in Paris had caused the Sorbonne to be evacuated, the exhibition ''50 Years Bauhaus'' opened at the Württembergischer Kunstverein. Conceived by Herbert Bayer, Ludwig Grote, Hans Maria Wingler and Dieter Honisch, the then director of the Kunstverein, the show is still regarded as the most influential post-war exhibition on the Bauhaus. Fifty years after the opening of '50 Years Bauhaus'', the Württembergischer Kunstverein undertook a critical re-reading of the 1968 exhibition, with a particular focus on the ambiguous relationship that various prominent members of the Bauhaus had with National Socialism and the murky connections between the art avant-gardes and the military-industrial complex. While the 1968 exhibition historicized the reception of the Bauhaus, reducing it to West Germany and the US, the publication 50 Years After 50 Years of the Bauhaus reflects on the famous school in the context of artistic movements like the International Movement for an Imaginist Bauhaus and the Situationist International.
livres
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How the modernist avant-gardes from Dada to constructivism reconceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world. These “engineers,” “agitators,” “constructors,” “photomonteurs,” “workers”—all designations adopted by the artists themselves—turned away(...)
mai 2020
Engineer, agitator, constructor: the artist reinvented
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How the modernist avant-gardes from Dada to constructivism reconceived their roles, working as propagandists, advertisers, publishers, graphic designers, curators and more, to create new visual languages for a radically changed world. These “engineers,” “agitators,” “constructors,” “photomonteurs,” “workers”—all designations adopted by the artists themselves—turned away from traditional forms of painting and sculpture and invented new visual languages. Central among them was photomontage, in which photographs and images from newspapers and magazines were cut, remixed, and pasted together. Working as propagandists, advertisers, publishers, editors, architects, theater designers and curators, these artists engaged with expanded audiences in novel ways, establishing distinctive infrastructures for presenting and distributing their work. Published in conjunction with a major exhibition, this publication marks the transformative addition to MoMA from the Merrill C. Berman Collection, one of the great private collections of political art. Illuminating the essential role of women in avant-garde activities while mapping vital networks across Europe, this richly illustrated book presents the social engagement, fearless experimentation and utopian aspirations that defined the early 20th century, and how these strategies still reverberate today.
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mai 2020