33057 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP057.S4.SS3
Description:
Subseries documents the activities of Peter Eisenman as architect and critic. The material in the subseries was produced between 1976 and 1984 Sub-series contains predominantly essays, interviews, diary planners, notes, curriculum vitaes and documents releting to Eisenman's book projects.
AP057.S4.SS3
Description:
Subseries documents the activities of Peter Eisenman as architect and critic. The material in the subseries was produced between 1976 and 1984 Sub-series contains predominantly essays, interviews, diary planners, notes, curriculum vitaes and documents releting to Eisenman's book projects.
Personnes et institutions:
Date:
1976-1984
1976-1984
Titre:
Peter Eisenman - Personal Work
Actions:
AP057.S4.SS3
Description:
Subseries documents the activities of Peter Eisenman as architect and critic. The material in the subseries was produced between 1976 and 1984 Sub-series contains predominantly essays, interviews, diary planners, notes, curriculum vitaes and documents releting to Eisenman's book projects.
Peter Eisenman - Personal Work
Actions:
AP057.S4.SS3
Description:
Subseries documents the activities of Peter Eisenman as architect and critic. The material in the subseries was produced between 1976 and 1984 Sub-series contains predominantly essays, interviews, diary planners, notes, curriculum vitaes and documents releting to Eisenman's book projects.
Niveau de description archivistique:
Subseries
Subseries
Date:
1976-1984
1976-1984
Personnes et institutions:
Actions:
Numéro de référence:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Personnes et institutions:
Date:
1988-1989
1988-1989
Titre:
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Date:
1988-1989
1988-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1988.PR09
Description:
Project series documents Cornelia Hahn Oberlander's project for the Sutherland Residence in Georgeville, Québec, also identified as Dunkeld Residence. Oberlander worked on this project in 1988 with architect Arthur Erickson. The project consisted in alterations and additions to a victorian residence for which Oberlander was responsable of the landscaping. Oberlander's landscaping includes a vegetable garden, with a kitchen and an herb garden, and a mound covered with wildflowers and trees. The project series contains four design development drawings, including vegetable garden schematics and plans, and two cadastral plans. The project is also documented through correspondence, including correspondence with architect and client, concept notes by Oberlander, financial documents, and research material.
AP075.S1.1988.PR09
Description:
Project series documents Cornelia Hahn Oberlander's project for the Sutherland Residence in Georgeville, Québec, also identified as Dunkeld Residence. Oberlander worked on this project in 1988 with architect Arthur Erickson. The project consisted in alterations and additions to a victorian residence for which Oberlander was responsable of the landscaping. Oberlander's landscaping includes a vegetable garden, with a kitchen and an herb garden, and a mound covered with wildflowers and trees. The project series contains four design development drawings, including vegetable garden schematics and plans, and two cadastral plans. The project is also documented through correspondence, including correspondence with architect and client, concept notes by Oberlander, financial documents, and research material.
Personnes et institutions:
Date:
1988-1994
1988-1994
Titre:
Sutherland Residence, Georgeville, Québec (1988)
Actions:
AP075.S1.1988.PR09
Description:
Project series documents Cornelia Hahn Oberlander's project for the Sutherland Residence in Georgeville, Québec, also identified as Dunkeld Residence. Oberlander worked on this project in 1988 with architect Arthur Erickson. The project consisted in alterations and additions to a victorian residence for which Oberlander was responsable of the landscaping. Oberlander's landscaping includes a vegetable garden, with a kitchen and an herb garden, and a mound covered with wildflowers and trees. The project series contains four design development drawings, including vegetable garden schematics and plans, and two cadastral plans. The project is also documented through correspondence, including correspondence with architect and client, concept notes by Oberlander, financial documents, and research material.
Sutherland Residence, Georgeville, Québec (1988)
Actions:
AP075.S1.1988.PR09
Description:
Project series documents Cornelia Hahn Oberlander's project for the Sutherland Residence in Georgeville, Québec, also identified as Dunkeld Residence. Oberlander worked on this project in 1988 with architect Arthur Erickson. The project consisted in alterations and additions to a victorian residence for which Oberlander was responsable of the landscaping. Oberlander's landscaping includes a vegetable garden, with a kitchen and an herb garden, and a mound covered with wildflowers and trees. The project series contains four design development drawings, including vegetable garden schematics and plans, and two cadastral plans. The project is also documented through correspondence, including correspondence with architect and client, concept notes by Oberlander, financial documents, and research material.
Niveau de description archivistique:
Project
Project
Date:
1988-1994
1988-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2008.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Leon and Thea Koerner University Centre at the University of British Columbia, in Vancouver. Oberlander worked on this project in 2013-2015 with architectural firm B Gordon Hlynsky Architect, who design the building located on North West Marine Drive. Oberlander's work consisted in designing the green space at the entrance of the building. Her landscape design included a concrete pathway linking the existing rose garden situated next to the building and the new building entrance, and rearraging the planting of existing rhododendrons and azaleas. The project series contains four lower floor plans showing landscape, correspondence, including correspondence with architects, specifications and financial documents.
AP075.S1.2008.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Leon and Thea Koerner University Centre at the University of British Columbia, in Vancouver. Oberlander worked on this project in 2013-2015 with architectural firm B Gordon Hlynsky Architect, who design the building located on North West Marine Drive. Oberlander's work consisted in designing the green space at the entrance of the building. Her landscape design included a concrete pathway linking the existing rose garden situated next to the building and the new building entrance, and rearraging the planting of existing rhododendrons and azaleas. The project series contains four lower floor plans showing landscape, correspondence, including correspondence with architects, specifications and financial documents.
Personnes et institutions:
Date:
2008-2015
2008-2015
Titre:
Leon and Thea Koerner University Centre lower level, University of British Columbia, Vancouver, British Columbia (2008)
Actions:
AP075.S1.2008.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Leon and Thea Koerner University Centre at the University of British Columbia, in Vancouver. Oberlander worked on this project in 2013-2015 with architectural firm B Gordon Hlynsky Architect, who design the building located on North West Marine Drive. Oberlander's work consisted in designing the green space at the entrance of the building. Her landscape design included a concrete pathway linking the existing rose garden situated next to the building and the new building entrance, and rearraging the planting of existing rhododendrons and azaleas. The project series contains four lower floor plans showing landscape, correspondence, including correspondence with architects, specifications and financial documents.
Leon and Thea Koerner University Centre lower level, University of British Columbia, Vancouver, British Columbia (2008)
Actions:
AP075.S1.2008.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Leon and Thea Koerner University Centre at the University of British Columbia, in Vancouver. Oberlander worked on this project in 2013-2015 with architectural firm B Gordon Hlynsky Architect, who design the building located on North West Marine Drive. Oberlander's work consisted in designing the green space at the entrance of the building. Her landscape design included a concrete pathway linking the existing rose garden situated next to the building and the new building entrance, and rearraging the planting of existing rhododendrons and azaleas. The project series contains four lower floor plans showing landscape, correspondence, including correspondence with architects, specifications and financial documents.
Niveau de description archivistique:
Project
Project
Date:
2008-2015
2008-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP156.S3.SS3.D33
Description:
Le dossier contient un portfolio, un dossier de dessins de Pierre Jeanneret et un ensemble de négatifs de dessins et de plans fait par Pierre Jeanneret et Marciej Nowicki daté entre 1945 et les années1960 et relatifs au projet architecturaux pour la ville de Chandigarh, en Inde. Nowicki était le chef architect nommé pour la nouvelle ville de Chandigarh. Il meurt en 1950 dans un accident d'avion lors de son retour de Chandigarh. File contains a porfolio, a folder of drawings by Pierre Jeanneret and a group of negatives of drawings and plans by Pierre Jeanneret and Marciej Nowicki dated between 1945 and the 1960s and related to architectural project for Chandigarh, India. Nowicki was appointed chief architect of the new city of Chandigarh. He died in 1950 in a plane crash on his way home from Chandigarh.
AP156.S3.SS3.D33
Description:
Le dossier contient un portfolio, un dossier de dessins de Pierre Jeanneret et un ensemble de négatifs de dessins et de plans fait par Pierre Jeanneret et Marciej Nowicki daté entre 1945 et les années1960 et relatifs au projet architecturaux pour la ville de Chandigarh, en Inde. Nowicki était le chef architect nommé pour la nouvelle ville de Chandigarh. Il meurt en 1950 dans un accident d'avion lors de son retour de Chandigarh. File contains a porfolio, a folder of drawings by Pierre Jeanneret and a group of negatives of drawings and plans by Pierre Jeanneret and Marciej Nowicki dated between 1945 and the 1960s and related to architectural project for Chandigarh, India. Nowicki was appointed chief architect of the new city of Chandigarh. He died in 1950 in a plane crash on his way home from Chandigarh.
Personnes et institutions:
Date:
1945-1960
1945-1960
Titre:
Portfolios pour le projet de Chandigarh = Portfolios for Chandigarh projects
Actions:
AP156.S3.SS3.D33
Description:
Le dossier contient un portfolio, un dossier de dessins de Pierre Jeanneret et un ensemble de négatifs de dessins et de plans fait par Pierre Jeanneret et Marciej Nowicki daté entre 1945 et les années1960 et relatifs au projet architecturaux pour la ville de Chandigarh, en Inde. Nowicki était le chef architect nommé pour la nouvelle ville de Chandigarh. Il meurt en 1950 dans un accident d'avion lors de son retour de Chandigarh. File contains a porfolio, a folder of drawings by Pierre Jeanneret and a group of negatives of drawings and plans by Pierre Jeanneret and Marciej Nowicki dated between 1945 and the 1960s and related to architectural project for Chandigarh, India. Nowicki was appointed chief architect of the new city of Chandigarh. He died in 1950 in a plane crash on his way home from Chandigarh.
Portfolios pour le projet de Chandigarh = Portfolios for Chandigarh projects
Actions:
AP156.S3.SS3.D33
Description:
Le dossier contient un portfolio, un dossier de dessins de Pierre Jeanneret et un ensemble de négatifs de dessins et de plans fait par Pierre Jeanneret et Marciej Nowicki daté entre 1945 et les années1960 et relatifs au projet architecturaux pour la ville de Chandigarh, en Inde. Nowicki était le chef architect nommé pour la nouvelle ville de Chandigarh. Il meurt en 1950 dans un accident d'avion lors de son retour de Chandigarh. File contains a porfolio, a folder of drawings by Pierre Jeanneret and a group of negatives of drawings and plans by Pierre Jeanneret and Marciej Nowicki dated between 1945 and the 1960s and related to architectural project for Chandigarh, India. Nowicki was appointed chief architect of the new city of Chandigarh. He died in 1950 in a plane crash on his way home from Chandigarh.
Niveau de description archivistique:
Dossier 33
Dossier 33
Date:
1945-1960
1945-1960
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
Personnes et institutions:
Date:
1966-2004
1966-2004
Titre:
Jarvis Residence, Vancouver, British Columbia (1988-1992)
Actions:
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
Jarvis Residence, Vancouver, British Columbia (1988-1992)
Actions:
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
Niveau de description archivistique:
Project
Project
Date:
1966-2004
1966-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1962.PR05
Description:
This project series documents the construction of the Toronto-Dominion Bank Building in Toronto in1962. The office identified the project number as 6280. This project consisted of a 56 storey, black steel skyscraper that came to exemplify the age of modernist architecture in Toronto through the introduction of the International Style to the older cityscape. The design of the Toronto-Dominion Bank Centre is almost wholly credited to architect Ludwig Mies van der Rohe. However, John B. Parkin Associates, in joint venture with architecture firm Bregman + Hamann, were the primary architects on the project, with van der Rohe acting as consulting architect. During this era, the Toronto-Dominion Centre included three buildings - two office towers and a single level banking pavilion which was about two-storeys in height. It appears that this project consisted only of the tallest tower, now known as TD Tower, and that the other buildings were completed under different project numbers assigned by the office. The project is recorded through reprographic copies of construction drawings dating from 1966-1968.
AP018.S1.1962.PR05
Description:
This project series documents the construction of the Toronto-Dominion Bank Building in Toronto in1962. The office identified the project number as 6280. This project consisted of a 56 storey, black steel skyscraper that came to exemplify the age of modernist architecture in Toronto through the introduction of the International Style to the older cityscape. The design of the Toronto-Dominion Bank Centre is almost wholly credited to architect Ludwig Mies van der Rohe. However, John B. Parkin Associates, in joint venture with architecture firm Bregman + Hamann, were the primary architects on the project, with van der Rohe acting as consulting architect. During this era, the Toronto-Dominion Centre included three buildings - two office towers and a single level banking pavilion which was about two-storeys in height. It appears that this project consisted only of the tallest tower, now known as TD Tower, and that the other buildings were completed under different project numbers assigned by the office. The project is recorded through reprographic copies of construction drawings dating from 1966-1968.
Personnes et institutions:
Date:
1966-1968
1966-1968
Titre:
Toronto-Dominion Bank Building, Toronto (1962-1967)
Actions:
AP018.S1.1962.PR05
Description:
This project series documents the construction of the Toronto-Dominion Bank Building in Toronto in1962. The office identified the project number as 6280. This project consisted of a 56 storey, black steel skyscraper that came to exemplify the age of modernist architecture in Toronto through the introduction of the International Style to the older cityscape. The design of the Toronto-Dominion Bank Centre is almost wholly credited to architect Ludwig Mies van der Rohe. However, John B. Parkin Associates, in joint venture with architecture firm Bregman + Hamann, were the primary architects on the project, with van der Rohe acting as consulting architect. During this era, the Toronto-Dominion Centre included three buildings - two office towers and a single level banking pavilion which was about two-storeys in height. It appears that this project consisted only of the tallest tower, now known as TD Tower, and that the other buildings were completed under different project numbers assigned by the office. The project is recorded through reprographic copies of construction drawings dating from 1966-1968.
Toronto-Dominion Bank Building, Toronto (1962-1967)
Actions:
AP018.S1.1962.PR05
Description:
This project series documents the construction of the Toronto-Dominion Bank Building in Toronto in1962. The office identified the project number as 6280. This project consisted of a 56 storey, black steel skyscraper that came to exemplify the age of modernist architecture in Toronto through the introduction of the International Style to the older cityscape. The design of the Toronto-Dominion Bank Centre is almost wholly credited to architect Ludwig Mies van der Rohe. However, John B. Parkin Associates, in joint venture with architecture firm Bregman + Hamann, were the primary architects on the project, with van der Rohe acting as consulting architect. During this era, the Toronto-Dominion Centre included three buildings - two office towers and a single level banking pavilion which was about two-storeys in height. It appears that this project consisted only of the tallest tower, now known as TD Tower, and that the other buildings were completed under different project numbers assigned by the office. The project is recorded through reprographic copies of construction drawings dating from 1966-1968.
Niveau de description archivistique:
Project
Project
Date:
1966-1968
1966-1968
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Amancio Williams
Fonds Amancio Williams
Numéro de référence:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Personnes et institutions:
Date:
1848-2010s
1848-2010s
Titre:
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Fonds Amancio Williams
Actions:
AP205
Résumé:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1848-2010s
1848-2010s
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0342
Description:
- This reprographic copy shows a large building set in the countryside, possibly a clubhouse. The illustration shows the building in use; there are groups of people at three different entrances and several groups in front of the building, including a man riding a horse and another walking a dog. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0342
Description:
- This reprographic copy shows a large building set in the countryside, possibly a clubhouse. The illustration shows the building in use; there are groups of people at three different entrances and several groups in front of the building, including a man riding a horse and another walking a dog. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed in the 1920s or 1930s
printed in the 1920s or 1930s
Titre:
Perspectival view showing a large building set in the countryside, possibly a clubhouse
Actions:
DR1988:0342
Description:
- This reprographic copy shows a large building set in the countryside, possibly a clubhouse. The illustration shows the building in use; there are groups of people at three different entrances and several groups in front of the building, including a man riding a horse and another walking a dog. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Perspectival view showing a large building set in the countryside, possibly a clubhouse
Actions:
DR1988:0342
Description:
- This reprographic copy shows a large building set in the countryside, possibly a clubhouse. The illustration shows the building in use; there are groups of people at three different entrances and several groups in front of the building, including a man riding a horse and another walking a dog. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Classification:
dessins
dessins
Date:
printed in the 1920s or 1930s
printed in the 1920s or 1930s
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0343
Description:
- This reprographic copy shows a large building set in the countryside, possibly a clubhouse. The illustration shows the building in use; there are groups of people at three different entrances and several groups in front of the building, including a man riding a horse and another walking a dog. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0343
Description:
- This reprographic copy shows a large building set in the countryside, possibly a clubhouse. The illustration shows the building in use; there are groups of people at three different entrances and several groups in front of the building, including a man riding a horse and another walking a dog. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed in the 1920s or 1930s
printed in the 1920s or 1930s
Titre:
Perspectival view showing a large building set in the countryside, possibly a clubhouse
Actions:
DR1988:0343
Description:
- This reprographic copy shows a large building set in the countryside, possibly a clubhouse. The illustration shows the building in use; there are groups of people at three different entrances and several groups in front of the building, including a man riding a horse and another walking a dog. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Perspectival view showing a large building set in the countryside, possibly a clubhouse
Actions:
DR1988:0343
Description:
- This reprographic copy shows a large building set in the countryside, possibly a clubhouse. The illustration shows the building in use; there are groups of people at three different entrances and several groups in front of the building, including a man riding a horse and another walking a dog. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Classification:
dessins
dessins
Date:
printed in the 1920s or 1930s
printed in the 1920s or 1930s
Personnes et institutions:
Sujet:
architecture
architecture
