6035 Résultats
Classification:
dessins
dessins
Numéro de référence:
AP018.S1.1976.PR23.031
AP018.S1.1976.PR23.031
Personnes et institutions:
Date:
circa 1976
circa 1976
Classification:
dessins
dessins
Date:
circa 1976
circa 1976
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP018.S1.1976.PR23.034
AP018.S1.1976.PR23.034
Personnes et institutions:
Date:
circa 1976
circa 1976
Titre:
Sketch presentation drawing, National Gallery of Canada, Limited Architectural Competition, Ottawa, Ontario
Actions:
AP018.S1.1976.PR23.034
Sketch presentation drawing, National Gallery of Canada, Limited Architectural Competition, Ottawa, Ontario
Actions:
AP018.S1.1976.PR23.034
Classification:
dessins
dessins
Date:
circa 1976
circa 1976
Personnes et institutions:
Classification:
dessins
Quantité:
25 drawing(s)
dessins
Quantité:
25 drawing(s)
Numéro de référence:
ARCH265603
Description:
This group consists of site plans, perspectives, floor plans, elevations and sections for the National Gallery of Canada competition project.
ARCH265603
Description:
This group consists of site plans, perspectives, floor plans, elevations and sections for the National Gallery of Canada competition project.
Personnes et institutions:
Titre:
Site plans, perspectives, floor plans, elevations and sections for the National Gallery of Canada competition project
Actions:
ARCH265603
Description:
This group consists of site plans, perspectives, floor plans, elevations and sections for the National Gallery of Canada competition project.
Site plans, perspectives, floor plans, elevations and sections for the National Gallery of Canada competition project
Actions:
ARCH265603
Description:
This group consists of site plans, perspectives, floor plans, elevations and sections for the National Gallery of Canada competition project.
Classification:
dessins
Quantité:
25 drawing(s)
dessins
Quantité:
25 drawing(s)
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH277024
Description:
File contains presentation booklets from other architectural firms and participant reports from the University Boulevard Architectural Competition.
ARCH277024
Description:
File contains presentation booklets from other architectural firms and participant reports from the University Boulevard Architectural Competition.
Personnes et institutions:
Date:
1993-2002
1993-2002
Titre:
Presentation booklets from other architectural firms and participant reports from the University Boulevard Architectural Competition
Actions:
ARCH277024
Description:
File contains presentation booklets from other architectural firms and participant reports from the University Boulevard Architectural Competition.
Presentation booklets from other architectural firms and participant reports from the University Boulevard Architectural Competition
Actions:
ARCH277024
Description:
File contains presentation booklets from other architectural firms and participant reports from the University Boulevard Architectural Competition.
Classification:
documents textuels
documents textuels
Date:
1993-2002
1993-2002
Personnes et institutions:
Classification:
dessins
dessins
![Competition drawing [?] showing an elevation for the H. Pander & Zonen Furniture Factory [?], Netherlands](/img-collection/4_g3QNCVTm_PmXN2RH3WICwfM6I=/500x396/246305.jpg)
Actions:
Numéro de référence:
DR1984:0806
DR1984:0806
Personnes et institutions:
Sujet:
architecture
architecture
Date:
March 1924
March 1924
Classification:
dessins
dessins
Date:
March 1924
March 1924
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997-1998
1997-1998
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
ARCH183787
Description:
Labelled: "IFCCA Prize Competition for the Design of Cities; 7 images total, Eisenman Architects; Preferred image: persfromriver.tif". Original directory name: "990628_1019". File format: Targetted Image File Format.
ARCH183787
Description:
Labelled: "IFCCA Prize Competition for the Design of Cities; 7 images total, Eisenman Architects; Preferred image: persfromriver.tif". Original directory name: "990628_1019". File format: Targetted Image File Format.
Personnes et institutions:
Date:
1999
1999
Titre:
Presentation by Peter Eisenman for the IFCCA Prize Competition for the Design of Cities, CD-R, 650MB
Actions:
ARCH183787
Description:
Labelled: "IFCCA Prize Competition for the Design of Cities; 7 images total, Eisenman Architects; Preferred image: persfromriver.tif". Original directory name: "990628_1019". File format: Targetted Image File Format.
Presentation by Peter Eisenman for the IFCCA Prize Competition for the Design of Cities, CD-R, 650MB
Actions:
ARCH183787
Description:
Labelled: "IFCCA Prize Competition for the Design of Cities; 7 images total, Eisenman Architects; Preferred image: persfromriver.tif". Original directory name: "990628_1019". File format: Targetted Image File Format.
Classification:
né numérique
né numérique
Date:
1999
1999
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR1999:0503
Description:
Documents include competition brief, filing index, program, floor area, correspondence, fax transmittals, meeting minutes, consultant correspondence, traffic, accounting files
DR1999:0503
Description:
Documents include competition brief, filing index, program, floor area, correspondence, fax transmittals, meeting minutes, consultant correspondence, traffic, accounting files
Personnes et institutions:
Date:
1992
1992
Titre:
Competition brief, filing index, program, floor area, correspondence, fax transmittals, Nordliches Derendorf Master Plan
Actions:
DR1999:0503
Description:
Documents include competition brief, filing index, program, floor area, correspondence, fax transmittals, meeting minutes, consultant correspondence, traffic, accounting files
Competition brief, filing index, program, floor area, correspondence, fax transmittals, Nordliches Derendorf Master Plan
Actions:
DR1999:0503
Description:
Documents include competition brief, filing index, program, floor area, correspondence, fax transmittals, meeting minutes, consultant correspondence, traffic, accounting files
Classification:
documents textuels
documents textuels
Date:
1992
1992
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP140.S2.SS1.D71.P17
Description:
Project presentation texts, site plan, floor plans, elevations and sections, axonometrics, perspective, views of model and circulation diagrams for competition report.
AP140.S2.SS1.D71.P17
Description:
Project presentation texts, site plan, floor plans, elevations and sections, axonometrics, perspective, views of model and circulation diagrams for competition report.
Personnes et institutions:
Date:
circa 1982-1986
circa 1982-1986
Titre:
Project presentation texts, site plan, floor plans, National Gallery Addition Competition, London, United Kingdom
Actions:
AP140.S2.SS1.D71.P17
Description:
Project presentation texts, site plan, floor plans, elevations and sections, axonometrics, perspective, views of model and circulation diagrams for competition report.
Project presentation texts, site plan, floor plans, National Gallery Addition Competition, London, United Kingdom
Actions:
AP140.S2.SS1.D71.P17
Description:
Project presentation texts, site plan, floor plans, elevations and sections, axonometrics, perspective, views of model and circulation diagrams for competition report.
Classification:
dessins
dessins
Date:
circa 1982-1986
circa 1982-1986
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
ARCH183786
Description:
Labelled: "Eisenman/SOM IFCCA Competition, June 1999". Most common file formats: Adobe Illustrator, Targetted Image File Format, Encapsulated PostScript File Format. A printed file list is inserted in the case.
ARCH183786
Description:
Labelled: "Eisenman/SOM IFCCA Competition, June 1999". Most common file formats: Adobe Illustrator, Targetted Image File Format, Encapsulated PostScript File Format. A printed file list is inserted in the case.
Personnes et institutions:
Date:
1999
1999
Titre:
Presentation by Peter Eisenman for the IFCCA Prize Competition for the Design of Cities, CD-R, 650MB
Actions:
ARCH183786
Description:
Labelled: "Eisenman/SOM IFCCA Competition, June 1999". Most common file formats: Adobe Illustrator, Targetted Image File Format, Encapsulated PostScript File Format. A printed file list is inserted in the case.
Presentation by Peter Eisenman for the IFCCA Prize Competition for the Design of Cities, CD-R, 650MB
Actions:
ARCH183786
Description:
Labelled: "Eisenman/SOM IFCCA Competition, June 1999". Most common file formats: Adobe Illustrator, Targetted Image File Format, Encapsulated PostScript File Format. A printed file list is inserted in the case.
Classification:
né numérique
né numérique
Date:
1999
1999
Personnes et institutions:
