1390 Résultats
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livres
livres
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431 pages : illustrations, maps ; 24 cm
Description:
431 pages : illustrations, maps ; 24 cm
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New York : W.W. Norton & Company, ©1994., copyright ©1994
New York : W.W. Norton & Company, ©1994., copyright ©1994
Titre:
Flesh and stone : the body and the city in Western civilization / Richard Sennett.
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Description:
431 pages : illustrations, maps ; 24 cm
Flesh and stone : the body and the city in Western civilization / Richard Sennett.
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Description:
431 pages : illustrations, maps ; 24 cm
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livres
livres
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New York : W.W. Norton & Company, ©1994., copyright ©1994
New York : W.W. Norton & Company, ©1994., copyright ©1994
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livres
livres
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The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
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xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
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xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
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Baltimore : Johns Hopkins University Press, 2007.
Baltimore : Johns Hopkins University Press, 2007.
Titre:
The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
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Description:
xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
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Description:
xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
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livres
livres
Publication:
Baltimore : Johns Hopkins University Press, 2007.
Baltimore : Johns Hopkins University Press, 2007.
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livres
livres
Titre:
What gardens mean
What gardens mean
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$56.00
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Résumé:
The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
$56.00
(disponible sur commande)
Résumé:
The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
Titre:
What gardens mean
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$56.00
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The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
What gardens mean
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$56.00
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The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
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livres
livres
Publication:
avril 1998, Chicago
avril 1998, Chicago
Sujet:
Jardins
Jardins
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livres
livres
Titre:
What gardens mean
What gardens mean
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$39.95
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Résumé:
The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
$39.95
(disponible sur commande)
Résumé:
The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
Titre:
What gardens mean
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$39.95
(disponible sur commande)
Résumé:
The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
What gardens mean
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$39.95
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The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
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livres
livres
Publication:
mars 2001, Chicago
mars 2001, Chicago
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$65.00
(disponible sur commande)
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Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were(...)
$65.00
(disponible sur commande)
Résumé:
Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were(...)
Titre:
Carmontelle's Landscape Transparencies : Cinema of the Enlightenment
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$65.00
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Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were accompanied by live storytelling that gave spectators the experience of journeying through beautiful landscapes. Presented chronologically, the transparencies show the evolution of eighteenth-century fashions and customs. The author re-creates the original viewing experience by leading the reader through a series of panoramic scenes, and, in the process, offers a lively analysis of eighteenth-century social life. Drawn from both museum and private collections, the charming illustrations include gatefolds showing the full extent of the J. Paul Getty Museum's Figures Walking in a Parkland as well as many exquisite details of elegant outdoor gatherings and verdant parklands. The book presents all of Carmontelle's extant transparencies, some of which survive only in fragments and a number of which have never been published.
Carmontelle's Landscape Transparencies : Cinema of the Enlightenment
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$65.00
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Résumé:
Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were accompanied by live storytelling that gave spectators the experience of journeying through beautiful landscapes. Presented chronologically, the transparencies show the evolution of eighteenth-century fashions and customs. The author re-creates the original viewing experience by leading the reader through a series of panoramic scenes, and, in the process, offers a lively analysis of eighteenth-century social life. Drawn from both museum and private collections, the charming illustrations include gatefolds showing the full extent of the J. Paul Getty Museum's Figures Walking in a Parkland as well as many exquisite details of elegant outdoor gatherings and verdant parklands. The book presents all of Carmontelle's extant transparencies, some of which survive only in fragments and a number of which have never been published.
Classification:
livres
livres
Publication:
janvier 2008, Los Angeles
janvier 2008, Los Angeles
Sujet:
Jardins
Jardins
Classification:
livres
livres
Prix:
$37.50
(disponible sur commande)
Résumé:
Beginning from the rise of modern history in the eighteenth century, this book examines how changing ideas in the discipline of history itself has affected architecture from the beginning of modernity up to the present day.
$37.50
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Résumé:
Beginning from the rise of modern history in the eighteenth century, this book examines how changing ideas in the discipline of history itself has affected architecture from the beginning of modernity up to the present day.
Titre:
Architecture re-assembled : the use (and abuse) of history
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$37.50
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Beginning from the rise of modern history in the eighteenth century, this book examines how changing ideas in the discipline of history itself has affected architecture from the beginning of modernity up to the present day.
Architecture re-assembled : the use (and abuse) of history
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$37.50
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Beginning from the rise of modern history in the eighteenth century, this book examines how changing ideas in the discipline of history itself has affected architecture from the beginning of modernity up to the present day.
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livres
livres
Publication:
avril 2013
avril 2013
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Description:
xv, 431 pages : illustrations, maps ; 25 cm
Description:
xv, 431 pages : illustrations, maps ; 25 cm
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Cambridge, Mass. : Harvard University Press, 1995.
Cambridge, Mass. : Harvard University Press, 1995.
Titre:
London : a social history / Roy Porter.
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Description:
xv, 431 pages : illustrations, maps ; 25 cm
London : a social history / Roy Porter.
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Description:
xv, 431 pages : illustrations, maps ; 25 cm
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livres
livres
Publication:
Cambridge, Mass. : Harvard University Press, 1995.
Cambridge, Mass. : Harvard University Press, 1995.
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livres
livres
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$51.95
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An exploration of infographics and data visualization as a cultural phenomenon, from eighteenth-century print culture to today's data journalism. Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news—in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be(...)
$51.95
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Résumé:
An exploration of infographics and data visualization as a cultural phenomenon, from eighteenth-century print culture to today's data journalism. Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news—in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be(...)
Titre:
The infographic: a history of data graphics in news and communications
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$51.95
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Résumé:
An exploration of infographics and data visualization as a cultural phenomenon, from eighteenth-century print culture to today's data journalism. Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news—in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be literate in the twenty-first century—and even that they harmonize uniquely with human cognition. In this first serious exploration of the subject, Murray Dick traces the cultural evolution of the infographic, examining its use in news—and resistance to its use—from eighteenth-century print culture to today's data journalism. He identifies six historical phases of infographics in popular culture: the proto-infographic, the classical, the improving, the commercial, the ideological, and the professional.
The infographic: a history of data graphics in news and communications
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$51.95
(disponible sur commande)
Résumé:
An exploration of infographics and data visualization as a cultural phenomenon, from eighteenth-century print culture to today's data journalism. Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news—in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be literate in the twenty-first century—and even that they harmonize uniquely with human cognition. In this first serious exploration of the subject, Murray Dick traces the cultural evolution of the infographic, examining its use in news—and resistance to its use—from eighteenth-century print culture to today's data journalism. He identifies six historical phases of infographics in popular culture: the proto-infographic, the classical, the improving, the commercial, the ideological, and the professional.
Classification:
livres
livres
Publication:
mai 2020
mai 2020
Sujet:
Théorie du design
Théorie du design
Classification:
livres
livres
Titre:
Piranesi's lost words
Piranesi's lost words
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$106.95
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Résumé:
Eighteenth-century european artist Giovanni Battista Piranesi was more than an artist; he was an engraver and printmaker, architect, antiquities dealer, archaeologist, draftsman, publisher, bookseller, and author. In Piranesi’s Lost Words, Heather Hyde Minor considers Piranesi the author and publisher, focusing on his major publications from 1756 to his death in 1778.(...)
$106.95
(disponible sur commande)
Résumé:
Eighteenth-century european artist Giovanni Battista Piranesi was more than an artist; he was an engraver and printmaker, architect, antiquities dealer, archaeologist, draftsman, publisher, bookseller, and author. In Piranesi’s Lost Words, Heather Hyde Minor considers Piranesi the author and publisher, focusing on his major publications from 1756 to his death in 1778.(...)
Titre:
Piranesi's lost words
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$106.95
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Résumé:
Eighteenth-century european artist Giovanni Battista Piranesi was more than an artist; he was an engraver and printmaker, architect, antiquities dealer, archaeologist, draftsman, publisher, bookseller, and author. In Piranesi’s Lost Words, Heather Hyde Minor considers Piranesi the author and publisher, focusing on his major publications from 1756 to his death in 1778. Piranesi designed and manufactured twelve beautiful, large-format books combining visual and verbal content over the course of his lifetime. While the images from these books have been widely studied, they are usually considered in isolation from the texts in which they originally appeared. This study reunites Piranesi’s texts and images, interpreting them in conjunction as composite art. Minor shows how this composite art demonstrates Piranesi’s ability for interpreting the classical world and its remains—and how his books offer a critique of both the Enlightenment project of creating an epistemology of the classical past and how eighteenth-century scholars explicated this past. Piranesi’s books, Minor argues, were integral to the emergence of the modern discipline of art history. Using new, previously unpublished archival material, Piranesi’s Lost Words refines our understanding of Piranesi’s works and the eighteenth-century context in which they were created.
Piranesi's lost words
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$106.95
(disponible sur commande)
Résumé:
Eighteenth-century european artist Giovanni Battista Piranesi was more than an artist; he was an engraver and printmaker, architect, antiquities dealer, archaeologist, draftsman, publisher, bookseller, and author. In Piranesi’s Lost Words, Heather Hyde Minor considers Piranesi the author and publisher, focusing on his major publications from 1756 to his death in 1778. Piranesi designed and manufactured twelve beautiful, large-format books combining visual and verbal content over the course of his lifetime. While the images from these books have been widely studied, they are usually considered in isolation from the texts in which they originally appeared. This study reunites Piranesi’s texts and images, interpreting them in conjunction as composite art. Minor shows how this composite art demonstrates Piranesi’s ability for interpreting the classical world and its remains—and how his books offer a critique of both the Enlightenment project of creating an epistemology of the classical past and how eighteenth-century scholars explicated this past. Piranesi’s books, Minor argues, were integral to the emergence of the modern discipline of art history. Using new, previously unpublished archival material, Piranesi’s Lost Words refines our understanding of Piranesi’s works and the eighteenth-century context in which they were created.
Classification:
livres
livres
Publication:
novembre 2015
novembre 2015
Sujet:
Histoire jusqu'à 1900, Grèce
Histoire jusqu'à 1900, Grèce
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livres
livres
Titre:
The culture of diagram
The culture of diagram
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$26.95
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Résumé:
This book is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic(...)
$26.95
(disponible sur commande)
Résumé:
This book is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic(...)
Titre:
The culture of diagram
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$26.95
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Résumé:
This book is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic procedures in the pages of Diderot's Encyclopedia to the paintings of Jacques-Louis David and mathematical devices that reveal the unseen worlds of quantum physics. The culture of diagram broke with the certainties of eighteenth-century science to expand the range of human experience. Speaking across disciplines and discourses, Bender and Marrinan situate our modernity in a new and revealing light.
The culture of diagram
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$26.95
(disponible sur commande)
Résumé:
This book is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic procedures in the pages of Diderot's Encyclopedia to the paintings of Jacques-Louis David and mathematical devices that reveal the unseen worlds of quantum physics. The culture of diagram broke with the certainties of eighteenth-century science to expand the range of human experience. Speaking across disciplines and discourses, Bender and Marrinan situate our modernity in a new and revealing light.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Théorie de l’art
Théorie de l’art
