Archéologie du numérique
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts(...)
Archéologie du numérique
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts aux concepteurs ? Comment s’est faite la transition entre pratiques analogiques et outils numériques, et comment le dialogue entre eux a-t-il été exploité ? Ces questions sont au coeur de la présente publication et de l’exposition qu’elle accompagne, qui se déploient autour de quatre projets choisis comme étant des moments charnières des premières étapes du développement de l’architecture numérique : la résidence Lewis (1989–1995), de Frank Gehry, le Biozentrum de Francfort (1987), de Peter Eisenman, la conception de la toiture du complexe sportif municipal d’Odawara et celle du gymnase Galaxy de Toyama (1990 –1992), de Shoei Yoh, ainsi que la sphère déployable (1991) et le dôme Iris (1994) de Chuck Hoberman. Chacun des projets a imprimé une orientation certaine à la recherche architecturale en permettant d’expérimenter les possibilités qu’offraient les nouveaux outils numériques. Le dialogue entre informatique, architecture et génie est au coeur de ces expériences, qui peuvent être considérées comme les précurseurs de méthodes encore opérationnelles aujourd’hui.
Publications du CCA
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Jorge Silvetti looks back on a long career as both a designing architect and as an architectural teacher and theoretician. Born in Argentina he was educated in music, the visual arts, and architecture amidst the vibrant culture and political turmoil of Buenos Aires in the 1950s and 60s. Silvetti continued his studies and began teaching at the University of California(...)
Théorie de l’architecture
mai 2025
Large, lasting and invevitable: Jorge Silvetti in dialogues and writings on architecture
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Jorge Silvetti looks back on a long career as both a designing architect and as an architectural teacher and theoretician. Born in Argentina he was educated in music, the visual arts, and architecture amidst the vibrant culture and political turmoil of Buenos Aires in the 1950s and 60s. Silvetti continued his studies and began teaching at the University of California Berkeley after 1967, where his professional association with Rodolfo Machado began. Their work together continues until today as Machado Silvetti Associates, with offices in Boston and Buenos Aires. Silvetti’s teaching, projects, and writings have significantly shaped contemporary architectural discourse.
Théorie de l’architecture
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The relationship between landscape and architecture became strained in the early Modern Movement when the two parted ways in an effort to idealize place making. The aim of this volume of essays is to create a platform where these two disciplines may be reunited in a critical dialogue. The book originates from a symposium of the title and lecture series organized by the(...)
Re-envisioning landscape / architecture
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The relationship between landscape and architecture became strained in the early Modern Movement when the two parted ways in an effort to idealize place making. The aim of this volume of essays is to create a platform where these two disciplines may be reunited in a critical dialogue. The book originates from a symposium of the title and lecture series organized by the School of Architecture at Arizona State University during 1998-1999. It includes over 20 essays by academics and professionals whose work addresses the need to reconsider these two disciplines as complementary pieces of the same puzzle.
Théorie du paysage
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Ce livre propose une théorie du projet et traite les questions méthodologiques qu’elle soulève, étant entendu que la théorie du projet repose sur des convictions architecturales et urbaines que la théorie d’architecture ordonne. Il insiste sur son aspect instrumental puisque sa finalité est la maîtrise du dessin architectural. Tout au long des pages, l’auteur dialogue(...)
janvier 1900, Lausanne
L'ordre et la règle : vers une théorie du projet d'architecture
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Ce livre propose une théorie du projet et traite les questions méthodologiques qu’elle soulève, étant entendu que la théorie du projet repose sur des convictions architecturales et urbaines que la théorie d’architecture ordonne. Il insiste sur son aspect instrumental puisque sa finalité est la maîtrise du dessin architectural. Tout au long des pages, l’auteur dialogue avec les grands archétypes de la mise en forme, en parcourant, d’Occident en Orient, les cultures et les civilisations. À travers leurs significations, il cherche à mettre en évidence la pérennité des choix typologiques et constructifs au-delà des multiples expressions stylistiques.
Le projet tectonique
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La tectonique s'offre aujourd'hui comme une façon d'interroger le dialogue culturel entre conception et construction. Cet ouvrage rassemble les contributions d'architectes, d'artistes, d'historiens, de philosophes et de pédagogues autour du «projet tectonique» dont ils tirent une quintessence troublante et enrichissante: la fonction constructive est aussi une fiction(...)
Théorie de l’architecture
octobre 2005, Gollion
Le projet tectonique
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La tectonique s'offre aujourd'hui comme une façon d'interroger le dialogue culturel entre conception et construction. Cet ouvrage rassemble les contributions d'architectes, d'artistes, d'historiens, de philosophes et de pédagogues autour du «projet tectonique» dont ils tirent une quintessence troublante et enrichissante: la fonction constructive est aussi une fiction constructive. Ce premier volume issu des Grands Ateliers se veut également l'acte inaugural d'une production durable relative aux questionnements engendrés par la rencontre, encore peu sensible il y a dix ans, entre l'art de contruire - qui appartient à un secteur de production encore traditionnel - et les nouvelles technologies de conception et de communication.
Théorie de l’architecture
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Stockholm-born architects Bolle Tham and Martin Videgård lead a studio whose work is characterised by a practical approach and conceptual experimentation with a global ambition. Respectful dialogue and meticulous integration, accompanied by a sober material palette and formal clarity, are the fundamental strategies of the 20 works and projects featured in this issue of(...)
AV Monographs 263 : Tham & Videgard
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Stockholm-born architects Bolle Tham and Martin Videgård lead a studio whose work is characterised by a practical approach and conceptual experimentation with a global ambition. Respectful dialogue and meticulous integration, accompanied by a sober material palette and formal clarity, are the fundamental strategies of the 20 works and projects featured in this issue of the magazine, including Moderna Museet Malmö, Västra Kajen Housing, and the utopian Casa Creek. The selection is organised in three thematic sections (Urban Essays, Domestic Devices, Built Future) and introduced with an essay by Chilean architects Mauricio Pezo and Sofía von Ellrichshausen.
Revues
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What do struggles over pipelines in Canada, housing estates in France, and shantytowns in Martinique have in common? In "Urban revolutions," Stefan Kipfer shows how these struggles force us to understand the (neo-)colonial aspects of capitalist urbanization in a comparatively and historically nuanced fashion. In so doing, he demonstrates that urban research can offer a(...)
Urban revolutions: Urbanisation and (Neo-) Colonialism in transatlantic context
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What do struggles over pipelines in Canada, housing estates in France, and shantytowns in Martinique have in common? In "Urban revolutions," Stefan Kipfer shows how these struggles force us to understand the (neo-)colonial aspects of capitalist urbanization in a comparatively and historically nuanced fashion. In so doing, he demonstrates that urban research can offer a rich, if uneven, terrain upon which to develop the relationship between Marxist and anti-colonial intellectual traditions. After a detailed dialogue between Henri Lefebvre and Frantz Fanon, Kipfer engages creole literature in the French Antilles, Indigenous radicalism in North America and political anti-racism in mainland France.
Théorie de l’urbanisme
Monumento
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"Monumento" (2022) is an installation by Edoardo Tresoldi, commissioned by Generali, promoter of the restoration of the building carried out by the David Chipperfield Architects studio. The installation is located in the space around which the monumental circular staircase of the Procuratie Vecchie ascends. Monumento uses the rhetorical language of the monumental column(...)
janvier 2025
Monumento
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"Monumento" (2022) is an installation by Edoardo Tresoldi, commissioned by Generali, promoter of the restoration of the building carried out by the David Chipperfield Architects studio. The installation is located in the space around which the monumental circular staircase of the Procuratie Vecchie ascends. Monumento uses the rhetorical language of the monumental column as a reflection both on our times and on the rhetoric surrounding those values to which our society aspires: a society that reiterates the need to redefine the concept of strength, reinterpreting the role of fragility and which proposes listening and dialogue as the fundamental points of intercultural relations.
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"Against reason, volume 1" is published alongside the "Tony Smith catalogue raisonné: Sculpture", itself the first of two volumes—the other focusing on architecture—documenting the artist's career. This book reveals the depth and complexity of Smith's oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners.(...)
Against reason, Volume 1. Tony Smith, culture and other modernisms
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"Against reason, volume 1" is published alongside the "Tony Smith catalogue raisonné: Sculpture", itself the first of two volumes—the other focusing on architecture—documenting the artist's career. This book reveals the depth and complexity of Smith's oeuvre in sculpture while positioning its transdisciplinary nature in dialogue with contemporary practitioners. Commissioned essays by art historians and curators and visual projects by artists offer renewed perspectives on a variety of cultural systems, exploring the ongoing vitality of Smith's work. Their contributions reflect upon the modernist era in which Smith's work was produced to think through ingrained ideologies, revealing other, parallel modernisms and histories.
Théorie de l’architecture
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The word Wasáse is the Kanienkeha (Mohawk) word for the ancient war dance ceremony of unity, strength, and commitment to action. The author notes, "This book traces the journey of those Indigenous people who have found a way to transcend the colonial identities which are the legacy of our history and live as Onkwehonwe, original people. It is dialogue and reflection on(...)
Wasàse: indigenous pathways of action and freedom
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The word Wasáse is the Kanienkeha (Mohawk) word for the ancient war dance ceremony of unity, strength, and commitment to action. The author notes, "This book traces the journey of those Indigenous people who have found a way to transcend the colonial identities which are the legacy of our history and live as Onkwehonwe, original people. It is dialogue and reflection on the process of transcending colonialism in a personal and collective sense: making meaningful change in our lives and transforming society by recreating our personalities, regenerating our cultures, and surging against forces that keep us bound to our colonial past."
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