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What if every vista, every island—indeed, every geographical feature on Earth—could be viewed as an art object? In ''Living Surfaces'', Abelardo Gil-Fournier and Jussi Parikka explore how the surface of the Earth has, over the last two centuries, become known and perceived as an environment of images. ''Living Surfaces'' features a range of case studies from(...)
juin 2024
Living surfaces: Images, plants and environments of media
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What if every vista, every island—indeed, every geographical feature on Earth—could be viewed as an art object? In ''Living Surfaces'', Abelardo Gil-Fournier and Jussi Parikka explore how the surface of the Earth has, over the last two centuries, become known and perceived as an environment of images. ''Living Surfaces'' features a range of case studies from eighteenth-century experiments with and observations of vegetal matter, photosynthesis, and plant physiology to twenty-first-century machine vision and AI techniques of calculating agricultural and other landscape surfaces. Mapping these different scales of vegetal images, Gil-Fournier and Parikka help us understand core questions that pertain to the artistic and architectural reference points for the Anthropocene.
livres
Invention of art
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In The Invention of Art, Larry Shiner argues that the category of fine art is a modern invention, and that the line drawn between art and craft resulted from key social transformations in Europe during the eighteenth century. He looks at works by Hogarth, Rousseau, Woolstonecraft, Emerson, Marx, Dewey and Benjamin to show how the modern system maintains its dominance(...)
Invention of art
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In The Invention of Art, Larry Shiner argues that the category of fine art is a modern invention, and that the line drawn between art and craft resulted from key social transformations in Europe during the eighteenth century. He looks at works by Hogarth, Rousseau, Woolstonecraft, Emerson, Marx, Dewey and Benjamin to show how the modern system maintains its dominance through the assimilation of artists and musicians who resist it, and the distinctions it draws between artists and artisans, and high art and the crafts.
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septembre 2001, Chicago
Théorie de l’art
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The author concentrates on fundamental texts in the study of architectural history with special reference to eighteenth and nineteenth century Britain. The texts under discussion address key themes or methods in the construction of architectural histories. Alongside this, philosophical or theoretical writings that address the abstract issues surrounding the main texts are(...)
Reading architectural history
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The author concentrates on fundamental texts in the study of architectural history with special reference to eighteenth and nineteenth century Britain. The texts under discussion address key themes or methods in the construction of architectural histories. Alongside this, philosophical or theoretical writings that address the abstract issues surrounding the main texts are presented as a kind of exegesis on the chosen texts. This, together with an introduction and discursive essays which preface each of the sections, present a trans-disciplinary discourse around the discipline of architectural history.
Théorie de l’architecture
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When buildings are deemed ugly, what are the consequences? In ''Ugliness and Judgment,'' Timothy Hyde considers the role of aesthetic judgment and its concern for uglines in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles' opinions about the(...)
Ugliness and judgement: on architecture in the public eye
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When buildings are deemed ugly, what are the consequences? In ''Ugliness and Judgment,'' Timothy Hyde considers the role of aesthetic judgment and its concern for uglines in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles' opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society.
Théorie de l’architecture
Wendat women's arts
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A richly illustrated history of Wendat women’s embroidery traditions, from the eighteenth century to the present, interwoven with the stories of the artists. For centuries, women artists of the Wendat First Nation of Wendake in Quebec have created artworks of intricate design and complex meaning in moosehair and quill embroidery. Their work records and transmits ancestral(...)
avril 2022
Wendat women's arts
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$49.95
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A richly illustrated history of Wendat women’s embroidery traditions, from the eighteenth century to the present, interwoven with the stories of the artists. For centuries, women artists of the Wendat First Nation of Wendake in Quebec have created artworks of intricate design and complex meaning in moosehair and quill embroidery. Their work records and transmits ancestral knowledge across generations of artists and remains a vibrant and important practice today. Breaking new ground in Indigenous art histories, "Wendat women’s arts" is the first book to bring together a full history of the Wendat embroidery art form.
Theory of gardens
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Jean-Marie Morel (1728–1810), a leading French landscape designer and theorist, is now mainly remembered as the author of one of the fundamental eighteenth-century texts in the history of landscape architecture, the 'Théorie des jardins' (1776; second edition, 1802). With his background as an engineer, Morel was instrumental in shaping the functions of landscape(...)
Theory of gardens
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Jean-Marie Morel (1728–1810), a leading French landscape designer and theorist, is now mainly remembered as the author of one of the fundamental eighteenth-century texts in the history of landscape architecture, the 'Théorie des jardins' (1776; second edition, 1802). With his background as an engineer, Morel was instrumental in shaping the functions of landscape architecture, opening up a new professional domain by coining the term architecte-paysagiste, the precursor to the modern designation landscape architect. This translation marks the first time the 1776 edition of the 'Théorie des jardins' is available in English.
Théorie du paysage
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Andrew Jackson Downing was among the first to develop aesthetic theories that differed sharply from those perpetuated in eighteenth- and early nineteenth-century Europe. He designed houses based upon American democratic values and advocated for domestic design that would satisfy basic human needs along with the desire to live well. In this book, Caren Yglesias,(...)
The complete house and grounds: learning from Andrew Jackson Downing's domestic architecture
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Andrew Jackson Downing was among the first to develop aesthetic theories that differed sharply from those perpetuated in eighteenth- and early nineteenth-century Europe. He designed houses based upon American democratic values and advocated for domestic design that would satisfy basic human needs along with the desire to live well. In this book, Caren Yglesias, a practicing architect, examines Downing's legacy with an eye for relevance to today's domestic landscape. She builds on Downing's work in order to redefine what makes a "complete," or nurturing and fulfilling, house and grounds.
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Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Vickery makes ingenious use of upholsterer’s ledgers, burglary trials, and other unusual sources to reveal the roles of house and home in economic survival, social success, and political representation during the long eighteenth century. Through the spread of(...)
Behind closed doors: at home in Georgian England
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Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Vickery makes ingenious use of upholsterer’s ledgers, burglary trials, and other unusual sources to reveal the roles of house and home in economic survival, social success, and political representation during the long eighteenth century. Through the spread of formal visiting, the proliferation of affordable ornamental furnishings, the commercial celebration of feminine artistry at home, and the currency of the language of taste, even modest homes turned into arenas of social campaign and exhibition.
Behind closed doors
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Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Vickery makes ingenious use of upholsterer’s ledgers, burglary trials, and other unusual sources to reveal the roles of house and home in economic survival, social success, and political representation during the long eighteenth century. Through the spread of formal(...)
Behind closed doors
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Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Vickery makes ingenious use of upholsterer’s ledgers, burglary trials, and other unusual sources to reveal the roles of house and home in economic survival, social success, and political representation during the long eighteenth century. Through the spread of formal visiting, the proliferation of affordable ornamental furnishings, the commercial celebration of feminine artistry at home, and the currency of the language of taste, even modest homes turned into arenas of social campaign and exhibition.
Digital culture
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Taking account of new developments such as Facebook and the iPhone, Charlie Gere charts in detail the history of digital culture, as marked by responses to digital technology in art, music, design, film, literature and other areas. After tracing the historical development of digital culture, Gere argues that it is actually neither radically new nor technologically driven:(...)
Digital culture
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Taking account of new developments such as Facebook and the iPhone, Charlie Gere charts in detail the history of digital culture, as marked by responses to digital technology in art, music, design, film, literature and other areas. After tracing the historical development of digital culture, Gere argues that it is actually neither radically new nor technologically driven: digital culture has its roots in the eighteenth century and the digital mediascape we swim in today was originally inspired by informational needs arising from industrial capitalism, contemporary warfare and counter-cultural experimentation, among other social changes.
Architecture numérique