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Au cours des années 1920, la photographie est devenue une « arme dans la lutte des classes », selon l’expression consacrée dans les milieux communistes. C’est en effet à ce moment que les travailleurs se saisirent d’appareils photographiques dans le but de documenter leur quotidien, leur travail et leurs loisirs, plus singulièrement leur engagement dans le mouvement(...)
Transbordeur 04 : photographie ouvrière
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Au cours des années 1920, la photographie est devenue une « arme dans la lutte des classes », selon l’expression consacrée dans les milieux communistes. C’est en effet à ce moment que les travailleurs se saisirent d’appareils photographiques dans le but de documenter leur quotidien, leur travail et leurs loisirs, plus singulièrement leur engagement dans le mouvement social. Cette nouvelle méthode d’agit-prop, consistant à déléguer aux ouvriers les moyens de production visuels, s’est étendue à différents pays – l’Allemagne et l’URSS en premier lieu, mais aussi la Tchécoslovaquie, la France, les États-Unis, etc. Dix ans après l’exposition tenue à Madrid, « A Hard and Merciless Light », et un an après l’exposition du Centre Pompidou « Photographie, arme de classe », ce numéro 4 de Transbordeur rend compte de l’actualité foisonnante de la recherche sur la photographie ouvrière en étendant le sujet tant sur le plan géographique que chronologique.
Revues
Ré-inventaire #06 : paysages
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De prime abord, le paysage francilien caractérisé par sa grande hétérogénéité, loin des montagnes et de la mer, tourne le dos aux grands paysages que le regard affectionne tant. L'épaisseur trop méconnue des paysages de l'Ile-de-France semble enfouie sous nos habitudes, celles des trajets quotidiens, des promenades du dimanche, des déplacements rapides... Aujourd'hui(...)
Ré-inventaire #06 : paysages
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De prime abord, le paysage francilien caractérisé par sa grande hétérogénéité, loin des montagnes et de la mer, tourne le dos aux grands paysages que le regard affectionne tant. L'épaisseur trop méconnue des paysages de l'Ile-de-France semble enfouie sous nos habitudes, celles des trajets quotidiens, des promenades du dimanche, des déplacements rapides... Aujourd'hui apparentés aux monuments historiques et classés, près de 500 paysages sont protégés pour leurs qualités patrimoniales. Des parcs et jardins aux grands domaines, des forêts aux paysages industriels, des rives de la Seine aux champs encore cultivés, le paysage se répand, comme l'urbanisation sur laquelle il vient buter. C'est sous l'angle principalement des mutations de ces territoires, que les photographes de l'Inventaire vont, les premiers se frotter au paysage. à partir de ses lisières et de ses seuils, la photo révèle des permanences et des ruptures, composant ainsi des nouveaux territoires de contraste.
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Francisco Mangado is a well-known architect, some of his buildings have been widely published. His awards are many and he has been a professor at numerous universities. Always seen partially, it is necessary to complete the enormous puzzle that appears when bringing together his forgotten works, his numerous competitions, his teaching and research activity, and of course(...)
Archives 7: Francisco Mangado
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Francisco Mangado is a well-known architect, some of his buildings have been widely published. His awards are many and he has been a professor at numerous universities. Always seen partially, it is necessary to complete the enormous puzzle that appears when bringing together his forgotten works, his numerous competitions, his teaching and research activity, and of course everything done under the umbrella of his foundation.
Architecture, monographies
Hannah Höch: Interior garden
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At the onset of World War II, the visionary Dada artist Hannah Höch (1889–1978) retreated to a secluded house on the outskirts of Berlin, fleeing persecution for her radical collage work and her unflagging opposition to fascism. In the decades that followed, the surrounding garden became her artistic muse, but it was also a means of survival: its fruits and vegetables(...)
Hannah Höch: Interior garden
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At the onset of World War II, the visionary Dada artist Hannah Höch (1889–1978) retreated to a secluded house on the outskirts of Berlin, fleeing persecution for her radical collage work and her unflagging opposition to fascism. In the decades that followed, the surrounding garden became her artistic muse, but it was also a means of survival: its fruits and vegetables were a vital source of sustenance during wartime, and its grounds served as the hiding place for her priceless collection of Dada artworks. Eighty years later, this richly illustrated and deeply researched book reimagines Höch’s garden from an artist’s perspective. It brings together Höch’s botanical collages and garden photographs with deep archival cuts exploring her queer history with Til Brugman; new art by the artists Scott Roben and Johanna Tiedtke, based on visits to Höch’s garden; and an essay by the writer Alhena Katsof. Together, these elements interweave past and present, private and public, personal and political, offering new views into Höch’s lush refuge.
Jardins
AV 235: Masters' Memoirs
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The voice of memory rings loud and clear on the pages of the new issue of 'AV Monographs', a compilation of conversations that Luis Fernández-Galiano has had over the years with ten architects recounting their respective lives and professional trajectories. Arranged by age of the speakers – from Frank Gehry, the most veteran of all, to Bjarke Ingels – and transcribed in(...)
AV 235: Masters' Memoirs
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The voice of memory rings loud and clear on the pages of the new issue of 'AV Monographs', a compilation of conversations that Luis Fernández-Galiano has had over the years with ten architects recounting their respective lives and professional trajectories. Arranged by age of the speakers – from Frank Gehry, the most veteran of all, to Bjarke Ingels – and transcribed in the form of monologues, the interviews trace the biographical journey of each architect, from family origins, upbringing, and educational training to latest projects at the time of the dialogue, and are illustrated with the most characteristic works and projects of their career.
Revues
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Ludwig Wittgenstein’s way to the Tractatus Logico-Philosophicus, one of the ground-breaking works in the history of philosophy, can rightly be termed an Odyssey. Both in terms of his movements and his intellectual development in the course of writing it, the Tractatus incorporated an exciting, improbable journey. A compendium of scholars has come together at the 100th(...)
Ludwig Wittgenstein's Tractatus Odyssey
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Ludwig Wittgenstein’s way to the Tractatus Logico-Philosophicus, one of the ground-breaking works in the history of philosophy, can rightly be termed an Odyssey. Both in terms of his movements and his intellectual development in the course of writing it, the Tractatus incorporated an exciting, improbable journey. A compendium of scholars has come together at the 100th anniversary of the work’s first official publication in 1922 to detail the main stations in Wittgenstein’s life that would entirely transform philosophy. The years 1912 to 1922 are illuminated through photos, military maps, and letters against the backdrop of one of the most dramatic periods in world history. The complex theory of language developed by Wittgenstein In the Tractatus had an enormous influence not only on philosophy, but extended also to literature, music, film, painting, architecture, anthropology, and economics. Its uniqueness and rigor challenge our perceptions to this day.
Théorie/ philosophie
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Littérature et poésie
Tokyo from Vancouver 2
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Documenting a highly productive four month visit by a group of students from the University of British Columbia to Tokyo, this publication, edited by George Wagner, packs an impressive collection of projects and observations from both students and young practicing Japanese architects. Generously illustrated throughout with photographs, plans, drawings and details of(...)
Tokyo from Vancouver 2
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Documenting a highly productive four month visit by a group of students from the University of British Columbia to Tokyo, this publication, edited by George Wagner, packs an impressive collection of projects and observations from both students and young practicing Japanese architects. Generously illustrated throughout with photographs, plans, drawings and details of recent research and projects the book features work and thoughts from Dana Buntrock, Manabu Chiba, Sou Fujimoto, David Stewart and Kumiko Inui.
Architecture du Canada
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This wide-ranging collection brings together a fistful of graphic designs that were produced in the first half of the 20th century and deal with both industrial and product design. Hand-drawn, these images employ full lines, shapes and vibrant colours whose richness and originality still impress today. The collection features hundreds of reproductions of posters,(...)
20th century industrial design
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This wide-ranging collection brings together a fistful of graphic designs that were produced in the first half of the 20th century and deal with both industrial and product design. Hand-drawn, these images employ full lines, shapes and vibrant colours whose richness and originality still impress today. The collection features hundreds of reproductions of posters, advertising, product and packaging graphics drawn from different corners the world.
Design industriel
Kengo Kuma recent project
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Guided by three interviews with this master Japanese architect which allow for a substantially better understanding of his architectural approach and method, this survey examines a total of 38 different recent works, projects and competition entries, many of which are yet to be realised. Chronologically presented, the survey begins in 2003 with Kuma’s competition entry(...)
Kengo Kuma recent project
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Guided by three interviews with this master Japanese architect which allow for a substantially better understanding of his architectural approach and method, this survey examines a total of 38 different recent works, projects and competition entries, many of which are yet to be realised. Chronologically presented, the survey begins in 2003 with Kuma’s competition entry for the Nam June Paik Museum, South Korea and subsequently features such projects as: the Museum of Kanayama Castle Ruin and Kumonoueno Gallery, Japan; the Spiritual Centre of Chengdu and Sanlitun Soho, China; the Besançon City Arts and Cultural Center and the Marseille Regional Foundation of Contemporary Art, France and his competition entry for the Munch Museum and Sternersen Museum Collections in Norway. Illustrated throughout with a generous blend of models, sketches, plans and elevations, the publication also includes a summary survey of ‘side’ projects for small pavilions, tea houses and industrial product design.
Architecture, monographies