1614 Résultats
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With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall(...)
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With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall(...)
Titre:
Yasuhiro Ishimoto: Space Spirits
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With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall into dialogue. In his writings, Naito not only lends detailed insight regarding his works, but also expresses his gratitude for the photographers keen eye, the warmth inherent in buildings, and the refined intervention of human endeavour in the natural landscape.
Yasuhiro Ishimoto: Space Spirits
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With Toba Sea-Folk Museum as its primary subject, this overview of four works by Japanese architect Hiroshi Naito centres upon the black-and-white images made by renowned photographer Yasuhiro Ishimoto. Upon Naitos request, Ishimoto photographed each project in detail, capturing the moment when a particular light manifests at a certain place, when nature and building fall into dialogue. In his writings, Naito not only lends detailed insight regarding his works, but also expresses his gratitude for the photographers keen eye, the warmth inherent in buildings, and the refined intervention of human endeavour in the natural landscape.
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livres
livres
Publication:
juillet 2013
juillet 2013
Sujet:
Monographies photo
Monographies photo
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livres
livres
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In Designed for the Future, author Jared Green asks eighty of today's most innovative architects, urban planners, landscape architects, journalists, artists, and environmental leaders the same question: what gives you the hope that a sustainable future is possible? Their imaginative answers---covering everything from the cooling strategies employed at Cambodia's ancient(...)
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In Designed for the Future, author Jared Green asks eighty of today's most innovative architects, urban planners, landscape architects, journalists, artists, and environmental leaders the same question: what gives you the hope that a sustainable future is possible? Their imaginative answers---covering everything from the cooling strategies employed at Cambodia's ancient(...)
Titre:
Designed for the future: 80 practical ideas for a sustainable world
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In Designed for the Future, author Jared Green asks eighty of today's most innovative architects, urban planners, landscape architects, journalists, artists, and environmental leaders the same question: what gives you the hope that a sustainable future is possible? Their imaginative answers---covering everything from the cooling strategies employed at Cambodia's ancient temple city of Angkor Wat to the use of cutting-edge eco-friendly mushroom board as a replacement for Styrofoam---show the way to our future success on earth and begin a much-needed dialogue about what we can realistically accomplish in the decades ahead.
Designed for the future: 80 practical ideas for a sustainable world
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In Designed for the Future, author Jared Green asks eighty of today's most innovative architects, urban planners, landscape architects, journalists, artists, and environmental leaders the same question: what gives you the hope that a sustainable future is possible? Their imaginative answers---covering everything from the cooling strategies employed at Cambodia's ancient temple city of Angkor Wat to the use of cutting-edge eco-friendly mushroom board as a replacement for Styrofoam---show the way to our future success on earth and begin a much-needed dialogue about what we can realistically accomplish in the decades ahead.
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livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Architecture écologique
Architecture écologique
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livres
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Initialement écrit en 1942 puis publié pour la première fois par les éditions Falaize en 1951, Poésie sur Alger revient sur les projets d urbanisme proposés par Le Corbusier au préfet d Alger, refusés par les conseils municipaux de la ville. Au-delà du traité, sa poésie réside dans le dialogue du projet d urbanisme et du visage topographique du lieu dans lequel il s(...)
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Initialement écrit en 1942 puis publié pour la première fois par les éditions Falaize en 1951, Poésie sur Alger revient sur les projets d urbanisme proposés par Le Corbusier au préfet d Alger, refusés par les conseils municipaux de la ville. Au-delà du traité, sa poésie réside dans le dialogue du projet d urbanisme et du visage topographique du lieu dans lequel il s(...)
Titre:
Le Corbusier: poésie sur Alger
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Initialement écrit en 1942 puis publié pour la première fois par les éditions Falaize en 1951, Poésie sur Alger revient sur les projets d urbanisme proposés par Le Corbusier au préfet d Alger, refusés par les conseils municipaux de la ville. Au-delà du traité, sa poésie réside dans le dialogue du projet d urbanisme et du visage topographique du lieu dans lequel il s inscrit, et qui l inspira profondément. Il y évoque avec émotion le patrimoine historique de la ville et son potentiel endormi, rendant plus acerbe encore son échec et le regard posé sur les projets finalement mis en place.
Le Corbusier: poésie sur Alger
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Initialement écrit en 1942 puis publié pour la première fois par les éditions Falaize en 1951, Poésie sur Alger revient sur les projets d urbanisme proposés par Le Corbusier au préfet d Alger, refusés par les conseils municipaux de la ville. Au-delà du traité, sa poésie réside dans le dialogue du projet d urbanisme et du visage topographique du lieu dans lequel il s inscrit, et qui l inspira profondément. Il y évoque avec émotion le patrimoine historique de la ville et son potentiel endormi, rendant plus acerbe encore son échec et le regard posé sur les projets finalement mis en place.
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livres
livres
Publication:
mai 2015
mai 2015
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play.(...)
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play.(...)
Titre:
Description of San Marco by Michel Butor
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play. Six decades later, the artist Giovanna Silva stumbled upon an English translation of the French essayist's queer text in an archive at the New York Public Library. Returning to Venice, she cast her eye to the square and its surrounds, an iconic space at once populated by signs of contemporary life, but also astonishingly unchanged.
Description of San Marco by Michel Butor
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Michel Butor's 'Description of San Marco' (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original, each genre of information is assigned a distinct typography of its own, hence interacting like voices in a play. Six decades later, the artist Giovanna Silva stumbled upon an English translation of the French essayist's queer text in an archive at the New York Public Library. Returning to Venice, she cast her eye to the square and its surrounds, an iconic space at once populated by signs of contemporary life, but also astonishingly unchanged.
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livres
livres
Publication:
avril 2023
avril 2023
Sujet:
Monographies photo
Monographies photo
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livres
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"A tree," is about vegetal agency, plant knowledge, and the interaction between plants and people, with a specific focus on trees. This book comprises a variety of contributions that take a multitude of approaches to tree life, from sensory to ancestral, intimate to speculative. Taking the time to think about trees through imagination, art, music, storytelling, poetry,(...)
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"A tree," is about vegetal agency, plant knowledge, and the interaction between plants and people, with a specific focus on trees. This book comprises a variety of contributions that take a multitude of approaches to tree life, from sensory to ancestral, intimate to speculative. Taking the time to think about trees through imagination, art, music, storytelling, poetry,(...)
Titre:
A tree: A reader on arboreal kinship
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"A tree," is about vegetal agency, plant knowledge, and the interaction between plants and people, with a specific focus on trees. This book comprises a variety of contributions that take a multitude of approaches to tree life, from sensory to ancestral, intimate to speculative. Taking the time to think about trees through imagination, art, music, storytelling, poetry, and images, the works in this reader share the aim of nurturing and furthering dialogue that exercises arboreal kinship. Moreover, the contributions inspire us to move beyond large systems of oppression and towards exorcizing anthropocentrism, capitalism, individualism, heteronormativity, and coloniality, by learning from and with tree time.
A tree: A reader on arboreal kinship
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"A tree," is about vegetal agency, plant knowledge, and the interaction between plants and people, with a specific focus on trees. This book comprises a variety of contributions that take a multitude of approaches to tree life, from sensory to ancestral, intimate to speculative. Taking the time to think about trees through imagination, art, music, storytelling, poetry, and images, the works in this reader share the aim of nurturing and furthering dialogue that exercises arboreal kinship. Moreover, the contributions inspire us to move beyond large systems of oppression and towards exorcizing anthropocentrism, capitalism, individualism, heteronormativity, and coloniality, by learning from and with tree time.
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livres
livres
Publication:
juillet 2025
juillet 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$85.00
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Lucien Hervé (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. Hervé approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light(...)
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Lucien Hervé (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. Hervé approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light(...)
Titre:
Lucien Hervé : building images
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Lucien Hervé (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. Hervé approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light and shadow, Hervé defined the dialogue between substance and form. By delineating a strong contrast between light and shadow as well as placing emphasis on building details, the photographer was able to communicate the depth of a room, the surface of a wall, or the strength of a building's framework.
Lucien Hervé : building images
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Lucien Hervé (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. Hervé approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light and shadow, Hervé defined the dialogue between substance and form. By delineating a strong contrast between light and shadow as well as placing emphasis on building details, the photographer was able to communicate the depth of a room, the surface of a wall, or the strength of a building's framework.
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livres
livres
Publication:
juin 2004, Los Angeles
juin 2004, Los Angeles
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Art in Canada
Art in Canada
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This catalogue takes the reader on a remarkable journey via the legends, themes and worlds that have shaped Canada’s cultural heritage. One hundred and fifty works in all media and created from time immemorial to present day are featured in full page colour plates and foldouts. This range of works documents and celebrates the magnetic north, inhabited landscapes, the(...)
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This catalogue takes the reader on a remarkable journey via the legends, themes and worlds that have shaped Canada’s cultural heritage. One hundred and fifty works in all media and created from time immemorial to present day are featured in full page colour plates and foldouts. This range of works documents and celebrates the magnetic north, inhabited landscapes, the(...)
Titre:
Art in Canada
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This catalogue takes the reader on a remarkable journey via the legends, themes and worlds that have shaped Canada’s cultural heritage. One hundred and fifty works in all media and created from time immemorial to present day are featured in full page colour plates and foldouts. This range of works documents and celebrates the magnetic north, inhabited landscapes, the dignity of labour, Canadians abroad, and the emergence of Inuit art. Central to the publication is a new approach to telling the history of Indigenous visual art with outstanding historical art objects by Indigenous artists, at times in dialogue with those by settler Canadians, while at others, reflecting a distinct Indigenous path.
Art in Canada
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This catalogue takes the reader on a remarkable journey via the legends, themes and worlds that have shaped Canada’s cultural heritage. One hundred and fifty works in all media and created from time immemorial to present day are featured in full page colour plates and foldouts. This range of works documents and celebrates the magnetic north, inhabited landscapes, the dignity of labour, Canadians abroad, and the emergence of Inuit art. Central to the publication is a new approach to telling the history of Indigenous visual art with outstanding historical art objects by Indigenous artists, at times in dialogue with those by settler Canadians, while at others, reflecting a distinct Indigenous path.
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livres
livres
Publication:
juin 2017
juin 2017
Sujet:
Art canadien
Art canadien
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livres
livres
Titre:
Nul mot
Nul mot
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Guido Molinari est d’abord connu pour avoir engagé le Québec sur la voie de la modernité picturale en déployant une œuvre abstraite de reconnaissance internationale. Il a aussi mené, en toute complémentarité, une pratique poétique qui a donné lieu à la publication de trois livres d’artiste : Nul mot (d’abord paru à L’Obsidienne en 1979, réédité en 1993), Rosevi (1995) et(...)
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Guido Molinari est d’abord connu pour avoir engagé le Québec sur la voie de la modernité picturale en déployant une œuvre abstraite de reconnaissance internationale. Il a aussi mené, en toute complémentarité, une pratique poétique qui a donné lieu à la publication de trois livres d’artiste : Nul mot (d’abord paru à L’Obsidienne en 1979, réédité en 1993), Rosevi (1995) et(...)
Titre:
Nul mot
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Guido Molinari est d’abord connu pour avoir engagé le Québec sur la voie de la modernité picturale en déployant une œuvre abstraite de reconnaissance internationale. Il a aussi mené, en toute complémentarité, une pratique poétique qui a donné lieu à la publication de trois livres d’artiste : Nul mot (d’abord paru à L’Obsidienne en 1979, réédité en 1993), Rosevi (1995) et Ça (1998). Ces trois livres où alternent poésie et dessins, d’abord publiés par Molinari lui-même aux éditions L’Actuelle, s’offrent ici à un auditoire plus large, permettant la découverte tout à la fois la poésie d’allégeance surréaliste du peintre de même que les dessins qui l’accompagnent dans un dialogue fécond.
Nul mot
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Guido Molinari est d’abord connu pour avoir engagé le Québec sur la voie de la modernité picturale en déployant une œuvre abstraite de reconnaissance internationale. Il a aussi mené, en toute complémentarité, une pratique poétique qui a donné lieu à la publication de trois livres d’artiste : Nul mot (d’abord paru à L’Obsidienne en 1979, réédité en 1993), Rosevi (1995) et Ça (1998). Ces trois livres où alternent poésie et dessins, d’abord publiés par Molinari lui-même aux éditions L’Actuelle, s’offrent ici à un auditoire plus large, permettant la découverte tout à la fois la poésie d’allégeance surréaliste du peintre de même que les dessins qui l’accompagnent dans un dialogue fécond.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Littérature et poésie
Littérature et poésie
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livres
livres
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Neural Architects documents a unique collaboration between a leading architectural practice, Ian Ritchie Architects Ltd, and neuroscientists, which resulted in the Sainsbury Wellcome Centre at University College London, a state of the art research laboratory and new architectural icon. In their work, Ian Ritchie and his architectural team swept away all preconceptions(...)
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Neural Architects documents a unique collaboration between a leading architectural practice, Ian Ritchie Architects Ltd, and neuroscientists, which resulted in the Sainsbury Wellcome Centre at University College London, a state of the art research laboratory and new architectural icon. In their work, Ian Ritchie and his architectural team swept away all preconceptions(...)
Titre:
Ian Ritchie. Neural architects: the Sainsbury Wellcome Centre from idea to reality
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Neural Architects documents a unique collaboration between a leading architectural practice, Ian Ritchie Architects Ltd, and neuroscientists, which resulted in the Sainsbury Wellcome Centre at University College London, a state of the art research laboratory and new architectural icon. In their work, Ian Ritchie and his architectural team swept away all preconceptions about how to design a laboratory. Instead, they visited neuroscientists around the world, gaining an intimate understanding of the way they use and construct the spaces around them. Through continuing dialogue, the design team imagined the new lab from the inside out and created adaptable, interconnected spaces to foster interactions between researchers from different disciplines.
Ian Ritchie. Neural architects: the Sainsbury Wellcome Centre from idea to reality
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Neural Architects documents a unique collaboration between a leading architectural practice, Ian Ritchie Architects Ltd, and neuroscientists, which resulted in the Sainsbury Wellcome Centre at University College London, a state of the art research laboratory and new architectural icon. In their work, Ian Ritchie and his architectural team swept away all preconceptions about how to design a laboratory. Instead, they visited neuroscientists around the world, gaining an intimate understanding of the way they use and construct the spaces around them. Through continuing dialogue, the design team imagined the new lab from the inside out and created adaptable, interconnected spaces to foster interactions between researchers from different disciplines.
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livres
livres
Publication:
août 2017
août 2017
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$95.95
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Clement Greenberg (1909-1994) est une figure essentielle de la critique d’art au XXe siècle. Dire que son premier article, « Avant-garde et kitsch », paraît dans une revue new-yorkaise de gauche à l’automne 1939, alors que le jeune homme rentre d’un voyage dans une Europe sous très haute tension, c’est planter le décor où sa réflexion esthétique s’est façonnée et va(...)
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Clement Greenberg (1909-1994) est une figure essentielle de la critique d’art au XXe siècle. Dire que son premier article, « Avant-garde et kitsch », paraît dans une revue new-yorkaise de gauche à l’automne 1939, alors que le jeune homme rentre d’un voyage dans une Europe sous très haute tension, c’est planter le décor où sa réflexion esthétique s’est façonnée et va(...)
Titre:
Art et culture : écrits choisis des années 1940
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Clement Greenberg (1909-1994) est une figure essentielle de la critique d’art au XXe siècle. Dire que son premier article, « Avant-garde et kitsch », paraît dans une revue new-yorkaise de gauche à l’automne 1939, alors que le jeune homme rentre d’un voyage dans une Europe sous très haute tension, c’est planter le décor où sa réflexion esthétique s’est façonnée et va bientôt s’affirmer : l’art du vieux continent d’un côté, de l’autre les courants qui se feront jour aux États-Unis après la guerre. Dialogue ou confrontation, le critique ne cessera d’en scruter les tenants et les aboutissants, le jeu complexe des influences, des dépassements, des continuités, des ruptures.
Art et culture : écrits choisis des années 1940
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Clement Greenberg (1909-1994) est une figure essentielle de la critique d’art au XXe siècle. Dire que son premier article, « Avant-garde et kitsch », paraît dans une revue new-yorkaise de gauche à l’automne 1939, alors que le jeune homme rentre d’un voyage dans une Europe sous très haute tension, c’est planter le décor où sa réflexion esthétique s’est façonnée et va bientôt s’affirmer : l’art du vieux continent d’un côté, de l’autre les courants qui se feront jour aux États-Unis après la guerre. Dialogue ou confrontation, le critique ne cessera d’en scruter les tenants et les aboutissants, le jeu complexe des influences, des dépassements, des continuités, des ruptures.
Classification:
livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Théorie de l’art
Théorie de l’art
