3669 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1992.PR01
Description:
Project series documents Cornelia Hahn Oberlander’s project for the landscape design for Library Square, the new central branch of the Vancouver’s public library on West Georgia Street. Oberlander worked on this project in 1992-1995 with architect Moshe Safdie and architectural firm Downs/Archambault & Patners. Oberlander landscape design included a roof garden, planned to be accessible by the public, and terraces with integral planting of cascading roses of the southeast edge of the building. She was also consulted for the landscape for the street-level spaces: “Along the streets bordering the site, Oberlander selected tulip trees, except on W. Georgia Street where the city required maples.” [1] The project was completed in 1995. The project series contains sketches, design development drawings, including planting plans, landscape plans for the green roof and the plaza, working drawings, such as site plans, planting plans, irrigation plans, landscape sections and elevations, and drawings of the building used as reference. The project is also recorded through textual records, such as concept notes by Oberlander, research material, specifications, including landscape specifications, correspondence, including correspondence with architects, client and contractors, contract, financial documents, documents for plan selection, and press and articles on the project. The project series also includes photographs of the construction and landscaping work, and photographs of the completed project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 176.
AP075.S1.1992.PR01
Description:
Project series documents Cornelia Hahn Oberlander’s project for the landscape design for Library Square, the new central branch of the Vancouver’s public library on West Georgia Street. Oberlander worked on this project in 1992-1995 with architect Moshe Safdie and architectural firm Downs/Archambault & Patners. Oberlander landscape design included a roof garden, planned to be accessible by the public, and terraces with integral planting of cascading roses of the southeast edge of the building. She was also consulted for the landscape for the street-level spaces: “Along the streets bordering the site, Oberlander selected tulip trees, except on W. Georgia Street where the city required maples.” [1] The project was completed in 1995. The project series contains sketches, design development drawings, including planting plans, landscape plans for the green roof and the plaza, working drawings, such as site plans, planting plans, irrigation plans, landscape sections and elevations, and drawings of the building used as reference. The project is also recorded through textual records, such as concept notes by Oberlander, research material, specifications, including landscape specifications, correspondence, including correspondence with architects, client and contractors, contract, financial documents, documents for plan selection, and press and articles on the project. The project series also includes photographs of the construction and landscaping work, and photographs of the completed project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 176.
Personnes et institutions:
Date:
1989-2009
1989-2009
Titre:
Library Square, Vancouver, British Columbia (1992-1995)
Actions:
AP075.S1.1992.PR01
Description:
Project series documents Cornelia Hahn Oberlander’s project for the landscape design for Library Square, the new central branch of the Vancouver’s public library on West Georgia Street. Oberlander worked on this project in 1992-1995 with architect Moshe Safdie and architectural firm Downs/Archambault & Patners. Oberlander landscape design included a roof garden, planned to be accessible by the public, and terraces with integral planting of cascading roses of the southeast edge of the building. She was also consulted for the landscape for the street-level spaces: “Along the streets bordering the site, Oberlander selected tulip trees, except on W. Georgia Street where the city required maples.” [1] The project was completed in 1995. The project series contains sketches, design development drawings, including planting plans, landscape plans for the green roof and the plaza, working drawings, such as site plans, planting plans, irrigation plans, landscape sections and elevations, and drawings of the building used as reference. The project is also recorded through textual records, such as concept notes by Oberlander, research material, specifications, including landscape specifications, correspondence, including correspondence with architects, client and contractors, contract, financial documents, documents for plan selection, and press and articles on the project. The project series also includes photographs of the construction and landscaping work, and photographs of the completed project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 176.
Library Square, Vancouver, British Columbia (1992-1995)
Actions:
AP075.S1.1992.PR01
Description:
Project series documents Cornelia Hahn Oberlander’s project for the landscape design for Library Square, the new central branch of the Vancouver’s public library on West Georgia Street. Oberlander worked on this project in 1992-1995 with architect Moshe Safdie and architectural firm Downs/Archambault & Patners. Oberlander landscape design included a roof garden, planned to be accessible by the public, and terraces with integral planting of cascading roses of the southeast edge of the building. She was also consulted for the landscape for the street-level spaces: “Along the streets bordering the site, Oberlander selected tulip trees, except on W. Georgia Street where the city required maples.” [1] The project was completed in 1995. The project series contains sketches, design development drawings, including planting plans, landscape plans for the green roof and the plaza, working drawings, such as site plans, planting plans, irrigation plans, landscape sections and elevations, and drawings of the building used as reference. The project is also recorded through textual records, such as concept notes by Oberlander, research material, specifications, including landscape specifications, correspondence, including correspondence with architects, client and contractors, contract, financial documents, documents for plan selection, and press and articles on the project. The project series also includes photographs of the construction and landscaping work, and photographs of the completed project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 176.
Niveau de description archivistique:
Project
Project
Date:
1989-2009
1989-2009
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Paul-Philippe Cret
Fonds Paul-Philippe Cret
Numéro de référence:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Personnes et institutions:
Date:
circa 1907-1950
circa 1907-1950
Titre:
Fonds Paul-Philippe Cret
Actions:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Fonds Paul-Philippe Cret
Actions:
AP031
Résumé:
Paul-Philippe Cret fonds, 1907-1950, documents Cret’s project for the International Bureau of American Republics (Pan American Union Building) in Washington D.C. (1907 – 1950). The fond is comprised of drawings showing plans, elevations, wiring and plumbing diagrams, and furniture layout.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1907-1950
circa 1907-1950
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1983.PR01
Description:
This project series documents residential housing for officers at the Reserve Bank of India in Chandigarh, India from 1983-1986. The project consisted of four-storey apartment blocks located on twelve blocks totalling 2.87 acres. The apartment blocks had oblong-shaped spiraling staircases at exterior openings along the buildings' elevations. Located in Sector 44B, the apartments observed both the norms of the bank's staff quarters guidelines and the architectural control established in Chandigarh. This project was proposed in two phases, the second of which integrated public spaces, amenities and maintenance quarters into the campus. The project is recorded through drawings, textual records and a photograph dating from 1983-2003. About half the drawings are originals and included are plans, elevations, sections, details and structural and electrical drawings. Many of these are working drawings, but some presentation drawings are included. The textual records consist of specifications, reports, correspondence and the project contract. The photograph shows Aditya Prakash on the roof of the finished building.
AP206.S1.1983.PR01
Description:
This project series documents residential housing for officers at the Reserve Bank of India in Chandigarh, India from 1983-1986. The project consisted of four-storey apartment blocks located on twelve blocks totalling 2.87 acres. The apartment blocks had oblong-shaped spiraling staircases at exterior openings along the buildings' elevations. Located in Sector 44B, the apartments observed both the norms of the bank's staff quarters guidelines and the architectural control established in Chandigarh. This project was proposed in two phases, the second of which integrated public spaces, amenities and maintenance quarters into the campus. The project is recorded through drawings, textual records and a photograph dating from 1983-2003. About half the drawings are originals and included are plans, elevations, sections, details and structural and electrical drawings. Many of these are working drawings, but some presentation drawings are included. The textual records consist of specifications, reports, correspondence and the project contract. The photograph shows Aditya Prakash on the roof of the finished building.
Personnes et institutions:
Date:
1983-2003
1983-2003
Titre:
Reserve Bank of India officers' quarters, Chandigarh, India (1983-1986)
Actions:
AP206.S1.1983.PR01
Description:
This project series documents residential housing for officers at the Reserve Bank of India in Chandigarh, India from 1983-1986. The project consisted of four-storey apartment blocks located on twelve blocks totalling 2.87 acres. The apartment blocks had oblong-shaped spiraling staircases at exterior openings along the buildings' elevations. Located in Sector 44B, the apartments observed both the norms of the bank's staff quarters guidelines and the architectural control established in Chandigarh. This project was proposed in two phases, the second of which integrated public spaces, amenities and maintenance quarters into the campus. The project is recorded through drawings, textual records and a photograph dating from 1983-2003. About half the drawings are originals and included are plans, elevations, sections, details and structural and electrical drawings. Many of these are working drawings, but some presentation drawings are included. The textual records consist of specifications, reports, correspondence and the project contract. The photograph shows Aditya Prakash on the roof of the finished building.
Reserve Bank of India officers' quarters, Chandigarh, India (1983-1986)
Actions:
AP206.S1.1983.PR01
Description:
This project series documents residential housing for officers at the Reserve Bank of India in Chandigarh, India from 1983-1986. The project consisted of four-storey apartment blocks located on twelve blocks totalling 2.87 acres. The apartment blocks had oblong-shaped spiraling staircases at exterior openings along the buildings' elevations. Located in Sector 44B, the apartments observed both the norms of the bank's staff quarters guidelines and the architectural control established in Chandigarh. This project was proposed in two phases, the second of which integrated public spaces, amenities and maintenance quarters into the campus. The project is recorded through drawings, textual records and a photograph dating from 1983-2003. About half the drawings are originals and included are plans, elevations, sections, details and structural and electrical drawings. Many of these are working drawings, but some presentation drawings are included. The textual records consist of specifications, reports, correspondence and the project contract. The photograph shows Aditya Prakash on the roof of the finished building.
Niveau de description archivistique:
Project
Project
Date:
1983-2003
1983-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
Personnes et institutions:
Date:
1997-2001
1997-2001
Titre:
The Waterfall Building, Vancouver, British Columbia (1997)
Actions:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
The Waterfall Building, Vancouver, British Columbia (1997)
Actions:
AP075.S1.1997.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Waterfall Building on West 2nd Avenue, near the entrance of Granville Island, in Vancouver, British Columbia. Oberlander worked on this project in 1998-2001 with architect Arthur Erickson and architectural firm Nick Milkovich Architects, who designed the building. The building consists in five separated structures to accomodate studios spaces as well as split-level residences. It also included a courtyard and roof gardens on all five building structures for which Oberlander was responsible of the design. The courtyard, formed by in the roof of the underground parking space, consists "a simple tapestry of pavers, ground cover, trees and a small reflecting basin [...]." [1] The roofs garden included planting of white roses at the edge of the building and ornemental grass. The rooftops serve as communal patio for the residents and was accesible to the public. The project was completed in 2001. The Waterfall Building was the last project Oberlander realized in collaboration with Arthur Erickson. The project series includes sketches, design development drawings, including planting plans for the courtyard and the rooftops, working drawings, such as landscape plans for the courtyard and planting plans. The drawings in this series also includes drawings of the building used as reference. The project is also documented through research material for the project, specifications, plant lists, correspondence, including correspondence with architects and client, meeting notes, reports, financial document, a promotional poster on the project, and photographs of the landscaping work and plant selection. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 142.
Niveau de description archivistique:
Project
Project
Date:
1997-2001
1997-2001
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS6
Description:
This project series documents the restoration of the Leonel building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N19. The office assigned the date 1988-1998 for this project. The construction work includes restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. The Leonel building was part of Bloco A and identified as building 19 in Siza reconstruction plan. Located between the lower and upper part of town, Siza used the building to create a path and an public elevator to link the two parts of Lisbon. Documenting this project subseries are sketches, studies, floor plans, elevations, mechanical drawings, technical drawings, and working drawings. Textual material includes correspondence, minutes of meeting and project documentation. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco B (AP178.S1.1988.PR07.SS5).
AP178.S1.1988.PR07.SS6
Description:
This project series documents the restoration of the Leonel building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N19. The office assigned the date 1988-1998 for this project. The construction work includes restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. The Leonel building was part of Bloco A and identified as building 19 in Siza reconstruction plan. Located between the lower and upper part of town, Siza used the building to create a path and an public elevator to link the two parts of Lisbon. Documenting this project subseries are sketches, studies, floor plans, elevations, mechanical drawings, technical drawings, and working drawings. Textual material includes correspondence, minutes of meeting and project documentation. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco B (AP178.S1.1988.PR07.SS5).
Personnes et institutions:
Date:
1988-2005
1988-2005
Titre:
Edifício Leonel, Bloco B, Reconstrução do Chiado [Leonel building, Block B, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS6
Description:
This project series documents the restoration of the Leonel building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N19. The office assigned the date 1988-1998 for this project. The construction work includes restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. The Leonel building was part of Bloco A and identified as building 19 in Siza reconstruction plan. Located between the lower and upper part of town, Siza used the building to create a path and an public elevator to link the two parts of Lisbon. Documenting this project subseries are sketches, studies, floor plans, elevations, mechanical drawings, technical drawings, and working drawings. Textual material includes correspondence, minutes of meeting and project documentation. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco B (AP178.S1.1988.PR07.SS5).
Edifício Leonel, Bloco B, Reconstrução do Chiado [Leonel building, Block B, Reconstruction of the Chiado] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS6
Description:
This project series documents the restoration of the Leonel building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N19. The office assigned the date 1988-1998 for this project. The construction work includes restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. The Leonel building was part of Bloco A and identified as building 19 in Siza reconstruction plan. Located between the lower and upper part of town, Siza used the building to create a path and an public elevator to link the two parts of Lisbon. Documenting this project subseries are sketches, studies, floor plans, elevations, mechanical drawings, technical drawings, and working drawings. Textual material includes correspondence, minutes of meeting and project documentation. It is important to note that documentation about this project can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco B (AP178.S1.1988.PR07.SS5).
Niveau de description archivistique:
Project
Project
Date:
1988-2005
1988-2005
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Le jardin avant est un signe. Un lieu qui est à la fois public et privé. C’est le lieu qui expose les convictions et les valeurs du foyer qu’il encadre. L’obsession qui croît, une installation de l’artiste américain Mel Ziegler (né en 1956) œuvre en relief créée à même la pelouse du parc Baile, renvoie à l’obsession des Nord-Américains à l’égard de leur pelouse. Selon(...)
Le jardin avant est un signe. Un lieu qui est à la fois public et privé. C’est le lieu qui expose les convictions et les valeurs du foyer qu’il encadre. L’obsession qui croît, une installation de l’artiste américain Mel Ziegler (né en 1956) œuvre en relief créée à même la pelouse du parc Baile, renvoie à l’obsession des Nord-Américains à l’égard de leur pelouse. Selon(...)
Localisation:
Parc Baile
Parc Baile
Date:
16 juin 1998 au 8 novembre 1998
16 juin 1998 au 8 novembre 1998
Titre:
Mel Ziegler : L’obsession qui croît
Actions:
Description:
Le jardin avant est un signe. Un lieu qui est à la fois public et privé. C’est le lieu qui expose les convictions et les valeurs du foyer qu’il encadre. L’obsession qui croît, une installation de l’artiste américain Mel Ziegler (né en 1956) œuvre en relief créée à même la pelouse du parc Baile, renvoie à l’obsession des Nord-Américains à l’égard de leur pelouse. Selon(...)
Mel Ziegler : L’obsession qui croît
Actions:
Description:
Le jardin avant est un signe. Un lieu qui est à la fois public et privé. C’est le lieu qui expose les convictions et les valeurs du foyer qu’il encadre. L’obsession qui croît, une installation de l’artiste américain Mel Ziegler (né en 1956) œuvre en relief créée à même la pelouse du parc Baile, renvoie à l’obsession des Nord-Américains à l’égard de leur pelouse. Selon(...)
Classification:
expositions
expositions
Date:
16 juin 1998 au
8 novembre 1998
16 juin 1998 au
8 novembre 1998
Localisation:
Parc Baile
Parc Baile
Classification:
événements
événements
Titre:
L’enseignement de… Bahreïn
L’enseignement de… Bahreïn
Actions:
Description:
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
6 octobre 2011 , 19h
6 octobre 2011 , 19h
Titre:
L’enseignement de… Bahreïn
Actions:
Description:
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
L’enseignement de… Bahreïn
Actions:
Description:
Noura al Sayeh présente la troisième conférence de la série L’enseignement du… Moyen-Orient. La présentation portera sur la documentation photographique de la côte de Bahreïn par le photographe Camille Zakharia. Les transformations des 30 dernières années ont redessiné le paysage urbain bahreïni et entraîné le développement d’une culture vernaculaire contemporaine. On y(...)
Classification:
événements
événements
Date:
6 octobre 2011
19h
6 octobre 2011
19h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2001.PR04
Description:
This project series documents the Casa em Palma de Maiorca in Palma de Maiorca, Spain. While the records were held in the office’s archives this project was assigned the number 28/00. The office assigned the date 2001 to this project. The project site is located in Palma, a Spanish island in the Mediterranean sea. The summer house is divided into three blocks, each divided into smaller parts. The two-story house was built on sloping land and completed in 2008. Collaborators on this project were Atsushi Ueno, Fafel Moranta, and Miquel Capllonch. The eastern wing includes the master bedroom and guest bedroom. The western wing has three bedrooms and a living room. The western block connects the northeast and eastern wings. The northeast block, with two rooms and a living room, hosts the housekeeper. The private spaces are all located on the upper section and the public sections are on the ground level. Documenting this project are sketches, studies, preliminary drawings, plans, working drawings, and technical drawings. Textual material includes project documentation and correspondence. Photographic material documents construction work and the built project.
AP178.S1.2001.PR04
Description:
This project series documents the Casa em Palma de Maiorca in Palma de Maiorca, Spain. While the records were held in the office’s archives this project was assigned the number 28/00. The office assigned the date 2001 to this project. The project site is located in Palma, a Spanish island in the Mediterranean sea. The summer house is divided into three blocks, each divided into smaller parts. The two-story house was built on sloping land and completed in 2008. Collaborators on this project were Atsushi Ueno, Fafel Moranta, and Miquel Capllonch. The eastern wing includes the master bedroom and guest bedroom. The western wing has three bedrooms and a living room. The western block connects the northeast and eastern wings. The northeast block, with two rooms and a living room, hosts the housekeeper. The private spaces are all located on the upper section and the public sections are on the ground level. Documenting this project are sketches, studies, preliminary drawings, plans, working drawings, and technical drawings. Textual material includes project documentation and correspondence. Photographic material documents construction work and the built project.
Personnes et institutions:
Date:
2001-2008
2001-2008
Titre:
Casa em Palma de Maiorca [House in Palma de Maiorca], Palma de Mallorca, Spain (2001)
Actions:
AP178.S1.2001.PR04
Description:
This project series documents the Casa em Palma de Maiorca in Palma de Maiorca, Spain. While the records were held in the office’s archives this project was assigned the number 28/00. The office assigned the date 2001 to this project. The project site is located in Palma, a Spanish island in the Mediterranean sea. The summer house is divided into three blocks, each divided into smaller parts. The two-story house was built on sloping land and completed in 2008. Collaborators on this project were Atsushi Ueno, Fafel Moranta, and Miquel Capllonch. The eastern wing includes the master bedroom and guest bedroom. The western wing has three bedrooms and a living room. The western block connects the northeast and eastern wings. The northeast block, with two rooms and a living room, hosts the housekeeper. The private spaces are all located on the upper section and the public sections are on the ground level. Documenting this project are sketches, studies, preliminary drawings, plans, working drawings, and technical drawings. Textual material includes project documentation and correspondence. Photographic material documents construction work and the built project.
Casa em Palma de Maiorca [House in Palma de Maiorca], Palma de Mallorca, Spain (2001)
Actions:
AP178.S1.2001.PR04
Description:
This project series documents the Casa em Palma de Maiorca in Palma de Maiorca, Spain. While the records were held in the office’s archives this project was assigned the number 28/00. The office assigned the date 2001 to this project. The project site is located in Palma, a Spanish island in the Mediterranean sea. The summer house is divided into three blocks, each divided into smaller parts. The two-story house was built on sloping land and completed in 2008. Collaborators on this project were Atsushi Ueno, Fafel Moranta, and Miquel Capllonch. The eastern wing includes the master bedroom and guest bedroom. The western wing has three bedrooms and a living room. The western block connects the northeast and eastern wings. The northeast block, with two rooms and a living room, hosts the housekeeper. The private spaces are all located on the upper section and the public sections are on the ground level. Documenting this project are sketches, studies, preliminary drawings, plans, working drawings, and technical drawings. Textual material includes project documentation and correspondence. Photographic material documents construction work and the built project.
Niveau de description archivistique:
Project
Project
Date:
2001-2008
2001-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1993-2012
1993-2012
Titre:
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1993-2012
1993-2012
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Personnes et institutions:
Date:
1992-1996
1992-1996
Titre:
Scarborough Community Complex, Scarborough, Ontario (1993-1996)
Actions:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Scarborough Community Complex, Scarborough, Ontario (1993-1996)
Actions:
AP056.S1.1993.PR01
Description:
This project series documents the Scarborough Community Complex in Scarborough, Ontario from 1993-1996. The office identified the project number as 9311. This project, headed by Bruce Kuwabara in joint-venture with Patrick T. Chan, consisted of a multi-building complex on the corner of Progress and Sheppard Avenues. The project was formerly known as the Chinese Community Centre, which was the prominent building on the site. The Complex's main entrance, located on the site's interior, was highlighted by the Festival Plaza and Festival Court, whose octagonal shape was a nod to the eight essential strokes of Chinese calligraphy. The Festival Court led both to the Chinese Community Centre and a building with a public library and multi-purpose spaces (commonly referred to in the drawings as the Scarborough Community Complex). The Chinese Community Centre had a Festival Hall at it's entrance with wood and custom light fixtures that referred to Chinese craft techniques. This project also planned for vast Chinese gardens around the buildings, a large theatre building and a school at the south-end of the site. The project is recorded through drawings and a magazine publication on the finished project dating from 1992-1996. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and construction drawings. At least eleven schemes were investigated through these drawings.
Niveau de description archivistique:
Project
Project
Date:
1992-1996
1992-1996
Personnes et institutions:
