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12 unnumbered pages : illustrations, portrait ; 23 cm
Praha : Galerie Vincence Kramáře, [1967]
Bedřich Feuerstein : architektura, scénicke návrhy, obrazy.
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12 unnumbered pages : illustrations, portrait ; 23 cm
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Praha : Galerie Vincence Kramáře, [1967]
D'après maquettes
$56.95
(disponible en magasin)
Résumé:
« D’après Maquettes », c’est le temps de l’étude préparatoire, de la projection mais parfois, aussi, celui de mondes miniatures qui n’en appellent pas de plus grands. Légères et malléables, les maquettes mettent en jeu le regard, la main et l’ensemble du corps, en multipliant les points de vue. Elles sont au cœur des pratiques artistiques qui en déjouent les codes et en(...)
D'après maquettes
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$56.95
(disponible en magasin)
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« D’après Maquettes », c’est le temps de l’étude préparatoire, de la projection mais parfois, aussi, celui de mondes miniatures qui n’en appellent pas de plus grands. Légères et malléables, les maquettes mettent en jeu le regard, la main et l’ensemble du corps, en multipliant les points de vue. Elles sont au cœur des pratiques artistiques qui en déjouent les codes et en réinventent la fonction. Cet ouvrage est le premier d’une collection entièrement dédiée à la scénographie, artistes, conservateurs, architectes, scénographes, historiens et théoriciens de l’art y partagent leurs recherches et leurs réflexions présentées alternativement sous la forme d’essais illustrés ou de portfolios consacrés à des œuvres.
Maquettes
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151, [1] pages : illustrations (some color), facsimiles, map, plans, portraits ; 29 cm.
[Stockholm] : Nationalmuseum, ©1992.
Louis Jean Desprez, tecknare, teaterkonstnär, arkitekt : en utställning ingående i Nationalmuseums 200-årsjubileum.
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151, [1] pages : illustrations (some color), facsimiles, map, plans, portraits ; 29 cm.
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[Stockholm] : Nationalmuseum, ©1992.
Jonas Mekas: Images are real
$40.00
(disponible en magasin)
Résumé:
Through a wide selection of works from the 1960s to the late 2010s, this catalogue aims to read the Lithuanian filmmaker's work as a Dantesque journey leading to happiness, from the infernos of history, through a daily exercise in filmmaking. The title is a quote taken from the film ''Out-takes From the Life of a Happy Man'', in which the artist's voice-over reflects to(...)
avril 2023
Jonas Mekas: Images are real
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$40.00
(disponible en magasin)
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Through a wide selection of works from the 1960s to the late 2010s, this catalogue aims to read the Lithuanian filmmaker's work as a Dantesque journey leading to happiness, from the infernos of history, through a daily exercise in filmmaking. The title is a quote taken from the film ''Out-takes From the Life of a Happy Man'', in which the artist's voice-over reflects to himself, ''Memories are past, but images are here, and images are real!'' Completing the volume are a collection of texts by Francesco Urbano Ragazzi, Hollis Melton, P. Adams Sitney, Ieva Jasinskaite, and Philipp Scheid.
$219.95
(disponible en magasin)
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Concerned with the connection between the built environment and the passage of time, ''Reframing Berlin'' uses film locations in the city to reveal the influence that urban transformation has on memory-making. Covering the city’s history since the beginning of cinema, the book proposes the term urban strategy to understand the range of consequential actions taken by(...)
mars 2023
Reframing Berlin: Architecture, Memory-Making and Film Locations
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$219.95
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Concerned with the connection between the built environment and the passage of time, ''Reframing Berlin'' uses film locations in the city to reveal the influence that urban transformation has on memory-making. Covering the city’s history since the beginning of cinema, the book proposes the term urban strategy to understand the range of consequential actions taken by politicians, developers, and other powerful figures to shape the nature and future of buildings, streets, and districts. Organizing these strategies from demolition to memorialization, the authors study the ways these actions forget or recall aspects of place. Using cinematic representations of Berlin as an audiovisual archive, the study details how the city has adjusted to its traumatic twentieth-century history through architectural transformations. Two dissimilar case studies frame each strategy, indicating that an approach that works for one building may not be sufficient for another.
$88.00
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"On the dance floor," a visual and literary compendium of nightclub revelries and sweat-soaked gymnasiums on-screen and off. Featuring deep dives into cinema’s most iconic dance moments and contributions from dance world legends, On the Dance Floor spins out from high school proms and house parties to discos, raves, and the joys of dancing on your own. Features a(...)
On the dance floor: Spinning out on screen
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"On the dance floor," a visual and literary compendium of nightclub revelries and sweat-soaked gymnasiums on-screen and off. Featuring deep dives into cinema’s most iconic dance moments and contributions from dance world legends, On the Dance Floor spins out from high school proms and house parties to discos, raves, and the joys of dancing on your own. Features a foreword by Cher; dance floor dispatches from Charli XCX, Ryan Heffington, Lizzy Goodman, and more; conversations with filmmakers and choreographers including Whit Stillman and Kate Beckinsale; and original essays from writers such as Rachel Tashjian and Marlowe Granados.
$66.00
(disponible en magasin)
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''Lost Days, Endless Nights'' tells a history from below—an account of the lives of the forgotten and dispossessed of Los Angeles: the unemployed, the precariously employed, the evicted, the alienated, the unhoused, the anxious, the exhausted. Through an analysis of abandoned archival works, experimental films, and other projects, Andrew Witt offers an expansive account(...)
Lost days, endless nights: Photography and film from Los Angeles
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$66.00
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''Lost Days, Endless Nights'' tells a history from below—an account of the lives of the forgotten and dispossessed of Los Angeles: the unemployed, the precariously employed, the evicted, the alienated, the unhoused, the anxious, the exhausted. Through an analysis of abandoned archival works, experimental films, and other projects, Andrew Witt offers an expansive account of the artists who have lived or worked in Los Angeles, delving into the region's history and geography, highlighting its racial, gender, and class conflicts. Presented as a series of nine case studies, Witt explores how artists as diverse as Agnès Varda, Dana Lixenberg, Allan Sekula, Catherine Opie, John Divola, Gregory Halpern, Paul Sepuya, and Guadalupe Rosales have reimagined and reshaped our understanding of contemporary Los Angeles. The book features portraits of those who struggle and attempt to get by in the city: dock workers, students, bus riders, petty criminals, office workers, immigrants, queer and trans activists. Set against the landscape of economic turmoil and environmental crises that shadowed the 1970s, Witt highlights the urgent need for a historical perspective of cultural retrieval and counternarrative. Extending into the present, ''Lost Days, Endless Nights'' advocates for an approach that actively embraces the works and projects that have been overlooked and evicted from the historical imaginary
$62.00
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape(...)
septembre 2024
Architecture, film, and the in-between: Spatio-cinematic between
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"Architecture, film, and the in-between: spatio-cinematic betwixt" looks at the cinematic representation of architectural in-betweenness, as well as the in-between spaces within the architectural structure of films. As films seek to depict architecture in evolving, original ways, they can also expand betwixt areas, imbuing them with horror or fantasy. Spies can escape inside unconvincingly stable ducts and children can slide through pipes with no discernible function. And just as subway routes and airplanes can stitch together two destinations, loopholes and magic architectural features can connect distinct realms via interstitial spaces. Contributors discuss a range of architects and filmmakers, including John Lautner, David Lynch, Christopher Nolan, Agnès Varda, and Mies van der Rohe, and take diverse approaches to the liminal space between architecture and film, touching on existential experience, post-phenomenological thinking, sociopolitical cinearchitecture, fictive ecologies, and more. Collecting essays by well-respected architects, thinkers, and philosophers—such as Juhani Pallasmaa, Beatriz Colomina, and Graham Harman—the book includes imagery and infographics that map filmic spaces, diagram narratives, and visualize the hidden spatial dimensions of movies.
$79.00
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The art of producing color in movies is a fascinating process with a long history. Many people don’t realize that, as early as the 1890s, much of silent cinema was in color. They also may not know that women were the main workforce behind the techniques that first produced these effects, a tradition that continued as the practice evolved. Breakthroughs in color technology(...)
octobre 2024
Color in motion: Chromatic explorations of cinema
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$79.00
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The art of producing color in movies is a fascinating process with a long history. Many people don’t realize that, as early as the 1890s, much of silent cinema was in color. They also may not know that women were the main workforce behind the techniques that first produced these effects, a tradition that continued as the practice evolved. Breakthroughs in color technology have created ongoing opportunities for filmmakers to experiment with new forms of narrative and emotional storytelling. Spectacular, psychological and sensory, color has become an integral part of the cinematic experience. From the earliest hand-painted films to Technicolor and today’s digital cinema, Color in Motion takes readers on a journey through the evolution and significance of color in film. Presenting insightful analysis, engaging case studies and inspiring conversations with scholars and experts in the field, with topics ranging from animation to the intersections of color and race in cinema, it traces the historical development of color technologies and their impact onscreen. Incorporating vivid images of color films throughout history—Serpentine Dance, The Cabinet of Dr. Caligari, Fantasia, The Red Shoes, Vertigo, West Side Story, 2001: A Space Odyssey, Moonlight and more, as well as new multispectral scans of rare silent-era film prints—this essential volume celebrates color’s enduring influence on the medium of film.
African cinema and urbanism
$35.95
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The changing nature of African landscapes, from rural to urbanized spaces, has been a pre-occupation of African media producers since the beginnings of the African film industry in the 1960s. The authors bring together several examples of African documentary and fiction screen media that present, evaluate and criticize urban and rural landscapes, and the rural and urban(...)
décembre 2024
African cinema and urbanism
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$35.95
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The changing nature of African landscapes, from rural to urbanized spaces, has been a pre-occupation of African media producers since the beginnings of the African film industry in the 1960s. The authors bring together several examples of African documentary and fiction screen media that present, evaluate and criticize urban and rural landscapes, and the rural and urban dynamic of development, in relation to contemporary issues, from biodiversity, sustainability and deforestation, to inequity, women’s rights, political instability, to climate change-related themes of water and food supply, security and sovereignty. These works, comprising multi-platform cinema, streamed moving images and especially documentaries, depict the situations and open the door to rethinking and eventually to the possibilities of proposals responding to the situations portrayed.