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REMOTE PORT.
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1 online resource.
[Place of publication not identified] : New Models, 2019.
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[Place of publication not identified] : New Models, 2019.
livres
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144 pages : illustrations (chiefly color), charts, map ; 24 cm
Berlin : Hatje Cantz Verlag GmbH ; Cambridge, Massachusetts : The MIT Press, [2022], ©2022
Spatializing justice : building blocks / Teddy Cruz and Fonna Forman.
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144 pages : illustrations (chiefly color), charts, map ; 24 cm
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Berlin : Hatje Cantz Verlag GmbH ; Cambridge, Massachusetts : The MIT Press, [2022], ©2022
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xxvi, 515 pages : color illustrations ; 25 cm.
Cambridge, Massachusetts ; London, England : The MIT Press, [2016], ©2016
Public servants : art and the crisis of the common good / edited by Johanna Burton, Shannon Jackson, and Dominic Willsdon.
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xxvi, 515 pages : color illustrations ; 25 cm.
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Cambridge, Massachusetts ; London, England : The MIT Press, [2016], ©2016
livres
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xlvii, 125 pages : maps ; 21 cm
Liverpool : Liverpool University Press, 1989.
The Book of pontiffs (Liber pontificalis) : the ancient biographies of the first ninety Roman bishops to AD 715 / translated, with an introduction, by Raymond Davis.
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xlvii, 125 pages : maps ; 21 cm
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Liverpool : Liverpool University Press, 1989.
audio
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1 online resource.
[Place of publication not identified] : The Funambulist, 2023.
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[Place of publication not identified] : The Funambulist, 2023.
audio
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1 online resource.
[Place of publication not identified] : The Funambulist, 2014.
Machiavellian Fortresses and the Virtue of the Sovereign.
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1 online resource.
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[Place of publication not identified] : The Funambulist, 2014.
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294 pages : illustrations ; 21 cm
Minneapolis : University of Minnesota Press, [2024], © 2024
Solar adobe : energy, ecology, and earthen architecture / Albert Narath.
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294 pages : illustrations ; 21 cm
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Minneapolis : University of Minnesota Press, [2024], © 2024
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Back Up Your Data! Developing Protocols for Artistic Research with Media [electronic resource].
Blackwood Gallery 2021
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Blackwood Gallery 2021
$64.00
(disponible en magasin)
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Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native(...)
Native visual sovereignty: A reader on art and performance
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$64.00
(disponible en magasin)
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Native artists are at the vanguard of performance art practices and discourse, using humor as a strategy for cultural critique and reflection, parsing the relationships between objecthood and agency. This reader centers performance and theater as origin points for the development of contemporary art by Native American, First Nations, Métis, Inuit and Alaska Native artists. Song, dance and music are also posited as a basis for collectivity and resistance and a means to speak to a time when Native traditional ceremony and public gatherings were illegal in both the United States and Canada. Featuring excerpts from the 1969 document Indian Theatre: An Artistic Experiment in Process, this illustrated reader also includes four long-form essays by leading Indigenous scholars, nine artist contributions, oral history interviews and a selection of key texts from the fields of Native contemporary art, art history and theory.
Théorie de l’art
$48.00
(disponible en magasin)
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What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self-quantification and the arrival of(...)
The stack: On software and sovereignty. 10th anniversary edition
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$48.00
(disponible en magasin)
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What has planetary-scale computation done to our geopolitical realities? It takes different forms at different scales—from energy and mineral sourcing and subterranean cloud infrastructure to urban software and massive universal addressing systems; from interfaces drawn by the augmentation of the hand and eye to users identified by self-quantification and the arrival of legions of sensors, algorithms, and robots. Together, how do these distort and deform modern political geographies and produce new territories in their own image? In an account that is both theoretical and technical, drawing on political philosophy, design theory, and computer science, Bratton explores six layers of ''The Stack'': Earth, Cloud, City, Address, Interface, User.