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For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape.(...)
Postcolonial Dublin : imperial legacies and the built environment
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For hundreds of years, Ireland has been a testing ground for colonizing techniques. Postcolonial Dublin shows how perpetrators of colonialism have made use of urban planning and architecture to underscore and legitimate ideologies. From suburban development to building facades, the conflict between nationalists and colonialists has inscribed itself on Dublin’s landscape. Andrew Kincaid illustrates how the architecture and urban planning of Dublin have been integral to debates about nationalism, modernism, and Ireland’s relationship to the rest of the world. Looking at objects such as Londonderry’s Market House, Patrick Abercrombie’s Dublin of the Future, and the urban renewal project of today’s Temple Bar, Kincaid highlights Ireland’s colonial history and the significance of architecture in the evolution of national identity. In doing so, he demonstrates how ideology “spatializes” itself. Postcolonial Dublin engages the prevailing historical representations of Irish nationalism, arguing that the evolving city reflected a debate over who would hold the reins of power. Bringing the tools of literary criticism and postcolonial theory to bear on the field of urban studies, Kincaid places Dublin at the forefront of debates over modernism, modernity, and globalization.
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In 1950, Indian prime minister Jawaharlal Nehru invited legendary French-Swiss architect Le Corbusier to embark on one of the greatest experiments in urban planning history: to build a new capital Chandigarh, a city whose monumental modernism promised to free India from the fetters of colonial tradition. 'six decades after its founding and on the eve of its becoming a(...)
Chandigarh revealed: Le Corbusier's city today
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In 1950, Indian prime minister Jawaharlal Nehru invited legendary French-Swiss architect Le Corbusier to embark on one of the greatest experiments in urban planning history: to build a new capital Chandigarh, a city whose monumental modernism promised to free India from the fetters of colonial tradition. 'six decades after its founding and on the eve of its becoming a UNESCO World Heritage Site in 2016, photographer and Chandigarh resident Shaun Fynn was granted unprecedented access to turn his lens on Le Corbusier's city and capture what is rarely seen: the living metropolis behind the master plan. Fynn's captivating images of the city and its inhabitants reveal how the poetry of the architect's compositions has been shaped by the tumult of everyday life. Alongside descriptions of the city's architectural highlights, Chandigarh Revealed features a foreword by Le Corbusier authority Maristella Casciato, an essay by architectural historian Vikram ditya Prak sh, an interview with M. N. Sharma one of two surviving members of Le Corbusier's team and custom-designed maps to orient readers.
Architecture, monographies
Decolonize multiculturalism
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For those interested in continuing the struggle for decolonization, the word "multiculturalism" can seem like a sad joke. After all, institutionalized multiculturalism today is a muck of buzzwords, branding strategies, and virtue signaling that has nothing to do with real struggles against racism and colonialism. But "Decolonize multiculturalism" unearths a buried(...)
Decolonize multiculturalism
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For those interested in continuing the struggle for decolonization, the word "multiculturalism" can seem like a sad joke. After all, institutionalized multiculturalism today is a muck of buzzwords, branding strategies, and virtue signaling that has nothing to do with real struggles against racism and colonialism. But "Decolonize multiculturalism" unearths a buried history. The book focuses on the student and youth movements of the 1960s and 1970s, inspired by global movements for decolonization and anti-racism, which aimed to fundamentally transform their society, as well as the fierce repression of these movements by the state, corporations, and university administrations. Part of the response has been sheer violence—campus policing, for example, only began in the ’70s, paving the way for the militarized campuses of today—with institutionalized multiculturalism acting like the velvet glove around the iron fist of state violence. And yet today’s multiculturalism also contains residues of the original radical demands of the student and youth movements that it aims to repress: to open up the university, to wrench it from its settler colonial, white supremacist, and patriarchal capitalist origins, and to transform it into a place of radical democratic possibility.
Social
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Jaipur, in Rajasthan, is renowned for its palaces and museums, its craft traditions and its distinctive pink shops and houses. A planned city within walls, it was built in pre-modern times according to a distinctive Indian theory of architecture known as vastu vidya. As architecture subsequently developed in India, in response to British and latterly post-colonial(...)
Arch Moyen-Orient
septembre 2002, London
Building Jaipur : the making of an Indian city
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Jaipur, in Rajasthan, is renowned for its palaces and museums, its craft traditions and its distinctive pink shops and houses. A planned city within walls, it was built in pre-modern times according to a distinctive Indian theory of architecture known as vastu vidya. As architecture subsequently developed in India, in response to British and latterly post-colonial policies, this system became increasingly marginalized and fragmented, decreasingly practised and understood. Taking Jaipur as a test case, the authors use this lost tradition to explain historic Indian buildings according to the rationale of their original architects. The authors also examine the place of traditional architectural theory in a modern context – Post-Modern architecture in India has often sought to recapture a spirit of the past, and yet been reluctant to engage with traditional theory. By chronicling the gradual eclipse of Indian architectural theory, the authors explain how this reluctance arose; they also describe the need and the terms for a fresh engagement with it. The result is an architectural biography of a city, and a concise history of Indian architectural theory over the last 300 years.
Arch Moyen-Orient
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Today the world is focusing unprecedented attention on Asia and the Middle East, rediscovering a cultural, political, and geographical landscape that has fascinated and frustrated Westerners since the time of Alexander the Great. "Mapping the Silk Road and Beyond", traces the history of the European age of exploration and its lasting effects on these regions through(...)
Dessin d’architecture
septembre 2004, London, New York
Mapping the silk road and beyond : 2000 years of exploring the east
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Today the world is focusing unprecedented attention on Asia and the Middle East, rediscovering a cultural, political, and geographical landscape that has fascinated and frustrated Westerners since the time of Alexander the Great. "Mapping the Silk Road and Beyond", traces the history of the European age of exploration and its lasting effects on these regions through beautifully rendered and imaginative maps drawn by explorers, merchants, and colonial administrators of the time. The book focuses on both maritime exploration and overland discovery via the ancient Silk Road, a network of trading posts that encompassed China, Tibet, Pakistan, India, Kurdistan, Iraq, Ethiopia, Eritrea, and dozens of other places known in ancient times by fabled names, including Abyssinia, Malacca, Macassar, Siam, and Cathay. The maps provide visual keys to the fascinating history of Asia and the Middle East; illuminating a cast of historical figures ranging from great leaders (the Queen of Sheba, Mohammed the prophet, King Charles V) to legendary explorers (Marco Polo, Columbus, Magellan, Sir Francis Drake, Capt. James Cook) and influential cartographers. "Mapping the Silk Road and Beyond", depicts over eighty maps organized chronologically, from Alexander the Great’s map of the world, first created in 323 BC and reproduced in a sixteenth-century atlas, to maps from the nineteenth century by French and Dutch explorers that detail the growing interaction between Europeans and Eastern cultures. The maps represent the finest examples in existence in museums, libraries, and archives around the world, chosen because they depict the most important milestones in the mapping of Asia.
Dessin d’architecture
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In "The effluent eye," Rosemary J. Jolly argues for the decolonization of human rights, attributing their failure not simply to state and institutional malfeasance but to the very concept of human rights as anthropocentric-and, therefore, fatally shortsighted. In an engaging mix of literary and cultural criticism, Indigenous and Black critique, and substantive forays into(...)
The effluent eye: Narratives for decolonial right-making
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In "The effluent eye," Rosemary J. Jolly argues for the decolonization of human rights, attributing their failure not simply to state and institutional malfeasance but to the very concept of human rights as anthropocentric-and, therefore, fatally shortsighted. In an engaging mix of literary and cultural criticism, Indigenous and Black critique, and substantive forays into the medical humanities, Jolly proposes right-making in the demise of human rights. Using what she calls an "effluent eye," Jolly draws on "Fifth Wave" structural public health to confront the concept of human rights-one of the most powerful and widely entrenched liberal ideas. She builds on Indigenous sovereignty work from authors such as Robin Wall Kimmerer, Leanne Betasamosake Simpson, and Mark Rifkin as well as the littoral development in Black studies from Christine Sharpe, Saidiya Hartman, and Tiffany Lethabo King to engage decolonial thinking on a range of urgent topics such as pandemic history and grief; gender-based violence and sexual assault; and the connections between colonial capitalism and substance abuse, the Anthropocene, and climate change. Combining witnessed experience with an array of decolonial texts, Jolly argues for an effluent form of reading that begins with the understanding that the granting of "rights" to individuals is meaningless in a world compromised by pollution, poverty, and successive pandemics.
Théorie/ philosophie
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How do you experience a public space? Do you feel safe? Seen? Represented? The response to these questions may differ based on factors including your race, age, ethnicity, or gender identity. In the architecture and design professions, decisions about the articulation of public spaces and who may be honored in them have often been made by white men. How do designers(...)
Empathic design: perspectives on creating inclusive spaces
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How do you experience a public space? Do you feel safe? Seen? Represented? The response to these questions may differ based on factors including your race, age, ethnicity, or gender identity. In the architecture and design professions, decisions about the articulation of public spaces and who may be honored in them have often been made by white men. How do designers rethink design processes to produce works that hold space for the diversity of people using them? In "Empathic design," designer and architecture professor Elgin Cleckley brings together leaders and visionary practitioners in architecture, urban design, planning, and design activism to help explore these questions. Cleckley explains that empathic designers need to approach design as iterative, changing, and shifting to say, "we see you", "we hear you". Part of an emerging design framework, empathic designers work with and in the communities affected. They acknowledge the full history of a place and approach the lived experience and memories of those in the community with respect. Early chapters explore broader conceptual approaches, proposing definitions of empathy in the context of design, disrupting colonial narratives, and making space for grief. Other chapters highlight specific design projects, including the Harriet Tubman Memorial in Newark, The Camp Barker Memorial in Washington, D.C., the Freedom Center in Oklahoma City, and the Charlottesville Memorial for Peace and Justice.
Théorie du design
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
Théorie de la photographie
mars 2003, Durham, N.C.
Photography's other histories
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Théorie de la photographie
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Diagrams of power : visualizing, mapping, and performing resistance / edited by Patricio Dávila.
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308 pages : illustrations (chiefly color), maps ; 25 cm
[Eindhoven] : Onomatopee, [2019], ©2019
Diagrams of power : visualizing, mapping, and performing resistance / edited by Patricio Dávila.
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Description:
308 pages : illustrations (chiefly color), maps ; 25 cm
livres
[Eindhoven] : Onomatopee, [2019], ©2019