1749 Résultats
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the(...)
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the(...)
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Roman Architecture: Architecture without content 14
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the sixteenth century, partyly reusing the accumulated knowledge in order to deal with urgent challenges in contemporary Flanders. The oeuvre by Palladio represents on of the most prototypical incarnations, almost literal indeed, of a possible Roman project. His prolific work for the venetian inlandrepresents a tremendous effort to systematise the complexity of an entire territory, from the city proper (i.e. Vicenza), to the countryside proper 9the sprawl still to come).
Roman Architecture: Architecture without content 14
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 14, the second incarnation of Roman Architecture presents itself as a double folded exercise: partly portraying the systematic work by Palladio in the Venetian inland during the second half of the sixteenth century, partyly reusing the accumulated knowledge in order to deal with urgent challenges in contemporary Flanders. The oeuvre by Palladio represents on of the most prototypical incarnations, almost literal indeed, of a possible Roman project. His prolific work for the venetian inlandrepresents a tremendous effort to systematise the complexity of an entire territory, from the city proper (i.e. Vicenza), to the countryside proper 9the sprawl still to come).
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avril 2017
avril 2017
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Expositions en cours
Expositions en cours
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. For the second incarnation of Metropolitan Architecture, Architecture Without Content 18, we went to Japan. There we found an array of buildings whose small size seemed capable of negotiating the scale between the interior and(...)
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. For the second incarnation of Metropolitan Architecture, Architecture Without Content 18, we went to Japan. There we found an array of buildings whose small size seemed capable of negotiating the scale between the interior and(...)
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Metropolitan architecture: Specific interiors. Architecture without content 18
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. For the second incarnation of Metropolitan Architecture, Architecture Without Content 18, we went to Japan. There we found an array of buildings whose small size seemed capable of negotiating the scale between the interior and the metropolis. The small houses depicted here mediate between an individual city dweller and the shared infrastructure.
Metropolitan architecture: Specific interiors. Architecture without content 18
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. For the second incarnation of Metropolitan Architecture, Architecture Without Content 18, we went to Japan. There we found an array of buildings whose small size seemed capable of negotiating the scale between the interior and the metropolis. The small houses depicted here mediate between an individual city dweller and the shared infrastructure.
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avril 2017
avril 2017
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Expositions en cours
Expositions en cours
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. This 21st incarnation of Architecture Without Content is, more than previous editions, a report related to our current (political) malaise. Apart from political urgency, what has changed? If always an architecture of necessity(...)
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. This 21st incarnation of Architecture Without Content is, more than previous editions, a report related to our current (political) malaise. Apart from political urgency, what has changed? If always an architecture of necessity(...)
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Trouble with classicists: The commons. Architecture without content 21
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. This 21st incarnation of Architecture Without Content is, more than previous editions, a report related to our current (political) malaise. Apart from political urgency, what has changed? If always an architecture of necessity and economy (of means) was central to our argument, we felt it necessary to refine our recent arguments with a more Spartan catalogue. Classicism, acting as a catalyst for simplification, results in this collection of The Commons; an ambiguous collection of possible architecture themes. The catalogue spans from the obelisk, as pure architecture, to the fatto urbano, as a collection of architectural events in which the urban layout becomes the dominant factor.
Trouble with classicists: The commons. Architecture without content 21
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. This 21st incarnation of Architecture Without Content is, more than previous editions, a report related to our current (political) malaise. Apart from political urgency, what has changed? If always an architecture of necessity and economy (of means) was central to our argument, we felt it necessary to refine our recent arguments with a more Spartan catalogue. Classicism, acting as a catalyst for simplification, results in this collection of The Commons; an ambiguous collection of possible architecture themes. The catalogue spans from the obelisk, as pure architecture, to the fatto urbano, as a collection of architectural events in which the urban layout becomes the dominant factor.
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avril 2017
avril 2017
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Expositions en cours
Expositions en cours
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.'(...)
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.'(...)
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Neon Palladian: Architecture without content 16. Harvard GSD
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.' Thus, the studio was both formalistic and pragmatic and tried to inflate Palladian architecture to the scale of the strip: Neon Palladian. In the vast landscape of the United States of America, the scale of food production has always been gigantic. At the same time, it has seldom regained an architectural form similar to that of its most defining orgins. In this book, you will find projects that are organising an aspect of food production. In one way or another, they reconnect to the long-lost virtues of Jefferson's Palladianism.
Neon Palladian: Architecture without content 16. Harvard GSD
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios held at EPFL. In Architecture Without Content 16, an interest in Neo-Palladianism has been added to a project that investigates the impact of scale, as Palladianism was a defining factor in the early identification of 'American Architecture.' Thus, the studio was both formalistic and pragmatic and tried to inflate Palladian architecture to the scale of the strip: Neon Palladian. In the vast landscape of the United States of America, the scale of food production has always been gigantic. At the same time, it has seldom regained an architectural form similar to that of its most defining orgins. In this book, you will find projects that are organising an aspect of food production. In one way or another, they reconnect to the long-lost virtues of Jefferson's Palladianism.
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avril 2017
avril 2017
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Expositions en cours
Expositions en cours
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. In Architecture Without Content 19, Almost Classicism continues where Neon Palladian left us. It starts in full conviction that the current project on the United States has to focus both on the countryside and on an attenpt to(...)
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. In Architecture Without Content 19, Almost Classicism continues where Neon Palladian left us. It starts in full conviction that the current project on the United States has to focus both on the countryside and on an attenpt to(...)
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Almost classicism. Architecture without content 19
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. In Architecture Without Content 19, Almost Classicism continues where Neon Palladian left us. It starts in full conviction that the current project on the United States has to focus both on the countryside and on an attenpt to introduce some kind of commons. We feel the best way to illustrate this is to start where the commons have dissolved, in what used to be called 'The Village'. Here in this booklet, two tracks are presented: a set of projects in agricultural Iowa that rethink co-op into small village centers, and another in post-industrial Ohio, where in the post-Hoover restart, fragments and islands are formalised as micro-urban organisms.
Almost classicism. Architecture without content 19
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Architecture Without Content is architecture reduced to its very perimeter. The books in the series are the outcome of studios offered at EPFL. In Architecture Without Content 19, Almost Classicism continues where Neon Palladian left us. It starts in full conviction that the current project on the United States has to focus both on the countryside and on an attenpt to introduce some kind of commons. We feel the best way to illustrate this is to start where the commons have dissolved, in what used to be called 'The Village'. Here in this booklet, two tracks are presented: a set of projects in agricultural Iowa that rethink co-op into small village centers, and another in post-industrial Ohio, where in the post-Hoover restart, fragments and islands are formalised as micro-urban organisms.
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avril 2017
avril 2017
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Expositions en cours
Expositions en cours
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Dieser 700 seitige Reader ist gegliedert durch Gegensatzpaare, zu denen sich die Autoren aus der Geschichte Berlins heraus argumentierend mit besonders dialogischen oder undialogischen Momenten beschäftigen: Zentren/Mitte, Stadt/Natur, Fiktion/Realität, Fremdbild/Eigenlogik, Gemeinschaft/Individualität, Teilhabe/Governance und Boden/Eigentum. Um diese Paarungen gruppieren(...)
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Dieser 700 seitige Reader ist gegliedert durch Gegensatzpaare, zu denen sich die Autoren aus der Geschichte Berlins heraus argumentierend mit besonders dialogischen oder undialogischen Momenten beschäftigen: Zentren/Mitte, Stadt/Natur, Fiktion/Realität, Fremdbild/Eigenlogik, Gemeinschaft/Individualität, Teilhabe/Governance und Boden/Eigentum. Um diese Paarungen gruppieren(...)
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Expositions en cours
Expositions en cours
Publication:
décembre 2015
décembre 2015
Titre:
The Dialogic City. Berlin wird Berlin : Berlininische Galerie
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Dieser 700 seitige Reader ist gegliedert durch Gegensatzpaare, zu denen sich die Autoren aus der Geschichte Berlins heraus argumentierend mit besonders dialogischen oder undialogischen Momenten beschäftigen: Zentren/Mitte, Stadt/Natur, Fiktion/Realität, Fremdbild/Eigenlogik, Gemeinschaft/Individualität, Teilhabe/Governance und Boden/Eigentum. Um diese Paarungen gruppieren sich detaillierte Betrachtungen und Interviews mit Berliner Akteuren.
The Dialogic City. Berlin wird Berlin : Berlininische Galerie
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Dieser 700 seitige Reader ist gegliedert durch Gegensatzpaare, zu denen sich die Autoren aus der Geschichte Berlins heraus argumentierend mit besonders dialogischen oder undialogischen Momenten beschäftigen: Zentren/Mitte, Stadt/Natur, Fiktion/Realität, Fremdbild/Eigenlogik, Gemeinschaft/Individualität, Teilhabe/Governance und Boden/Eigentum. Um diese Paarungen gruppieren sich detaillierte Betrachtungen und Interviews mit Berliner Akteuren.
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décembre 2015
décembre 2015
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Expositions en cours
Expositions en cours
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$125.00
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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in(...)
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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in(...)
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Roni Horn: Mother wonder (Island)
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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in 1989 and exists only in book form. All the volumes focus on Iceland and the evolving experiences of the artist there; together they form a flowing dialogue addressing the relationship between identity and place. The titles to date in the coveted "To Place" encyclopedia are "Bluff Life" (1990), "Folds" (1991), "Lava" (1992), "Pooling Waters" (1994), "Verne’s Journey" (1995), "Haraldsdóttir" (1996), "Arctic Circles" (1998), "Becoming a Landscape" (2001), "Doubt Box" (2006) and "Haraldsdóttir, Part Two" (2011).
Roni Horn: Mother wonder (Island)
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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in 1989 and exists only in book form. All the volumes focus on Iceland and the evolving experiences of the artist there; together they form a flowing dialogue addressing the relationship between identity and place. The titles to date in the coveted "To Place" encyclopedia are "Bluff Life" (1990), "Folds" (1991), "Lava" (1992), "Pooling Waters" (1994), "Verne’s Journey" (1995), "Haraldsdóttir" (1996), "Arctic Circles" (1998), "Becoming a Landscape" (2001), "Doubt Box" (2006) and "Haraldsdóttir, Part Two" (2011).
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livres
livres
Publication:
juin 2023
juin 2023
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Expositions en cours
Expositions en cours
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livres
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''Everyone has a story about the weather. This may be the single thing each of us holds in common. And though the weather varies greatly from here to there, it is, ultimately, one weather that we share. Small talk everywhere has occasioned the popular distribution of the weather. Some say talking about the weather is talking about oneself. And with each passing day, the(...)
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''Everyone has a story about the weather. This may be the single thing each of us holds in common. And though the weather varies greatly from here to there, it is, ultimately, one weather that we share. Small talk everywhere has occasioned the popular distribution of the weather. Some say talking about the weather is talking about oneself. And with each passing day, the(...)
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Roni Horn: Weather reports you
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''Everyone has a story about the weather. This may be the single thing each of us holds in common. And though the weather varies greatly from here to there, it is, ultimately, one weather that we share. Small talk everywhere has occasioned the popular distribution of the weather. Some say talking about the weather is talking about oneself. And with each passing day, the weather increasingly becomes ours, if not us. 'Weather reports you' is one beginning of a collective self-portrait,'' writes Roni Horn, ''a metaphor for the physical, metaphysical, political, social and moral energy of a person and a place''. This book is a new edition of the original ''Weather reports you'' of 2007, a gathering of oral reports on the weather made on location in Iceland, accompanied by snapshots taken at the time and place of each interview.
Roni Horn: Weather reports you
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''Everyone has a story about the weather. This may be the single thing each of us holds in common. And though the weather varies greatly from here to there, it is, ultimately, one weather that we share. Small talk everywhere has occasioned the popular distribution of the weather. Some say talking about the weather is talking about oneself. And with each passing day, the weather increasingly becomes ours, if not us. 'Weather reports you' is one beginning of a collective self-portrait,'' writes Roni Horn, ''a metaphor for the physical, metaphysical, political, social and moral energy of a person and a place''. This book is a new edition of the original ''Weather reports you'' of 2007, a gathering of oral reports on the weather made on location in Iceland, accompanied by snapshots taken at the time and place of each interview.
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Publication:
janvier 2023
janvier 2023
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Expositions en cours
Expositions en cours
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$54.00
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''Real estate opportunities'' continues Japanese photographer Takashi Homma’s homage series to the influential American artist Ed Ruscha, following similar photobooks by Homma such as ''Every building on the Ginza street,'' ''Royal road test,'' ''Babycakes,'' and ''Twenty-six gasoline stations.'' Ruscha’s original ''Real estate opportunities'' series was published in(...)
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''Real estate opportunities'' continues Japanese photographer Takashi Homma’s homage series to the influential American artist Ed Ruscha, following similar photobooks by Homma such as ''Every building on the Ginza street,'' ''Royal road test,'' ''Babycakes,'' and ''Twenty-six gasoline stations.'' Ruscha’s original ''Real estate opportunities'' series was published in(...)
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Takashi Homma: Real estate opportunities
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''Real estate opportunities'' continues Japanese photographer Takashi Homma’s homage series to the influential American artist Ed Ruscha, following similar photobooks by Homma such as ''Every building on the Ginza street,'' ''Royal road test,'' ''Babycakes,'' and ''Twenty-six gasoline stations.'' Ruscha’s original ''Real estate opportunities'' series was published in 1970 and featured photographs of empty building lots for sale in Los Angeles. For his tribute, Homma (together with series collaborators Yoshihisa Tanaka and Yusuke Nakajima) photographed empty lots in and around Tokyo. Its design and size carefully replicating Ruscha’s original, Homma’s photobook possesses a charm of its own as it captures the strange optimism and sense of possibility of these negative spaces within Tokyo’s dense architectural sprawl.
Takashi Homma: Real estate opportunities
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''Real estate opportunities'' continues Japanese photographer Takashi Homma’s homage series to the influential American artist Ed Ruscha, following similar photobooks by Homma such as ''Every building on the Ginza street,'' ''Royal road test,'' ''Babycakes,'' and ''Twenty-six gasoline stations.'' Ruscha’s original ''Real estate opportunities'' series was published in 1970 and featured photographs of empty building lots for sale in Los Angeles. For his tribute, Homma (together with series collaborators Yoshihisa Tanaka and Yusuke Nakajima) photographed empty lots in and around Tokyo. Its design and size carefully replicating Ruscha’s original, Homma’s photobook possesses a charm of its own as it captures the strange optimism and sense of possibility of these negative spaces within Tokyo’s dense architectural sprawl.
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livres
livres
Publication:
février 2023
février 2023
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Expositions en cours
Expositions en cours
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livres
livres
Titre:
La magie du cyanotype
La magie du cyanotype
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Avec poésie et douceur, Carasco nous initie à l'art du cyanotype, procédé alternatif de photographie qui transforme les végétaux en de magnifiques tableaux bleu de Prusse. Entre errances contemplatives, cueillettes joyeuses, chimie et alchimie, ce livre nous invite à participer à une expérience artistique unique dans laquelle le temps est suspendu, le soleil complice, et(...)
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Avec poésie et douceur, Carasco nous initie à l'art du cyanotype, procédé alternatif de photographie qui transforme les végétaux en de magnifiques tableaux bleu de Prusse. Entre errances contemplatives, cueillettes joyeuses, chimie et alchimie, ce livre nous invite à participer à une expérience artistique unique dans laquelle le temps est suspendu, le soleil complice, et(...)
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La magie du cyanotype
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Avec poésie et douceur, Carasco nous initie à l'art du cyanotype, procédé alternatif de photographie qui transforme les végétaux en de magnifiques tableaux bleu de Prusse. Entre errances contemplatives, cueillettes joyeuses, chimie et alchimie, ce livre nous invite à participer à une expérience artistique unique dans laquelle le temps est suspendu, le soleil complice, et l'eau magicienne. En explorant la technique du cyanotype, vous apprendrez à écouter la nature, à respecter ce qui vous entoure, à jouer avec les éléments au fil des saisons et à maintenir ainsi un lien fort et puissant avec le vivant.
La magie du cyanotype
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Avec poésie et douceur, Carasco nous initie à l'art du cyanotype, procédé alternatif de photographie qui transforme les végétaux en de magnifiques tableaux bleu de Prusse. Entre errances contemplatives, cueillettes joyeuses, chimie et alchimie, ce livre nous invite à participer à une expérience artistique unique dans laquelle le temps est suspendu, le soleil complice, et l'eau magicienne. En explorant la technique du cyanotype, vous apprendrez à écouter la nature, à respecter ce qui vous entoure, à jouer avec les éléments au fil des saisons et à maintenir ainsi un lien fort et puissant avec le vivant.
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livres
livres
Publication:
juillet 2022
juillet 2022
Sujet:
Expositions en cours
Expositions en cours
