1390 Résultats
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livres
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This richly illustrated book chronicles lighter-than-air flight from Archimedes' discovery of the principle of buoyancy to the latest in sport balloons and plans for future airships. Far more than a timeline of events, Lighter Than Air focuses on the people -- flamboyant and daring, heroes and scoundrels -- who made history in the sky. Here are the eighteenth-century(...)
$41.95
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This richly illustrated book chronicles lighter-than-air flight from Archimedes' discovery of the principle of buoyancy to the latest in sport balloons and plans for future airships. Far more than a timeline of events, Lighter Than Air focuses on the people -- flamboyant and daring, heroes and scoundrels -- who made history in the sky. Here are the eighteenth-century(...)
Publication:
avril 2009, Baltimore, Washington
avril 2009, Baltimore, Washington
Titre:
Lighter than air: an illustrated history of balloons and airships
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This richly illustrated book chronicles lighter-than-air flight from Archimedes' discovery of the principle of buoyancy to the latest in sport balloons and plans for future airships. Far more than a timeline of events, Lighter Than Air focuses on the people -- flamboyant and daring, heroes and scoundrels -- who made history in the sky. Here are the eighteenth-century pioneers who first took to the skies, the peripatetic aeronauts who criss-crossed two continents a century later, the airmen who manned the great rigid airships, and the intrepid balloonists who flew their craft across oceans and continents in the years following World War II. Tom D. Crouch, senior curator of the Division of Aeronautics at the Smithsonian Institution's National Air and Space Museum, has written and edited over a dozen books, including The Bishop's Boys: A Life of Wilbur and Orville Wright. He has won several major awards for historical writing, including prizes offered by the American Institute of Aeronautics and Astronautics and the Aviation/Space Writers Association.
Lighter than air: an illustrated history of balloons and airships
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$41.95
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This richly illustrated book chronicles lighter-than-air flight from Archimedes' discovery of the principle of buoyancy to the latest in sport balloons and plans for future airships. Far more than a timeline of events, Lighter Than Air focuses on the people -- flamboyant and daring, heroes and scoundrels -- who made history in the sky. Here are the eighteenth-century pioneers who first took to the skies, the peripatetic aeronauts who criss-crossed two continents a century later, the airmen who manned the great rigid airships, and the intrepid balloonists who flew their craft across oceans and continents in the years following World War II. Tom D. Crouch, senior curator of the Division of Aeronautics at the Smithsonian Institution's National Air and Space Museum, has written and edited over a dozen books, including The Bishop's Boys: A Life of Wilbur and Orville Wright. He has won several major awards for historical writing, including prizes offered by the American Institute of Aeronautics and Astronautics and the Aviation/Space Writers Association.
Classification:
livres
livres
Publication:
avril 2009, Baltimore, Washington
avril 2009, Baltimore, Washington
Classification:
livres
livres
Prix:
$64.00
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From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester’s global significance and the beginning of its decline, ''Shock city'' challenges the idea that Paris was the ''capital of the nineteenth century.'' Mark Crinson reorients this issue around the development of industrial production, particularly(...)
$64.00
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From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester’s global significance and the beginning of its decline, ''Shock city'' challenges the idea that Paris was the ''capital of the nineteenth century.'' Mark Crinson reorients this issue around the development of industrial production, particularly(...)
Titre:
Shock city: Image and architecture in industrial Manchester
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From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester’s global significance and the beginning of its decline, ''Shock city'' challenges the idea that Paris was the ''capital of the nineteenth century.'' Mark Crinson reorients this issue around the development of industrial production, particularly cotton and its manufacture by means of steam power, offering a fascinating and accessibly written account of how new relations in the industrial economy were manifested through the spaces and representations of the first industrial city. Focusing on Manchester’s mills and warehouses, its main trading institution (the Royal Exchange), its magnificent Gothic Revival Town Hall, and its late Gothic Revival Rylands Library, this book explores these iconic buildings alongside paintings, prints, maps, and photographs of the city throughout the period. Crinson interweaves analysis of buildings and images, urban spaces and new institutions, technology and industrial pollution to show how these were all the products of Manchester’s newly emergent industrial middle classes, who remade the city in their image.
Shock city: Image and architecture in industrial Manchester
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$64.00
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From the mid-eighteenth century to the nineteen-twenties, from the birth of the Industrial Revolution to the height of Manchester’s global significance and the beginning of its decline, ''Shock city'' challenges the idea that Paris was the ''capital of the nineteenth century.'' Mark Crinson reorients this issue around the development of industrial production, particularly cotton and its manufacture by means of steam power, offering a fascinating and accessibly written account of how new relations in the industrial economy were manifested through the spaces and representations of the first industrial city. Focusing on Manchester’s mills and warehouses, its main trading institution (the Royal Exchange), its magnificent Gothic Revival Town Hall, and its late Gothic Revival Rylands Library, this book explores these iconic buildings alongside paintings, prints, maps, and photographs of the city throughout the period. Crinson interweaves analysis of buildings and images, urban spaces and new institutions, technology and industrial pollution to show how these were all the products of Manchester’s newly emergent industrial middle classes, who remade the city in their image.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Classification:
livres
livres
Prix:
$40.00
(disponible sur commande)
Résumé:
For Italian city builders more than a thousand years ago, the urban realm was the great theatre where their best aspirations were played out, the place where society said the most substantial things about who they were and what they longed for. In "Timeless cities", architect David Mayernik reveals how Venice, Rome, Florence, Siena, and Pienza emerged from the cultural(...)
$40.00
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For Italian city builders more than a thousand years ago, the urban realm was the great theatre where their best aspirations were played out, the place where society said the most substantial things about who they were and what they longed for. In "Timeless cities", architect David Mayernik reveals how Venice, Rome, Florence, Siena, and Pienza emerged from the cultural(...)
Titre:
Timeless cities : an architect's reflections on Renaissance Italy
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For Italian city builders more than a thousand years ago, the urban realm was the great theatre where their best aspirations were played out, the place where society said the most substantial things about who they were and what they longed for. In "Timeless cities", architect David Mayernik reveals how Venice, Rome, Florence, Siena, and Pienza emerged from the cultural ideas of humanism that characterized Italian society from late antiquity to the eighteenth century. Cities were literally designed to be models of the mind and images of heaven. Mayernik takes the reader on an architect's tour of these five cities and describes the cultural beliefs and ideas behind the buildings. Not only a journey into the past, "Timeless cities" also explains why these city-building ideas are relevant today.
Timeless cities : an architect's reflections on Renaissance Italy
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Résumé:
For Italian city builders more than a thousand years ago, the urban realm was the great theatre where their best aspirations were played out, the place where society said the most substantial things about who they were and what they longed for. In "Timeless cities", architect David Mayernik reveals how Venice, Rome, Florence, Siena, and Pienza emerged from the cultural ideas of humanism that characterized Italian society from late antiquity to the eighteenth century. Cities were literally designed to be models of the mind and images of heaven. Mayernik takes the reader on an architect's tour of these five cities and describes the cultural beliefs and ideas behind the buildings. Not only a journey into the past, "Timeless cities" also explains why these city-building ideas are relevant today.
Classification:
livres
livres
Publication:
septembre 2003, Boulder
septembre 2003, Boulder
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
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$110.95
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The pond at Upton Pyne formed at the site of an eighteenth-century manganese mine. Located on land owned by a local family who were involved in the mining venture, the first excavations began in 1788. It was originally an open-cast mine employing just a few men who worked with ladders, picks, shovels. The quality of the ore in the lode was rich, and once refined it was(...)
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The pond at Upton Pyne formed at the site of an eighteenth-century manganese mine. Located on land owned by a local family who were involved in the mining venture, the first excavations began in 1788. It was originally an open-cast mine employing just a few men who worked with ladders, picks, shovels. The quality of the ore in the lode was rich, and once refined it was(...)
Titre:
Jem Southam: The Pond at Upton Pyne
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$110.95
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The pond at Upton Pyne formed at the site of an eighteenth-century manganese mine. Located on land owned by a local family who were involved in the mining venture, the first excavations began in 1788. It was originally an open-cast mine employing just a few men who worked with ladders, picks, shovels. The quality of the ore in the lode was rich, and once refined it was shipped from Exeter Quay to London and Bristol where it was used predominantly in the production of glass. After a bright start the output of the mine steadily diminished and by 1823 it had ceased production, leaving a large pit, shallow on the east side near the road and becoming deeper towards the west, where it is overhung by a cliff...
Jem Southam: The Pond at Upton Pyne
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The pond at Upton Pyne formed at the site of an eighteenth-century manganese mine. Located on land owned by a local family who were involved in the mining venture, the first excavations began in 1788. It was originally an open-cast mine employing just a few men who worked with ladders, picks, shovels. The quality of the ore in the lode was rich, and once refined it was shipped from Exeter Quay to London and Bristol where it was used predominantly in the production of glass. After a bright start the output of the mine steadily diminished and by 1823 it had ceased production, leaving a large pit, shallow on the east side near the road and becoming deeper towards the west, where it is overhung by a cliff...
Classification:
livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$39.95
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Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign,(...)
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Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign,(...)
Titre:
The waterless sea: a curious history of mirages
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Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More commonly it conveys a sense of escape, of fascination, of a desire to be deceived. "The Waterless Sea" is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion, and how we can continue to learn from their sublimity.
The waterless sea: a curious history of mirages
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$39.95
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Résumé:
Mirages have long astonished travellers and beguiled thirsty desert voyagers. Chinese and Japanese poetry and images depicted mirages as the exhalations of clam-monsters. Indian sources related them to the ‘thirst of gazelles’, a metaphor for the futility of desire. From the late eighteenth century to the present, mirages became a symbol of ‘Oriental despotism’, a malign, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More commonly it conveys a sense of escape, of fascination, of a desire to be deceived. "The Waterless Sea" is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion, and how we can continue to learn from their sublimity.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Andreas Gursky
Andreas Gursky
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$66.00
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Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the(...)
$66.00
(disponible sur commande)
Résumé:
Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the(...)
Titre:
Andreas Gursky
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$66.00
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Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times. This publication surveys the artist's most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula One races and the other on the famous Arirang Festival (a closely-choreographed mass spectacle in North Korea's capital of Pyongyang), are gathered here.
Andreas Gursky
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$66.00
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Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times. This publication surveys the artist's most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula One races and the other on the famous Arirang Festival (a closely-choreographed mass spectacle in North Korea's capital of Pyongyang), are gathered here.
Classification:
livres
livres
Publication:
juin 2008, Basel
juin 2008, Basel
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$55.95
(disponible sur commande)
Résumé:
From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
$55.95
(disponible sur commande)
Résumé:
From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
Titre:
Building: 3000 years of design, engineering and construction
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$55.95
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartres Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers.
Building: 3000 years of design, engineering and construction
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$55.95
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, Building: 3,000 Years of Design, Engineering, and Construction, charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartres Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers.
Classification:
livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Structures d’ingénierie
Structures d’ingénierie
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livres
livres
Titre:
Kiki Smith her home
Kiki Smith her home
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$54.00
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Résumé:
Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century(...)
$54.00
(disponible sur commande)
Résumé:
Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century(...)
Publication:
janvier 2009, Bielefeld
janvier 2009, Bielefeld
Titre:
Kiki Smith her home
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$54.00
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Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century American silk embroidery entitled "First, Second and Last Scene of Mortality," which depicts a white woman working at a table while a white child and a black servant rest on one side of her and a closed black coffin sits on the other side, Smith here develops several narrative threads that revolve around the theme of the unmarried woman. With excursions into Christian iconography and the history of the American postcolonial era, she speaks also to the archetype of the inspired female creator or artist.
Kiki Smith her home
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$54.00
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Résumé:
Beautifully produced to include a selection of family photographs from the artist's childhood and ancestry alongside generous documentation of her recent concurrent one-person exhibitions in Krefeld, Germany and Nuremberg, this volume sheds new light on one of the most influential American artists of her generation. Taking as her starting point an eighteenth-century American silk embroidery entitled "First, Second and Last Scene of Mortality," which depicts a white woman working at a table while a white child and a black servant rest on one side of her and a closed black coffin sits on the other side, Smith here develops several narrative threads that revolve around the theme of the unmarried woman. With excursions into Christian iconography and the history of the American postcolonial era, she speaks also to the archetype of the inspired female creator or artist.
Classification:
livres
livres
Publication:
janvier 2009, Bielefeld
janvier 2009, Bielefeld
Classification:
livres
livres
Titre:
Media art histories
Media art histories
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$44.95
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Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art(...)
$44.95
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Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art(...)
Titre:
Media art histories
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$44.95
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Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines--film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms--machine, media, exhibition--and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history.
Media art histories
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$44.95
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Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines--film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms--machine, media, exhibition--and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history.
Classification:
livres
livres
Publication:
mars 2007, Cambridge
mars 2007, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$28.00
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The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building(...)
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The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building(...)
Titre:
Daniel Libeskind: Jewish Museum Berlin
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The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building is comprised of a zinc façade and a set of three underground allegorical roads. The first leads to the main stairs, and by implication to the continuation of Berlin's history in the Museum; the second leads outdoors into the E.T.A. Hoffmann Garden, representing the exile and emigration of the Jews from Germany; and the third road leads to a dead end, representing “the Holocaust void.” This road cuts through the ensemble as a whole, and evokes, in the architect's words, “that which can never be exhibited when it comes to Jewish Berlin history: humanity reduced to ashes.” For Libeskind, a Polish Jew raised not far from Berlin who lost many relatives in the Holocaust, this extraordinary building was an intensely personal undertaking with numerous responsibilities. This volume details this most freighted and complex of buildings.
Daniel Libeskind: Jewish Museum Berlin
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$28.00
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The Jewish Museum in Berlin tells the story of German-Jewish history from the fourth century to the present. It consists of two buildings: the first, a former courthouse, was built in the eighteenth century, and the second, a massive extension that opened to the public in 2001, was designed by the world-renowned architect Daniel Libeskind (born 1946). Libeskind's building is comprised of a zinc façade and a set of three underground allegorical roads. The first leads to the main stairs, and by implication to the continuation of Berlin's history in the Museum; the second leads outdoors into the E.T.A. Hoffmann Garden, representing the exile and emigration of the Jews from Germany; and the third road leads to a dead end, representing “the Holocaust void.” This road cuts through the ensemble as a whole, and evokes, in the architect's words, “that which can never be exhibited when it comes to Jewish Berlin history: humanity reduced to ashes.” For Libeskind, a Polish Jew raised not far from Berlin who lost many relatives in the Holocaust, this extraordinary building was an intensely personal undertaking with numerous responsibilities. This volume details this most freighted and complex of buildings.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Architecture, monographies
Architecture, monographies
