5712 Résultats
Classification:
articles
articles
Titre:
Sentiments d'espace
Sentiments d'espace
Actions:
Laura Aparicio Llorente sur la demande de subvention d'Arthur Erickson au Conseil des arts du Canada
Publié:
16 décembre 2024
16 décembre 2024
Titre:
Sentiments d'espace
Laura Aparicio Llorente sur la demande de subvention d'Arthur Erickson au Conseil des arts du Canada
Actions:
Sentiments d'espace
Laura Aparicio Llorente sur la demande de subvention d'Arthur Erickson au Conseil des arts du Canada
Actions:
Classification:
livres
livres
Numéro de référence:
ARCH263756
Description:
Cahier de présentation contenant des reproductions de plans et de dessins.
ARCH263756
Description:
Cahier de présentation contenant des reproductions de plans et de dessins.
Personnes et institutions:
Date:
1996
1996
Titre:
Kansai-kan of the national diet library competition ' 96
Actions:
ARCH263756
Description:
Cahier de présentation contenant des reproductions de plans et de dessins.
Kansai-kan of the national diet library competition ' 96
Actions:
ARCH263756
Description:
Cahier de présentation contenant des reproductions de plans et de dessins.
Classification:
livres
livres
Date:
1996
1996
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH260020
Description:
Erickson/Massey project proposals labelled 'Permanent Files': Carleton University School of Architecture, BC Building, Dillworth Estates development plan, Edmonton South-East Development, South East Vancouver Elementary School, British Columbia proposal for Expo 70 Osaka Japan, Fisherman's Quay False Creek, Glenwood Park, Institute for the Future physical development plan, Shannon Mews, Royal Columbian Hospital, University of Lethbridge Development Plan and Project One, University of Victoria development and married student housing, Simon Fraser University (reprinted article from Architectural Record, London, 1968)
ARCH260020
Description:
Erickson/Massey project proposals labelled 'Permanent Files': Carleton University School of Architecture, BC Building, Dillworth Estates development plan, Edmonton South-East Development, South East Vancouver Elementary School, British Columbia proposal for Expo 70 Osaka Japan, Fisherman's Quay False Creek, Glenwood Park, Institute for the Future physical development plan, Shannon Mews, Royal Columbian Hospital, University of Lethbridge Development Plan and Project One, University of Victoria development and married student housing, Simon Fraser University (reprinted article from Architectural Record, London, 1968)
Personnes et institutions:
Date:
1968-1969
1968-1969
Titre:
Permanent files for various projects
Actions:
ARCH260020
Description:
Erickson/Massey project proposals labelled 'Permanent Files': Carleton University School of Architecture, BC Building, Dillworth Estates development plan, Edmonton South-East Development, South East Vancouver Elementary School, British Columbia proposal for Expo 70 Osaka Japan, Fisherman's Quay False Creek, Glenwood Park, Institute for the Future physical development plan, Shannon Mews, Royal Columbian Hospital, University of Lethbridge Development Plan and Project One, University of Victoria development and married student housing, Simon Fraser University (reprinted article from Architectural Record, London, 1968)
Permanent files for various projects
Actions:
ARCH260020
Description:
Erickson/Massey project proposals labelled 'Permanent Files': Carleton University School of Architecture, BC Building, Dillworth Estates development plan, Edmonton South-East Development, South East Vancouver Elementary School, British Columbia proposal for Expo 70 Osaka Japan, Fisherman's Quay False Creek, Glenwood Park, Institute for the Future physical development plan, Shannon Mews, Royal Columbian Hospital, University of Lethbridge Development Plan and Project One, University of Victoria development and married student housing, Simon Fraser University (reprinted article from Architectural Record, London, 1968)
Classification:
documents textuels
documents textuels
Date:
1968-1969
1968-1969
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Project records from Mr. Koz
Project records from Mr. Koz
Numéro de référence:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Personnes et institutions:
Date:
1996
1996
Titre:
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Project records from Mr. Koz
Actions:
AP168.S2
Description:
The Project records from Mr. Koz series, 1996, consists of records produced by Seiichi Kozu of Studio KOZ, a local architect who managed the physical construction and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The series consists of 20 drawings and/or reprographic copies, 19 layouts, 16 slides, and a small amount of promotional material including three posters and one promotional pamphlet. Records date from 1996. For Interrupted Projections, in collaboration with Tokyo-based architect Seiichi Kozu (Mr. Koz) of Studio KOZ, Denari used traditional construction techniques to build a structure inside the gallery space that blended floor, wall and ceiling into a continuous curved surface. This surface displayed printed logos for fictional corporations, designed specifically for the exhibition. The majority of drawings and reprographic copies in the series relate to the construction of the principal architectural installation built on the third floor of Gallery MA. This includes plans and sections for the third floor, as well as working drawings that detail specifications such as dimensions, materials, layouts, and assembly techniques. The series also contains a set of five drawings that include first and second floor plans and sections of Gallery MA. The majority of writing on the drawings is Japanese, aside from one reprographic copy with third floor plans and sections that contains notes in English about elements of the installation such as lighting and the placement and size of fictional company logos. Photographic materials in the series comprise 16 slides that contain images of the built installation, as well as images of the exhibition open to the public, including slides of visitors interacting with the NaviCam. The series also includes printed layouts of the 3D digital renderings for the Interrupted Projections model alongside a pantone sheet, which were used as a reference during the construction process. Promotional material in the series includes three small posters for the exhibition, as well as a brochure that highlights selected works from the show.
Niveau de description archivistique:
Series
Series
Date:
1996
1996
Personnes et institutions:
Quantité:
17 FIle
17 FIle
Numéro de référence:
DR1999:0367
Description:
videocassettes include: - "The Unreel" - "What a Wonderful World" - "Construction Site/City Scape" - P. Eisenman " Weak Form: Architecture in a Mediated Environment" (X4: March 25th, 1991; March 28th, 1991; April 1st, 1991; April 4th, 1991) - "1993 AIA Awards" - "National Council of Teachers of Mathematics" May 1991 - 1992 6/12 "Fukuoka" - 1992 6/7 "Daitoku - ji, in kyoto" - "2nd Simposium Internacional De Arquitectura IV" - "The Eye" November 1993 Japan Architecture - "Conferencia De Architectura" February 20th, 1992 - "The Edgo fo Between" P. E. at Colegio de Arquitectos de Madrid May 1988 - Progressive Architecture presentation excerpts - unknown - Japanese title, June 30th, 1992
DR1999:0367
Description:
videocassettes include: - "The Unreel" - "What a Wonderful World" - "Construction Site/City Scape" - P. Eisenman " Weak Form: Architecture in a Mediated Environment" (X4: March 25th, 1991; March 28th, 1991; April 1st, 1991; April 4th, 1991) - "1993 AIA Awards" - "National Council of Teachers of Mathematics" May 1991 - 1992 6/12 "Fukuoka" - 1992 6/7 "Daitoku - ji, in kyoto" - "2nd Simposium Internacional De Arquitectura IV" - "The Eye" November 1993 Japan Architecture - "Conferencia De Architectura" February 20th, 1992 - "The Edgo fo Between" P. E. at Colegio de Arquitectos de Madrid May 1988 - Progressive Architecture presentation excerpts - unknown - Japanese title, June 30th, 1992
Personnes et institutions:
Titre:
Lectures and interviews
Actions:
DR1999:0367
Description:
videocassettes include: - "The Unreel" - "What a Wonderful World" - "Construction Site/City Scape" - P. Eisenman " Weak Form: Architecture in a Mediated Environment" (X4: March 25th, 1991; March 28th, 1991; April 1st, 1991; April 4th, 1991) - "1993 AIA Awards" - "National Council of Teachers of Mathematics" May 1991 - 1992 6/12 "Fukuoka" - 1992 6/7 "Daitoku - ji, in kyoto" - "2nd Simposium Internacional De Arquitectura IV" - "The Eye" November 1993 Japan Architecture - "Conferencia De Architectura" February 20th, 1992 - "The Edgo fo Between" P. E. at Colegio de Arquitectos de Madrid May 1988 - Progressive Architecture presentation excerpts - unknown - Japanese title, June 30th, 1992
Lectures and interviews
Actions:
DR1999:0367
Description:
videocassettes include: - "The Unreel" - "What a Wonderful World" - "Construction Site/City Scape" - P. Eisenman " Weak Form: Architecture in a Mediated Environment" (X4: March 25th, 1991; March 28th, 1991; April 1st, 1991; April 4th, 1991) - "1993 AIA Awards" - "National Council of Teachers of Mathematics" May 1991 - 1992 6/12 "Fukuoka" - 1992 6/7 "Daitoku - ji, in kyoto" - "2nd Simposium Internacional De Arquitectura IV" - "The Eye" November 1993 Japan Architecture - "Conferencia De Architectura" February 20th, 1992 - "The Edgo fo Between" P. E. at Colegio de Arquitectos de Madrid May 1988 - Progressive Architecture presentation excerpts - unknown - Japanese title, June 30th, 1992
Quantité:
17 FIle
17 FIle
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Projects
Projects
Numéro de référence:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Personnes et institutions:
Date:
circa 1990-2002
circa 1990-2002
Titre:
Projects
Actions:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Projects
Actions:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Niveau de description archivistique:
Sub-series 2
Sub-series 2
Date:
circa 1990-2002
circa 1990-2002
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS7.D1.P4
Description:
portrait of James Stirling and James Gowan in York Terrace in London, views of Liverpool by James Stirling probably originally photographed in the early 1960s, group portrait of office personnel, views of interior of office, view of Flat at Ham Commmon project, views of James Stirling in front of the mock-up of the State Gallery Addition and New Chamber Theatre in the Royal Academy of Arts, views of James Stirling and Michael Wilford in Japan, dated 1990, and of magazine covers featuring James Stirling
AP140.S2.SS7.D1.P4
Description:
portrait of James Stirling and James Gowan in York Terrace in London, views of Liverpool by James Stirling probably originally photographed in the early 1960s, group portrait of office personnel, views of interior of office, view of Flat at Ham Commmon project, views of James Stirling in front of the mock-up of the State Gallery Addition and New Chamber Theatre in the Royal Academy of Arts, views of James Stirling and Michael Wilford in Japan, dated 1990, and of magazine covers featuring James Stirling
Personnes et institutions:
Titre:
Portrait of James Stirling and James Gowan in York Terrace in London
Actions:
AP140.S2.SS7.D1.P4
Description:
portrait of James Stirling and James Gowan in York Terrace in London, views of Liverpool by James Stirling probably originally photographed in the early 1960s, group portrait of office personnel, views of interior of office, view of Flat at Ham Commmon project, views of James Stirling in front of the mock-up of the State Gallery Addition and New Chamber Theatre in the Royal Academy of Arts, views of James Stirling and Michael Wilford in Japan, dated 1990, and of magazine covers featuring James Stirling
Portrait of James Stirling and James Gowan in York Terrace in London
Actions:
AP140.S2.SS7.D1.P4
Description:
portrait of James Stirling and James Gowan in York Terrace in London, views of Liverpool by James Stirling probably originally photographed in the early 1960s, group portrait of office personnel, views of interior of office, view of Flat at Ham Commmon project, views of James Stirling in front of the mock-up of the State Gallery Addition and New Chamber Theatre in the Royal Academy of Arts, views of James Stirling and Michael Wilford in Japan, dated 1990, and of magazine covers featuring James Stirling
Classification:
photographies
photographies
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
Personnes et institutions:
Date:
circa 1988
circa 1988
Titre:
Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers (1988)
Actions:
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers (1988)
Actions:
AP207.S2.SS05
Description:
The sub-series documents the exhibition "Il polo espositivo: un tema, due architetti. Arata Isozaki, O.M. Ungers", curated by Pettena and presented at the Piazza Santissima Annuziata in Florence in 1988. The exhibition is a study of designs for exhibition spaces by comparing the work of Japanese architect Arata Isozaki and German architect Oswald Mathias Ungers. The sub-series contains research material on Arata Isozaki and Oswald Mathias Ungers and their projects, such as articles and photocopies of publications.
Niveau de description archivistique:
Subseries
Subseries
Date:
circa 1988
circa 1988
Personnes et institutions:
Classification:
articles
articles
Actions:
Mikio Wakabayashi sur les pensées et les actions de Hiroshi Hara
Mot(s)-clé(s):
postmoderne, postmodernisme, pendant ce temps au Japon, Hiroshi Hara, Mikio Wakabayashi, Kayoko Ota
postmoderne, postmodernisme, pendant ce temps au Japon, Hiroshi Hara, Mikio Wakabayashi, Kayoko Ota
Publié:
16 avril 2020
16 avril 2020
Titre:
Ouvrir des brèches dans l’espace moderne
Mikio Wakabayashi sur les pensées et les actions de Hiroshi Hara
Actions:
Ouvrir des brèches dans l’espace moderne
Mikio Wakabayashi sur les pensées et les actions de Hiroshi Hara
Actions:
Classification:
photographies
Quantité:
94 slide(s)
photographies
Quantité:
94 slide(s)
Actions:
Numéro de référence:
PH1979:0624:001-095
Description:
- The group consists of photomicrographs and architectural views of Angers, France; Arles, France; Saint-Lazare, Avallon, France; Palace of the Popes, Avignon, France; Cathédrale Sainte-Cécile d’Albi, Albi, France; Cathédrale de Chartres, Chartres, Eure-et-Loir, France; Cathédrale d’Amiens, Amiens, France; Cathédrale Saint-Etienne de Bourges, Bourges, France; Hôtel Lallemant, Bourges, France; and Cathédrale Saint-Pierre, Beauvais, France. The group also consists of a view of a netsuke and a tsuba from Japan, as well as two views of masks from Macgowan and Rosse's 'Masks and Demons' ca. 1923.
PH1979:0624:001-095
Description:
- The group consists of photomicrographs and architectural views of Angers, France; Arles, France; Saint-Lazare, Avallon, France; Palace of the Popes, Avignon, France; Cathédrale Sainte-Cécile d’Albi, Albi, France; Cathédrale de Chartres, Chartres, Eure-et-Loir, France; Cathédrale d’Amiens, Amiens, France; Cathédrale Saint-Etienne de Bourges, Bourges, France; Hôtel Lallemant, Bourges, France; and Cathédrale Saint-Pierre, Beauvais, France. The group also consists of a view of a netsuke and a tsuba from Japan, as well as two views of masks from Macgowan and Rosse's 'Masks and Demons' ca. 1923.
Personnes et institutions:
Date:
1883-1930
1883-1930
Titre:
A group of lantern slides on architectural and photomicrographic subjects
Actions:
PH1979:0624:001-095
Description:
- The group consists of photomicrographs and architectural views of Angers, France; Arles, France; Saint-Lazare, Avallon, France; Palace of the Popes, Avignon, France; Cathédrale Sainte-Cécile d’Albi, Albi, France; Cathédrale de Chartres, Chartres, Eure-et-Loir, France; Cathédrale d’Amiens, Amiens, France; Cathédrale Saint-Etienne de Bourges, Bourges, France; Hôtel Lallemant, Bourges, France; and Cathédrale Saint-Pierre, Beauvais, France. The group also consists of a view of a netsuke and a tsuba from Japan, as well as two views of masks from Macgowan and Rosse's 'Masks and Demons' ca. 1923.
A group of lantern slides on architectural and photomicrographic subjects
Actions:
PH1979:0624:001-095
Description:
- The group consists of photomicrographs and architectural views of Angers, France; Arles, France; Saint-Lazare, Avallon, France; Palace of the Popes, Avignon, France; Cathédrale Sainte-Cécile d’Albi, Albi, France; Cathédrale de Chartres, Chartres, Eure-et-Loir, France; Cathédrale d’Amiens, Amiens, France; Cathédrale Saint-Etienne de Bourges, Bourges, France; Hôtel Lallemant, Bourges, France; and Cathédrale Saint-Pierre, Beauvais, France. The group also consists of a view of a netsuke and a tsuba from Japan, as well as two views of masks from Macgowan and Rosse's 'Masks and Demons' ca. 1923.
Classification:
photographies
Quantité:
94 slide(s)
photographies
Quantité:
94 slide(s)
Date:
1883-1930
1883-1930
Personnes et institutions:
